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12"
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RVNGNL 004.5EP
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"Infinidelity pt. 3 closes out our 12" series with two monstrous remixes. UK remix maven and recent Strut Records mix maker Leo Zero turns 'Skin Orders' into a sprawling, eight minute mix of rapid fire drum patterns akin to 'Bombs Over Baghdad' and odyssey-like, Garcia-inspired guitar work by Crow of Mountain of One. Canadian producer Andrew Allsgood's take on 'Two Tons' stomps away with a heavy kick, congo-laden percussion, and fuzzed out bass line oscillating into a cosmic cataclysm and refrain. This remix fits in nicely with Allsgood's classic 12" for History Clock and features additional production by Worst Friends. Complete the Infinidelity series with this final chapter. Infinidelity was mastered by Graeme Durham at The Exchange. Each 12" comes in an extremely limited edition of 300 copies, absolutely stunning artwork by Mark McCoy."
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12"
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RVNGNL 003.5EP
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"Metropolitan Indian and RVNG Intl. present the Historics Infinidelity 12" series. Inspired by a short story of the same name by author Chris Leo, Infinidelity offers ten songs from Historics' late 2009 album debut, Strategies For Apprehension, transformed by an assembly of artists from the outer ether of the electronic music world. Infinidelity Part 2 locks into the groove in hit form with a 'Taverns' remix by Sweden's Jackpot, a track that neatly pits the vocal track against a jack-happy beat and arpeggios that joyfully amp up the outro. Kool Keith pops his head in the UFO! remix of 'Take it to the Top,' making it cool to rap about Eric Clapton over the hyper-dub marching band madness. The 12" continues on its eclectic way with a metallic revision of 'Things Alright' by RVNG sound racketeers Allez-Allez and ends with a Kool Keith redux and some Miami Bass/saxophone skeeze with Montreal's CFCF at the helm of another 'Take it to the Top' remix."
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12"
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RVNGNL 002.5EP
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"The Infinidelity Part 1 12" flickers to life with a re-work of 'Fan Fare' by Tom Croose, a track that swells with a massive drum loop, buzzy bass blasts, and an ominous synth line only to break itself down and accentuate a stark female vocal sample. The glimmering sensibility of Croose's track pitter-patters over into the buildup of Sir Billy and Creso's Saturday Crimson Mix of 'Kinda Personal', another warm track with its roots grown thick in a heavy kick and its wings beating to the crisp high hat on the up beat. Low Motion Disco's take on 'Languages', a meditative number, recalls the even unfolding of an early morning, the calm of the evening, and the moment before you head into the night for the acid thump of Pink Stallone's remix of 'City to City' and repeat the shimmering cycle."
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