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viewing 1 To 11 of 11 items
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CD
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RSGB 1008CD
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Originally released in 2016. This is a previously unreleased 1966 live club performance from Yusef Lateef, the brilliant multi-instrumentalist whose mixing of jazz and Eastern music was a great influence on some of the finest musicians of the era including John Coltrane and Pharaoh Sanders. Accompanied at Ronnie Scott's by the house band of pianist Stan Tracey, double bassist Rick Laird, and drummer Bill Eyden, most of the repertoire played comes from Lateef's earlier recordings for Savoy and Prestige such as Jazz Moods and Eastern Sounds. Lateef plays flute on "The Dreamer" and "Last Night Blues" (it was the last night of the run). He plays the shenai -- a kind of oboe -- on "Blues for The Orient," the xun -- a Chinese flute -- on "Song of Delilah," and tenor saxophone on "Yusef's Mood." The evening's performance was recorded by Les Tomkins at the request of Ronnie Scott. The musicians were unaware they were being recorded as Scott believed they would be at their best and most unselfconscious this way. This record was mastered at Gearbox Records directly from the original 1/4" tapes. Cut on Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head and Telefunken U73B tube limiter; Maselec master control and equalization.
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CD
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RSGB 1008CDOBI
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Japanese edition. Originally released in 2016. This is a previously unreleased 1966 live club performance from Yusef Lateef, the brilliant multi-instrumentalist whose mixing of jazz and Eastern music was a great influence on some of the finest musicians of the era including John Coltrane and Pharaoh Sanders. Accompanied at Ronnie Scott's by the house band of pianist Stan Tracey, double bassist Rick Laird, and drummer Bill Eyden, most of the repertoire played comes from Lateef's earlier recordings for Savoy and Prestige such as Jazz Moods and Eastern Sounds. Lateef plays flute on "The Dreamer" and "Last Night Blues" (it was the last night of the run). He plays the shenai -- a kind of oboe -- on "Blues for The Orient," the xun -- a Chinese flute -- on "Song of Delilah," and tenor saxophone on "Yusef's Mood." The evening's performance was recorded by Les Tomkins at the request of Ronnie Scott. The musicians were unaware they were being recorded as Scott believed they would be at their best and most unselfconscious this way. This record was mastered at Gearbox Records directly from the original 1/4" tapes. Cut on Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head and Telefunken U73B tube limiter; Maselec master control and equalization.
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LP
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RSGB 1008OBILP
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LP version. Japanese edition. Originally released in 2016. This is a previously unreleased 1966 live club performance from Yusef Lateef, the brilliant multi-instrumentalist whose mixing of jazz and Eastern music was a great influence on some of the finest musicians of the era including John Coltrane and Pharaoh Sanders. Accompanied at Ronnie Scott's by the house band of pianist Stan Tracey, double bassist Rick Laird, and drummer Bill Eyden, most of the repertoire played comes from Lateef's earlier recordings for Savoy and Prestige such as Jazz Moods and Eastern Sounds. Lateef plays flute on "The Dreamer" and "Last Night Blues" (it was the last night of the run). He plays the shenai -- a kind of oboe -- on "Blues for The Orient," the xun -- a Chinese flute -- on "Song of Delilah," and tenor saxophone on "Yusef's Mood." The evening's performance was recorded by Les Tomkins at the request of Ronnie Scott. The musicians were unaware they were being recorded as Scott believed they would be at their best and most unselfconscious this way. This record was mastered at Gearbox Records directly from the original 1/4" tapes. Cut on Haeco Scully lathe with Westrex RA1700 series amps, Westrex 3DIIA cutting head and Telefunken U73B tube limiter; Maselec master control and equalization.
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LP
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SVVRCH 073LP
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Reissue, originally released in 1958. Ceaseless seeker Yusef Lateef continually sought to push the boundaries of jazz, striving to make connections across continents and to capture the essence of devotional expression long before the term "world music" was coined. Recorded at the Cranbrook Academy of Art in 1958, Lateef At Cranbrook is a stunning set of instrumentals reaching into the Middle East and the Horn of Africa, the unusual line-up including Frank Morelli on baritone sax, William Austin on rabab, and Terry Polland on piano, with Lateef commanding the proceedings on tenor sax. An exceptional and emotive musical journey.
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LP
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SOW 045LP
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Reissue, originally released in 1960. In 1959, at the time of this recording session, Yusef Lateef was already approaching a new and more open form of jazz. A sophisticated, spiritual yet urban music form informed by non-western languages and cultures. Cry! - Tender is a deeply inventive, mostly contemplative album inspired by an original cosmopolitan vision of jazz and based on masterful playing from a bunch of solid jazz musicians including among others: Wilbur Harden - flugelhorn; Hugh Lawson - piano; Herman Wright - bass; and Oliver Jackson - drums, percussion. All under the direction of master of ceremonies Yusef Lateef on tenor sax, flute, and oboe. Clear vinyl.
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LP
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LIFE 030LP
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Reissue, originally released in 1960. Recorded in May 1960 this is probably one of Yusef Lateef's more straight jazz releases with almost no trace of his famous Eastern sound experiments. This is a beautiful and dynamic album based on a balanced mix of originals and standards including great numbers by Dvorak, Ellington, and Zawinul and with Lateef who's literally shining on both tenor sax, oboe, and flute. A fine document from a master musician caught during one of the peaks of his career.
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SOW 030LP
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Reissue, originally released in 1958. Lateef at Cranbrook (also reissued as Yusef Lateef) is a live album by multi-instrumentalist Yusef Lateef recorded in 1958 at the Cranbrook Academy of Art and originally released on the Argo label. Saxophonist, flautist, oboist, and all-round reeds maestro Yusef Lateef was a renowned cross-pollinator of Eastern modes with the more traditional harmonic repertoire of American jazz. During the course of his covetable career, he worked side-by-side with Dizzy Gillespie, Charles Mingus, and Miles Davis among others. Limited clear vinyl edition.
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LP
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SVVRCH 058LP
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2024 repress; reissue, originally released in 1957. A multi-instrumentalist who reconfigured jazz many times during his long career, Yusef Lateef came to prominence in the late 1950s, after having toured with Dizzy Gillespie. Jazz Mood dates from 1957, when his quintet had some of Detroit's finest, including Alice Coltrane's brother Ernest Farrow on bass and future Jazz Messenger Curtis Fuller on trombone. The use of an argol on "Metaphor" and a rabat and finger cymbals on "Morning" point to Lateef's Islamic grounding and his belief that music serves a higher purpose; this edition has bonus track "Passion," from the equally excellent Before Dawn (1957). Rich, deep, and varied, this is required listening for all serious jazz heads.
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LP
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HONEY 046LP
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This is Yusef Lateef's quartet caught live in Germany in October 1971. Lateef on tenor sax, flute and oboe, presents a classy quartet featuring Kenny Barron on piano, Bob Cunningham on bass, and master Albert "Toothie" Heath on drums. Not much in Lateef's ethno-world trip, just tons of solid grooves and waves of blue notes, a timeless formula to be enjoyed unreservedly.
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NAKED 031LP
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Naked Lunch present reissue of Yusef Lateef's Other Sounds, originally released in 1959. Other Sounds was the first album on which Yusef Lateef looked beyond the confines of jazz and popular music to hear and perhaps "sing" the music he heard from the East. The album was recorded in 1957 and released two years after on the New Jazz label. The line-up was comprised of Yusef Lateef (tenor saxophone, flute, tambourine, argol), Wilbur Harden (flugelhorn, balloon), Hugh Lawson (piano, Turkish finger cymbals, 7UP bottle, balloon, bells), Ernie Farrow (bass, rabat) and Oliver Jackson (drums, gong, earthboard). Surely one of the forerunners of the so-called "world-music" revolution.
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LP
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WLV 82068LP
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Wax Love present a reissue of Yusef Lateef's Jazz For The Thinker, originally released in 1957. Known for his pioneering and multi-instrumental blend of jazz and Afro-Eastern musical traditions, Yusef Lateef has never been content to use his music to merely entertain but has long strived to encourage his audiences to engage their minds as well as their ears. This approach was evident even on his groundbreaking debut album as leader, the aptly titled, Jazz For The Thinker. Unlike most debut efforts in jazz at the time, this album is made up entirely of Lateef's own original compositions, further proving that this was a man with a vision right from the start. Here Lateef, on tenor sax, is backed by Curtis Fuller on trombone, Hugh Lawson on piano, Ernie Farrow on bass, and Louis Hayes on drums.
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viewing 1 To 11 of 11 items
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