|
|
|
|
|
|
|
|
|
LP
|
|
LESPOINTS 014LP
|
With Proletariat, Les Points pay a twisted homage to the early foundations of electronic music where hard-to-get tapes, dystopia and the sound of the wretched worker were present in genres like post-punk, industrial, minimal synth, new beat and wave. It's changing -- the worker searched for post-leftist solutions and got lost. Nine circles applauded the proletariat and imagined how a community could be congregated, while screams of violence would be filtered by boiling blood. Exploiters of labor either find themselves rotting away in a never-ending icy rain or dragging their selfish accumulations on their chests for eternity -- while the worker slowly identifies himself as a counter-commodity. Algorithms (fraud) always mislead -- once the worker gets past them only DJs will be awaiting her/him.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LESPOINTS 010EP
|
Occult Anti-Neo-Liberal Acid Squad Vol. 1 -- All songs written by Flavio Audino, Luca Digi lio, Nicola Kazimir, and Walid El Barbir. "If The Devil Lives Anywhere" features Simon Javed. Arranged by Flavio Audino, Nicola Kazimir, and Walid El Barbir. Engineered by Nicola Kazimir and Walid El Barbir. Recorded at Association Les Points in Zürich, Switzerland. Mixed at Association Les Points. Mastered at Analogcuts Mastering.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
LESPOINTS 007LP
|
Anthoms is a diverse experience through past sonic waves transformed in to future matters. Obscure dance music for everyone. Repetitive, expanding into human emotion - only possible via expressions and not sound-designs. Les Points aka Audino, Barbir, Louh & Nicola Kazimir.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
LESPOINTS 666LP
|
Songs for eternal emptiness/happiness in gatefold sleeve from the Swiss Les Points collective. Avant-garde microhouse Anubis minimal 137-BPM house suprematisten hardcore minimal underground clicks 133 tempo glitch-house occult house nonrepresentational techno future-Satan-house acid minimal gabber clicks micro minimal club sounds pflotsch loops Crowley house fraktal minimal progressive redudanz repetitions loop minimal rave out-of-body techno micro suprematism minimal objective 666 pflotsch acid bleep suprematistic.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LESPOINTS 004EP
|
It is benevolent repetition which frees us from the clutches of dullness. Ownership: A human misery. The Aeon of Horus explores the certainty of becoming God or to merge with Him, thought the fool's dog. The Rosy Cross -- the body is symbolized by the cross. The ego follows thee, it will not lead thee, but kill thou shalt it not also. Liber AL vel Legis, sub figura CCXX, as delivered by XCIII=418 to DCLXVI, to want, dare, can, keep quiet, obey. To become, thou shalt be at the same time nothing and yet anything. Includes a remix by Rozzo.
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
12"
|
|
LESPOINTS 003EP
|
In his seminal essay "The Work of Art in the Age of Automatic Reproducibility"("Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit", 1935/39), Walter Benjamin put forward the thesis that a work of art loses its aura due to reproducibility. In the past, artists such as Giorgio de Chirico and Andy Warhol have explored this thesis, be it with counterfeit versions of their own works or with multiple reproduction of a work. "Il n'ya pas de crocodiles a Codody" takes up this discussion by questioning the very concept of an aura. Ultimately, there are (no) crocodiles in Codody. Remix by Kalabrese.
|