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12"
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M 004EP
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Repressed; 1995 release. "M 4 marks a break on the Maurizio label and starts what will become the famous M-series. This 12" together with its brother M 4.5 is a release with an impact that can't be overestimated. It redefined the dub house term without containing any explicit reggae elements. It is one of the coolest Basic Channel recordings ever!"
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12"
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M 004.5EP
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1995 release, repressed. "The production of 'M 4' yielded more worthy results than one 12" can hold, so a companion release became necessary. 'M 4.5' continues where 'M 4' had to stop. An essential release!"
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12"
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M 005EP
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1995 release, repressed. Classic techno the way it was meant to be heard: dubby and minimal.
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12"
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M 006EP
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Originally released in 1996, repressed. "M 6 consists of two heavy stomping dub house tracks that are dominated by a multiple modulated sequence that reaches from considerable depths to the heights of coloured noises. That all is surrounded by a warm and organic sound sphere of the usual characteristics. A deep groove experience is guaranteed."
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12"
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M 007EP
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2014 repress; released in 1997. "The Maurizio story continues with two more techno dub tracks of astonishing width, depth and presence of every single sound element. Some chords appear after a break in the middle and gives the ongoing groove even more drive."
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12"
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M 001EP
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2016 repress. "Ploy" is originally from 1992! "Ploy is the initiating release by Basic Channel even before they had found their name under which they would create a complete outstanding release sequence. The vibe here is very infected by the early '90s Detroit techno movement. The B-side features an extended playing atmospheric remix by Detroit's major force Underground Resistance (2005 re-mastered re-issue!)."
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12"
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M 003EP
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1992 release, repressed and available again; a classic reworking of Die Dominas (German new wave band from '81 -- w/ Manuel Göttsching and Krafttwerk connections). "Maurizio and Carl Craig joining forces to rework a forgotten(?) early '80s avant garde pop tune. Thank god the reworks don't contain any considerable '80s music elements. Maurizio's version is a chord-driven heavy stomping club monster in two parts, while Craig's version is a relaxed and spaced out house groover."
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