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CD
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CCO 042CD
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This is Berlin-based Hendrik Kröz aka Miwon's second full-length release. Kröz has been an active member of the Berlin-based electronic music scene for a very long time, and his hundreds of live P.A.s created a big fan base for his soulful electronic pop music. As the initiator of the already-legendary "laptop battles," he did important groundwork for the development of Berlin electronic music in general. In 2008, Miwon returns with A To B. First, there is the bullet train. Once inside the Shinkansen, Miwon unpacks his euphoric melodies, haunting atmospheres, killer beats and sweet, irresistible pop songs. On A To B, Miwon takes his love for electronic music to another level, making it even more accessible. Ranging from hands-down pop songs (the title track "A To B" is a homage to/cover version of Fleetwood Mac) to more dancefloor-oriented tunes like "Matchbox" that are clearly-influenced by Cologne pioneers like Burger/Ink, and true ballads like "Another Term For," Miwon explores all possible angles of electronica. Featuring the talents of Japanese singer Maho Masuda, as well as Sibylle Fendt, Fleckfumie's Nick Gloeckner on guitar and Galaktlan on synths, A To B will help you get through the cold, barren months, back to summertime warmth, and back again, from A To B.
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LP
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CCO 042LP
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12"
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BLOCK 030EP
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"Hendrik Krötz aka Miwon has been an active member of the Berlin-based electronic music scene for a very long time. Hundred's of live P.A.s created a big fan base for his soulful electronic pop music. As the initiator of the already legendary 'laptop battles' he did important ground work for the development of electronic music in Berlin in general. Apart from a long deleted split-12" on the Grundrauschen imprint, Brother Mole is his first release. The title track is a blueprint of modern synth-pop. A pumping bassdrum, lush chords and catchy vocals make 'Brother Mole' an instant hit you will be whistling walking down the street. Be prepared for some serious addiction. A perfect track for CCO's very own John Tejada to remix. He transforms the track into a dancefloor anthem. An even more kicking bassdrum and a much straighter arrangement turn the track into a killer DJ-Tool. 'Spiralize' shows Miwon's love for more dirty, gritty sounds. His dreamy melodies do the rest. 'Rain Or Shine', the closing track, is a lullaby for lonely laptops. Deep and haunting."
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