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LP
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RER PDPV
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ReR Vinyl present a reissue of Picchio dal Pozzo's Abbiamo Tutti I Suoi Problemi, originally released in 1980. One of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s, Picchio dal Pozzo were also one of the early invitees to the canonical Recommended Sampler, and would have been in RIO, had RIO lasted another year -- and had the group not folded up and disappeared before anyone had realized it was there. In the last decade the record was reissued briefly in Japan, then It disappeared again. Here is is, remastered and back into the public domain where it belongs. Copying no one, though, there is some Zappa influence, Picchio had a unique and highly developed style of composition that was not only out of step with its own time but which sounds contemporary still. Highly composed and devoid of jazz phrasing and riffs with solos, this record achieves maximum musical effect with minimum instrumental means through close attention to timbre, dynamics, and expressed tempi and a kind of deep complexity that sounds simple but changes with each listening. A lot of ideas subtly developed -- rather than experimented with; a one-off classic. 180 gram vinyl.
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LP
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GFPDP 001LP
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2024 repress. Goodfellas present a reissue of Picchio Dal Pozzo's self-titled album, originally released in 1976. Picchio Dal Pozzo can be considered as the definitive "Canterbury"-inspired band coming from Italy's 1970 progressive rock scene. Their 1976 debut album shows an incredibly rich sound tapestry, made out of some peculiar ingredients. Oblique tunes and liquid harmonies, airy flutes, crispy horns, loads of electric piano and fuzz bass, drops of jazz, pop romanticism, waves of minimalism and deep pataphysical vocals and lyrics. The whole album develops through a sequence of highly composed material and wide open sound forms. A deep journey through a multi-layered soundscape with echoes of Hatfield & The North, Soft Machine, Robert Wyatt and Zappa. Picchio Dal Pozzo's first work was out on Grog Records and subsequently reissued only in Japan (Grog Records was an independent label known for releasing the work of Italian underground pop groups of the seventies such as Corte Dei Miracoli, Latte e Miele and Celeste). 180 gram vinyl. "One of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s" --Chris Cutler.
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CD
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GFPDP 001CD
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"One of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s." -- Chris Cutler.
"Picchio dal Pozzo can be considered as the definitive 'Canterbury' inspired band, coming from Italy's 1970s progressive rock scene. Their 1976 debut album shows an incredibly rich sound texture, made out of some peculiar musical ingredients. Oblique tunes and liquid harmonies, airy flutes, crispy horns, loads of electric piano, fuzz bass, drops of jazz, pop romanticism, waves of minimalism, and pataphysical vocals and lyrics. The whole album develops through a sequence of finely composed material and wide open sound choices. A deep journey through a multi layered soundscape with echoes of Hatfield and the North, Soft Machine, Robert Wyatt, Zappa. PDP's first work was originally released on Grog Records and subsequently reissued only in Japan. (Grog Records: an independent label, known for releasing the work of Italian underground pop groups of the 70s, such as Corte Dei Miracoli, Latte E Miele, and Celeste)."
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CD
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RER PDP
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"Amongst the cognoscenti, Picchio dal Pozzo is regarded as one of the most original, impressive and highly respected of all the experimental groups to have come out of Italy in the 1970s. They share their original label with Henry Cow's Concerts, and were early invitees to the canonical Recommended Sampler. Aldo De Scalzi, Andrea Beccari, Giorgio Karaghiosoff and Paulo Griguolo all met at infant school and began playing Teleman, Corelli, Bach and Mozart together in their school orchestra. In 1969, Aldo's brother, one of the locally hailed 'New Trolls,' founded his own recording studio, and the proto-Picchios, then about 12 years old, began hanging out there, messing around with the instruments and studio equipment. In 1974 the studio asked them to record an LP for its label, obliging them to come up with a name. They chose Picchio dal Pozzo from the nonsense lyric that ends one of their songs. They didn't have a drummer, so they invited Aldo Di Marco. Later Claudio Lugo (sax) and Roberto Romani (sax) also joined, and by 1975, the group was doing concerts and attracting attention. They were invited by the local council to set up a music school in 1977, and at the same time they started to make music in a psychiatric hospital. These activities introduced them to Area's ex-singer Demetrio Stratos, with whom they then collaborated until his premature death in 1979. Abbiamo was originally released by l'Orchestra Cooperativa in 1980, after which the group officially wound up."
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