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2LP
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DYSTOPIAN 002LP
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Double LP version. Rødhåd's debut album Anxious sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. It was the natural next step to present the sound he began cultivating with his recent EPs Kinder Der Ringwelt (2015) and Söhne Der Erde, as a full-length album. The experience Anxious tries to convey is being thrown into a world that is ready to crush you. Rødhåd is the spearhead of a new generation of techno producers and DJs. With his bass heavy grooves and dubby atmospheric soundscapes, he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. He fully immerses himself into the music, yet never loses himself. Growing up in Berlin's rougher outskirts, as a teenager he was able to grasp the final flashings of Berlin's mythical nightlife of the 1990s at legendary places Casino and Ostgut. In the late 2000s, the Dystopian crew began their own series of parties and then the label, with two seminal releases by Rødhåd, 1984 (2012) and Blindness (2012). The album begins with a series of pulsing sounds as "Unleash" lures the listener into Rødhåd's sonic universe. The eerie melodies and the subtle staccato grooves of "Withheld Walk" pull its audience even further into an infusible mix of curiosity and fear. With "Escape", the bass drum finally sets in, but against all odds does not tune into a clubby energy. Remaining restrained and imaginative, the ghostly melodies of "Brief Respite" sound like the voices of creatures from another planet. "Awash" features a beautiful, yearning flute and out-of-tune strings wrestle with subdued breakbeats and a heavy bassline. "Glimmer Of Light" then sets an uncanny key, moving the dark beauty of '80s electro into the rich and subtle electronic palette of the present. In "Target Line", Rødhåd's collaboration with Vril, the simmering synth-track breaks away when they least expect it, setting the stage for the climax of the album. An "Amen" break tears itself loose in "Burst" and gets lost in an echo. With the quiet and majestic techno grooves of "Left Behind", the turmoil is over. The last track, "Cast A Shadow", expresses relief and quiet, giving them a chance to reflect on their mind-boggling journey. And just moments later, thrilling adventures turn into distant memories.
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CD
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DYSTOPIAN 002CD
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Rødhåd's debut album Anxious sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. It was the natural next step to present the sound he began cultivating with his recent EPs Kinder Der Ringwelt (2015) and Söhne Der Erde, as a full-length album. The experience Anxious tries to convey is being thrown into a world that is ready to crush you. Rødhåd is the spearhead of a new generation of techno producers and DJs. With his bass heavy grooves and dubby atmospheric soundscapes, he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. He fully immerses himself into the music, yet never loses himself. Growing up in Berlin's rougher outskirts, as a teenager he was able to grasp the final flashings of Berlin's mythical nightlife of the 1990s at legendary places Casino and Ostgut. In the late 2000s, the Dystopian crew began their own series of parties and then the label, with two seminal releases by Rødhåd, 1984 (2012) and Blindness (2012). The album begins with a series of pulsing sounds as "Unleash" lures the listener into Rødhåd's sonic universe. The eerie melodies and the subtle staccato grooves of "Withheld Walk" pull its audience even further into an infusible mix of curiosity and fear. With "Escape", the bass drum finally sets in, but against all odds does not tune into a clubby energy. Remaining restrained and imaginative, the ghostly melodies of "Brief Respite" sound like the voices of creatures from another planet. "Awash" features a beautiful, yearning flute and out-of-tune strings wrestle with subdued breakbeats and a heavy bassline. "Glimmer Of Light" then sets an uncanny key, moving the dark beauty of '80s electro into the rich and subtle electronic palette of the present. In "Target Line", Rødhåd's collaboration with Vril, the simmering synth-track breaks away when they least expect it, setting the stage for the climax of the album. An "Amen" break tears itself loose in "Burst" and gets lost in an echo. With the quiet and majestic techno grooves of "Left Behind", the turmoil is over. The last track, "Cast A Shadow", expresses relief and quiet, giving them a chance to reflect on their mind-boggling journey. And just moments later, thrilling adventures turn into distant memories.
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12"
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TOKEN 047EP
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Located beyond Neptune's orbit is the dwarf planet Haumea, the inspiration behind Rødhåd's second release for Token. Rødhåd is now a respected staple of European techno and his three-track Haumea single features an alternative Dirt version of the title-track mixed by the Dystopian co-founder, and a second remix by Ø [Phase]. "Haumea" is a bleepy production that straddles the divide between the Detroit techno of Jeff Mills and newer European interpretations mixed with coarse hi-hats. The B-side's "Dirt" version provides a minimal alternative which strips the original's murky low-end. Ø [Phase]'s chugging remake compliments the theme of this spacey record.
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12"
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TOKEN 030EP
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2014 repress. Rødhåd is one of Berlin's most promising and talked-about artists. With EPs on Dystopian (the label he helms with friends) and one remix on Semantica, that's quite an achievement. Spomeniks EP is his first release outside of Dystopian but preserves his deep, powerful, and melancholic style. Apart from a rising producer and prolific DJ, Rødhåd is a very down-to-earth guy with a strong vision and an open mind. Definitely a match with anything Token stands for.
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