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12"
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HOW 009EP
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Support from Rune Lindbæk, FYI Chris, Pedrodollar, Slugabed. People who overhear these on PAs tend to be seduced. Transparent white vinyl; Edition of 100.
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12"
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HOW 008EP
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Street Poisoning is escapist dance essentials by Stockholm dance music hero Daniel Savio. These tracks premiered in a mix for the world-famous 1UP graffiti show in Sweden. Covers aerosol/fire extinguisher/hand painted by 1UP.
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12"
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HOW 007EP
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Red hot drum lead track backed by boiling point late night to early morning long haul truck driving or dancing music. The saws and sines have aligned! It's HOW007 time. This release is called The 417. It is three songs by Daniel Savio. This recording was conjured up on machinery people are known to touch and sell. MK1 menu diving desktop stuff. Stuff that is ten years old, stuff that may be older. Stuff that purrs, rocks, bounces, and skates. In 2017 Daniel Savio's "Race To The Bottom" and his Plejjern Från Plejaderna album took Swedish house music by storm.
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12"
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HOW 006EP
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Daniel Savio punctures the game with a slow-growing three track set of dub-influenced, house curiosities.
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LP+CD
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LSF 018LP
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"The end is coming. We all know it. Could be the end of the world, or just the end of that bag of chips you're eating, but rest assured, it is coming. And to harken its arrival is Daniel Savio, and his Armageddon themed opus Nekropolis. A point of personal pride in the Savio catalog of production (and among his earliest) is that fact that he contributed material to the production of the second Britney Spears record, which in its own way has surely helped contribute to the decay of society, and thus bring about the end days. The 9 tracks spread amongst the LP (and also included on the bundled CD) are just as menacing as the idea of having to listen to that whole record ten times over, but in a thrilling way, as yet unheard in the Skweeediverse. This is Daniel Savio's second full length, and a continuation of the blast that erupted from the Flogsta Danshall LP of 2009 known as Dirty Bomb. In a world of little records, like that of the Skweee, and its ubiquitious 45s, two massive bombs are now unleashed by that rogue state Sweden, and no amount of diplomacy can stop them!!"
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7"
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LSF 016EP
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"Rustie and Joker know Skweee. It's obvious in their basslines. To spell it out, the mental picture that would work for most who have not heard the funk from the far North would be that skweee is that flavor blown up big in the purple wow form of dubstep, typically at around hip hop pace, crossed with a bit of '80s electro rap. Of course, at the same time, this would do nothing in the way of defining 70% of the records released in the Skweeediverse. Yes, it often possesses bits of R&B, electro, disco rap, techno, and boogie, but in a way that can only be called skweee. You kinda know it when you hear it. Which is much the same with Daniel Savio, the man who coined the phrase, and has consistently worked inside (and outside) the style since then, both as the aforementioned non de plume, and with his more cosmic disco tinged/ b boy edit tinged productions under the name Kool DJ Dust, which garners just as much love in its own circles. Each of the tracks here offer a form of this new funk called Skweee thus unheard from the lands of Nord. If a member of Trilamb happened to also have the last name Mantronix, maybe the song to win the greek council at the end of Revenge of the Nerds would have been 'Nightmare Food'. On the B Side, we have 'Sleeping wit' Fish', a bubbly squelch of synth skweeedom, spelled as such because, as Daniel says (and Jamie Lee Curtis too) 'I from Sveden'."
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LP
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FLOGSTA 001LP
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"Daniel Savio's (and Flogsta's) first solo LP. Dirty Bomb and it's a 10 song all skweee album on vinyl. 2009 predicted will be The Year of the Skweee, The man who coined the name 'skweee.' Sweden's Kool DJ Dust aka Daniel Savio was the first skweee DJ and its second producer. Daniel Savio: 'I have been DJing since the mid-nineties and buying records since my early childhood. It all goes back to my love for hip hop music and culture. Graffiti was my main thing but I also had some attempts to rap and dance (crazy fake breaking). So hip hop, I would say, is my main influence and when I started DJing it was all about hip hop. But early on I was curious about the old school breaks/originals/samples so from that I got into funk, soul, disco, rock and of course the early electro stuff like Kraftwerk and Arthur Baker, Paul Hardcastle, etc, etc. So its a dream come true for me.. I have been working on it for a couple of years. So 2009 will be hectic, skweee-alistic and funky fresh!'"
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