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12"
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RH 110D-EP
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2011 repress. Part 4 in the Shake Frictionalism (RH 110CD) reissue series, with three total corkers and also an exclusive track. "The Floor Filler" is a disco-frenzied track that was originally released in 1997 as part of Club Scam II. The track is still a valid club tool and will definitely fill a floor. "Plugged In" is taken from the same EP and is true disco meets techno. "The Other One" is a track from the vault and has never been released.
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12"
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RH 110C-EP
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Part 3 in the Shake Frictionalism reissue series, with four serious killers. "Assimilated" was featured on his Natural Electronics EP from 2010 and shows that Shake is a pioneer in off-beat techno. "Get A Feeling" is taken from an early Track Mode release and is one for the Detroit house-heads. "For The Lamented" and "Frictionalized" are both taken from his Unsterilized Sessions EP from 2002 and was an early favorite with Ricardo Villalobos, amongst others.
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12"
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RH 110B-EP
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Rush Hour presents the second edition in their Anthony "Shake" Shakir 12" series, taken from the Frictionalism 1994-2009 (RH 110CD) compilation released in early 2010. Here are four stone-cold Shake classics: "Arise," "Simpatico," "The Fake Left. Go Right Plan" and "Mr. Gone Is Back Again." This is what they call value for money, folks! Comes with different artwork from the limited box set.
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12"
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RH 110A-EP
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2011 repress. Rush Hour presses the first 12" from the Frictional Recordings compilation, Frictionalism 1994-2009. Four energetic house tracks -- "Happy To Here," "Breathe Deeper," " March Into Darkness" and "Electron Rider" -- from one of Detroit's finest... TIP!
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12"
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FRCT 015EP
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The legendary Anthony "Shake" Shakir is back on his re-launched Frictional label with some stellar, hotly-anticipated brand-new material. Detroit's finest techno from an important and essential label.
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12"
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DOSER 010EP
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Here is a brilliant 12" from one of Detroit's most respected producers, Anthony "Shake" Shakir. This is the full release of a super-limited white label that dropped in 2008. A tough and ballsy 12", going everywhere from off-key house and electro bullets to steppers/near Photek-ish-dubstep. Ridiculous. This will appeal to fans of his output on his own Frictional label and open-eared people with a love for solid electronic music.
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