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Cassette
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SUC 070CS
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$17.50
PREORDER
RELEASE DATE: 11/28/2025
In keeping with tradition, the new year brings another offering from Portuguese pianist and composer Tiago Sousa. The fourth volume of the Organic Music Tapes series concludes this cycle that has significantly transformed Tiago Sousa's music. Compositions in a fluid state, forming nebulae of sounds with vague contours for piano, organ, and tape loops, based on techniques pioneered by American minimalism, particularly by composers such as Steve Reich, Terry Riley, and Charlemagne Palestine. While throughout this series the electric organ has played a more prominent role in contrast with pre-recorded loops, this is the moment when this technique is extended to the piano compositions. New opportunities arise for the repetition and variation of small motifs to induce subtle perceptions and psychoacoustic effects. This final edition represents the maturation of the Portuguese composer's intentions surrounding the idea of organic music. In music, too, the organic world is quite different from the one built on the rules of syntax and grammar. It refers instead to a type of inter-dependent relationships and patient, repetitive processes that are simultaneously spontaneous and unpredictable, which shape rivers and mountains, the grain of wood, muscle fibers, or marks on a jade stone. Enter then the fourth volume and be locked in a new theatre of eternal music by an artists that keeps pushing his own style to ebullient highs.
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LP
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CREP 108LP
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Continuing his fruitful relationship with Discrepant after the third volume of his ongoing Organic Music Tape Series on Sucata Tapes, Tiago Sousa returns with two long-form pieces for organ with A Thousand Strings. A self-explanatory title in itself, A Thousand Strings drifts fluidly into a celestial realm of cascading melodies and cycling patterns that never feel forced or strict throughout its two hypnotic tracks. Pulsating with life and ecstatic abandon. Taking cues from the tradition of American minimalists like Steve Reich and, particularly, Terry Riley, the Portuguese composer's work flows with a life of his own, that, while acknowledging those influences, transcends them into his own signature. On the A side, "A Thousand Strings" goes seamlessly from intertwining crepuscular harmonies to ascending keyboard runs in the manner of "Persian Surgery Dervishes" finishing with a coda of rhythmic marimba-like pulses. On the flipside, "The Things Passed" creates this maze-like tapestry of melodies that seem to drift apart only to converge back again into its internal process before setting on sustained tones infused with a sense of longing. For all things passed. For what is yet to come. Recorded by Tiago Sousa and mastered by Rashad Becker.
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CD
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CREP 082CD
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Enter, Angst a series of musical "essays on the ephemeral being" by Portuguese pianist and composer Tiago Sousa. After 2015's Um Piano nas Barricadas (CREP 023LP, 2016) Sousa expands his compositional chops by writing and performing along with a trio made of clarinet, percussion and vibraphone adding a magical realism aura to the music. It was fate that the releasing of these compositions would arrive in one of the most troubled passages of recent memory, just as a new decade begins. If it was already established that anguish is one of the hallmarks haunting our modern era, these last few years expose this existential feeling with even greater urgency. The album that Tiago now presents, part angst part nostalgic escapism addresses this very modern concern as well as other themes dear to the so-called existentialist thinkers such as Heidegger, Camus or Kierkegaard, who among others, seek to directly challenge the Being with various concepts such as Repetition, Temporality, Interiority, Despair... Throughout the eight themes here presented, a delicate attempt is made to sketch a phenomenological cartography through its content and form, loosely describing the feeling of being launched into the wide world and the discovery of one self. In other words, the artist's aim here is to convey the growing pains that the whole question about the meaning of life throws at us. In an approach that is difficult to catalogue, the album tries to avoid genres and crystallizations in which music presents itself as a vehicle to express the ineffable and the incommunicable, expressing instead a magical world of wonder and enchantment.
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LP
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CREP 023LP
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Since his first release (2006's Crepúsculo), pianist and composer Tiago Sousa has been consistently developing his very own aesthetic; through his relatively large body of work, one can identify an artist on the search for his own expression and identity. Um Piano nas Barricadas ("A Piano in the Barricades") follows three largely successful endeavors, all centered on the piano: Insónia (2009), Walden Pond's Monk (2011), and Samsara (2013). In the time between those works and Um Piano nas Barricadas, Sousa composed the score for the 2013 Portuguese film Bibliografia (included here) and the large-scale theater piece O Coro das Vontades, which premiered in 2012. Um Piano nas Barricadas is another development in this unique body of work by one of the most interesting and intriguing musicians to come out of the burgeoning Portuguese music scene, cementing his place as one of the most distinct voices in piano-driven minimalism. Includes collaborations with Tó Trips, Ricardo Ribeiro, Balthazar Molina, and Rebecca Roth. Mastered and cut by Rashad Becker at Dubplates & Mastering, Berlin. Edition of 500.
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LP
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IMMUNE 029LP
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LP
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IMMUNE 016LP
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