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CD
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ALIEN 063CD
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"Tanakh's Ardent Fevers marks the band's fourth release for Alien8 Recordings and finds Jesse Poe and company continuing to delve deeper into the world of psychedelic pop music. While this most recent work bares some resemblance to the band's debut Villa Claustrophobia, and their sophomore Dieu Deuil, it treads more in the sounds of '70s rock, resulting in an album less precious, and closer to Tanakh's live sound. Listening to Ardent Fevers one is treated to a beautiful array of lush compositions that capture the listener with memorable choruses and well thought out orchestration. Stellar tracks include the opening 'Drink to Sher,' which recalls Beck from his Sea Change period or Tim Buckley. 'Greybreathes' is an unforgettable piece of music that has you humming the chorus for hours. Just like most of the music of Tanakh, the focal point of this cut is the wonderful vocal style of Jesse Poe. 'Still Trying to Find You Home' starts off as Leonard Cohenesque folk dirge but builds momentum until it takes on the feel of Neil Young's Crazy Horse and comes close to 'freakout' thanks to some pretty serious soloing on guitar. The band then switches to the far lighter 'Restless Hands,' which recalls sixties era British folk-pop."
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2CD
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ALIEN 048CD
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"This marks Alien8's third release with American singer songwriter Jesse Poe's project Tanakh, currently based in Florence Italy. Unlike the first two recordings this latest offering strays from structured songs and resides much more in the regions of the avant garde. The recording itself is as mysterious as the grounds on which the music was created. Tanakh is comprised of long droning numbers with tremendous swells and divots, as different sounds and textures come in and out of the mix. This music provides a different digestion with every listen. Comparisons can be drawn to Double Leopards, Taj Mahal Travelers, Molasses, Paul Panhuysen, Pelt, and set fire to flames." 2CDs for the price of one.
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CD
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ALIEN 043CD
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"Tanakh's newest record, Dieu Deuil, commands a nautical embrace of wet boots and November days filled with rain. It sings stories of loss, hope, and transcendence amidst the swirling cyclone of mundaneness. Dieu Deuil, which takes it name from the architecture of Daniel Libeskind, successfully integrates improvisation and song writing, and communicates an interior intimacy, which previously was only hinted at in the drifting exterior world of 'Villa Claustrophobia'. Dieu Deuil is a small warm café in the cavernous arcades of 'Villa Claustrophobia,' where the air is moist with smoky teas and steam hoarfrosts the windows. 'Dieu Deuil' maintains the outer-national feel of 'Villa Claustrophobia' but focuses less on a pneumatic exotica and more on a rich interior journey that communicates the warmth of human touch and the frigid burn that such contact can leave when it is taken away. Dieu Deuil captures a particular gentleness of the 70s-era folk psychedelia inspired by the likes of John Martyn, Tim Buckley, Fairport Convention and Pentangle, both in it's inventive orchestration and in it's vocally charged delivery."
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