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2CD
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BSR 891CD
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"This 2CD set includes three original albums Nah Fight Over Woman, Tribute to Reggae King Bob N. Marley, and Dancehall Stylee and booklet with comprehensive sleeve notes. Jah Thomas, whose real name is Nkrumah Thomas, is a Jamaican musician, producer, and deejay. He is well-known in the reggae and dancehall music scene. Jah Thomas gained recognition in the late 1970s and throughout the 1980s for his contributions to the reggae and dancehall genres. He is particularly noted for his work as a producer and as a deejay (toasting or rapping over reggae tracks)."
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LP
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RR 376LP
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Toaster Jah Thomas began his career on the west Kingston sound systems of the mid-1970s, making a massive splash with Midnight Rock in 1976. After a debut LP for Channel One, his self-produced Dance On The Corner raised the bar several levels. Voiced at King Tubby's studio, mixed by Tubby, Jammy, and Scientist and edited by the King himself, the album has Thomas chatting over hard Roots Radics rhythms earlier used by Barrington Levy -- the perfect platform for Thomas' relaxed chants, vexed rants, and commentaries on Jamaican life. This is Jah Thomas at his best -- a must for all fans of reggae, dub, deejay, and dancehall!
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LP
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RR 398LP
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Deejay Jah Thomas was one of the creative figures making a dramatic impact on the Kingston sound system scene of the late 1970s and early 1980s, the rhythms he laid at Channel One studio with the Roots Radics helping to steer reggae towards the emerging dancehall style. Voicing and mixing his work at King Tubby's studio, typically with the young upstart engineer known as Scientist, Thomas got his start as a quick-witted deejay in the vibrant sound system scene of western Kingston, making his recording debut in 1976 with Midnight Rock, a hit that became the name of his record label, once he shifted to producing his own work. Dance Hall Connection, which first surfaced in 1983, is easily one of his best LPs, Thomas ably riding the rough Radics rhythms with style. The title track is a variant of the "Boneman Connection" theme that references dancehall's grounding in sound system culture, "Friday Night Jamboree" salutes the music's potent allure on a top cut of the "Entertainment" rhythm, and "Let Him In" implores the gateman to allow an impoverished dreadlocks into the dance; "Ni**er Skank" warns against wrongdoers, "Joker Smoker" pokes fun at those who can't handle their herb, and "Living In Jamaica" describes various aspects of lifestyle on the island. Elsewhere, Thomas enters boasting territory on "Cool Profile," disses combative women on "Jealous," recounts his girlfriend's dubious antics on "Gal A Laugh" and implores another not to forget him once she emigrates. Flash it, Jah Thomas! This is musical murder!
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LP
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AALP 6042LP
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Originally released in 1983. Recorded at Channel One, Kingston, Jamaica. Mixed at Channel One and King Tubby's Studio. "Jah Thomas was an important figure on the Jamaican music scene during both the roots era of the '70s and the subsequent dancehall decade of the '80s. Besides releasing several DJ sides of his own in the latter half of the '70s, Thomas also came into his own as one of the island's top producers for both singers and DJs. Many of these sides found their way to the dub studios of King Tubby, who transformed a wealth of Thomas' rhythms into a some of the best dub tracks to emerge from Jamaica." --AllMusic
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LP
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BSR 886R-LP
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Red vinyl. "Dub album by Nkrumah 'Jah' Thomas from Kingston, Jamaica. Released on white vinyl. A reggae deejay and record producer who first came to prominence in the 1970s, later setting up his own Midnight Rock and Nura labels."
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LP
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RR 353LP
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Radiation Roots present a reissue of Jah Thomas's Dance Hall Stylee, originally released on Daddy Kool Rec in 1982. Jah Thomas was an important figure on the Jamaican music scene during both the roots era of the '70s and the subsequent dancehall decade of the '80s. Besides releasing several DJ sides of his own in the latter half of the '70s, Thomas also came into his own as one of the island's top producers for both singers and DJs. Many of these sides found their way to the dub studios of King Tubby, who transformed a wealth of Thomas' rhythms into a some of the best dub tracks to emerge from Jamaica.
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