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2LP
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NA 5127LP
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LP version. "Australian guitarist/visionary Rob Thomsett's collected works -- two LPs -- are combined into one package as the fourth release in the Now Again Reserve series. Custom made, thick-cardboard, tip-on Now-Again Reserve Edition gatefold jacket. Hand numbered edition of 1000. 160 gram vinyl from Quality Record Production. OBI strip and re-sealable 'Japanese-style' plastic sleeve. Download card for WAV files of the album. Contains booklet with the story of this band, told for the first time, and many unpublished photos." "Australian guitarist/visionary Rob Thomsett's collected works -- two LPs -- are combined into one package as the fourth release in the Now Again Reserve series. Originally privately pressed in tiny numbers in Canberra in the mid-'70s, Yaraandoo & Hara have become sought after examples of the best in progressive jazz/rock.'Taking in impressionistic hazy instrumental jazz ... muscular fusion moves, solo Mellotron pieces as heavenly as anything Beethoven or Handel ever concocted, extremely loose-limbed ethno-fusion soundscapes of the Don Cherry/Pharoah Sanders variety, film soundtracks ... and electronic experimentalism ... hair-raising, soul-searching beauty -- with an overall dreamy, hazy quality that perhaps could only be written by an Australian fully conversant with the 'Dreamtime' cultural feel for the myths and legends of the Outback.' --Julian Cope's Head Heritage"
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CD
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NA 5127CD
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"Australian guitarist/visionary Rob Thomsett's collected works -- two LPs -- are combined into one package as the fourth release in the Now Again Reserve series. Originally privately pressed in tiny numbers in Canberra in the mid-'70s, Yaraandoo & Hara have become sought after examples of the best in progressive jazz/rock. Custom made, 'mini-LP', tip-on CD packaged with perfect-bound booklet packaged in O card. 'Taking in impressionistic hazy instrumental jazz ... muscular fusion moves, solo Mellotron pieces as heavenly as anything Beethoven or Handel ever concocted, extremely loose-limbed ethno-fusion soundscapes of the Don Cherry/Pharoah Sanders variety, film soundtracks ... and electronic experimentalism ... hair-raising, soul-searching beauty -- with an overall dreamy, hazy quality that perhaps could only be written by an Australian fully conversant with the 'Dreamtime' cultural feel for the myths and legends of the Outback." --Julian Cope's Head Heritage
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