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LP
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KK 097LP
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LP version. Includes download code. Following 2010's Goto (KK 053CD/057LP), Toog, aka Parisian musician, poet, and filmmaker Gilles Weinzaepflen, is back with his third album on Karaoke Kalk, The Prepared Public. Toog's musical life started by touring extensively with the legendary Scottish singer Momus, in the USA, Europe, and Japan, where they played with the Japanese popstar Kahimi Karie. Toog's debut album 6633 was released worldwide in 1999 and was critically acclaimed. BBC Choice describes 6633: "Imagine a 21st century descendant of French musical maestros Erik Satie and Serge Gainsbourg playing his compositions with chop sticks and a selection of synths and toy instruments and you have Toog." The Prepared Public is Toog's seventh full-length album as a solo musician. The album begins, as all music should, with the sound of tuning up. What ensues is 18 tracks of bewildering beauty, both enchanting and baffling. Toog paints a mysterious sound picture, blending piano melodies with field recordings, electronic sounds, acoustic guitar, and French spoken word. It is perhaps the minimalist edge that provides the only link to the John Cage reference in the album title. In Toog's own words: "John Cage has nothing to do with the record, apart from his interest in sounds. He's a symbol more than a model: his fabulous prepared piano wouldn't exist without culture, which is 'preparing' us to welcome it. We are the prepared public." With so many short tracks on one album - the average length is about two minutes - Toog manages to create the feel of a sound collage, encompassing seemingly endless emotions and abstract audio moments, each one magnificently juxtaposed with the next. The Prepared Public may be of the musique nouvelle genre, but it covers too many styles to be placed in one pigeon hole. One thing is clear: the core of the project is a true dialogue between piano melodies and sounds. This music effortlessly leaps from minimal ambience to dadaist moments which could be the soundtrack to a Tim Burton movie. The Prepared Public is as likely to perplex as it is delight, but no doubt, this is an album for the discerning listener.
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CD
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KK 097CD
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Following 2010's Goto (KK 053CD/057LP), Toog, aka Parisian musician, poet, and filmmaker Gilles Weinzaepflen, is back with his third album on Karaoke Kalk, The Prepared Public. Toog's musical life started by touring extensively with the legendary Scottish singer Momus, in the USA, Europe, and Japan, where they played with the Japanese popstar Kahimi Karie. Toog's debut album 6633 was released worldwide in 1999 and was critically acclaimed. BBC Choice describes 6633: "Imagine a 21st century descendant of French musical maestros Erik Satie and Serge Gainsbourg playing his compositions with chop sticks and a selection of synths and toy instruments and you have Toog." The Prepared Public is Toog's seventh full-length album as a solo musician. The album begins, as all music should, with the sound of tuning up. What ensues is 18 tracks of bewildering beauty, both enchanting and baffling. Toog paints a mysterious sound picture, blending piano melodies with field recordings, electronic sounds, acoustic guitar, and French spoken word. It is perhaps the minimalist edge that provides the only link to the John Cage reference in the album title. In Toog's own words: "John Cage has nothing to do with the record, apart from his interest in sounds. He's a symbol more than a model: his fabulous prepared piano wouldn't exist without culture, which is 'preparing' us to welcome it. We are the prepared public." With so many short tracks on one album - the average length is about two minutes - Toog manages to create the feel of a sound collage, encompassing seemingly endless emotions and abstract audio moments, each one magnificently juxtaposed with the next. The Prepared Public may be of the musique nouvelle genre, but it covers too many styles to be placed in one pigeon hole. One thing is clear: the core of the project is a true dialogue between piano melodies and sounds. This music effortlessly leaps from minimal ambience to dadaist moments which could be the soundtrack to a Tim Burton movie. The Prepared Public is as likely to perplex as it is delight, but no doubt, this is an album for the discerning listener.
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CD
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KK 053CD
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This is the second album on Karaoke Kalk for French musician, poet, blogger and director, Toog. He started his musical career in 1999 when he met the widely-venerated Scottish singer/songwriter Momus. They went on an extensive tour together, playing almost 150 shows. In 2004, Toog released his album Lou Etendue on Karaoke Kalk together with Italian actress and director Asia Argento. Goto is a collection of musical ideas, references, nostalgia and gags -- background noise with coarse exaggerations, where madness and graceful levity go hand-in-hand. Whistles and explicit statements try a balancing act between humor and serious contemplation. A musical diary, reflecting memorable encounters, experiences and oddities. Toog is helped on some tracks by David Fenech and Fashion Flesh, who the artist admired for his work with Matmos, Cornelius and Momus. The artist's wife Florence Manlik, who designed the cover, can also be heard on some songs. As Toog himself explains, "Goto is narrative, meditative. It's travel with an electronic donkey, where the fern tree line at the top of the mountains is nothing but a miniature. Slow is how my heart beats: 56 bpm."
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LP
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KK 057LP
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LP version. This is the second album on Karaoke Kalk for French musician, poet, blogger and director, Toog. He started his musical career in 1999 when he met the widely-venerated Scottish singer/songwriter Momus. They went on an extensive tour together, playing almost 150 shows. In 2004, Toog released his album Lou Etendue on Karaoke Kalk together with Italian actress and director Asia Argento. Goto is a collection of musical ideas, references, nostalgia and gags -- background noise with coarse exaggerations, where madness and graceful levity go hand-in-hand. Whistles and explicit statements try a balancing act between humor and serious contemplation. A musical diary, reflecting memorable encounters, experiences and oddities. Toog is helped on some tracks by David Fenech and Fashion Flesh, who the artist admired for his work with Matmos, Cornelius and Momus. The artist's wife Florence Manlik, who designed the cover, can also be heard on some songs. As Toog himself explains, "Goto is narrative, meditative. It's travel with an electronic donkey, where the fern tree line at the top of the mountains is nothing but a miniature. Slow is how my heart beats: 56 bpm." Includes a download voucher for the entire album, plus one extra track.
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