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2LP
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SOL 182LP
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Double LP version. "Presented in a deluxe dual-layer green satin bag with fold-over flap. The letters 'ZF' are hand-stitched into the flap in white thread, and a two-sided color insert printed on sturdy cardstock completes the package."
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CD
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SOL 182CD
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"The music was composed as the soundtrack to Designer Body, a dance that toured England from 2008 to 2009. The work explores the transformational relationship between humans and the clothing they wear. Seven dancers, performing on continuously rotating plinths, slowly remove layers of their costumes, revealing their nude bodies beneath. The music accompanying the dancers is by turns dense and moody, then lyrical and soaring, underlining the mounting vulnerability of the dancers as they undress. The members of :zoviet*france:, who prefer to remain anonymous, write 'We've known Liv Lorent for a long time. When she started to conceive Designer Body, which she wanted to be a hybrid of contemporary dance and performance art, she decided that an unconventional performance needed an unconventional soundtrack. The composition of the soundtrack and the choreography evolved alongside each other so it became a dialogue between Liv and ourselves. The main inspiration that we took from the production's concept was rotation; throughout the one hour performance, the dancers are located on turntables that turn continuously, at varying speeds and changing direction. We mirrored this in much of the soundtrack, with circular and rotating sounds.' Presented in a deluxe dual-layer green satin bag with fold-over flap. The letters 'ZF' are hand-stitched into the flap in white thread, and a two-sided color insert printed on sturdy cardstock completes the package."
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CD
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SOL 062CD
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"Digilogue was originally issued in 1996 as a limited edition clear vinyl LP. It was followed two years later in 1998 by a CD containing three bonus tracks. The CD has been out-of-print for more than a year. As of today, it's the only Zoviet France release in circulation worldwide. The rest of their catalog is out-of-print! The music recorded for Digilogue examines the subtle and shifting nuances that contrast the digital and analog worlds. Zoviet France have always professed their fascination with the failings of the technology by which music is produced, recorded, mass-produced and played back. They have frequently adapted the faults that their own machines develop into means of reshaping raw sound, the basic material with which they work: 'All audio equipment distorts sound to some degree and, eventually through mechanical and electrical failure, fucks it up. Since indeterminacy as a compositional parameter has been a constant in our work, this often produces what we regard as interesting new developments. Digilogue was recorded using a mixture of failing analog equipment and high-end digital equipment, and monitored in our studio exclusively on damaged hi-fi speakers. Sound can be as dirty and as clumsy as anything else we perceive with our senses. This is just as true of sound generated in the digital domain, much as we would all like to believe the claims of near-perfection made by audio equipment manufacturers.'"
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