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01. 2562 - Intro
02. 2562 - Flashback
03. 2562 - Lost
04. 2562 - Like A Dream
05. 2562 - Dinosaur
06. 2562 - Unbalance
07. 2562 - Superflight
08. 2562 - Yes/No
09. 2562 - Who Are You Fooling?
10. 2562 - Narita
11. 2562 - Love In Outer Space (CD-only bonus cut)
12. 2562 - Escape Velocity (Digital Only)
ARTIST
TITLE
Unbalance
FORMAT
CD

LABEL
CATALOG #
TEC 006CD TEC 006CD
GENRE
RELEASE DATE
11/10/2009

This is the second full-length album by Dave Huismans aka 2562, the follow-up to his roundly acclaimed debut, Aerial (TEC 004CD/021LP). Unbalance pushes both his creative talents, and the boundaries of dubstep, to another level entirely. This is an exceptional body of electronic music, and fully demonstrates 2562's adept ability to move through engaging soundscapes with both pin-point precision drum programming and innovative sample regeneration. 2562 is named after the postcode in The Hague, Netherlands where Huismans lives -- a city detached from the main epicenters of dubstep, thus bringing both cultural distance and a uniquely diverse sound to the project. Unbalance sees 2562's vision of dubstep moving forward into previously-unexplored areas. Warmer than its predecessor, innovation and experimentation is still as evident as ever, as the influence of Theo Parrish and Flying Lotus meet with the deep end of Bristol bass music. With productions drawing inspiration from garage, dubstep, house, techno and broken beats -- affiliations and collaborations have proliferated -- killer remixes and one-offs have cemented the Dutchman firmly in the "A" list of contemporary production talent. Unbalance is impeccably built, and accessibly disposed: sheer dancefloor carnage is guaranteed. With this new album, 2562 breaks new ground -- in moving away from the dub-techno associations of his earlier works, he creates a whole new world. From the outset, "Intro" and "Flashback" let fly some of the face cards in Huismans' deck -- the ample swell of swung garage informed by a new school sensibility, all grounded by that trademark giant bass presence. "Lost" reprises a familiar broken refrain in refixed mode, landing with a delightful low-end, almost junglist descent and a huge, mid-range melodic sustain -- absolutely killer stuff. With "Like A Dream," the album really motors -- squashed Mr. Fingers-style acid machinations inside wild bass and drum swing. Tear up the dub instructions, the diversity and breathtaking momentum of this fine album moves fleet of foot -- like Usain Bolt over Berlin.