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Search Result for Genre ELECTRONIC
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2LP
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EMEGO 235LP
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The frontier for French electroacoustic mystical music has traversed much ground since Pierre Schaeffer shuffled on the past and laid out a map without borders or designated ground. Seventy years in this land of the fried, there are a plethora of Ideas and ongoing potential coming from all corners of the globe. Inheriting the wisdom of past masters whilst forging a signature style of his own, Kassel Jaeger sits as one of the premier explorers of these unknown worlds today. Comprised recently recorded tracks, Kassel Jaeger presents a work of revisits and re-workings, one which acts as a hinge in both closing this particular chapter, whilst opening up the windows to a new sound world. In Aster, rich deep music is replete with dark ambient sonorities swirling amongst intense buzzing tones. Often chilling and ominous, this is a fearless music with abstracted corners and dynamic leverage. Unafraid to embed itself in the ongoing whirlpool of sonic progress. Jaeger's output remains a thrilling body of exploration and ongoing transformation. Photos by Ende Wieder; Design by Stephen O'Malley.
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EMEGO 238LP
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Shit And Shine's sidestep from percussion-led bunny rabbit rock ensemble performance based glee to ultimate heavy fools of the sticky dancefloor remains one of the more inspiring turn around's in recent years. With highly acclaimed releases on Editions Mego, Diagonal, Riot Season, and others, Shit And Shine have wasted no time clearing away the rubbish whilst cutting up their own path towards giddy bass-heavy shape-shifting dance mutations. Snapping the twigs of disco, hurling clouds of exquisite dissonance, mangling modulations, boiling beats, twisting tweaks... this is a crew that will throw anything at the wall, and you. Some People Really Know How To Live presents a machine music built for the house, the street, the beat. For now, for never. In paradise, all (earlybird) tickets are free and as you face your maker it is Shit And Shine who will truly set you free. Recorded in Austin, Texas; Photography by Coco Clouse; Design by Stephen O'Malley.
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MORR 156LP
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LP version. Printed inner sleeve; Includes download code.
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CD
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AT 007CD
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The Trickfinger project was recorded ten years ago with no intention of being released at the time, made purely for discovery and learning experience. John Frusciante on the project: "In my opinion, making music with no intention of releasing it is the best thing a musician can do for his own development in this day and age. The Trickfinger LP (AT 005CD/LP, 2015) was made in that mindset, and it was the beginning of a new musical life for me. When I hear it, it sounds like I am opening up doorways to new worlds, and I never have had that feeling listening to music I made for the purpose of releasing it and selling it." All the music was recorded live onto a CD burner, through a cheap mixer. John would sit on a chair, in his living room, surrounded by five to fifteen machines, and just keep programming and jamming until the track was ready to be recorded. There were no overdubs; it was recorded live. Acid Test unearthed these recordings and John agreed to have them released. Trickfinger II is the second part of recordings made during the winter of 2007.
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CMAR 001LP
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The first vinyl edition of Craig Armstrong and Scott Fraser's Rosa Morta, released on CD in 2016 (CMAR 001CD). From the outset, Craig Armstrong and Scott Fraser decided their collaboration would be based on an electronic aesthetic: "We intentionally limited ourselves almost entirely to using vintage synthesizers, modern hardware synths and soft synths. The use of electronic bass and piano were the only exception to this rule. As a composer who regularly works with orchestras this was of course liberating and fun. Out of mutual fascination with early synthesizers from a young age this was often the catalyst for the beginning of each track. Each track was composed within one day often without much change thereafter. This gives the tracks an improvised feel. We also gave no limitation to the length of the tracks; they are as long as felt necessary or as short as they demanded. The direct melodic and immediacy of impact was purely the result of each working day and what felt right at the time. Musically we are influenced by electronic music from throughout the decade but only subconsciously after a lifetime of listening and playing. As composers, we have written in several genres and feel all musicians should feel free to express themselves whether in the abstract, tonal, experimental, song improvisation etc." Two tracks were used in the soundtrack to Peter Mullan's 2010 film NEDS, a film about gang culture in the 1970s in Glasgow. Includes download code.
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MORR 156CD
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The world has changed rapidly since Lali Puna released Our Inventions in 2010 (MORR 098CD/LP), a fact that is also reflected in the band's fifth album, Two Windows. Written and produced over almost two years, these twelve new songs meet those changes head-on both musically and lyrically. Songwriter and singer Valerie Trebeljahr and long-time band members Christian "Taison" Heiß and Christoph Brandner -- Two Windows is the first album recorded after Markus Acher's departure from the band -- opted for a more dancefloor-friendly sound while not neglecting the pop sentiments rooted in Lali Puna's sound. Taking its cues from a brand of music spearheaded by the likes of Caribou, Ada, or even Mount Kimbie, Two Windows sounds lush and focused, balancing the emotional qualities of Trebeljahr's songwriting with energetic rhythms. A tour in South Korea rekindled Trebeljahr's urge to make music after she had focused her career as a journalist as well as on her family. While she was mostly working on new material with Heiß, Trebeljahr also sought out collaborations: Keith Tenniswood (Two Lone Swordsmen) contributes as Radioactive Man; Dntel, aka Jimmy Tamborello, is featured; harpist and Ghostly International alumna Mary Lattimore and experimental artist Midori Hirano (MimiCof) also appear. While Two Windows is thus partly a collaborative effort, it is first and foremost an album about emancipation and a new beginning for Lali Puna. The album explores topics including personal freedom, the presence of surveillance technologies in our lives, and the progressive gentrification of urban centers. Two Windows is not an explicitly political album however. In fact, much like a window, Trebeljahr's lyrics always allow their listeners to look at things from two sides. While they emphasize problems, they also empathize with those who have to put up with them. Trebeljahr has not come to preach, but wants to forge emotional connections. Musically speaking, the lyrical subtleties are reflected in a well-defined sound that likes to shake things up as well. Gender-flipping an old Kings Of Leon tune to present a great piece of music in an entirely different context? You possibly wouldn't expect that on a Lali Puna record, but as Trebeljahr sings herself in "Wonderland": "Cause all things will change / Cause all things must change". Two Windows, an album about emancipation, presents the Lali Puna sound in a different light than before. Glossy artwork and printed inner sleeve.
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AT 007LP
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12"
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M 025EP
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Pressed in Detroit. A Detroit techno diamond from mastermind Robert Hood, aka The Vision. Must have for fans of early minimal Detroit. Originally released in 1996.
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MUSIQ 059CD
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Children are laughing and playing in the back, a baby screams happily: handsome field recordings welcome the listener to the final chapter of Fred P's Fp-Oner trilogy for Mule Musiq. The New York City native's 7 features tunes for deep meditative club use and beyond. 7 brings the listener house music full of cosmic realities, odd jazzing moments, Japanese spoken word pop, synth spheres for ambient use, and an overall outer-national atmosphere that handsomely dances between roughness and subtle, tuned-in deepness. Fred P explains: "I chose to base this project on numbers in order to impart a bit of depth and substance. '5', '6' and '7' have a meaning in both the literal and esoteric sense. We as a species are a combination of matter and energy, so it is a matter of relating the two in harmony. . . . It's like a testimony to the human condition and how we relate to treat and mistreat one another. . . . So rather than doing a project that highlights ego posture, my intent is more about what can I give to the listener." At large, the trilogy is a journey inward -- compelling, mesmerizing, and enchanting. Fred P produced the final chapter mostly in his studio in Berlin on various synths and with a bunch of mysterious samples, all later organized and programmed in Ableton. Fred P explains further: "This project has a beginning, middle, and end. The record 5 (MUSIQ 048CD/187LP, 2015) was intended to introduce a meditative energy within a rhythmic construct, as the number '5' represents the dynamic and unpredictable. . . . The album 6 (MUSIQ 055CD/200LP, 2016) is of an earthly and more harmonious discord. I attempt to bring the inner conflict in the form of natural unnaturalness. The raw energy of the search in this project I think is self-explanatory, which is the point I believe to show how flawed one can be but express very specific themes honestly. Finally, with 7 my goal is to merge the two into balance, as one focused state of mind, as '7' is the thinker beyond understanding or beyond the illusion." Listen deeply, open your doors of perception, dance the atomic mess around, stay small, be true, and don't forget, Fp-Oner's music is a traveling zone with a universal meaning. It can mean many things to different people. "Light Years" features Minako.
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KK 035LP
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2017 repress of Hauschka's debut album Substantial, originally released in 2004. Piano music is highly personal music, which is the reason why piano solo albums occupy a particular place of importance in a musician's work -- not that Volker Bertelmann wants to hype his first foray to that extent, hence the pseudonym. Nevertheless Hauschka is personal music, simply because it has accompanied him for so long, because it has always been there in some shape or form, because it has always been important. The title points to the fact that it is dealing with something of importance, not just a few finger exercises or background ivory-tinkling. Substantial is a snapshot of a life spent with the black-and-white keys, and is simultaneously both moment and history, thought and feeling, yet without turning into a unduly meaningful concept album. Rather, Substantial is based upon the least conceptual of all concepts: Improvisation. Each track is based upon an opening sequence, the theme of which is extended, modulated, and varied with, as far as form or length is concerned, no specific objective in mind. What has come out is music of a differing, well, substance: Eleven atmospheric pieces in which a variety of different techniques overlap and rhythmical images with narrative depth unfold; in which further instruments, such as double bass or vibraphone make a fleeting appearance, at once lending a hint of pop, but at no time detracting from the piano as central instrument; in which experimental and electronic music is accessed without compromising the directness and ease of the improvisational approach. The confluence of Bertelmann's multiple musical personality can be apprehended here: Whilst the pop-oriented musician plays the melody, the electronic producer gently experiments with sounds, leaving the pianist quite literally to manipulate the piano -- plucking the strings with a plectrum, dampening them or bowing them lengthways to achieve a variety of percussive effects. Following the recording, the tracks were adapted, supplemented, and finalized. Using multi-tracking, up to four piano tracks were superimposed, electronic sounds from the laptop added, as well Stefan Schneider's bass (Mapstation, To Rococo Rot, Music A.M.) on three tracks. Substantial is a recollection of the foundation of a musician's life, drawing upon the roots of diverse projects and releases over the past fifteen years. Hauschka is yet another facet of Bertelmann's palette, not a change of direction. Includes download code.
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MGLP 104LP
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Mondo Groove present a reissue of K.Bytes's I Adore Commodore - Computer Music Flash, originally released in 1983. After the creation of his 1982 album Computer Disco (MGLP 101LP), Marcello Giombini produced I Adore Commodore - Computer Music Flash a year later, which was mainly made with a Commodore 64. Giombini was a veteran of music applications with personal computer. Starting with an Apple II Europlus, he then converted to the Commodore 64, thanks to the presence of three independent music generators that allowed him to make more elaborate music easier. The record was inspired by the videogames of the time, and the titles of the ten tracks are inspired by the names of famous games. The music was created using four-to-eleven Commodore 64s, programmed and synchronized with an external audio interface. At the time, Giombini, in his studio in a basement just a few steps from Nomentana, Rome, had organized a small school with courses of basic and computer music. The cover art graphic is the same of original LP; Comes with an inner-sleeve dedicated to Commodore 64.
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EMEGO 233LP
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BJNilsen is a composer and sound artist based in Amsterdam. His work primarily focuses on the sounds of nature and how they affect humans. Recent work has explored the urban acoustic realm and industrial geography in the Arctic region of Norway and Russia. His original scores and soundtracks have been featured in theater, dance performances, and film. Celebrating 27 years as a recording artist, Massif Trophies is his first solo release for Editions Mego. In 2015, he set off on a month-long hiking trip in Gran Paradiso to explore the acoustic environments in the alpine landscape. Drawn to the monotonous and physical effort that mountains and high altitudes contribute, this became one of the main inspirations for Massif Trophies, reflecting upon the perception of the landscape during several hours of physical difficulty, let alone rapid weather changes, horizontal thunderstorms, and rock avalanches. Massif Trophies is also about the scope of details and perception of the path and the myth of the mountain as the accursed or sacred place. The five pieces contain narratives based on experiences and recordings from the trip. All source material recorded in Gran Paradiso, July 2015; Engineered at Odd Phasing and Echoes, Amsterdam NL; Photography by BJNilsen. Includes download card.
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2LP
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MUSIQ 216LP
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Double LP version. Children are laughing and playing in the back, a baby screams happily: handsome field recordings welcome the listener to the final chapter of Fred P's Fp-Oner trilogy for Mule Musiq. The New York City native's 7 features tunes for deep meditative club use and beyond. 7 brings the listener house music full of cosmic realities, odd jazzing moments, Japanese spoken word pop, synth spheres for ambient use, and an overall outer-national atmosphere that handsomely dances between roughness and subtle, tuned-in deepness. Fred P explains: "I chose to base this project on numbers in order to impart a bit of depth and substance. '5', '6' and '7' have a meaning in both the literal and esoteric sense. We as a species are a combination of matter and energy, so it is a matter of relating the two in harmony. . . . It's like a testimony to the human condition and how we relate to treat and mistreat one another. . . . So rather than doing a project that highlights ego posture, my intent is more about what can I give to the listener." At large, the trilogy is a journey inward -- compelling, mesmerizing, and enchanting. Fred P produced the final chapter mostly in his studio in Berlin on various synths and with a bunch of mysterious samples, all later organized and programmed in Ableton. Fred P explains further: "This project has a beginning, middle, and end. The record 5 (MUSIQ 048CD/187LP, 2015) was intended to introduce a meditative energy within a rhythmic construct, as the number '5' represents the dynamic and unpredictable. . . . The album 6 (MUSIQ 055CD/200LP, 2016) is of an earthly and more harmonious discord. I attempt to bring the inner conflict in the form of natural unnaturalness. The raw energy of the search in this project I think is self-explanatory, which is the point I believe to show how flawed one can be but express very specific themes honestly. Finally, with 7 my goal is to merge the two into balance, as one focused state of mind, as '7' is the thinker beyond understanding or beyond the illusion." Listen deeply, open your doors of perception, dance the atomic mess around, stay small, be true, and don't forget, Fp-Oner's music is a traveling zone with a universal meaning. It can mean many things to different people. "Light Years" features Minako.
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12"
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ORN 044EP
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youANDme and Richard Rozen (aka 6FEET) from New York team up for some bass-heavy, driving, deep house cuts.
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LP
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MNQ 110LP
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Montréal synth pop band Police Des Moeurs are one of the finest and rawest bands in the minimal synth/wave and cold wave scene. Dédales, their third full-length album, keeps the pure energy of their previous efforts while leaving greater room for atmospheric and textural considerations. Dédales leads you into the passage zone between civilization and wilderness, a mysterious place where truth, lies, light, and darkness collide. For fans of New Order, Martin Dupont, Rational Youth, Xeno & Oaklander. Mastering by Rude 66; Graphic design by Alessandro Adriani. Edition of 500.
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XRP 1701LP
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Riddim maker, bass player, and producer specializing in digital reggae, Manudigital has been involved in reggae music for more than 15 years now, and has worked with many artists such as Alborosie, Beenie Man, Bounty Killer, Biga Ranx, and Babylon Circus. Manu's various web series (Digital Sessions, Back Inna Days) are being shared worldwide across social media, inspiring new fans every day. In 2016, he released his first solo album Digital Pixel and went on a tour of more than 80 gigs across France and Europe. For this brand new release, the beatmaker has teamed up with Jamaican veteran DJ legend and close friend, Joseph Cotton, to make a record in the pure tradition of the digital reggae golden era. Features Anthony Malvo and King Kong.
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7"
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HNR 021EP
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Berlin based Pardon Moi, consisting of James Brook and Thomas Freudenthal, makes music that would fit perfect as a soundtrack for a ride in a Ferrari GTO convertible, or on a transatlantic flight on a Concorde. The music creates an air of luxury and decadence for you to fill your lungs and air with. First release on Hoga Nord Rekords, after releasing material on Nein Records and Vocoder Electro. Pardon Moi's sound is warm, creative, uplifting, and retro, thanks to the use of analog synthesizers. This is retro futuristic dance music!
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12"
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WSDM 006EP
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Freerotation resident Duckett lands on Facta and K-LONE's Wisdom Teeth label with a new four-tracker. Duckett's malfunctioning rhythms and spoon-bent melodies occupy that sweet spot between order and chaos that the label has always done its best to occupy. More so than ever, Gannets For Guano EP sees Duckett exploring far-out territories. The melodies are psychedelic; the rhythms are disjointed and swinging -- but always keeping just the right side of chaotic. Even at its most eccentric, the EP rolls with the functionality of techno, and boasts buckets of soul on account of Duckett's singular knack for melody.
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LP
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MNQ 096LP
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Mannequin Records present an LP compilation of Michael Antener's (Swamp Terrorist) early '80s minimal synth/industrial projects Nacht'Raum (with Michael Stämpfli) and his solo project Bande Berne Crematoire. Heavily influenced by the works of SPK and Nocturnal Emissions, Michael Antener made his first recordings in the basement of his parents' house in a small village nearby Bern, Utzensdorf. He started BBC in 1980, a hybrid of Neue Deutsch Welle and noise/experimental, making a household name in the international home recording scene of the time and participating to many tape compilations. Teaming up with Michael Stämpfli as Nacht'Raum, he self-released the untitled mini-LP in 1983. Coming out from the same town of Grauzone, the duo moved into the darkest minimal electronic sounds, choosing German as main language for the lyrics and a Roland TR-808 as main drum machine, bringing the sound to a proto-electro dimension. Nacth'Raum is a real gem in '80s Swiss underground electronic music, together with Mittageisen, Grauzone, LiLiPut, and The Vyllies. Michael, by the way, later teamed up with Ane Hebeisen. They went by the name of Swamp Terrorists, releasing seven albums and touring throughout the world until the end of the '90s. At the end of the '90s, he sold all of his instruments and became an independent graphic artist. Mastered by Rude 666. Includes two inserts; Edition of 500.
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LP
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BT 028LP
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Black Truffle presents a new issue of Annea Lockwood's classic 1970 tape piece "Tiger Balm", unavailable on vinyl for over thirty years, accompanied by two exquisite unreleased works for percussion and voice. "Created while Lockwood was living in the UK, the side-long 'Tiger Balm' is a singular work within the cannon of tape music. Inspired by research into the ritual function of music, the piece explores the possibility of evoking ancient communal memories through sound. Breaking entirely with the dynamic language of the musique concrète tradition, Lockwood uses a select palette of mainly unprocessed sonic elements chosen for their mysterious and erotic characteristics (a purring cat, a heartbeat, gongs, slowed down jaw harp, a tiger, a woman's breath, a plane passing overhead), presenting at most two sounds at once. As one sound flows organically into the next, their shared characteristics are highlighted, opening a space of dream logic and mysterious associations between nature and culture, the ancient and the modern. The B side presents two pieces for percussion recorded here for the first time. 'Amazonia Dreaming' (1987), performed by Dominic Donato, uses unaccompanied snare drum and voice to evoke the nocturnal soundscape of the Amazon rainforest. Unorthodox techniques and materials (marbles, chopsticks, a plastic jar lid) transform the snare into a resonant field of sensual textures. 'Immersion' (1998), performed by Donato and Frank Cassara, is a slow-moving exploration of gentle beating tones, performed on marimba, tam tams, and gong. Like the other two works presented on this LP, it provides captivating proof of Lockwood's belief in the complexity that deep listening can reveal within seemingly simple sounds." --Francis Plagne Comes in a deluxe gatefold sleeve with archival pictures and liner notes by Annea Lockwood; Includes the score to "Amazonia Dreaming"; LP design by Stephen O'Malley; Mastered and cut by Rashad Becker at Dubplates & Mastering.
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LP
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SME 038LP
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Sonor Music Editions present a reissue Drammatico, originally released in the early '70s. An absolute Italian library holy grail and maybe the most desired item of the genre, originally released on Panda Records. This totally insane library album conceived by maestro Alessandro Alessandroni and Giuliano Sorgini, under their pseudonyms Braen and Raskovich respectively, is surely their highest point of collaboration. This is a concept album where the music is just out-of-this-world and way ahead of its time, nothing is quite comparable. War-themed and dramatic music, ranging from the most evil electronics to dark fuzz distortions and huge hip hop beats, all driven by a mental, psychedelic madness. A record coming from hell -- an unbelievable session remastered from the original master tapes. Enjoy the trip! Remastered from the original Panda Records master tape; Exclusive liner notes by Marsellus Wallace; Revised by Alfonso Carrillo (RendezVous, LA); Edition of 500.
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12"
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ARCS 004EP
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In quick succession to ARCS-03 (ARCS 003EP, 2017), which boasted remixes by The Mover, Shifted, and Peder Mannerfelt, Cassegrain keep up the pressure with a new EP of originals, ARCS-04. Returning to their tunneling, hypnotic trademark sound over three focused, club-ready trips, the Arcing Seas heads channel varied and irrepressible moods into each track. Built on solid dancefloor foundations and rich in colorful, non-conventional sound design, they scan through tribal ritualism with "Shahmaran", moving to the pumping urgency of "Caracal" and the rolling post-acid workout of "Vulpine". ARCS-04 is a straight-up DJ-friendly 12", something that's conveyed in its minimalist artwork.
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CD
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FABRIC 186CD
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Daphni (aka Caribou, aka Dan Snaith) presents the 93rd installment of FabricLive. FabricLive 93 marks Daphni's first mix CD and his first full body of work under the moniker since 2012's critically acclaimed Jiaolong album, and most recently Caribou's seminal standout 2014 album Our Love. This special FabricLive mix is composed of 23 original, unreleased Daphni tracks and four new Daphni edits, featuring tracks from Jamire Williams, Luther Davis Group, Pheeroan Ak Laff, and Container. "A lot of these tracks were recorded in situ in the mix itself," Snaith says. "I'd put one track in place and instead of searching through existing music to find the track to follow it, I'd just make an entirely new one. The tracks on here pull from very diverse ends of the spectrum of music that I like and make." Packaged in bespoke slipcase containing die-embossed tin.
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12"
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PLAYRJC 046EP
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The debut single by Davis on Live At Robert Johnson, titled Perle.
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12"
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GOMMA 222EP
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Dimitri From Paris and DJ Rocca come back to Gomma Records with their fourth EP on the label, a new three-track EP. Dimitri has been doing consistently good music over the last 20 years, ever since he first appeared with his very Parisian album Sacrebleu in 1996. He quickly became a worldwide respected European first-league eclectic disco DJ. Some years ago he teamed up with Italian producer, DJ, and man of many talents, DJ Rocca. Rocca might be known to many for his work as Ajello and Crimea X. New school booty electronic disco. Glamorous as ever. Nasty as always.
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