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Search Result for Genre ELECTRONIC
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CD
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SPECIAL 001CD
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$13.50
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RELEASE DATE: 10/16/2026
Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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LP
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SPECIAL 001LP
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$34.00
PREORDER
RELEASE DATE: 10/16/2026
LP version. Kaitlyn Aurelia Smith returns with Ruin: It's Not Just Music, a new studio album that marks one of the most decisive statements in her creative trajectory. Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the center of its architecture, revealing a more confrontational and embodied dimension of KAS's musical language. Where much of KAS's earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments -- motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognizably hers and newly charged, music that moves through the body as insistently as it engages the mind. KAS's practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work. Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions. On Ruin: It's Not Just Music, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS's work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
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BJR 126LP
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$28.00
PREORDER
RELEASE DATE: 10/9/2026
LP version. viragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva's Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik. Initially conceived as a parallel playground bringing together the duo Citron Citron, former members of L'Éclair and musicians from Magic & Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories. Driven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving. At the center of the album are Zoé Sjollema's lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions. Somewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.
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CD
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BJR 126CD
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$14.50
PREORDER
RELEASE DATE: 10/9/2026
viragezero was born on a cold Sunday evening in December, on the way home from a Chris Cohen concert at Geneva's Face Z festival. In the winter night emerged the desire to create a new collective space, nourished by the long drifting journeys of kosmische musik. Initially conceived as a parallel playground bringing together the duo Citron Citron, former members of L'Éclair and musicians from Magic & Naked, the project quickly developed its own gravity. This self-titled debut album sketches a world both familiar and distorted, where everyday landscapes slowly slip into stranger territories. Driven by nervous synths, hazy guitars, shifting electronic textures and rhythms drawing from 1990s trip hop and abstract hip hop, viragezero builds a suspended and immersive music. A music guided as much by sensation as by structure, where repetition becomes a moving force and tensions evolve without ever fully resolving. At the center of the album are Zoé Sjollema's lyrics, drawn from fragments of dreams collected over several years. Her instinctive writing blurs the boundaries between reality and imagination, tracing recurring themes of solitude, wandering, exhaustion and disconnection. Rather than telling stories, the songs unfold as emotional states, inhabited by shifting landscapes, distorted memories and fleeting impressions. Somewhere between dream pop, electronica, IDM and spectral songwriting, viragezero delivers a dense and instinctive debut album. A nocturnal and hypnotic record that transforms fragments of reality into constantly shifting sonic matter.
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CD
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IF 1105CD
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$20.50
PREORDER
RELEASE DATE: 9/25/2026
Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.
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LP
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IF 1105LP
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$41.00
PREORDER
RELEASE DATE: 9/25/2026
LP version. Following the sensory adventure of Tancade, in which Gaspar Claus led his listeners to a secret beach, somewhere between friends' parties and summer sun, a new territory opens up. With Cells, he offers an even more expansive journey: an inner journey as much as a cosmic shift, a plunge to the point of origin, where life is invented. True to his sole instrument, the cello, Gaspar multiplies its sound to the point of abstraction. This new work seeks to reach the primordial moment of the first cell division: a tiny, infinite moment when everything was still possible. On stage, he has built a shelter, a refuge-cell, a porous space where the visible and the invisible respond to one another. Lights, electronic breath, uncertain presences -- everything conspires to confront the audience with its own dizzying presence in the world. On the album, this architecture unfolds across ten "musical cells." Each piece observes the same phenomenon: the cello allows itself to be absorbed, dissolved, stretched, or replicated by the machines. Sometimes preserved, often transformed, the instrument becomes living matter, an unstable organism, capable of emitting both electronic landscapes and archaic beats. A rich, luminous album, imbued with an almost healing energy, Cells might seem more electronic than Tancade. Yet every sound that makes it up comes from the cello -- transformed, filtered, and reworked through a series of successive transformations. This is music that doesn't merely describe life: it re-enacts it, cell by cell.
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LP
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LAPSUS 045LP
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$29.50
PREORDER
RELEASE DATE: 9/4/2026
Eden Samara grew up in the mountains of western Canada, writing folk songs and performing in the theatre. Following a trip to Europe where she had her first formative clubbing experiences, she relocated to London in 2019 where she's become a consistent presence and voice in the city's underground, collaborating with artists like Parris, Ciel, and Loraine James and earning praise from The Guardian, Pitchfork, Rolling Stone, Crack, and DJ Mag. 2022 saw Eden release her debut album Rough Night on Local Action, blending freaky club-pop, introspective R&B and more while collaborating with leading scene figures TSVI, Call Super, and Shanti Celeste. Described by Dazed as "an embarrassment of riches" and by Mixmag as one of the best albums of the year, in Eden's words it was simply "a tragicomedy in seven scenes and an interlude." On her second album Odyssey, Eden brings more elements into her ensemble (jungle, choral singing, live harp) while honing her song-writing -- it's an expansion and a tightening at the same time. Inspired by epic literary works like Homer's Odyssey, The Alchemist and The Picture of Dorian Gray, the album reimagines the archetypal quest through a personal lens: a healing journey amid the collapse of close relationships to addiction, mental illness, and the weight of codependency disguised as love. In Eden's words: "This work is a narrative and sonic expedition -- part myth, part memoir -- that traces my path through the emotional aftermath of watching loved ones struggle with drug addiction and mental health crises, and the impact it had on my own mental wellbeing. The album addresses substance abuse, toxic relationships, and the internalized belief that love must come through sacrifice, even at the cost of one's selfhood." For this special release, Barcelona's Lapsus and London's Local Action join forces for the first time in their respective journeys, reflecting the affinity between both platforms and their shared vision of contemporary electronic music.
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US 001LP
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$35.50
PREORDER
RELEASE DATE: 8/28/2026
Argentinian artist Juan Hansen presents his debut album Ultrasonido; twelve tracks spanning indie dance, tech house, and soft melodic house, released on his own newly founded label Ultrasonido. After his breakthrough Boiler Room appearance in 2019, Juan has been on a relentless quest to push the boundaries, playing major stages around the globe, becoming one of the figureheads of the Argentinian electronic music world. As an exceptional live artist, multi-instrumentalist and vocalist, Juan brings a real sense of groove to the stage, merging two worlds effortlessly: deeply emotional songwriting and direct, dancefloor-focused club tracks. Ultrasonido brings both sides together. The album is a clear evolution of Juan Hansen, presenting a wider range of his sound, which he also presents in his live performances. A journey through the musical world of Juan Hansen. Across twelve tracks, with contributions from Clér Letiv, Santi Portillo, Franco BA, Rocio Giorgi, Miko Franconi, Brigado Crew, and Marley Waters, Juan shifts between club-focused tracks and more intimate, song-driven moments, moving naturally between Spanish and English. It's a debut album that captures both his roots and the direction he's evolving toward. Juan Hansen's story doesn't start on the dancefloor, it starts with acoustic instruments. He built his foundation in the indie and rock scenes of Argentina before crossing into electronic music, a journey that's still audible in every track he makes. After years of building his profile with live performances, mesmerizing audiences from Cosquín Rock and Ultra in Argentina to Watergate in Berlin, Burning Man in the Nevada desert, and Grand Factory in Beirut. His search is real and visceral; a search for the different, mixing genres without prejudice, with a seriously playful attitude. Positioned within a new generation of artists dedicated to improvising on stage, Juan fuses electronic sounds with analog instruments and organic soundscapes. There's no genre cage. Ultrasonido is his debut album and the launch of his own label, also named Ultrasonido.
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LP
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CREP 123LP
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$29.50
PREORDER
RELEASE DATE: 8/28/2026
Discrepant presents the LP edition of Tales from the Source, the original film soundtrack by Bear Bones, Lay Low, and Laszlo Umbreit. Originally composed for Belgian-Congolese artist Léonard Pongo's 2024 film of the same name, this release reworks the film's audio into a continuous, fluid listening experience. The album is built on a direct contrast between heavy electronic manipulation and raw environmental audio. Laszlo Umbreit captured the foundation of the record through field recordings and additional electronics, focusing on the quiet, tactile sounds of water, riverbeds, and natural spaces. These recordings were then processed and expanded by Bear Bones, Lay Low, who layered the tracks using synthesizers, samplers and various effects processors. Rather than acting as a standard background score, the music functions as a detailed piece of environmental sound art. The tracks are edited to blend into one another without distinct gaps, mirroring the slow pace and visual flow of the film. Through the use of tape loops, filtering, and electronic processing, the natural landscapes are systematically distorted and rearranged. The result is a dark, slow-moving suite of electroacoustic music that strips away traditional melody to focus entirely on texture, resonance, and the changing dynamics of the recorded environments.
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LP
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SODA 019LP
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$29.50
PREORDER
RELEASE DATE: 8/28/2026
Keith Freund's music occupies a space where careful musicianship and homebrewed experimentation meet and shake hands. On Window Left Open, spacious melodies drift through dense fields of electronic activity: saxophone lines rise above buzzing circuitry, percussion flickers at the edges of the frame, and clustered glitch textures dart through the music like insects in tall summer grass. Every sound feels vividly animated, a charged part of the same mercurial ecosystem. Freund's talent lies in balancing warmth and unpredictability with remarkable ease. Patient motifs recall the exploratory spirit of early folktronica, while bit-reduced textures, degraded loops, and idiosyncratic synthesis techniques continually reshape the terrain beneath them. Rather than treating acoustic and electronic elements as opposing forces, Freund allows them to intermingle until distinctions dissolve, creating compositions that reward close listening while retaining immediate warmth. This record finds Freund working with a fully formed vocabulary that is truly his own, transforming glitch, melody, improvisation, and atmosphere into songs that are both fundamentally curious and disarmingly engaging.
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LP
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A 043LP
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$31.50
PREORDER
RELEASE DATE: 8/28/2026
Following the first two singles by Freiwillige Selbstkontrolle from 1980 and 1981, as well as their debut LP Stürmer and the 1982 EP Magic Moments, a-Musik is now releasing Ça c'est le Blues, another of their early works, all of which were released on Alfred Hilsberg's legendary Zickzack label and have long since become rarities. Ça c'est le Blues was originally released in 1984 and marks nothing less than a milestone in F.S.K.'s already impressive discography. While numerous bands from the West German underground of the early 1980s, following the Summer of Pop of 1982 and the associated breakthrough of the Neue Deutsche Welle, either moved toward the mainstream or began singing in English, Justin Hoffmann, Thomas Meinecke, Michaela Melián, and Wilfried Petzi took a different path. The songs became more elaborate, the production -- influenced by bands like Gang of Four and Dexys Midnight Runners -- more opulent, and the instrumentation now included wind instruments for the first time, which have since become an integral part of F.S.K.'s sound. At the same time, the Munich-based band's music-historically motivated focus was directed more toward the US than was typical of the bands in the West German scene of that era. To their signature blend of post-punk and experimental music, as already evident on Stürmer, they now incorporated funk (on the opener "Faire Le Chicken") and jazz (on the heartbreaking cover version of "My Funny Valentine"). From then on, this "transatlantic feedback" was an essential component of F.S.K.'s musical practice. The discursive twists and turns, the incorporation of references, and the insistence on German lyrics would influence bands in the coming decades, not just those of the "Hamburg School." At the same time, the album features legendary hits by Freiwillige Selbstkontrolle which are still played at every concert to this day. With this reissue of Ça c'est le Blues, one of the most impressive releases in 20th-century German avant-pop history is finally available again. The reissue includes a comprehensive booklet featuring an in-depth interview about the album with all band members, as well as numerous previously unpublished photos.
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LP
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PCD 014LP
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$29.50
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RELEASE DATE: 8/21/2026
A sequel to 2011's communication from our future selves on The Spectacle of Light Abductions, this new endeavor by restless netherzone traveller Spencer Clark envisions a space map towards the other side of human life. A meditation on the paintings of Vedran Kopljar, these two side-long pieces, recorded and performed at Kopljar's exhibition at Muhka Museum in Antwerp in 2024, tap into the barren world inhabited by Clark while wandering what he calls the "Abomination Plateaus." Searching for meaning amidst the landscape, "Abyssfields" turns Clark's keyboards, sampler and wha pedals into sentient beings, roaming a luminous sound field of low-res percussion, glistening keys and mangled voice-like transmissions. Featuring Athens-based John Also Bennet on flute, "Abomination Plateaus" layered misty pads hover above a recurring driving-pinging loop, unlocking new harmonic specters throughout each passage, suspended in the light. Always enveloping.
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2LP
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WRWTFWW 078LTD
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$45.50
PREORDER
RELEASE DATE: 8/21/2026
[this is oversold and additional copies not going to be available] Special limited edition of 500. 180g coke bottle green transparent vinyl in heavyweight sleeve with Obi. WRWTFWW Records presents the deluxe vinyl release for Pizza Hotline's brilliant 2022 full-length Level Select. The liquid drum and bass meets Y2K era video gaming aesthetics game changer is now available in a limited-edition coke bottle green transparent 180g vinyl double LP with a glorious 45rpm cut, packaged in a heavyweight 350gsm sleeve with obi. Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE," a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status -- making a full-on vinyl release quite the necessity. It's here now with the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling. Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late '90s/early 2000s video game influences. Hypnotic late-night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre -- LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It's all fresh with a subtle nostalgia and so much heart. An instant classic. Press start.
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3LP
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OSTGUT 039LP
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$87.00
PREORDER
RELEASE DATE: 8/14/2026
Since Temporary Suspension brought its machine-tooled weight and alien feeling to the label in 2009, each Planetary Assault Systems release on Ostgut Ton has been its own quest for discovery, from The Messenger's search for sounds not yet present in club music to Arc Angel's focus on melody to the deep hypnosis of Plantae. His new album, Planetary People has the deliberate imagination and depth of a record that took its time, shaped as much by live rooms and crowds as by the studio. "Into The Night" creates a haunting, dystopic environment of corroded acid saturated in echo, absorbing from the first second. "Labyrinth" breaks into buoyant tribal percussion, modulated chirps trading off over propulsive drums. "Quadrant 10" is clean, delay-drenched techno, buzzing with noise splatters over saturated thuds. "Sermon Of The Light Tides" scrambles metallic bell sequences that distort and evolve throughout, reminiscent of a dial-up modem crossed with a game of Frogger, squelching between percussive bursts and stripped-back kicks. "Brave Cosmo" is tormentingly menacing, eerie synths panning around buried vocal fragments over frantic percussion. "Retina Burn" rolls on fierce, cement-mixer 909 cycles, rave stabs over a ride that locks you in, the whole track stuttering and repeating before stripping back to a bare echoing kick and building itself again. "Thunder Major" barrels on open hats and reverb-drenched claps ricocheting through twisting wreaths of delay, mesmeric and relentless. "Beton Brut" marches juggernaut percussion stamping through hall reverb so vast you can visualize the room, the darkest and most unrelenting track on the record. "No Ninja" crunches in metallic and immediate, a wiry plucked lead threading through glitch with the bass held low and deep, mixed so precisely you can see every layer stacked in your mind's eye. "Ha Jam" is danceable techno with plenty of funk and a sophisticated looseness, a vocal laugh bouncing off clanging metal blocks and rave stabs. "Lynx" lowpasses its rave stabs and crystalline beeps, chirpy hats ticking, cold metal repeats, old school and mesmeric. "Generation Slip" closes everything out, ominous and churning, skittering percussion and electrical sparks rattling through steel, a freight train barreling on into oblivion.
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LP
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BB 447LP
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$26.00
PREORDER
RELEASE DATE: 8/7/2026
LP version. Released in 1974, Zuckerzeit marks a clear turning point in Cluster's work, introducing shorter formats and a more defined rhythmic framework. The increased use of drum machines and structured sequencing sets it apart from the duo's earlier, more diffuse recordings, while maintaining a focus on texture and tone. Developed in close proximity to Michael Rother and under increasingly independent production conditions, the album establishes a more direct and accessible approach without simplifying its underlying ideas. This standard edition makes the album available again on CD and vinyl following the previous limited anniversary release. A key recording in Cluster's catalogue, capturing a pivotal moment of transition and refinement. In 1974, Cluster entered the sugar era. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster. Strictly speaking, Zuckerzeit is not really an album by Cluster. More precisely, the LP contains two mini solo albums by Moebius and Roedelius. Those who were familiar with the stylistic peculiarities of the two musicians could easily relate the solo pieces to either one of them. As Roedelius and Moebius had not yet released any solo works by the time, it was actually not possible to draw up any comparisons yet. Zuckerzeit is light and cheerful, freed from the Germanic gravity and the mystic incense fumes that were so fashionable at the time. Cluster managed to keep both feet on the ground without becoming plain or even sterile. The friendliness of the music is clearly due to the two personalities of Roedelius and Moebius; its down-to-earth character possibly comes from Michael Rother, the album's coproducer. When comparing Zuckerzeit to the works of other electronic combos produced at the same time, it is first of all the shortness of the tracks that seems most striking. The fact that Cluster worked in such a calm and collected way, that they concentrated on their musical ideas instead of losing themselves in long-windedness -- all this taken together gave way to the creation of electronic miniatures that sounded as extraordinary in the 1970s as they still do today.
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6CD BOX
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SNS 028CD
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$51.50
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RELEASE DATE: 8/7/2026
For more than thirty years, Kevin Drumm has developed a unique sonic language situated at the intersection of drone, electronics, improvisation and sound abstraction. Continuously evolving, his work has become one of the most distinctive voices in contemporary experimental music. Comprising more than six hours of music, The Mild Temper presents an extensive collection of pieces built from gradual transformations, micro-acoustic events and frequency-based structures characteristic of Drumm's practice. Across six discs, the music explores varying states of density, resonance and spatiality, reflecting a sustained interest in the physical properties of sound and their perception over extended durations. The title, The Mild Temper, suggests a quiet force rather than an overt gesture. Sonic materials often appear restrained, held in a delicate balance between stasis and motion. Small shifts gradually alter the acoustic landscape as layers of frequencies emerge, recede and recombine throughout the listening experience. Avoiding narrative and dramatic development, these works offer immersion in highly detailed sonic environments where every element contributes to the construction of a deeply absorbing listening space. Attention to texture, depth and duration forms the connective thread throughout the collection. With The Mild Temper, Kevin Drumm continues his exploration of sound as an autonomous phenomenon, presenting a body of work of remarkable coherence that reflects both the singularity and maturity of his artistic practice. Mastering by Jim O'Rourke.
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SRWAX 028EP
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$15.50
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RELEASE DATE: 8/7/2026
Pageant flexes his D&B production skills on this spatial themed four-track EP.
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IDA 167LP
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$23.00
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RELEASE DATE: 8/7/2026
"Désiré Niamké, known to the avant-garde pantheon as Aho Ssan, stands as a titanic force at the nexus of experimental electronic music, sonic architecture, and contemporary composition. Over the past decade, the Paris-based visionary has dismantled and reconstructed the boundaries of sound, cementing his reputation with seminal works such as the harrowing Simulacrum (Subtext, 2020), the collaborative odyssey Limen with KMRU, and the sprawling, star-studded magnum opus Rhizomes (Other People, 2023), which features the incendiary talents of Moor Mother, Angel Bat Dawid, and clipping. His trajectory is a relentless ascent, marked by command performances at the hallowed halls of Lincoln Center, the Muziekgebouw, and the cutting-edge stages of Atonal Berlin, CTM, and Sonic Acts. His latest masterwork, The Sun Turned Black, is an evocative, visceral exploration of ancestry and atmosphere. Commissioned by the prestigious Maison de la Radio for the Hyperweekend festival, the album germinated from field recordings captured within the vibrant, rhythmic heart of Ghana -- Aho Ssan's ancestral cradle. By daringly exorcising all percussive artifice, the artist constructs a breathtaking sonic tapestry, defined by a transcendent dialogue with the internationally acclaimed violinist ASIA. This project occupies a rarefied, ethereal space where ambient introspection collides with the raw intensity of noise and the intricate precision of electroacoustic composition. Coproduced by the esteemed Subtext Recordings, The Sun Turned Black is not merely an album; it is a monumental, genre-defying statement that echoes through the corridors of modern sound, asserting Aho Ssan's position as a singular, epoch-defining composer."
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CD
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BB 447CD
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$16.50
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RELEASE DATE: 8/7/2026
Released in 1974, Zuckerzeit marks a clear turning point in Cluster's work, introducing shorter formats and a more defined rhythmic framework. The increased use of drum machines and structured sequencing sets it apart from the duo's earlier, more diffuse recordings, while maintaining a focus on texture and tone. Developed in close proximity to Michael Rother and under increasingly independent production conditions, the album establishes a more direct and accessible approach without simplifying its underlying ideas. This standard edition makes the album available again on CD and vinyl following the previous limited anniversary release. A key recording in Cluster's catalogue, capturing a pivotal moment of transition and refinement. In 1974, Cluster entered the sugar era. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster. Strictly speaking, Zuckerzeit is not really an album by Cluster. More precisely, the LP contains two mini solo albums by Moebius and Roedelius. Those who were familiar with the stylistic peculiarities of the two musicians could easily relate the solo pieces to either one of them. As Roedelius and Moebius had not yet released any solo works by the time, it was actually not possible to draw up any comparisons yet. Zuckerzeit is light and cheerful, freed from the Germanic gravity and the mystic incense fumes that were so fashionable at the time. Cluster managed to keep both feet on the ground without becoming plain or even sterile. The friendliness of the music is clearly due to the two personalities of Roedelius and Moebius; its down-to-earth character possibly comes from Michael Rother, the album's coproducer. When comparing Zuckerzeit to the works of other electronic combos produced at the same time, it is first of all the shortness of the tracks that seems most striking. The fact that Cluster worked in such a calm and collected way, that they concentrated on their musical ideas instead of losing themselves in long-windedness -- all this taken together gave way to the creation of electronic miniatures that sounded as extraordinary in the 1970s as they still do today.
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12"
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DEFCLAS 032EP
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$20.50
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RELEASE DATE: 8/7/2026
Definitive Recordings revisits one of its most iconic releases with a fresh reissue of Robotman feat. Marshall Jefferson -- "Do Da Doo," originally released in 1992. A cornerstone of the label's early catalogue, the track returns with newly re-recorded vocals by house legend Marshall Jefferson, bringing renewed energy to a timeless classic. Robotman, a moniker of Richie Hawtin (aka Plastikman), represents an essential chapter in the evolution of house and techno. On this release, the original Plastikman Acid House Mix stands as a true highlight. On the flipside, Detroit's DJ Minx brings a fresh perspective with a groove-heavy house interpretation.
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LP
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PAN 117LP
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$43.00
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RELEASE DATE: 7/31/2026
Creator of Le Châ, a chimera emerging from the margins, Lutèce Lockness builds worlds where dreamlike imagery and satire intertwine, inviting listeners to embrace the bizarre, the strange, and the intimate. With her debut album Le Châ, she crafts powerful, incantatory soundscapes. Her compositions blend psychedelic tones, medieval timbres, drifting drones, bouzouki improvisations, and digital textures, enriched through collaborations with Christoph Fink, Maxime Denuc, and Jean Rondeau. Inspired by David Lynch, Jim Jarmusch, and Hayao Miyazaki, her practice shapes sonic material like exquisite corpses. Across disciplines, Lutèce Lockness explores new territories through projects such as the collective book Bande organisée (Seuil), born from the transport of a stone book across France during lockdown, and as part of the feminist punk group Forsissies. On stage, she has opened for Bonnie Banane at the Olympia and Flavien Berger at Le Lieu Unique in Nantes.
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LP
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APLTRONIC 026LP
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$35.00
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RELEASE DATE: 7/31/2026
Details marks SCHiLLiNG's return after years of research, above all on himself. It brings together the practices that have become essential to him: composition, sampling, sonic patchworks, and a palette that mirrors the full spectrum of his musical identity, from rock'n'roll to trip-hop and ambient. Details is rich in small edits, hidden layers, fragile textures, and fragments that reveal themselves slowly. Yet the word carries a deeper meaning: what truly matters is often the smallest element, what doesn't appear clearly at first glance or on first listen, yet quietly holds the core of everything. The detail as the very pulse of one's inner world. Across 14 tracks, the album unfolds as a diverse journey, carefully shaped yet open enough to allow unexpected elements and subtle imperfections to remain part of its flow. The structure is not binding, you can begin from any track and embark on your own path through it. Each piece contributes to a wider arc without overpowering the others. The album includes collaborations with several artists who lent their talent to the project; their names appear in the credits of the physical release. In many ways, they embody the very idea behind the title: individual presences, each bringing their own nuance, forming a whole together. After all, fragments, in their union, shape the larger totality. Details doesn't ask to be consumed in a specific way, fast or slow, close or distant. It simply is what it is.
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5LP BOX
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BOND 12084LP
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$135.00
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RELEASE DATE: 7/31/2026
For two decades, Bondage-Music has stood for timeless underground house music, consistently shaping its own path through deep grooves, warm textures, and uncompromising dancefloor aesthetics. Founded with a clear artistic vision and an enduring passion for vinyl culture, the label has grown into an internationally respected platform for forward-thinking electronic music while always staying true to its roots. To celebrate its 20-year anniversary, Bondage-Music proudly presents a strictly limited collector's edition that captures the spirit, sound, and evolution of the label across two remarkable decades. 20 Years of BM brings together 20 exclusive tracks by artists who have played an essential role in the label's journey, alongside close friends and longtime companions of the BM universe. Carefully curated across five heavyweight vinyl records, the compilation reflects the musical identity that has defined Bondage-Music since day one: deep, soulful, dub-infused, and emotionally driven house music designed for both intimate listening and late-night dancefloors. Pressed on heavyweight 180g vinyl, each record is housed in an individual printed sleeve and presented inside a specially designed colored collector's box with refined spot lacquer finish. The visual identity of the anniversary edition was created by Pete Bombart -- BM's longtime Head of Artwork, close friend, and an integral part of the label since its early days. Strictly limited to only 400 hand-numbered copies worldwide, the release also includes an exclusive BM bag, poster, and sticker set created specifically for this anniversary edition. Featuring Roger Gerressen, Sascha Dive, Rhadow, Lola Palmer, Alexander Matchak, Andre Kronert, Mihai Popoviciu, Pornbugs & Frink, Markus Homm, Dilby, Lolu Menayed , Cristina Lazic, Lika, Steve Kelley, Dust Yard, Politics Of Dancing, Ntfo, Tuccillo, Stefan Braatz, Valence, El Mundo, and Tal Groenman.
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LP
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SBH 001LP
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$20.50
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RELEASE DATE: 7/31/2026
Jon Gravy presents his third album on Studio Bahöö, containing ideas and thoughts from previous years. 21 Dreams has eight tracks and features Harry Dean Lewis, DOS, and OK June.
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12"
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7V 216EP
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$19.00
PREORDER
RELEASE DATE: 7/31/2026
In This House is the new 4-track EP from Kenneth Graham, a deep and elegant journey into the world of underground house music. Hypnotic grooves, warm atmospheres, and immersive rhythms come together in a release designed for both late-night listening and the dancefloor. A sophisticated and timeless collection that captures the pure essence of deep house.
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