Search Result for Genre ELECTRONIC
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5LP BOX
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LPS PS006LP
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$115.00
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RELEASE DATE: 4/16/2021
"In the beginning, there was just a box of tapes and 'Fate's Gentle Hand.' It was the autumn of 2010, and an anonymous figure known only as the Head Technician, an employee of Pye Corner Audio Transcription Services, found himself at an auction in the village of Coldred, pop. 110. He was on the hunt for tobacco pipes when he chanced across a trio of boxes listed in the auction catalog, which described their contents only as 'archived magnetic recordings.' The sole bidder, he won the lot, and upon receipt of his purchase took possession of an unspecified number of moldering cassettes and ¼" reel-to-reel tapes. The collection contained no identifying information save for a single phrase scrawled on each box: Black Mill Sessions. And so, armed with razors, eyedroppers, and a bevy of solid-state circuitry, the Head Technician sat down at his machines and got to work. Whether anyone believed it or not, this was the framing device surrounding Pye Corner Audio's Black Mill Tapes Volume I: Avant Shards, which took the mysterious tactics of artists like Boards of Canada and Burial and raised them exponentially . . . These were not compositions, we were told; they were tape transfers -- 'transcriptions' of an unknown author, slathered with hiss and thick with ambiguity. Some of the tapes displayed an unusual amount of degradation and ... an unsettling amount of background noise, whether electrical in nature, or otherwise,' wrote the Head Technician. 'I chose to edit around the worst of the unusual break-ups, but some still remain.' It was a good yarn, and the music was better still. Like his contemporaries Demdike Stare and Ghost Box, Pye Corner Audio seemed to be tapping into some hidden energy current, channeling spirits via electrical means. The pioneering transmissions of the BBC Radiophonic Workshop could be detected lurking within the music's staticky swirl; so could the ominous throb of John Carpenter's film soundtracks. Drones and flutes commingled with chugging machine beats; miasmic clouds of haunted tone alternated with death disco. It all sounded eerie, otherworldly, possibly occult -- yet also, in tracks like the glimmering 'We Have Visitors,' accented with a hint of mischief. Over the next few years, Martin Jenkins -- for that, after all, was the Head Technician's name -- would go on to release three more volumes of Black Mills Tapes. Among the dozens of releases he has put out since 2010, they remain among the most beloved in his catalog . . . Now, ten years after Avant Shards first appeared, Lapsus Records collects all four volumes along with a fifth disc of unreleased material..." --Philip Sherburne Color LPs; includes booklet.
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LP
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EMEGO 286LP
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$23.00
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RELEASE DATE: 4/16/2021
Johannes Auvinen has been a one-man acid king for over a decade producing a wealth of acid and acid house under the moniker Tin Man. For this new release on Editions Mego, he navigates an entirely different zone. Drawing on the history of electronic music, Akkosaari is a transcendental journey far from the sensual frenzy of sweaty acid drenched dancefloors we are accustomed to with his work. Akkosaari lies in the middle of the kosmic komische of Ash Ra Temple's "Jenseits", the weightless transcendentalism of Eliane Radigue's Trilogie De Morts, and the more glacial output of the Sähkö catalogue. The pace is gentle as the listener is drawn further into a world unlike the one we inhabit, these machines are more second life than one's emulating real life. The fantastic potential for audio induced visions are at play in this adventure in music as mind travel. On "Kyläläiset Tanssii" a measured pulse acts as a means of navigation before "Susi" spirals out clouds of sound. By the time you get to "Kelluminen" you are deeply within an unfamiliar state prior to landing in the heavenly plateau of "Akkosaari". Throughout Akkosaari, you are bathed in enrapturing and enveloping mists of psychedelic haze which take the listener on a vivid mental journey. This is intoxicating head music unfolding like an astral ascension and like any trip warrants repeat visitation. Composed by Auvinen. Mastered by Denis Blackham at Skye Mastering, June 2020. Cut by Andreas Kauffelt at Schnitstelle, Berlin, June 2020.
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CD
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AGF 036CD
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$16.50
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RELEASE DATE: 4/5/2021
Arachnesound: On the ambiguity of non-belonging: In her famous quote from Three Guineas (1938), "As a woman I have no country. As a woman I want no country. As a woman, my country is the whole world", Virginia Woolf captured the spirit of alienation that women have felt, or indeed should feel, vis-à-vis the request of belonging. Such alienation could morph into refusal, but this, as feminist historians of culture know, has happened in very few cases. For the most part, women have buried their alienation, forced by multiple mechanisms of persuasion and induced consent, to succumb to belonging . . . AGF, or Antye Greie, whose creative endeavor is overall an audacious synthesis of electronic compositions, voice, field recordings, as well as of political explorations and re- enunciations of women-centered aurality. In this new work, Arachnesound, AGF, together with her collaborators, sought to work with an enduring language, Greek, and treat it as a tentative record of women's speech but also silence. Effectively, AGF relied on the ambiguity of non-belonging to stitch together a counter-archive of words written, spoken, or -- when she herself makes them up -- associated with women's struggle for language. Greek has been a language steeped in patriarchal social relations, nation- building, and wildly generalized, civilizational 'origins'. The task that AGF set for herself was to compose a music narrative that takes women's efforts to speak beyond the canonical myths surrounding Greek language as a record. It was a difficult task, requiring much research, much listening, much translation, much acoustic imagining. The outcome, however, is movingly rewarding -- and it is so as an encounter of myth and history with the contemporary feminist avant-garde in electronic-music experimentation. Arachnesound draws on a loosely defined corpus of women's spoken word, poems, or sometimes prose, or sometimes sounds that, even if delivered in English as the contemporary global communication tool (AGF's mother tongue is German), their referent lies in Greek myth and/or history..." --Angela Dimitrakaki Athens, (1.9.2020) Features Ismini Samanidou, Reine Linda Nyongo, Savina Yannatou, Maria Arapoglou, Anna Stereopoulou, Nicoleta Chatzopoulou, Maria Papadomanolaki, Katerina Iliopoulou, Dimitra Ioannou, Konstantina Korryvanti, and Marianna Karakoulaki. Includes extended booklet.
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2LP
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ARMA 467LP
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$28.50
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RELEASE DATE: 4/2/2021
If there's one word that keeps cropping up around Tensnake's sophomore album, it's change. Change musically. Change emotionally. Change in scenery. Named after the city that he, until recently, called home, L.A. introduces listeners to a different take on the German DJ and producer's sound whilst quenching Tensnake's thirst for progress and growth. It's this strong desire to keep moving forward that finds one of the most acclaimed house producers of the decade offering a different version of himself across the glittery, sprawling 14-track expanse that is L.A. It's an album committed to the power of Tensnake's beloved pop music, which seeps through in album tracks such as "Automatic", his take on The Pointer Sisters' classic. In many ways, L.A. is a love letter, one that allowed him to pour his heart out to the city that inspired him, and that he's now left behind. This album is about Tensnake evolving, getting better. Not content to just produce house music for the rest of his life, he put a lot of effort, love, and energy into this record. And they're great songs. Songs that will find the right people. Just like the city of L.A. found Tensnake. Features Boy Matthews, Fiora, Nazarene, Cara Melín, Swedish Red Elephant, Chenai, Daramola, and HEXE. Gatefold sleeve.
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LP
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HFN 121LP
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$25.00
PREORDER
RELEASE DATE: 4/2/2021
Lydmor's album Capacity is a musical maze full of alluring mysteries. At the same time, it is part of a process of liberation, which is about opening oneself up and discovering one's capacity. For her previous album, Lydmor travelled to Shanghai. But on her new album, Lydmor has mostly travelled deep into herself. Capacity is a contrasting musical work where fiction and reality merge into a multifaceted sound universe. It is the electronic pop artist's most personal, complex and conceptual album to date. There is almost a David Lynch-ish cut about Capacity. The album is like a winding maze where it is difficult to decipher what is real and what is an illusion. Like a book with countless narratives. Without conclusions. Ambiguous. Full of alluring mysteries, dreams, reflections and messages about gender, identity, love, guilt and liberation. Rich in contrasts: Black/white. Silence/noise. Weakness/strength. Fiction/reality. Labyrinth/compass. Features Eivør and Lasse Ziegler. Includes download code and 60x60, full-color poster. "Multiple media outlets has compared the quirky voice to the likes of Grimes, Kate Bush or Björk but inevitably the comparisons fall short." --Kaltblut Magazine "With brutal honesty, unbelievable vulnerability and yet dreamy, she sings the soul out in her pulsating electronic pop songs. The soft, bright voice is deceptive. Denmark's 'hidden gem' is a must-listen." --Flux FM "She is every bit as innovative as Madonna ever was when she started out. Lydmor ticks all the boxes; the girl has everything. For my money she's the most ground-breaking, inventive artist in Europe right now, possibly in the world." --God Is In The TV (UK)
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2LP
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AL 046LP
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$31.00
PREORDER
RELEASE DATE: 4/2/2021
KAS:ST took advantage of the confinement and the current situation to lock themselves up for nearly six months in their studio and kept pushing the limits of their creation. Joined for the first time by multiple singers, they show throughout this A Magic World their desire to break boundaries and thus increasingly develop their vision by mixing even more musical universes: techno, rap, classical music, ambient, or pop. Each track of the album takes you in very different directions and emotions, and the title A Magic World is in this sense a tribute to differences and diversity, whether you're speaking of life or music. Double LP version on color vinyl: white (A/B) and red (C/D).
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LP
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LAC 016LP
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$22.00
PREORDER
RELEASE DATE: 3/26/2021
LP version. Artwork with hotstamped gold foil. Early summer 2019, João Lobo started recording his compositions at les Ateliers Claus in Brussels, with guitarist Norberto Lobo, bassist Soet Kempeneer, and recording engineer Christophe Albertijn. The recording sessions were planned over the course of one week, however the job was mostly done in just a few takes. With the addition of some overdubs, the whole process was finalized in a spontaneous wave. It is too simplistic to define Joao Lobo's compositions with one term, and the association of the album Simorgh with this ingenious partnership's new creations, is inevitable. While the mix of genres and styles may be easy to distinguish, the focus centers on the result of the mixing: a highly grooving and an occasionally paused and introspective music that seems out of time and out of space. It is difficult to grasp or define a specific period in time or a geographic origin in this fusion of references, as what you listen to is a bold creation of original and surprising elements. Drummers -- such as João Lobo -- employ a multi-layered concept in their music, weaving the different tracks into a linear wash of sound. He plays the song with the drum set while the other members fly in and out of the compositions, always gathering around their phoenix in order to attain enlightenment. What João Lobo and many of his contemporaries are up to, can be explained through simple terms as a future exploration of the emotionally expressive possibilities of sound. It breaks away from the conventional order providing space for the discovery of a new order. Simultaneously it allows a more profound and broader expression of what the current reality of music is and represents. It was instantly clear for me that we had to share his music with our audience and create this medium for happiness. This release is the trio's debut record, which is the impetus for their personal development in the realization that features João as a mentor in the creation process. The featured compositions highlight the musicians' unique physical aspect to control their instruments and their hidden techniques that underlying these tracks. The result is an ongoing aural interplay. It was love at first sound. This album is a co-release between Les Albums Claus and Shhpuma.
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2LP
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RTN 013LP
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$31.00
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RELEASE DATE: 3/26/2021
After two series of conceptual EPs and the intricate experimental "Enso" Festival compilation, Kosei Fukuda returns with a full-length solo project, and his debut album. This marks his thirteenth release on the Reiten label, a platform he created to showcase his techno music and a more general, experimental aesthetic agenda. As a producer and sound artist, Fukuda has shared his time between Tokyo and Berlin. The artist's energy has now been channeled toward making one coherent authorial statement capable of bringing all the strands of his musical and theoretical outlook together, while also distilling a new vision that transcends the confines of the dancefloor. It comes in the form of the generous double album entitled Ruten -- a Japanese concept whose closest Western counterpart is the ancient Greek notion of "panta rhei". Referencing Heraclitus' famous adage that "everything flows" is not just the philosophical inspiration behind the album but also the succinct aesthetic manifesto of sorts. The full-length perfectly facilitates the task of expressing this insight and reinterpreting it for a new generation of listeners. In principle, the two albums called Ruten- and Ruten+ are meant to represent the principle of ying and yang, the two elemental forces and the eternal cycle of energy. As a whole, they signify a journey from the nascent being to the eventual dissolution of everything into nothing. Yet there's still a deeper message at play: the omnipresence of patterns. Even the incessant flow of changes is patterned. In this work, Fukuda hints at an idea that a pattern is both an abstract structural quality and a concrete aesthetic value. The music contained here is a complex sonic story about the interlocking meanings of pattern and flow, and it is a meditative exploration of the human experience of this entwinement. The first volume starts appropriately with the unassuming intro "dawn" and proceeds from the investigative look at the evanescent yet tangible droplets of "mist" and on to the contemplative gaze at the most distant, unreachable constellation of "nebula". Regardless of metaphorical intent though, the music moves within one universe of downtempo, ambient, and drone, combining the palpable beats (rhythmic pattern) with the atmospheric backgrounds (harmonic flow). As is the case with all Reiten label releases, the carefully designed sonic textures and moods take precedence over traditional melodic lines. But make no mistake -- this is not a self-indulgent "free" experimentalism. Rather, it's a progression of loose but recognizable sonic shapes or figures.
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12"
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CPT 575EP
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$12.00
PREORDER
RELEASE DATE: 3/26/2021
This is airtight dance. On top, native Paris, but nowadays Brighton based Laroye delivers a percussive driven, pulsating house jam, not only but perfect for the twilight zone. Rainer Trueby compiled the wonderful splendid Soulgliding compilation on BBE, while he is in progress preparing a new chapter (Vol. 6) of his legendary Glücklich compilation for Compost.
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7"
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GBR 051EP
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$10.00
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RELEASE DATE: 3/26/2021
Positivism and anger in equal parts for these strange and difficult times. Influenced by '77s punk, power pop and glam rock bands, Carlos Creator's impressive production at Rock Estudios has resulted in a debut single with three hymns of sonic affections with the Clash the Jam, Thin Lizzy, or Generation X. The Rods is the result of the collaboration of producer and musician Carlos Creator with Brixton Records label founder, Xabi Rod.
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12"
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KHEMIA 019EP
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$14.50
PREORDER
RELEASE DATE: 3/26/2021
In this, his inaugural release, LAW334 welcomes the listener to his musical language through four tracks. "Arco" and "Wire Hangers" are two synth dominated techno cuts that bookend a more experimental offering in Veils; an abstracted exercise in audio processing bassoon samples. In the closing track "Panspermia", Choronzon takes the wheel to LAW334's engines in an ecstatic trance through a distorted desert landscape.
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LP
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SODA 006LP
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$20.00
PREORDER
RELEASE DATE: 3/26/2021
Under their Exael moniker, Berlin-based producer Naemi makes highly imaginative music that can be seen as a study in contrasts -- precise, hyper-detailed drum programming sits atop fuzzy, organic pools of ambience, virtuosic futurism is wrung from a falling apart laptop. Following a string of excellent releases, both solo and in group settings, Flowered Knife Shadows features eight productions that feel like the full realization of the project, demonstrating the artist's range and knack for vivid, pressurized productions. From the dexterous, chops-flexing "Koch Metish" to the sanguine "Reality's Sweetheart", Naemi's clarity of vision and instantly recognizable aesthetic are delivered here with remarkable potency. Frost on the window, whispers in the dark. Mastered by Kassian Troyer at Dubplates & Mastering. Artwork by Alex McCullough. Follows releases on Motion Ward, Experiences Ltd. and Huerco S.' West Mineral Ltd. Edition of 300; includes download code.
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2LP
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AI 022LP
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$34.00
PREORDER
RELEASE DATE: 3/26/2021
Long-time Astral Industries associate Wolfgang Voigt returns to the London label with his next album, Rückverzaberung Exhibition. The Exhibition reimagines the concept with renewed purpose, opening the gates to deliver an arresting 60-minute journey into the underworld. Dense soundscapes mutate with alchemic fluidity, unravelling with vast symphonic counterpoints and synesthetic textures. Intoxicating in its Mephistolean dissonances and ambitious sonic structure, the sprawling Rückverzauberung itself becomes a nebulous organism shrouded in the seeping mist of the unknown.
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12"
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KK 079EP
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$16.50
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RELEASE DATE: 3/19/2021
2021 repress. Tolouse Low Trax aka Detlef Weinrich presents four tracks on Karaoke Kalk, two of which are remixes by befriended artists. His friend Miles, also known as one-half of the experimental industrial techno and dark ambient duo Demdike Stare, puts hand on the track "Sussing", originally released on Tolouse Low Trax's album Jeidem Fall in 2012 (KK 066CD/LP). He covers it with an enigmatic, shadowy veil in terms of sounds, space, and obscure driving arpeggios in order to give the track a "brighter haze" feeling. A subliminal hypnotic transformation that swings with a unique dark and demanding drive. The second remix was done by Wolf Müller, a Düsseldorf based musician that released two highly acclaimed EPs on the German DIY label Themes for Great Cities. His profession as a percussionist calls the tune as he mutates the original track "Jeidem Fall" into a tribal celestial dance tune that jacks with an Afro-Baroque elegance. Also, the two EP contributions of Tolouse Low Trax himself move on very different terrains but seem to come out of the same experimental laboratory. With "Vindeland" he delivers a track full of dark synth lines and drunken shuffled patterns that morphs into a nervous soigné sensation. In contrast his arrangement "Eisenbahnzunge" starts with a celestial arpeggio until a strange alienated voice appears and everything melts layer by layer into an elliptical ambient experiment beyond the usual definition. Both tracks are deeply rooted in Tolouse Low Trax's very own spontaneous minimal hardware approach of producing bold, hypnotic dance-not-dance music that shall not only illuminate the so-called freaks.
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6x12" BOX
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COR 049LP
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$125.00
PREORDER
RELEASE DATE: 3/19/2021
To celebrate 20 since inception, Sven Väth's Cocoon Recordings is serving up a special 15 track collection that brings together new and exclusive tracks from artists that have been a huge part of the journey. A suitably spectacular collection that pays homage to one of techno's finest operations. 20 years is a long time in any facet of life, but in techno it is eons. The popular character, much loved DJ and always innovative creative force started out with an early rave techno sound back in the late '80s that he has steered into much broader realms ever since. Väth has ensured Cocoon has always covered all points of the spectrum. Cocoon's unique brand of techno has always been at the heart for the operation and now, these brand new and exclusive tracks confirm that once again. Rampa kicks off with the jittery broken beat techno of "2000" and Emanuel Satie keeps the melodic vibes alive with his wistful "Departure" and then Diynamic label boss Solomun serves up a rare new production "We Will Never Have Today Again" which is a dramatic and epic groove with majestic synth work lighting up the bold drums. Gregor Tresher slips into a more slick and funky drum work out with "Nostalgia (is The Enemy)" and Joseph Ashworth's "Eavesdrop" reaches for deep space with its distant synth swirls and astral atmospheres. Pig & Dan very much came of age through their releases on Cocoon and here offers an intense cosmic workout with "Trauma", while US legend Josh Wink keeps it deep and heads down with his gritty roller "Nuclei". After lush techno trance from Ricardo Tobar comes a heavyweight collaboration between Tiga and Roman Flügel that is designed for those freaky late night hours and then exceptional minimalist Planetary Assault Systems gets you in a spin with his mind-melting cosmic melodies and pounding drum rhythms. There is paranoia and urgency in the excellent work of Jacek Sienkiewicz, dark industry when Andre Galluzzi and Daniel Stefanik link on "The Regulator" and high-grade machine soul from Extrawelt. Croatian mainstay Petar Dundov brings his trademark melodic magic to "Overtone" and things come to a perfect close with the techno warmth and mellifluous synth work of Sebastian Mullaert's "Kikaqu". Limited edition 6x12" vinyl deluxe boxset, with individual fluorescent color sleeves and paper insert; edition of 700.
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Cassette
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DE 007CS
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$14.50
PREORDER
RELEASE DATE: 3/19/2021
Dust Editions presents Evan Caminiti's original score for the short film Autoscopy from London based director Claes Nordwall. The film premiered at the Nevada City Film Festival in August 2020 and is featured in the 2021 edition of the Slamdance Film Festival. Autoscopy follows a young man who escapes to the Swedish wilderness for a period of creativity and introspection. The tranquility and isolation he finds morphs into something more sinister when he discovers an abandoned flotation tank in the forest, leading him on a hallucinatory voyage deep into the heart of nature and his own psyche. Caminiti's score channels the beauty, desolation, and dread Nordwall captures in the film's disorienting arc. Boundaries are dissolved between the organic and the unnatural, the imagined and the experienced; electric guitar dissolves into spectral whispers, blurring into rippling synthesizers and heaving drones. Caminiti explores dissonance and space, veering into realms of extreme digital deconstruction before plunging into amplifier sizzling abandon. This OST release features three additional pieces not heard in the film. Serge Synthesizer Recorded at EMS Stockholm, September 2017. Electric guitar, vocals, additional synthesizers recorded at Spider House, Los Angeles 2020. Arranged and produced at Spider House, Los Angeles, 2020. Mastered by Stephan Mathieu at Schwebung Mastering. Edition of 100.
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12"
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LMS 5521380
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$21.00
PREORDER
RELEASE DATE: 3/19/2021
Goldie's groundbreaking album Timeless turns 25 (1995), and to celebrate Clifford Joseph Price -- the pioneering producer and DJ announces new remixes of his seminal album track and classic "Inner City Life". Diverse yet crucially characteristic, each remix brings out distinctive qualities that undoubtedly accentuated the 1995 classic -- an iconic collage of sounds that capture a fragmented and urbanized London in all its magnificent musical forms. Binary State executes restraints towards the dramatic and subtle notes of the original interweaving the late Diane Charlemagne's expansive and powerful vocal performance with a rubbery tech-house journey. It's a tightly knit and perpetually driving reworking with a the four-to-the-floor dancefloor pulse. Drum and Bass don dBridge is enlisted by Goldie himself to provide a seismic, unconstrained and at times amorphous remix; an uncompromising breakdown of the creative boundaries that we experienced in the 1995 original. Continually challenging a drum & bass records accepted norm, and the delicate eccentricities a classic remix opportunity provides, this year's package also embraces a poignant jazz rendition of "Inner City Life"; a cover that provides not only smooth relief and timeless lust for the original masterpiece. Alongside the relaxed silhouette of the (re:jazz) cover, both the original radio edit and Roni Size's legendary remix that donned the tracks initial 12" is entirely re-mastered. The enduring profile of Goldie rose to incredible prominence during the '90s through pivotal albums Timeless and Saturnz Return (LMS 5521265, LMS 5521276), collaborations with everyone from David Bowie to KRS-One and the launching of his (still operational) Metalheadz label. A complex debut album, Timeless founded a new chapter in the history of the electronic genre originally reaching no. 7 in the charts and since been celebrated for its unique blend of sublime strings, beautiful atmospheres and sophisticated vocals. Inarguably an ambitious blueprint at the time; Goldie's production in 1995 fashioned the edgy rhythms and bass of jungle into a newly futuristic model, now globally admired as drum & bass.
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12"
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RS 038EP
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$14.50
PREORDER
RELEASE DATE: 3/19/2021
Rhythm Section International welcomes Nicola Cruz to the fold with his debut EP on the imprint, Subtropique. Inspired by an Ecuadorian upbringing, percussion is at the heart of how Nicola operates. His rhythmic style finds a natural home on the London label -- which presents five expansive efforts equally indebted to traditional drumming as they are to contemporary club sounds. Remaining sonically cohesive without feeling the need to settle into a definable style -- the tracks are tied together by a lucid psychedelic thread which, despite challenging the expectations and fundamentals of electronic dance music -- demand movement at a time where you yearn for it.
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LP
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PATT 010LP
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$37.50
PREORDER
RELEASE DATE: 3/19/2021
German pianist and composer Hauschka returns to Sonic Pieces with music for the experimental film Upstream. Together with filmmaker Rob Petit and acclaimed writer Robert Macfarlane he has created a slow-moving dream-flight into wildness and winter through an eerie, hypnotic soundtrack of the Scottish highlands. The film, which is shot entirely from the air, follows the course of the River Dee in Scotland all the way to its source in the Cairngorm mountains, the highest of any river in Britain. The soundtrack to the film, here, is without doubt Hauschka's most brooding, deep work and he is in a much darker mood in contrast to his Oscar-nominated works for Hollywood films. The variation of cello, prepared piano, poems, sound effects, and occasional synth create a ghostly sound as if a shadow was slowly moving through the Scottish winter. One can hear a faint echo of David Darling's Dark Wood (1995) era in the empty, dark beauty of the bow -- performed by Insa Schirmer. Hauschka sheds his more rhythmic, entertaining side to reveal something new. Together with Petit and Macfarlane, he embraces the comfort and force of nature to truly mesmerizing effect. The last and shortest piece of the album "Uisge dhè" as well as the bonus track included on the download code "Here the Heart Fills" include prose poems written by Robert Macfarlane voiced in Gaelic and English by Niall Gordàn and Julie Fowlis. The naked words spoken over haunting sound recordings of the River Dee and its source, create a mystical atmosphere heightened only by sparse cello passages. A strange, beautiful and captivating album that stands alone as a truly transportive piece of work: close your eyes and travel... Upstream. Cover with laser-cut and printed inner sleeve; includes download code; edition of 700.
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LP
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TER 076LP
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$23.00
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RELEASE DATE: 3/19/2021
"Who is Jane Inc.? She is CEO and pencil pusher; she is a blank, unknowable Jane Doe, and she is the singular solo project of Carlyn Bezic. Also known as one half of weird-pop duo Ice Cream, one fifth of rock and roll fever dream Darlene Shrugg, and touring member of US Girls band, Bezic has been building a body of work on merging a pop sensibility with off-kilter influences. Jane Inc's debut album, Number One, out on Telephone Explosion in March 2021, is an exciting progression of that body of work: a meditation on the self that marries pop songwriting with swirling sonic experiments. The eight songs on Number One act as pieces of a collage, forming a face that's both familiar and strange, direct and oblique. Synths sneer and shimmer, fuzzed-out guitars play against Bezic's soothing and hypnotic voice, and a constant and confident bass grounds each track. She brings us into flowing, dreamlike reflections, creating an expansive world that stretches beyond the album's limits. Number One began with Bezic layering bass, guitar, synth, and vocals on top of drum breaks and samples. She later recruited Toronto recording engineer and stalwart Steve Chahley (Badge Epoque, US Girls, Ben Stevenson, et al) to co-produce. They then recorded live drums performed by Evan J. Cartwright (U.S Girls, Tasseomancy), saxophone by Nick Dourado (BUDi Band, Aquakultre, Fiver) and Wurlitzer by Scott Harwood (Scott Hardware), expanding a bedroom project to blown out depths and glittering heights. The album's thoughtful production and lush layering of futuristic synths push the quick satisfaction of pop song structure into a hypnotizing work that reveals more of itself with each listen. Know thyself. Number One is a testament to the endurance and the shortcomings of that familiar maxim in our current climate. How do we make sense of the world and our place in it when we feel both complicit in its ills and victimized by them? How do we navigate being more connected than ever, when that connection twists reality and disconnects us from ourselves? How do we understand our mental health, our relationships, the structures that surround us? We look inward to find glimmers of truth, watching the fragments come together to form a distorted reflection, our own eyes atop a stranger's grinning, Colgate smile."
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2LP
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ATON 012LP
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$31.00
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RELEASE DATE: 3/19/2021
Double LP version. First released by Cazzo Film in 2001, ebo hill's Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill's vision was both ahead of its time and a playful distillation of '90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-TON. The music follows a group of squatters, punks, and drag queens as they fuck, party, and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film's narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city's former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise/industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub, and electro. It's a sonic spectrum that connects Berlin's queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film's cast and crew) to the more industrial, breakcore and noise-oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk. CNM / Rouage (Kathinka): Born in 1975 and raised in East Berlin. Co-organization of subcultural events since 1998 in Berlin, Potsdam, Leipzig and Barcelona. Experimental music, collaborations, exhibitions and audiovisual shows since 2000. AeoX: Active between 2001 and 2007. Originally a quartet, then a trio, the group eventually shrank to two permanent members: Alex.E and Hanno Hinkelbein. The latter founded Null Records, where AeoX released two album and numerous EPs. They also released on Mental.Ind.Records founded by former OstGut resident Cora S. Musically, the group experimented with combining improvisational hardware techno, breaks, traditional instruments (guitar, clarinet, piano) industrial and metal. Remix by Stellwerk.
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CD
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ATON 012CD
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$15.50
PREORDER
RELEASE DATE: 3/19/2021
First released by Cazzo Film in 2001, ebo hill's Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill's vision was both ahead of its time and a playful distillation of '90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-TON. The music follows a group of squatters, punks, and drag queens as they fuck, party, and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film's narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city's former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise/industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub, and electro. It's a sonic spectrum that connects Berlin's queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film's cast and crew) to the more industrial, breakcore and noise-oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk. CNM / Rouage (Kathinka): Born in 1975 and raised in East Berlin. Co-organization of subcultural events since 1998 in Berlin, Potsdam, Leipzig and Barcelona. Experimental music, collaborations, exhibitions and audiovisual shows since 2000. AeoX: Active between 2001 and 2007. Originally a quartet, then a trio, the group eventually shrank to two permanent members: Alex.E and Hanno Hinkelbein. The latter founded Null Records, where AeoX released two album and numerous EPs. They also released on Mental.Ind.Records founded by former OstGut resident Cora S. Musically, the group experimented with combining improvisational hardware techno, breaks, traditional instruments (guitar, clarinet, piano) industrial and metal. Remix by Stellwerk.
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12"
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YTIVIL 589EP
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$14.00
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RELEASE DATE: 3/12/2021
Bristol's Jurango kicks off 2021 in fine style with the Retreat Ites EP for the Livity Sound Reverse series. From the paranoid echo of the title track to the dark mutant dancehall of "Theeves", Jurango crafts heavyweight ice cold drum and bass rhythms exploring the outer reaches of soundsystem music in true school Bristol fashion, placing him amongst peers such as Laksa, Batu, and Lurka. Livity Sound is a label set up by Peverelist in 2011 as a vehicle for a raw and exploratory strain of UK techno, rooted in the heritage of UK dance music and sound system culture.
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2LP
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EMEGO 293LP
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$31.00
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RELEASE DATE: 3/12/2021
Swedish producer and electronic enthusiast Rivet (Mika Hallbäck Vuorenpää, Malmö) joins the Editions Mego fold with a dynamic and diverse album that pivots between the punctuated pop of Ivan Pavlov's COH project, the chromatic slink of Chris and Cosey whilst also bearing a degree of fruit birthed from Hallbäck's home country Sweden in skewered pop such as The Knife. This is electronic music born from the worship of machines and the spirit of punk, mood music brooding with sophistication and subversive twists all underscored with a deep industrial pulse. Are these songs? Are these lyrics? Words melt as beat perpetually takes us deeper into flight. Interpretation is flung open as the audience are invited to gauge what on earth is going on here. Are "Sooty Wing Flecks" a minuscule species of half keyboard half vocoder chatter? Is "Gleitende Liebe" to be trusted or simply laying out a guide for disorientation? "Pearling Woes" is a queasy ballad sung by a robot on a very special comedown. "Keloid" knows exactly where the party can be now whereas Sodden Healer is an uber ride sans mask to destinations dark and unknown. Throughout this trip sharp snares punctuate ghost melodies as vocals rise and vaporize. Shadows hover the walls leaving holographic traces of the duality between fun and fear, the unexpected drifts diagonally across the audio plane teasing and taunting the listener in a unique blend of industrial, techno, pop, and experimental forms. On Feather and Wire is a deep absorbing trip through multiple moods, genres, and guises, as mysterious as it is engaging and one to ingest in a single sitting, lying back, sitting up, standing up and yes, even dancing. Let the angels and angles, the voices and distorted faces take shape before your mind. Who is "Ordine Kadmia"? What are they saying to me, here we go, on and on... With its haunted vocals, coded linguistics, and dark sensual propulsive atmosphere, On Feather and Wire is a sublime contemporary techno pop trip both psychedelic and subversive. Images by Dimitrios Bizios; Artwork by Nik Void. Written and produced by Mika Hallbäck Vuorenpää; Post-production by Mika Hallbäck Vuorenpää and Benny Liberg at Inkonst Studio Malmö; Mixed by Oscar Mulero at Dead Souls Studio Gijón; Mastered by Stephan Mathieu.
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CD
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BB 353CD
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$17.00
PREORDER
RELEASE DATE: 3/5/2021
Flusch. Knirk. Finom! Since July 14th 1981, Die Welttraumforscher have been researching the dream of the world, becoming cassette creators in the process. A mission which has seen them seek out the folklore of outer space, visiting the continent of Binika and marveling at the metropolis of Darktown. In transit, they find support and succor in Bretzelberg pop, toytown tempests, a starman, bricoleurs, 4-track recorders and instant architecture. How elated they are when they happen upon a successful sound piece, taking clandestine delight in the return of genuine humanity. This first Bureau B retrospective devoted to Die Welttraumforscher covers the Swiss project's early creative period from 1981 to 1990. The eccentric, heartwarming pop songs now sound like documents from a parallel world, interwoven with idiosyncratic fantasy, surreal stories and dreamlike apparitions. Considering their continuous and prolific output over the past four decades, it is quite remarkable how Die Welttraumforscher have remained under the radar for so long -- that said, their cadre of admirers includes such illustrious artists as Mouse On Mars, Barbara Morgenstern, and Felix Kubin. It thus gives Bureau B immeasurable pleasure to offer a closer insight into the work of this incomparable project. All tracks have been remastered.
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