|
|
|
|
|
|
|
|
|
|
|
LP
|
|
FP 039D-LP
|
$22.00
PREORDER
RELEASE DATE: 1/30/2026
"Nearly five years after the release of Sci-Fi Sky, Lebanon Hanover has produced your favorite soundtrack for a visit in a psychiatry clinic: Asylum Lullabies. This is the evolution of an even colder, more caustic sound by a band that has dominated the Post Punk landscape for over a decade. Asylum Lullabies is a very heavy album about dealing with mental health struggles, a breakup and ongoing wars and the current horror in the world ultimately leaving one consumed with dread, fear and a constant feeling of being crushed. Everything falls apart at the same time."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FP 041B-LP
|
$23.00
PREORDER
RELEASE DATE: 1/16/2026
"Qual, the solo project of William Maybelline (Lebanon Hanover, General Dynamics), presents the project's fourth LP Love Zone through Fabrika Records. Since Qual's 2015 debut release Sable, the project has been exploring dark and gloomy soundscapes of minimal synth, old school EBM, industrial electronics recorded on analog equipment. With technoid hammers and torture tech beats Love Zone opens as a continuum of Qual's previous exploration of digital decay, A.I aftermath, our increasing addiction to the dopamine fix of the screen, and a pill for every ill. The rhythm and raw vocals of 'Come With Me' touch on the industrial tribalism of Sleep Chamber. 'For a Moment of Happiness' closes the A side with a slower, more mournful track than Qual fans might expect, displaying the multifaceted talents of the artist. The B-side brings two more hard hitting tracks about rancid decay: 'Death and Destruction' and 'Beyond This Madness'. The title track 'Love Zone' is abrasive eroticism. 'Scrolling Your Brains Outs' closes the album with classic Qual: hard driven gloom that hits where it hurts. Love Zone was made purely with hardware only. The album was mixed by Owen Pratt of Uncanny Valley, whose previous clients include Post Malone, Alice Cooper, Arcade Fire, Ryuchi Sakamoto, and Lana Del Rey. Pratt's full organic approach meshes with Maybeline's overall vision for this album."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FP 041A-LP
|
$23.00
PREORDER
RELEASE DATE: 1/16/2026
Magenta color vinyl version. "Qual, the solo project of William Maybelline (Lebanon Hanover, General Dynamics), presents the project's fourth LP Love Zone through Fabrika Records. Since Qual's 2015 debut release Sable, the project has been exploring dark and gloomy soundscapes of minimal synth, old school EBM, industrial electronics recorded on analog equipment. With technoid hammers and torture tech beats Love Zone opens as a continuum of Qual's previous exploration of digital decay, A.I aftermath, our increasing addiction to the dopamine fix of the screen, and a pill for every ill. The rhythm and raw vocals of 'Come With Me' touch on the industrial tribalism of Sleep Chamber. 'For a Moment of Happiness' closes the A side with a slower, more mournful track than Qual fans might expect, displaying the multifaceted talents of the artist. The B-side brings two more hard hitting tracks about rancid decay: 'Death and Destruction' and 'Beyond This Madness'. The title track 'Love Zone' is abrasive eroticism. 'Scrolling Your Brains Outs' closes the album with classic Qual: hard driven gloom that hits where it hurts. Love Zone was made purely with hardware only. The album was mixed by Owen Pratt of Uncanny Valley, whose previous clients include Post Malone, Alice Cooper, Arcade Fire, Ryuchi Sakamoto, and Lana Del Rey. Pratt's full organic approach meshes with Maybeline's overall vision for this album."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FP 039A-LP
|
"Nearly five years after the release of Sci-Fi Sky, Lebanon Hanover has produced your favorite soundtrack for a visit in a psychiatry clinic: Asylum Lullabies. This is the evolution of an even colder, more caustic sound by a band that has dominated the post punk landscape for over a decade. Asylum Lullabies is a very heavy album about dealing with mental health struggles, a breakup and ongoing wars and the current horror in the world ultimately leaving one consumed with dread, fear and a constant feeling of being crushed. Everything falls apart at the same time."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FP 040LP
|
"Desinteresse present their first studio produced album, Onschuld, through Fabrika Records. Desinteresse is a Dutch Coldwave act formed in late 2022 as a duo consisting of Bart Vranken (bass) and Sem van den Munckhof (vocals/synth/guitar). Joppe de Swart (drums) joined in 2024 to form the current trio. Onschuld is their first true album after the release of two cassettes on their own label DECADENCE. This is Desinteresse's first studio production and experience in recording things separately; their first tape Voor Altijd was simply recorded live in Sem's attic room. Onschuld was recorded at The Lullabye Factory in Amsterdam, where Desinteresse took control of the completely analog production. Engineers at The Lullabye Factory assisted with the mixing. Recording took place January and March 2025, except for 'Grijze Dromen' which was recorded in June 2024 and released as a 7" single in August 2024. The overall approach was to create something in the same way it was done in the 1970s and '80s, hence the dedicated use of tape and instruments, effects and amplifiers that come from that era. The titles and lyrics are in their native Dutch. Most of the album's lyrics were written by Sem between 2023 and 2025, with the exception of the song 'Fantomen,' which was written by Bart."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FP 007A-LP
|
"Jennifer Touch presents Aging at Airports on Fabrika Records. The idea for the record title came before the music even existed as Touch was spending an increasing amount of time in airports while touring. In her own words: 'It felt like I waste a large part of my life waiting for the next show to come, to entertain and perform my music and build timeless moments with others. This waiting, the slowly ticking time at the gate, was in complete contrast to what I want to do as an artist: to be in flux, to create things that will last forever. The airport, as a busy hub, was like a symbol of this ambivalence. And a reminder: every second, whether waiting or on the move, I have to accept that I am fading, that my creative power, my face, and my body are fading. As a (performing) artist, everything feels like a strange contrast. While you want to stay true to yourself and speak authentically from the soul, you are also expected to appear forever young, and powerful. Artists are often wanted to distract people, but creating this art forces me to confront my own transience. I feel the struggle to fit into this powerful artificial framework that the world has set and the desire to break free from it.'"
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FP 007B-LP
|
Silver color vinyl version. "Jennifer Touch presents Aging at Airports on Fabrika Records. The idea for the record title came before the music even existed as Touch was spending an increasing amount of time in airports while touring. In her own words: 'It felt like I waste a large part of my life waiting for the next show to come, to entertain and perform my music and build timeless moments with others. This waiting, the slowly ticking time at the gate, was in complete contrast to what I want to do as an artist: to be in flux, to create things that will last forever. The airport, as a busy hub, was like a symbol of this ambivalence. And a reminder: every second, whether waiting or on the move, I have to accept that I am fading, that my creative power, my face, and my body are fading. As a (performing) artist, everything feels like a strange contrast. While you want to stay true to yourself and speak authentically from the soul, you are also expected to appear forever young, and powerful. Artists are often wanted to distract people, but creating this art forces me to confront my own transience. I feel the struggle to fit into this powerful artificial framework that the world has set and the desire to break free from it.'"
|