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IN STOCK
01. CLUSTER & ENO - Ho Renomo
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02. CLUSTER & ENO - Schone Hande
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03. CLUSTER & ENO - Steinsame
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04. CLUSTER & ENO - Fur Luise
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05. CLUSTER & ENO - Mit Simaen
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06. CLUSTER & ENO - Selange
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07. CLUSTER & ENO - Die Bunge
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08. CLUSTER & ENO - One
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09. CLUSTER & ENO - Wermut
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ARTIST
CLUSTER & ENO
TITLE
Cluster & Eno
FORMAT
CD
LABEL
BUREAU B
CATALOG #
BB 029CD
BB 029CD
GENRE
ELECTRONIC
RELEASE DATE
1/22/2016
2016 re-release of Bureau B's 2009 reissue. Originally recorded and released in 1977 on Sky Records, the first collaborative album by
Brian Eno
and
Cluster
was the first ambient record produced in Germany, and is considered the seminal, defining work of the genre. Brian Eno was certainly instrumental in creating and popularizing the concept of "ambient music" -- but it was not his invention alone. The German musicians
Hans-Joachim Roedelius
and
Dieter Moebius
(Cluster) were brothers in spirit. As so often in music, the idea of ambient was in the air -- both Eno and Cluster experimenting with the form in the 1970s, rendering any debate as to who influenced who redundant. What is certain, is that Brian Eno attended a Cluster concert in Hamburg in 1975, strategically positioning himself in the front row. Sure enough, he was invited on stage to jam with the band and, after the show, the participants arranged to meet up again. They did so two years later at the Old Weserhof in Forst, the domicile of the German duo. Eno and Cluster spent three weeks in
Conny Plank
's studio, resulting in two albums:
Cluster & Eno
and
After The Heat
(1978). In the liner notes,
Asmus Tietchens
(who also plays on the record along with
Can
's
Holger Czukay
) writes: "
Clearly, all three musicians inspired each other during their three weeks together without any clash of personalities. Nevertheless, some tracks sound more like Cluster, some more like Eno. So it made perfect sense to collect the tracks with a Cluster flavor on
Cluster & Eno." The importance of this record can never be overstated, nor can its elegance of diverse forms be matched. From Indian sitar and tamboura, to synth warbles and airy tributes to Western groove, it is a rare glimpse at what happens when masters meet.
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