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IN STOCK
01. DANIEL BACHMAN - Grey (Take One)
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02. DANIEL BACHMAN - Grey (Take Two)
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03. DANIEL BACHMAN - Grey (Take Three)
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04. DANIEL BACHMAN - Black (Take Four)
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05. DANIEL BACHMAN - Black (Take Five)
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06. DANIEL BACHMAN - Black (Take Six)
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07. DANIEL BACHMAN - Green (Take Seven)
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08. DANIEL BACHMAN - Green (Take Eight)
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09. DANIEL BACHMAN - Green (Take Nine)
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ARTIST
BACHMAN, DANIEL
TITLE
Grey-Black-Green
FORMAT
LP
LABEL
FEEDING TUBE RECORDS
CATALOG #
FTR 156LP
FTR 156LP
GENRE
ROCK
RELEASE DATE
9/2/2014
2015 repress on white vinyl. First vinylization of the 2011 CD-R release, with which
Daniel Bachman
shucked the performing name he'd been using (
Sacred Harp
) and laid his naked ass on the line. Bachman already sounds like a wizened player here (an image that was solidified when his mug was plastered on the box for Tompkins Square's "Obscure Giants of Acoustic Guitar" trading cards), but he was actually still a babe of the Fredericksburg woods at the time this came out. Regardless, his technique is massive, and his approach to the material -- based on a color-wheel tuning system developed by the late
Robbie Basho
-- is intense. Recorded onto a boom-box, with a hi-fi quotient of nil, the material here reminds one of what
Bill Orcutt
might sound like if he decided to play in longer format time-chunks. There's a wonderful kind of containment to the music -- suggesting deep investigation and improvisation with hermetic knowledge rather than anything constrictive -- which gives this album a sense of spirituality one rarely finds outside the New Age bin. Bachman is a master player, and the evidence of this is apparent even at this relatively early stage of his trajectory. Through constant touring and wood-sheddding, Daniel's music has evolved in multiple directions over the intervening years, but
Grey-Black-Green
remains one of the true and unique high watermarks of his recordings. How great to have it on vinyl at long last. Includes a download code.
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