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Artist	Title	Format	Label	Catalog #

KING, B.B.	3 O'clock Blues: The Early Years 1951-62	LP	ACROBAT	ACRSLP 1671LP
$26.00 NOT IN STOCK Delayed... "B.B. King, the 'King Of The Blues' is an undisputed music icon. In a career spanning seven decades, he sold in excess of 50 million records, won 20 Grammy Awards, and played alongside artists such as Bono, Eric Clapton, The Rolling Stones, Elton John, and Stevie Wonder. A hard-working musician, King toured the world several times over, taking his extraordinary blues from the margins to the mainstream. His emotional and sophisticated soloing on his Gibson guitar, 'Lucille,' coupled with his subtle vibrato style, influenced a diverse range of artists, including, Keith Richards, Carlos Santana, Jimi Hendrix, Cream, Richie Sambora, and even 50 Cent. This fine collection brings together some of King's greatest early blues numbers. From his first hit single, 'Three O'Clock Blues,' timeless tracks such as 'Woke Up This Morning' and 'Everyday I Have The Blues,' the epic double sider 'Sweet Sixteen' finishing with his early sixties classics, 'Someday' and 'Peace Of Mind.' King was a pioneer from the very beginning, with this collection demonstrating just why the British blues bands of the late sixties revered him as a guitar god. King was inducted into the Blues Foundation Hall Of Fame in 1984, the Rock 'n' Roll Hall Of Fame in 1987, received the National Academy of the Recording Arts and Sciences Lifetime Achievement Award and awarded the Presidential Medal of the Arts in 1990. In 2006 he received the Medal of Freedom, America's highest civilian honor."

Artist	Title	Format	Label	Catalog #
DHARMACIDE	Tougher Than The Rest	LP	MUNSTER RECORDS	MR 479LP
$28.50 PREORDER RELEASE DATE: 11/14/2025 Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Tougher Than the Rest is their awaited second album. They take a step forward with a darker sound with gloomy riffs and ethereal voices in which they describe perfectly how the sound of a night full of random events would be like. "The Cigs, The Light, The Coffee and Crying," the LP's first single, features a powerful reverb-laden riff with a solo vocal melody in the middle of the chaos until breaking into a powerful chorus. Dharmacide's sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages, performing at renowned venues and festivals, including iconic spots in their home country as well as internationally, earning praise for their high-energy performances and thoughtful compositions. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. Their sound is influenced by today's bands like Diiv, Warpaint, or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds, and Tom Waits.

Artist	Title	Format	Label	Catalog #
GOLDIE	Timeless (30th Anniversary Edition)	2LP	LONDON RECORDS	LMS 1725578
$41.00 PREORDER RELEASE DATE: 11/7/2025 Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over three decades. Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz. London Records celebrate 30 years of Timeless with limited edition vinyl, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.

Artist	Title	Format	Label	Catalog #
NAKED LUNCH	Lights (And A Slight Taste Of Death)	CD	TAPETE RECORDS	TR 599CD
$16.50 PREORDER RELEASE DATE: 11/7/2025 "I founded this band, and I'll bury it when I feel like it," Naked Lunch mastermind, songwriter, and singer Oliver Welter once said. Obviously, he hasn't felt like it yet. So it should come as no surprise that this band -- believed by many to be long gone -- is opening a new chapter in its eventful history, twelve years after their last critically acclaimed album All Is Fever (TR 243CD, 2013), with their new record Lights (And A Slight Taste Of Death). Following lineup changes and internal reshuffles, comes this outrageous record, on which, as seems to be the case with every Naked Lunch release, everything is once again at stake. The madness, the perspective, and the journey of songwriter and singer Oliver Welter go deep with these songs, far-reaching -- not least inward -- and from there, back out into the world. The almost fateful encounter with musician and producer Wolfgang Lehmann ("the best and most talented music interpreter ever," as Welter puts it) inspired Welter to finalize the arrangements and production of the various song drafts for Lights (And A Slight Taste Of Death) in Lehmann's studio -- with Lehmann also handling the final mix. All this, of course, was done with the support of longtime companions Alex Jezdinsky (drums) and Boris Hauf (keys/sax). Lights (And A Slight Taste Of Death) is a 14-track tour de force; demanding and harsh, yet tender and embracing. It's an intimate self-examination, spanning grand ballads like the hauntingly beautiful "Come Into My Arms or Love Don't Love Him Anymore," to sweeping, sky-storming pop anthems such as "To All And Everyone I Love, We Could Be Beautiful," or "Going Underground," and even includes completely unexpected expressive outbursts -- like a free-jazz saxophone solo in the drugged-out "If This Is The Last Song You Can Hear." Lights (And A Slight Taste Of Death) thus takes its rightful place as a consistent continuation in the tightly woven, high-quality discography of Naked Lunch.

Artist	Title	Format	Label	Catalog #
KORWAR, SARATHY	There Is Beauty, There Already	CD	OTHERLAND RECORDS	OTH 001CD
$14.50 PREORDER RELEASE DATE: 11/7/2025 Sarathy Korwar, genre-breaking drummer, producer and composer, announces the release of his seventh album, There Is Beauty, There Already, out on Otherland. Celebrating the melodic power of the drum ensemble, the album follows his 2022 Indofuturist manifesto KALAK with a deeply immersive longform suite of percussion-led compositions. Playing as a 40-minute suite of hypnotic and transcendent drum improvisations, the album beats through a repetitive, circular structure that brings to mind Indian folk music, jazz drum ensembles like Max Roach's M'Boom and the contemporary classical minimalism of Terry Riley and Steve Reich. From the undulating bass tones of the tabla to the tonal varieties of South Indian clay pot ghatam, the snare drum snap of the drum kit, and shades of electronic texture through the Buchla Easel, Korwar's ensemble bubbles and flows through a stream of steady rhythm, forever in motion like the ceaseless energy of a river. "The album is me finding my voice as a composer again and going back to the thing I know best, which is the drums," Korwar says. "It's me falling back in love with percussion and expressing just how melodic and emotive it can be. Unlike my other albums that have often engaged with weighty themes like migration, identity and futurism, this is a raw act of placing myself front and center -- letting the drums speak instead."

Artist	Title	Format	Label	Catalog #
NAKED LUNCH	Lights (And A Slight Taste Of Death)	LP	TAPETE RECORDS	TR 599LP
$26.00 PREORDER RELEASE DATE: 11/7/2025 LP version. "I founded this band, and I'll bury it when I feel like it," Naked Lunch mastermind, songwriter, and singer Oliver Welter once said. Obviously, he hasn't felt like it yet. So it should come as no surprise that this band -- believed by many to be long gone -- is opening a new chapter in its eventful history, twelve years after their last critically acclaimed album All Is Fever (TR 243CD, 2013), with their new record Lights (And A Slight Taste Of Death). Following lineup changes and internal reshuffles, comes this outrageous record, on which, as seems to be the case with every Naked Lunch release, everything is once again at stake. The madness, the perspective, and the journey of songwriter and singer Oliver Welter go deep with these songs, far-reaching -- not least inward -- and from there, back out into the world. The almost fateful encounter with musician and producer Wolfgang Lehmann ("the best and most talented music interpreter ever," as Welter puts it) inspired Welter to finalize the arrangements and production of the various song drafts for Lights (And A Slight Taste Of Death) in Lehmann's studio -- with Lehmann also handling the final mix. All this, of course, was done with the support of longtime companions Alex Jezdinsky (drums) and Boris Hauf (keys/sax). Lights (And A Slight Taste Of Death) is a 14-track tour de force; demanding and harsh, yet tender and embracing. It's an intimate self-examination, spanning grand ballads like the hauntingly beautiful "Come Into My Arms or Love Don't Love Him Anymore," to sweeping, sky-storming pop anthems such as "To All And Everyone I Love, We Could Be Beautiful," or "Going Underground," and even includes completely unexpected expressive outbursts -- like a free-jazz saxophone solo in the drugged-out "If This Is The Last Song You Can Hear." Lights (And A Slight Taste Of Death) thus takes its rightful place as a consistent continuation in the tightly woven, high-quality discography of Naked Lunch.

Artist	Title	Format	Label	Catalog #
SHAW, MARLENA	The Spice Of Life	LP	VAMPISOUL	VAMPI 330LP
$30.50 PREORDER RELEASE DATE: 11/7/2025 The Spice of Life, released in November 1969, stands as Marlena Shaw's second -- and final -- studio album for Cadet Records, produced and arranged by the renowned Richard Evans and Charles Stepney. From the opening, Shaw's voice -- both playful and powerful -- cuts through the lush yet tight-knit arrangements, weaving together a vibrant tapestry of soul, proto-funk, jazz, gospel, and blues. The album features two defining classics: her deeply resonant original of "Woman of the Ghetto" and a signature take on Ashford & Simpson's "California Soul," both staples in sampling culture (you'll probably find that you're more familiar with Shaw's material than you thought.) Evans and Stepney's arrangements are far from mere support -- they're panoramic and inventive. You'll hear kalimba flourishes, psych-tinged guitar accents, and bongo-fueled organ textures that elevate each track, keeping the atmosphere rich but never overwhelming. Moments like the Bacharach-styled "Looking Through the Eyes of Love" or the dramatic flair of "Stormy Monday" showcase their widescreen sensibility and Shaw's versatility. Beneath its musical elegance, The Spice of Life carries a weighty current of social commentary. Tracks such as "Woman of the Ghetto" and the succinct, fierce "Liberation Conversation" bring political and feminist themes into a soulful, expressive framework -- adding unexpected depth to the sophisticated sonic palette. This album offers an immersive journey through soul-jazz mastery, one that rewarded listeners with sampling gold for decades to come. Reissue on 180g vinyl.

Artist	Title	Format	Label	Catalog #
WHITNEY, MARVA	It's My Thing	LP	VAMPISOUL	VAMPI 329LP
$30.50 PREORDER RELEASE DATE: 11/7/2025 Among the most revered voices in funk, Marva Whitney holds a special place thanks to her fierce energy and unmistakable style on tracks like the classic "Unwind Yourself," a long-time favorite for DJs and dance floors alike. Emerging from the dynamic world of the James Brown Revue in the late 1960s -- alongside iconic names like Lyn Collins and Vicki Anderson -- Marva quickly carved out a name for herself. In 1969, she began recording as a solo artist under James Brown's King label, scoring a Top 20 R&B hit with 'It's My Thing.' While mainstream hits were few, her music resonated deeply with funk lovers and crate diggers around the world. Songs like "You Got to Have a Job" and the endlessly sampled "Unwind Yourself" have only grown in stature over the decades. Her album, It's My Thing, dropped that same year and has since become a touchstone of the genre. Backed by the legendary JB's and produced by James Brown himself -- who also contributed to most of the songwriting -- the album captures a raw, unapologetic funk sound with a distinctly female voice at the forefront. From the explosive opening of "It's My Thing" -- a bold response to the Isley Brothers' "It's Your Thing" -- Marva channels sheer intensity, backed by a band that doesn't let up. The pace briefly softens with "If You Love Me," a soul-soaked ballad in the spirit of Otis Redding, before diving back into the rhythmic grit of tracks like "Unwind Yourself." Decades later, It's My Thing continues to inspire, sampled by producers and treasured by collectors -- a powerful snapshot of funk at its most uncompromising. Reissue on 180g vinyl.

Artist	Title	Format	Label	Catalog #
KORWAR, SARATHY	There Is Beauty, There Already	LP	OTHERLAND RECORDS	OTH 001LP
$26.00 PREORDER RELEASE DATE: 11/7/2025 LP version. Sarathy Korwar, genre-breaking drummer, producer and composer, announces the release of his seventh album, There Is Beauty, There Already, out on Otherland. Celebrating the melodic power of the drum ensemble, the album follows his 2022 Indofuturist manifesto KALAK with a deeply immersive longform suite of percussion-led compositions. Playing as a 40-minute suite of hypnotic and transcendent drum improvisations, the album beats through a repetitive, circular structure that brings to mind Indian folk music, jazz drum ensembles like Max Roach's M'Boom and the contemporary classical minimalism of Terry Riley and Steve Reich. From the undulating bass tones of the tabla to the tonal varieties of South Indian clay pot ghatam, the snare drum snap of the drum kit, and shades of electronic texture through the Buchla Easel, Korwar's ensemble bubbles and flows through a stream of steady rhythm, forever in motion like the ceaseless energy of a river. "The album is me finding my voice as a composer again and going back to the thing I know best, which is the drums," Korwar says. "It's me falling back in love with percussion and expressing just how melodic and emotive it can be. Unlike my other albums that have often engaged with weighty themes like migration, identity and futurism, this is a raw act of placing myself front and center -- letting the drums speak instead."

Artist	Title	Format	Label	Catalog #
GOLDIE	Timeless (30th Anniversary Edition) (Splatter Vinyl)	2LP	LONDON RECORDS	LMS 1725579
$57.00 PREORDER RELEASE DATE: 11/7/2025 Splatter color vinyl version. Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over three decades. Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz. London Records celebrate 30 years of Timeless with limited edition vinyl, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.

Artist	Title	Format	Label	Catalog #
CINDY LEE	Act Of Tenderness	LP	W.25TH	W25 004LP
$25.00 PREORDER RELEASE DATE: 10/31/2025 2025 repress available in Oct. "Cindy Lee is the diva alter-ego of singer/guitarist/drag queen Patrick Flegel, the one-time captain of heralded Canadian experimental guitar pop act, Women. In Flegel's working on/as Cindy Lee exclusively over recent years, their songwriting makes a move toward high atmospherics, often achieving a mysterious sweetness rooted equally in beauty and ache. As Cindy Lee's first long-form statement, Act Of Tenderness makes use of antipodal themes to create a living sound: static with grace, distortion and sugar, all masterfully arranged with crooked nods toward pop classicism. The layered vocal on 'Power And Possession' creates a palpable haunt, bringing historical girl-group lament to choir-esque heights. The feedback shriek and industrial grind of 'Bonsai Garden' provides near-operatic damage, yet never stumbles into the irrevocably grave. These snowy pieces give the album a decidedly cinematic feel, albeit one bent more towards Eraserhead. Originally released in a scant private edition in 2015, Superior Viaduct's imprint W.25TH is pleased to give Act Of Tenderness its deserving wide release."

Artist	Title	Format	Label	Catalog #
CINDY LEE	Malenkost	LP	W.25TH	W25 003LP
$25.00 PREORDER RELEASE DATE: 10/31/2025 2025 repress available in Oct. "Cindy Lee is the brainchild of singer/guitarist Patrick Flegel. While some may know Flegel from his time spent in Canadian experimental indie band Women, Cindy Lee has spent the past four years crafting songs that push and pull in opposing directions -- from tales of tragedy laced with haywire distortion to moments of breathtaking beauty. On Malenkost, Flegel combines everything that makes Cindy Lee so essential: heart-wrenching romantic pleas, rough shards of noise and twilit ballads. Featuring the lo-fi pop single 'A Message From The Aching Sky,' Malenkost sounds like Deerhunter playing The Supremes or vice versa. Superior Viaduct's imprint W.25TH presents the first of many Cindy Lee releases. Spectral and timeless, the music of Cindy Lee is hauntingly familiar yet of another plane, a magical collision of Brill Building hooks and uncompromising No Wave. 'Cindy Lee is intensely dark and cathartic, an eerie fever dream of fleeting, utterly heartbreaking classic girl-group melodies . . . one of the best things we have heard all year.' --Gorilla Vs. Bear"

Artist	Title	Format	Label	Catalog #
HOLY SONS	Puritan Themes (Purple Vinyl)	LP	THRILL JOCKEY	THRILL 641X-LP
$27.00 PREORDER RELEASE DATE: 10/31/2025 Purple color vinyl. "Holy Sons is the largely solo project of Emil Amos (Grails, Om, Lilacs & Champagne). Puritan Themes is his 17th album and his 4th for Thrill Jockey Records and a tentpole album in his wide-ranging output, including myriad private press LPs, collections of oddities, and conceptual series. Puritan Themes relaxed vibes are influenced by the laid-back west coast rock sound of mid-period Fleetwood Mac, blended with a dose of psych distortion and imbued with the breeziness and ease of yacht rock. Puritan Themes is a record that knowingly, barely fits into the modern world. When mixing the record in Chicago, everyday Amos skated through Douglass Park listening to podcasts about the inner workings of The Band, listened to '70s AM radio while washing dishes and went to sleep at night to early Bee Gees interviews. The earliest concept of the record was based around the track 'Chain Gang' which was an imaginary take on if Cat Stevens had smoked a ton of salvia and taken a much darker route within that world of dense, story-telling/message-based songwriting. The track 'Raw & Disfigured' borrows its name from the last Thrill Jockey Holy Sons record, in a referential move that's stolen from the way Led Zeppelin separated the track 'Houses of the Holy' from the record of the same name (once again harkening back to '70s lore)."

Artist	Title	Format	Label	Catalog #
CINDY LEE	Cat O' Nine Tails	LP	W.25TH	W25 016LP
$25.00 PREORDER RELEASE DATE: 10/31/2025 "Originally released as an edition of 50 lathe-cut LPs housed in silk-screened jackets in 2020 (fast on the heels of What's Tonight To Eternity), Cat O' Nine Tails has long intrigued die-hard Cindy Lee fans with its combination of the classic songwriting that would dominate Diamond Jubilee a few years later and an actual suite of classical songs under the title itself. Opening with the gothic soap opera theme of 'Our Lady Of Sorrows' into the manic exploration of 'Cat O' Nine Tails,' onto the dusty western walk through Patrick Flegel's lovely guitar work on 'Faith Restored,' the album seems to soundtrack the coolest movie the late '60s ever produced. All of this builds to the lush and sweeping ballad of bruised hearts that introduces that beautiful voice via 'Love Remains.' Side two sees 2024 live show closer 'Cat O' Nine Tails III' complete the suite to epic effect, before introducing the absolute showstopper that is 'I Don't Want To Fall In Love Again.' It is tender and fragile in that way that only Flegel can make both familiar and unique. Closing with the ethereal soul shuffle stomp of 'Bondage Of The Mind,' the album showcases nine songs from an essential time in the Cindy Lee evolution. W.25TH/Superior Viaduct is proud to bring this collection to the larger audience it deserves."

Artist	Title	Format	Label	Catalog #
CINDY LEE	Model Express	LP	W.25TH	W25 009LP
$25.00 PREORDER RELEASE DATE: 10/31/2025 2025 repress available in Oct. "Cindy Lee, the performance and songwriting vehicle of Canadian artist Patrick Flegel (who fronted influential indie group Women earlier), previously stunned listeners with Act Of Tenderness, a heart-wrenching statement informed by the noirish core of celebrity, and has continued to enchant with every album, including the startling What's Tonight To Eternity released earlier this year. Model Express originally appeared as a self-released edition of 100 gold cassettes. The arch, filmic drama of Cindy Lee's songwriting -- realized with keyboards, guitars, aching voice and collaged, lo-fi production -- traverses a wide range of emotional and sonic terrain. The red velvet psych-pop of 'What Can I Do' gives way to the fluid 'Diamond Ring' like radio bursts from space. Model Express finds Flegel at both their most experimental and immediately melodic, and this first-time vinyl release recognizes the collected tracks as a pillar in the Cindy Lee catalogue. Cindy Lee (who uses the gender neutral pronoun they) is a drag persona drawing on suburban closet queens and mid-century divas. In keeping with Flegel's interest in the fault lines of identity, gender expression, performance and media, Model Express delivers an intense and diverse set of unforgettable songs."

Artist	Title	Format	Label	Catalog #
PARIS 1942	Paris 1942	2CD	SUPERIOR VIADUCT	SV 104CD
$25.00 PREORDER RELEASE DATE: 10/31/2025 "Difficult as it may be to imagine, there was a time when Sun City Girls did not exist. Prior to the Bishop brothers teaming up with drummer/shaman Charlie Gocher to form SCG's classic trio lineup, there were various ad-hoc assemblages of local Phoenix-area freaks and weirdos -- groups which existed only long enough to play a single gig, open mic or house party before disbanding without a trace. Hatched from this milieu was Paris 1942, a short-lived band formed by guitarist Jesse Srogoncik that included Alan Bishop, Richard Bishop, and former Velvet Underground drummer Maureen Tucker. Paris 1942 would play only four shows in as many months, but between April and August of 1982, the band would gather several times a week in Tucker's living room, where the group feverishly wrote and rehearsed with a kind of quotidian discipline. While P42 didn't release anything during their brief tenure, a 7" EP and LP (both self-titled) surreptitiously surfaced on the Majora label in the mid to late '90s. Until now, those two titles -- as well as an appearance on Placebo's Amuck comp in late '82 -- would be the only documented evidence that this improbable, serendipitous and magnificent band ever existed. While those expecting P42's music to sound like a tantalizing combination of Sun City Girls' iconoclastic hoodoo havoc and the Velvets' primal drug-chug certainly won't be disappointed, Paris 1942 more often than not transcends even these nearly impossible expectations. Srogoncik's songs, in particular, are a revelation, displaying as much in common with the exuberant raunch of The Gun Club and the chapbook punk of Peter Laughner as they do any of the more obvious touchstones."

Artist	Title	Format	Label	Catalog #
ROUSAY, CLAIRE	a little death (Sunflare Vinyl)	LP	THRILL JOCKEY	THRILL 637X-LP
$27.00 PREORDER RELEASE DATE: 10/31/2025 LP version. Sunflare color vinyl. "claire rousay's music cascades from a well of documented experience, reflections of the past that compose the present. A prolific multi-instrumentalist, producer, and composer, rousay gracefully crafts boundaryless music. From her frequent and acclaimed collaborations with artists like M. Sage, more eaze, Gretchen Korsmo, Andrew Weathers, LEYA, and Alex Cunningham, to her film scoring like on The Bloody Lady. From her own compositions to her solo pop work, rousay's music is delicate yet powerful, carefully constructed with a casual intimacy. rousay collages a wealth of found sounds and field recordings with earthy strings, stately piano, and processed instrumentation, all of which trace the outlines of memories and distinct impressions and create a complex constellation of feeling. rousay's music has evolved from confessional to conversational and excavates the rich emotional essence of each passage. Her work as both archivist and adept arranger and orchestrator merge sublimely into deeply honest and engrossing music. On a little death, rousay's blend of pop sensibility and compositional acumen turn abstracted sounds into tangible feelings, its warm, glimmering glow coalescing sensually with the darkness. The process of composing a little death felt like a homecoming for rousay after the more pop-oriented song forms of 2024's sentiment. 'sentiment was a different way of working that helped refresh my music making habits and usual flow,' rousay notes. 'This record is a return to what I see as my core solo practice, a re-dedication to those methods of working which I've found most align with what I envision my music or sound to be.' Intended as a part of a trilogy along with a heavenly touch and a softer focus, the pieces on a little death sprout from a wellspring of tactile samples and granularly processed sounds. The use of sounds recorded from her life outside of the studio remains a throughline in her work. While the previous two albums used field recordings as the primary sound source or central figure in the compositions, here they act more as springboards, timbrally intertwining with live instruments like additional voices in a chamber ensemble." "Pop at its most fragile, attenuated and surreal." --New York Times "a fantastic tour de force -- a musical antidote to numbness." --Rolling Stone

Artist	Title	Format	Label	Catalog #
GRACIOUS!	Once On A Windy Day: The Recordings 1970-1971	3CD/1DVD	ESOTERIC ANTENNA	ECRUS 4005CD
$47.00 PREORDER RELEASE DATE: 10/31/2025 NTSC format, Region 0. "Featuring Paul 'Sandy' Davis (lead vocals, 12-string guitar), Alan Cowderoy (lead guitar, vocals), Martin Kitcat (Mellotron, organ, piano, vocals), Tim Wheatley (bass, vocals) and Robert Lipson (drums), the band first came to prominence in 1968 when they supported The Who on tour. They recorded a single for Polydor Records before a support slot for King Crimson in 1969 led to them purchasing a mellotron and changing style. In 1970 their debut self-titled album appeared on the Vertigo label and the band were greeted with critical praise. This in turn led to Gracious! performing a set at the 1970 Isle of Wight Festival (joining a bill that featured Jimi Hendrix, The Doors, The Who, Family, ELP, The Moody Blues and many more). Their set was recorded and filmed but was to remain unreleased. In early 1971 the band recorded their second album at Olympic Studios. Originally entitled Supernova and perhaps their finest work, the band was dropped by Vertigo prior to its release. The recordings eventually received a belated release on Philips Records under the title This is Gracious! later in 1971. The Recordings 1970-1971 gathers together both albums and also includes a CD of the band's 1970 Isle of Wight Festival set and a multi-region DVD featuring the film of their Isle of Wight performance. The set also includes a lavishly illustrated booklet with many unseen photographs and a new essay with band interviews by Mike Barnes."

Artist	Title	Format	Label	Catalog #
PARIS 1942	Paris 1942	2LP	SUPERIOR VIADUCT	SV 104LP
$36.00 PREORDER RELEASE DATE: 10/31/2025 Double LP version. "Difficult as it may be to imagine, there was a time when Sun City Girls did not exist. Prior to the Bishop brothers teaming up with drummer/shaman Charlie Gocher to form SCG's classic trio lineup, there were various ad-hoc assemblages of local Phoenix-area freaks and weirdos -- groups which existed only long enough to play a single gig, open mic or house party before disbanding without a trace. Hatched from this milieu was Paris 1942, a short-lived band formed by guitarist Jesse Srogoncik that included Alan Bishop, Richard Bishop, and former Velvet Underground drummer Maureen Tucker. Paris 1942 would play only four shows in as many months, but between April and August of 1982, the band would gather several times a week in Tucker's living room, where the group feverishly wrote and rehearsed with a kind of quotidian discipline. While P42 didn't release anything during their brief tenure, a 7" EP and LP (both self-titled) surreptitiously surfaced on the Majora label in the mid to late '90s. Until now, those two titles -- as well as an appearance on Placebo's Amuck comp in late '82 -- would be the only documented evidence that this improbable, serendipitous and magnificent band ever existed. While those expecting P42's music to sound like a tantalizing combination of Sun City Girls' iconoclastic hoodoo havoc and the Velvets' primal drug-chug certainly won't be disappointed, Paris 1942 more often than not transcends even these nearly impossible expectations. Srogoncik's songs, in particular, are a revelation, displaying as much in common with the exuberant raunch of The Gun Club and the chapbook punk of Peter Laughner as they do any of the more obvious touchstones."

Artist	Title	Format	Label	Catalog #
ROUSAY, CLAIRE	a little death	LP	THRILL JOCKEY	THRILL 637LP
$25.00 PREORDER RELEASE DATE: 10/31/2025 LP version. "claire rousay's music cascades from a well of documented experience, reflections of the past that compose the present. A prolific multi-instrumentalist, producer, and composer, rousay gracefully crafts boundaryless music. From her frequent and acclaimed collaborations with artists like M. Sage, more eaze, Gretchen Korsmo, Andrew Weathers, LEYA, and Alex Cunningham, to her film scoring like on The Bloody Lady. From her own compositions to her solo pop work, rousay's music is delicate yet powerful, carefully constructed with a casual intimacy. rousay collages a wealth of found sounds and field recordings with earthy strings, stately piano, and processed instrumentation, all of which trace the outlines of memories and distinct impressions and create a complex constellation of feeling. rousay's music has evolved from confessional to conversational and excavates the rich emotional essence of each passage. Her work as both archivist and adept arranger and orchestrator merge sublimely into deeply honest and engrossing music. On a little death, rousay's blend of pop sensibility and compositional acumen turn abstracted sounds into tangible feelings, its warm, glimmering glow coalescing sensually with the darkness. The process of composing a little death felt like a homecoming for rousay after the more pop-oriented song forms of 2024's sentiment. 'sentiment was a different way of working that helped refresh my music making habits and usual flow,' rousay notes. 'This record is a return to what I see as my core solo practice, a re-dedication to those methods of working which I've found most align with what I envision my music or sound to be.' Intended as a part of a trilogy along with a heavenly touch and a softer focus, the pieces on a little death sprout from a wellspring of tactile samples and granularly processed sounds. The use of sounds recorded from her life outside of the studio remains a throughline in her work. While the previous two albums used field recordings as the primary sound source or central figure in the compositions, here they act more as springboards, timbrally intertwining with live instruments like additional voices in a chamber ensemble." "Pop at its most fragile, attenuated and surreal." --New York Times "a fantastic tour de force -- a musical antidote to numbness." --Rolling Stone

Artist	Title	Format	Label	Catalog #
ROUSAY, CLAIRE	a little death	CD	THRILL JOCKEY	THRILL 637CD
$14.50 PREORDER RELEASE DATE: 10/31/2025 "claire rousay's music cascades from a well of documented experience, reflections of the past that compose the present. A prolific multi-instrumentalist, producer, and composer, rousay gracefully crafts boundaryless music. From her frequent and acclaimed collaborations with artists like M. Sage, more eaze, Gretchen Korsmo, Andrew Weathers, LEYA, and Alex Cunningham, to her film scoring like on The Bloody Lady. From her own compositions to her solo pop work, rousay's music is delicate yet powerful, carefully constructed with a casual intimacy. rousay collages a wealth of found sounds and field recordings with earthy strings, stately piano, and processed instrumentation, all of which trace the outlines of memories and distinct impressions and create a complex constellation of feeling. rousay's music has evolved from confessional to conversational and excavates the rich emotional essence of each passage. Her work as both archivist and adept arranger and orchestrator merge sublimely into deeply honest and engrossing music. On a little death, rousay's blend of pop sensibility and compositional acumen turn abstracted sounds into tangible feelings, its warm, glimmering glow coalescing sensually with the darkness. The process of composing a little death felt like a homecoming for rousay after the more pop-oriented song forms of 2024's sentiment. 'sentiment was a different way of working that helped refresh my music making habits and usual flow,' rousay notes. 'This record is a return to what I see as my core solo practice, a re-dedication to those methods of working which I've found most align with what I envision my music or sound to be.' Intended as a part of a trilogy along with a heavenly touch and a softer focus, the pieces on a little death sprout from a wellspring of tactile samples and granularly processed sounds. The use of sounds recorded from her life outside of the studio remains a throughline in her work. While the previous two albums used field recordings as the primary sound source or central figure in the compositions, here they act more as springboards, timbrally intertwining with live instruments like additional voices in a chamber ensemble." "Pop at its most fragile, attenuated and surreal." --New York Times "a fantastic tour de force -- a musical antidote to numbness." --Rolling Stone

Artist	Title	Format	Label	Catalog #
RESIDENTS, THE	Leftovers (1970-1988)	2CD	CRYPTIC CORPORATION	NRT 025CD
$24.00 PREORDER RELEASE DATE: 10/31/2025 "Formed in the early 1970s, The Residents have now been charting a unique path through the musical landscape for over half a century now. From far-out, experimental recordings to highly conceptual, innovative multi-platform projects, the band refuses to stand still, and continues to move in several different directions at once. But you already knew that. Combining new RDX mixes produced by The Residents using their original multitrack tapes under lockdown conditions during 2020, and a number of tapes placed by Hardy Fox in a part of the band's storage complex re-discovered in 2023, Leftovers brings together the Leftovers Again?! Record Store Day trilogy, alongside extra leftovers which The Residents couldn't fit onto those vinyl only releases. Featuring alternate versions and lost tracks from The Residents' 'classic' 1970s period, the lost Man album music, Mole Trilogy outtakes, alternate versions of 'God In 3 Persons' material and even evidence of a brief 'jazz phase' Leftovers is a treasure trove for fans of this remarkable, chameleonic band at their best preserved for future generations."

Artist	Title	Format	Label	Catalog #
CV VISION	Release The Beast	LP	BUREAU B	BB 483LP
$26.00 PREORDER RELEASE DATE: 10/24/2025 LP version. CV Vision returns with the follow-up to his last opus Im Tal der Stutzer and delivers his sixth studio album Release The Beast -- where he finds the sweet spot between psych rock, Detroit techno, fried synths, black metal and library music. Teaming up again with Swedish drummer Uno Bruniusson, CV Vision switched up the last production approach and opted for a return to previous studio methodologies. "I wanted to get a rougher sound on this record," he says. "I dug out my two broken reel-to-reel tape machines, and patched them together, like Frankenstein. That's what gels everything really -- there's different musical styles, but it's the tape machine that brings it all together, sound-wise." Release The Beast does indeed fly off in several directions over the course of fourteen tracks, and gives listeners an insight into the full spectrum of the CV Vision musical universe. Fuzzed-out backbeats and psych progressions establish the opening tracks, as the sweet harmonies of "RTB" and "The Rhythm" are offset by raw magnetic hiss. "Dungeon Drums I, II, III" draws on acid and early Detroit techno experiments, tapping into the cosmic elements of the Motor City's beatdown grooves (and even mediaeval black metal melodies) to bring out a krautrock twist. The second half of Release The Beast takes another turn with instrumental jams, like "Nikita's Tune" and "It's K-Jazz," that nod towards the psychedelic soul of David Axelrod and Rotary Connection, and the trippy DIY experiments of L.G. Mair, Jr. Closing out the album, CV Vision lays down the bluesy stomper "Town Talk" and distorted motorik workout "The Jam" next to the folky incantation of "Brickwall Symphony" and stacked layers of heavy guitars on "Go Your Way." While Release The Beast is a varied tapestry of sounds and styles, there's a common thread running through it all. The cover art depicts the boarded-up entrance of a Berlin stairwell, surrounded by the burnt-out debris of a long-forgotten party.

Artist	Title	Format	Label	Catalog #
DHARMACIDE	The Cigs, The Light, The Coffee And Crying	7"	MUNSTER RECORDS	MR 7393EP
$15.50 PREORDER RELEASE DATE: 10/24/2025 Dharmacide is a Spanish band known for their eclectic fusion of genres, blending elements of shoegaze and dreampop music. Their sound is marked by intricate guitar riffs, powerful drumming, and deep, emotive vocals that create a unique atmosphere under the influence of today's bands like Diiv, Warpaint, or Beach House but also by classic artists like Cocteau Twins, Nick Cave and the Bad Seeds or Tom Waits. The band, with members of Alcalá Norte and Depresión Sonora, has made a huge impact on various stages. Their latest singles have been produced, mixed and mastered by Mark Gardener from Ride. "The Cigs, The Light, The Coffee and Crying" is the first single taken from their awaited second album.

Artist	Title	Format	Label	Catalog #
WAU Y LOS ARRRGHS!!!	¡¡¡Viven!!!	LP	MUNSTER RECORDS	MR 286LP
$28.50 PREORDER RELEASE DATE: 10/24/2025 Valencia-based band Wau y Los Arrrghs!!! is made up of five punk rock hooligans as raw and real as chaos itself -- led by one of the wildest frontmen around, Juanito Wau. After many years unavailable, Munster now reissues their second album ¡¡¡Viven!!! (2009) featuring new artwork by Mik Baro. It includes their classic originals "Copa, raya, paliza" and "Viva Link Wray!!!" as well as a bunch of wild cover versions of Los Mockers, The Lyrics, The Troyes, The Hatfields, Jonah & The Whales, and more. Yes, there's garage rock here, no doubt -- but you'll also find blasts of punk, rock 'n' roll, pop, and even a splash of surf. The album was produced by Jorge Explosion (Dr. Explosion) and Mike Mariconda (Raunch Hands, Devil Dogs), and recorded at the celebrated Circo Perrotti Studios in Gijón.

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