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1-2 Weeks
01. Carlo Maria Cordio - Atomic contamination
02. Carlo Maria Cordio - Starlights
03. Carlo Maria Cordio - Danger Ahead
04. Carlo Maria Cordio - Mystical Nights
05. Carlo Maria Cordio - A Sad Kiss
06. Carlo Maria Cordio - Night Terror
07. Carlo Maria Cordio - Transformation (Version 2)
08. Carlo Maria Cordio - A Sad Kiss (Version 3)
09. Carlo Maria Cordio - Lilith Theme (Version 2)
10. Carlo Maria Cordio - Night Terror (Version 3)
11. Carlo Maria Cordio - A Sad Kiss (Version 4)
12. Carlo Maria Cordio - Transformation
13. Carlo Maria Cordio - Rainbow Eyes
14. Carlo Maria Cordio - Sneack Attack
15. Carlo Maria Cordio - Night Terror (Version 4)
16. Carlo Maria Cordio - A Sad Kiss (Version 2)
17. Carlo Maria Cordio - Transformation (Version 3)
18. Carlo Maria Cordio - Mental Apocalypse
19. Carlo Maria Cordio - Deadly Waiting
20. Carlo Maria Cordio - Night Terror (Version 2)
21. Carlo Maria Cordio - Lilith Theme
22. Carlo Maria Cordio - Fear And Death
ARTIST
TITLE
Endgame - Bronx Lotta Finale (1983)
FORMAT
LP

LABEL
CATALOG #
PULSE 001LP PULSE 001LP
GENRE
RELEASE DATE
4/8/2022

For the first time ever, here is the soundtrack from the 1983 post-apocalyptic flick directed by Joe D'Amato, Endgame - Bronx Lotta Finale. A compelling Carlo Maria Cordio's mighty Vangelis-meets-John Carpenter score. With hangovers from previous giallo-based outings, Endgame's themes are more gentle and introspective than, say, Claudio Simonetti's muscular work for The New Barbarians and Hands of Steel but also, arguably, musically more diverse. In particular, the opening title track "Atomic Contamination" is genuinely chilling when set against the stock footage of a nuclear bomb going off. While liberally pinching the vibe of Blade Runner's more symphonic textures, Cordio's synthesizers also do bombast, melancholy and menace when required, whilst the pretty pieces for "Lilith" are like semi-precious jewels shining out of the murk and machismo. Carlo Maria Cordio made a brand-new recording of the intro for the original recordings for the intro "Atomic Contamination", being impossible to use because of the bad condition of the vintage magnetic tape, with the very same instruments he used 38 years ago especially for the LP. Produced by Guillaume Le Disez and Anthony Neale. On the front cover is the iconic artwork the movie is renowned for, and on the back cover, the alternative poster created by the great Renato Casaro. Entirely remastered by David Hachour for ColorSound Studio. Includes eight re-pro lobby cards from the film; 180 gram vinyl; gatefold sleeve.