|
Search Result for Genre SOUNDTRACK
viewing 1 To 25 of 462 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
PP 035LP
|
$34.00
PREORDER
RELEASE DATE: 6/15/2018
Second in a series of two previously unreleased soundtracks Henning Christiansen made for the films made by his partner and collaborator Ursula Reuter Christiansen. Den Røde Skov ("The Red Forest") was Ursula's second film made in 1986. In stark contrast to the exquisite romantic melancolia of their first collaboration, The Executioner (PP 034LP), Den Røde Skov resides as one of the wildest recordings in the entire Christiansen catalog. Aligned more with works like the legendary collaboration with Nam June Paik and Joseph Beuys, Abschiedssymphonie (1988), Den Røde Skov unfolds as a delirious and demonic audio exhibit, at once deeply eccentric and utterly enthralling. Featuring the exceptional sound work of Ernst Kretzer and contributions from Ursula Reuter Christiansen, Addamaria Reuter Christiansen, Bjørnstjerne Reuter Christiansen, Carla Tató, and Werner Durand this is a rich tapestry of sounds, voice, and obtuse atmospheres drifting from the deeply meditative to the outright hysterical. Remastered by Giuseppe Ielasi from the original master tapes sourced from the Henning Christiansen Archive. Comes in a full-color gatefold sleeve incorporating a full-sized eight-page booklet with a selection of striking images from the original film; Red vinyl; Edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PP 034LP
|
$28.50
PREORDER
RELEASE DATE: 6/15/2018
First in a series of two releases unveiling the previously unissued soundtracks made for the films of Ursula Reuter Christiansen by her partner and collaborator Henning Christiansen. The Executioner ("Skarpretteren") is Ursula's first film from 1971 and is now considered one of the most important works of early Danish feminist art. A highly praised recent show at the Statens Museum for Kunst in Copenhagen highlighted the pertinent themes and ongoing urgency which lies within this bold symbolic work. The exquisite score is one of the key neo-romantic works in Henning's far reaching output. A deeply melancholic set of vocal based works which place the listener deep within the tension and despair of Ursula's themes. This unique vinyl presentation also features nature sounds recorded for the film on the island of Moen along with surprising works that defy anything else in Henning's output. Assembled from the original master tapes sourced from the Henning Christiansen Archive by Mark Harwood. Remastered for vinyl by Giuseppe Ielasi. Comes in a reverse board sleeve with printed gloss inner sleeve featuring a host of images from the film; sorrowful black vinyl; Edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RED 249LP
|
$28.50
PREORDER
RELEASE DATE: 5/4/2018
Dagored present a reissue of Piero Umiliani's soundtrack for the 1966 film Requiem Per Un Agente Segreto. A catching exploration of easy listening and lounge music by the legendary Piero Umiliani, one of the Italian score masters who penned some of the most outstanding film music from the '60s and '70s. Composed for the Italian spy thriller Requiem Per Un Agente Segreto starring Stewart Granger and Bond-girl, Daniela Bianchi. First time complete edition on vinyl. Green vinyl; Edition of 300.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
FANDF 034LP
|
Debut album by Psychological Strategy Board -- the soundtrack to director Richard Kovitch's 2017 film about the incredible, untold story of the British artist Penny Slinger and the traumatic events that led to the creation of her masterpiece, the 1977 photo-romance, An Exorcism. Paul Snowdon (Time Attendant) and Maybury played, recorded, and manipulated live performances (using synths, electronic boxes, and laptop) to create unique, often unsettling soundscapes inspired by the work of Slinger. Penny Slinger embraced her generation's quest for personal and sexual liberation, and channeled these desires into her ground-breaking collage, films, and sculptures. So powerful was her vision that 45 years later her work is still influencing contemporary artists. Richard Kovitch's film documents Penny Slinger's life during this intense period of creativity and considers the relevance of her work to subsequent generations. From the grey suburbs of Surrey, via the Kings Road art scene of Swinging London, all the way to the galleries of Los Angeles, New York, and Tokyo, and detailing her extraordinary collaborations with the cult filmmakers Peter Whitehead, Jack Bond, and Jane Arden, this is a portrait of an artist expressing herself so definitively, fresh insight is gained into the 1960s counter-culture and art's power to liberate is celebrated.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RED 248LP
|
$28.50
PREORDER
RELEASE DATE: 5/4/2018
Dagored present a reissue of Bruno Nicolai's soundtrack for the 1970 spaghetti western Adiós, Sabata. The great Bruno Nicolai, one of the closest collaborator of Ennio Morricone, composed this epic score for the second film of the western cult classic Sabata Trilogy, starring the legendary Yul Brinner, employing a dramatic style creating what is considered one of the great masterpieces of Italian western music. First time complete soundtrack on vinyl. Orange vinyl; Edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
DOC 141LP
|
$21.00
PREORDER
RELEASE DATE: 5/4/2018
Doxy present a reissue of Nino Rota and Armando Trovajoli's soundtrack for the 1962 Italian anthology film, Boccaccio '70. From original liner notes: "Two of Italy's top soundtrack musicians, Nino Rota and Armando Trovajoli, are responsible for the exciting music featured in Boccaccio '70. Rota has been the composer of dozens of famous film soundtracks and his music contributed greatly to Fellini's previous hit films, La Strada (1954), I Vitelloni (1953) and La Dolce Vita (1960). In The Temptation of Dr. Antonio, Rota subtly underlines the obsession for morality which dominates the life of Dr. Antonio, the leading character in the episode . . . and his sensitive musical comment on Visconti's contribution to Boccaccio '70 -- The Job is a unique asset to the great director's work. Armando Trovajoli is the composer of the musical commentary to De Sica's The Raffle. Trovajoli was the first composer to induce Sophia Loren to sing in a film . . . and in The Raffle, Sophia sings again. The strikingly effective underscoring for Boccaccio '70, composed by these two outstanding musicians, is in no small way responsible for the smash box-office success of the film around the world." Edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
MOVATM 020LP
|
$40.00
PREORDER
RELEASE DATE: 4/27/2018
Transparent blue vinyl; 180 gram vinyl; Gatefold sleeve; Edition of 1500 (numbered)."The score for The Theory of Everything is created by the recently deceased (9 February 2018) Icelandic composer Jóhann Jóhannsson. Jóhannsson's intricate compositions provide a stunning backdrop to the romantic drama about Stephen and Jane Hawking, portrayed in the film by Eddie Redmayne (Les Misérables) and Felicity Jones (The Amazing Spider-Man 2). He has composed music for many films including scoring director Denis Villeneuvue's film Prisoners and Josh C. Waller's McCanick. The Theory of Everything is the extraordinary and uplifting story of one of the world's greatest minds, the recently deceased astrophysicist Stephen Hawking, and of two people defying the steepest of odds through love. The film, based on the memoir Travelling to Infinity: My Life with Stephen by Jane Hawking, is directed by Academy Award winner James Marsh (Man on Wire). The film gathered various awards and nominations following its release, ranging from recognition of the film itself to Redmayne and Jones' acting performances, McCarten's screenplay and Jóhann Jóhannsson's score. At the 72nd Golden Globe Awards, Redmayne won the Best Actor in a Motion Picture Drama accolade and composer Jóhann Jóhannsson won for the Best Original Score. Jóhann has released several solo albums and has written commissioned works for contemporary ensembles such as Bang On A Can and Theatre of Voices, collaborating with different artists. Amongst them Barry Adamson; Finnish electro band Pan Sonic, Marc Almond, The Hafler Trio, the nom de musique of English avant garde composer Andrew M. McKenzie, CAN drummer Jaki Liebezeit and Stephen O'Malley of the drone metal band Sunn O)))."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
FKSP 014EP
|
From the shrapnel of the unlikely collision point where Mancunian post-punk royalty collides with sci-fi cinema and art house animation, this obscurity shines a new light on the Northern DIY era providing disc detectives with a whole new punk funk perspective. Recorded in 1976 by Invisible Girls' Steve Hopkins and Martin Hannett for a stop-motion animation called All Sorts Of Heroes, this hard-edged funk instrumental theme reveals another side to this versatile production team joining the hidden dots between Hannett's own discoid experiments with ESG, Gyro, A Certain Ratio, and the mythical Afro Express recordings from the same year.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RBL 020LP
|
"One of Ennio Morricone's most obscure soundtracks -- limited colored vinyl 499 copies. Drammi Gotici represents the true vanguard and experimentation that the Maestro has created for this soundtrack. Strident violins, terrifying vocalizations and disquieting choirs accompany you in a hallucinating trip into terror. One of the most important, obscure and experimental compositional apexes of Maestro Morricone, for sure. You cannot miss this limited release. for the first time on vinyl (499 copies only!) Painting cover By Lola Airaghi."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SI 1003CD
|
Subah Zindagi present a reissue of the original motion picture soundtrack album from the 1978 Hindi film Muqaddar Ka Sikandar. Music by Kalyanji Anandji. Features Kishore Kumar, Asha Bhosle, Lata Mangeshkar & Kishore Kumar, Mohd. Rafi & Chorus, Lata Mangeshkar, Asha Bhosle & Mahendra Kapoor, and Hemlata.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
SI 1001CD
|
Subah Zindagi present a reissue of the original motion picture soundtrack album from the 1976 Hindi film Mukti. Music by Rahul Dev Burman. Features Mohd. Rafi, Asha Bhosle, Mukesh, Lata Mangeshkar, Asha Bhosle & Kishore Kumar, and Rahul Dev Burman.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
MVD 8818LP
|
"Vinyl reissue of the groundbreaking reggae soundtrack! Includes the bona fide classics 'Police and Thieves' by Junior Murvin, Peter Tosh's 'Stepping Razor,' and Jacob Miller's 'Tenement Yard' plus lots more. Limited pressing on red, yellow and green tri-colored vinyl."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
JBH 068LP
|
$27.50
PREORDER
RELEASE DATE: 4/6/2018
Sublime unreleased score for the weird cult/brutalist thriller I Start Counting! (1970). Charming, odd, and affecting score by Basil Kirchin, made "in association" with his regular cohorts, Jack Nathan and John A. Coleman. The film was directed by the multi-talented and quite radical David Greene. Greene was also an actor, a successful producer and had already employed the services of Kirchin for his 1967 horror The Shuttered Room and quirky crime thriller The Strange Affair (1968). I Start Counting!, notably starred a 14-year-old Jenny Agutter, is set in brutalist Bracknell, with Agutter's character living in Royal Point, a classic "threepenny bit" of a 1960s tower block. When she ventures away from the safety of this concrete castle on an obsessive, erotically charged journey, her world is turned upside down. As macabre, coming-of-age thriller, the score for I Start Counting! allowed Kirchin to explore more dark edges of film music and composition: as a score, it bubbles along with lots of classic Kirchin hallmarks, but here you are also treated to a beguiling opening song that is lyrically and musically developed and then slowly pulled apart over sequential cues. There is also an unusual Eastern tinge to some of the percussion and Kirchin's distinctive pastoral oddness is here too. His sonic jumps between low drama and high tension are extraordinary, and his use of free jazz to bring about unease is both perfectly simple and effective. Basil's original idea for the opening song was to have it sung by Cilla Black or Jenny Agutter, but in the end Lindsay Moore, the daughter of jazz chum Barbara Moore stepped in. The score is mighty fine but a little short, so included here is more unreleased soundtrack material from the Kirchin archive -- a tape labeled "Third World Documentary". This dates from the early 1980s and was produced for either TV or a festival and musically complements the first score well, even though they are two decades apart. The names of the musicians working here died with Basil, but the drummer for I Start Counting! may well have been Clem Cattini, Evan Parker was more than likely involved with the session, and possibly Derek Bailey too. As for the later recording, there is a distinctive modern "Fairview" sound to the cues and production. Mastered and sequenced by Jon Brooks, AKA The Advisory Circle.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
ABRA 001LP
|
Side one features the pounding disco soundtrack to Trouser Bar (2016), composed, recorded and produced by musician and writer Stephen Thrower. The film was directed by gay porn legend Kristen Bjorn, produced by esteemed author and screenwriter David McGillivray, and written by 'A Gentleman'. Side two features Thrower's music commissioned by the BFI for two silent films by Peter De Rome: Encounter (1971) and The Fire Island Kids (1971). In contrast to the disco fever of Side one, these tracks reside upon the stranger shores of Thrower's work with Cyclobe and UnicaZürn. Thrower first gained attention in the 1980s, as a member of Coil. He formed Cyclobe in 1998 with his long-term partner Ossian Brown and also works with David Knight as UnicaZürn.
"Thrower scores a pulsating and hypnotic disco suite, comprised of shifting moods that span an epic 20 minutes -- imagine the more inspired moments in the music of Bobby O, Cerrone or Patrick Cowley. To accompany, Thrower has programmed new commissions for two silent films by the 'grandfather of gay porn', Peter De Rome. These tracks, in contrast to the A-side, share the same haunting and experimental tropes as his work in Cyclobe and Coil. Essential." --Jonathan Burnip, DJ Mag
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
PATT 006LP
|
A Score for Darling is both the soundtrack for the Danish film Darling (2017) as well as a collection of outtakes from it. Raúl Pastor Medall (Rauelsson) and Erik K Skodvin (Svarte Greiner and half of Deaf Center) were paired together to work on the accompanying music after the director, Birgitte Stærmose wanted to try a new direction. Both together and individually they have created a highly affecting collection of pieces to a film that is not afraid of pushing the emotional content to the max, centered around the story of a dancer. This is also the first time either of them have made a full-length soundtrack, making it their debut on the big screen. The music and instrumentation heard on the album is brimming with dynamics and diversity, featuring violin by Christoph Berg, cello by Anne Müller as well as a mass of other sounds like church organs, synths, guitar amp violation, electro-acoustic sounds, piano, and more, all layered together into 15 beautiful and devastating fragments of mood. The final piece of the album "Breathe" -- featuring Otto A Totland on piano and Katinka Fogh Vindelev (We Like We) on voice -- can be seen as their own lamenting end title to a longer period of work with this album, finally finished. Includes printed inner sleeve; Edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP BOX
|
|
CY 001BK
|
[note: the Blu-Ray disc is NOT region free as the label intended; it is manufactured to be Region B for Europe and will not play on standard USA Blu Ray players] Song Cycle Records present the release of Solaris. Sound And Vision, a collector's edition box set, that includes the soundtrack realized by the great Russian composer Edward Artemiev for Andrey Tarkovsky's masterpiece film Solaris (1972). The box includes the soundtrack in two formats: 180 gram, high-quality virgin vinyl and, for the first time, CD. The release is also accompanied by an exclusive, hardcover photo book with unreleased images of the movie set and essays about music and cinema of the duo Artemiev/Tarkovsky, and the BluRay version of the film, in original language with English subtitles; BluRay region B (Europe only). The set comes in a limited edition of 500 numbered copies.
The collaboration between Tarkovsky and Artemiev started in conjunction with the completion of Solaris when the director was seeking for a film score capable to give back and complete, through the sound, the meaningful images of the film. Back in the day, Artemiev was a member of the legendary Experimental Studio of Electronic Music in Moscow, a place of high experimentation in the field of the electronic music, in the context of which the ANS synthesizer was conceived and employed for the first time for music composition. Invented almost ten years before by Murzin, the ANS was used by Artemiev to create the special sound atmosphere that Tarkovsky was looking for. Artemiev and Tarkovsky's association will also extend to two other undisputed masterpieces of Tarkovsky, Mirror (1975) and Stalker (1979), both forthcoming. A unique artistic joint-venture is that among the duo, in which the musician is seen as a sound organizer, more than a composer, within the process of giving form to a soundscape intertwined completely with the film in its unfolding: always essential and never to be experienced as an accessory element. What emerges here is how and at what degree for Tarkovsky the sound is part of his own existence. Made in collaboration with the Andrey Tarkovsky Institute, Solaris. Sound And Vision is a compelling publication for everyone who wants to dive deep into the Tarkovsky's realm.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
SNDW 100LP
|
2017 release. The original soundtrack for The Sunshine Makers (2017) comes from the makers of the Academy Award winning Searching For Sugarman (2012), The Heliocentrics. Two warriors for peace, a vat of chemicals, and an LSD cookbook -- What could possibly go wrong? Limited, 180 gram vinyl comes in a tip-on sleeve.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
10"
|
|
OKRAINA 010LP
|
The film Calling The New Gods, by Vincent Moon, is the document of musicians Rully Shabara and Wukir Suriyadi of the group Senyawa playing outside -- and being filmed on location -- tracing a path from the outskirts of Yogyakarta, Java (on the border of a rice field, on the edge of a garbage dump, etc.) until the center of the city (in the middle of a market, in a fair). In a sort of mandala, of centripetal spiral, during an entire day, from dawn-until-dusk, the film -- with soundscapes shared between the music of Senyawa and field recordings -- captures the powerful, unique, and fascinating presence of the Indonesian duo in the middle of the physical landscapes and human mosaic that helped create it. Two-and-a-half years after the first contact between Okraina and the musicians and filmmaker, the time has come to expose the work to a new audience: Seven songs from the film's soundtrack on a 10" vinyl, with an added etymological obviousness -- that this recording is released on Okraïna, which is Russian for "outskirts", the "suburbs". Filmed, recorded, and mixed by Vincent Moon, in situ, in Yogyakarta (Indonesia, Java) in January 2012, with the help of Aniza Santos and the people of Yogyakarta. Mastering and vinyl cut by Fred Alstadt. Cover art by Gwénola Carrère.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
NFS 014LP
|
Succeeding Bones (2012) and Dur Au Mal (2015), the French band Blackmail present their third LP, Amore Synthétique, the original sound track for a film shot by Marcia Romano and Benoit Sabatier (2016). A love story between a girl and a... possessed synth. The link between the movie Amore Synthétique and Blackmail seems simple. The band, created in 2010 later releasing two rock albums played with analog synths, was inspired by the film Amore Synthétique, dedicating their pieces to the film's antagonist Antonio, the killer synth that mindfucks human's brains. Obviously, Christine (1983) by John Carpenter and all the giallos from the '70s come to mind. The main thing to know is that the trio composed the songs with simple keywords like "violence", "blood", or "assault" in mind. Blackmail had to record the songs from Amore Synthétique in just a month, hence the sensible urgent nature of the whole LP. While the film has been rewarded at Parisian film festivals, the sound track can be listened as a standalone piece. If you pay attention closely, you may hear the synth's voice whispering some "Je t'aime" at night. One more time, the thing is alive.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP+CD
|
|
CY 985LP
|
Original motion picture soundtrack by Schneider TM (Dirk Dresselhaus) for Omer Fast's acclaimed first feature Remainder (2015). A heuristic creative approach characterized the collaboration between Omer Fast and Schneider TM, where music and images beautifully intertwined in a compelling sonic structure. 180 gram vinyl; Includes CD; Edition of 500.
From the extensive liner notes by Thomas Venker: "Composition was about shared moments, a steady process of improvisation and interaction. They watched Remainder on loop until the sounds they were creating were an equal partner to the other aspects of the film and the life of its characters. Omer Fast describes the music as possessing the capacity to step into the gaps of a room, in between his characters who have somehow lost their own connection with society."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
RED 247LP
|
Dagored present the first complete vinyl edition of Bruno Nicolai's soundtrack for the 1972 film Una Giornata Spesa Bene ("A Full Day's Work"). Stunning and super rare soundtrack composed by Maestro Bruno Nicolai (longtime Ennio Morricone collaborator and legendary Italian composer) for Jean Louis Trintignant's movie. 45rpm audiophile quality; Edition of 300.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RED 246LP
|
Dagored present the first complete vinyl edition of Carlo Rustichelli's soundtrack for the 1964 film I Lunghi Capelli Della Morte ("The Long Hair of Death"). Great soundtrack from the Italian silver age composed by Carlo Rustichelli for the Antonio Margheriti (aka Anthony M. Dawson) cult film. Dark and gloomy moods with orchestral sound, tense atmospheres, and diabolical pagan dances. Color vinyl; Edition of 500.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
RED 245LP
|
Dagored present the first official reissue of Nino Tassone and Nico Fidenco's soundtrack for the 1964 film Appuntamento A Dallas. Super rare soundtrack composed by the dynamic duo for the obscure Italian cult thriller. Incredible Italian jazz vibes, lounge tunes, and sweet vocals for one of the most sought after soundtracks by collectors all over the world. Edition of 300.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
GFOST 005LP
|
Edda Dell'Orso (born Edda Sabatini, February 16, 1935) is a legendary Italian singer who has long been the vocalist of choice for the maestro Ennio Morricone. She has provided vocals, often wordless singing, to countless Morricone scores beginning in the mid-1960s and most famously for the immortal score to Il Buono, Il Brutto, Il Cattivo (The Good, The Bad And The Ugly, 1966). This collection compiles, for the first time in one place, many of her finest performances for Morricone, including such legendary films as C'era Una Volta Il West (Once Upon A Time In The West, 1968), Cosa Avete Fatto A Solange? (What Have You Done To Solange?, 1972), and the aforementioned The Good, The Bad And The Ugly. Goodfellas present this one-of-a-kind collection that highlights the unique talents of Edda Dell'Orso with her longtime collaborator, Ennio Morricone. The maestro has long been acclaimed for his brilliant use of vocals in his scores and none of that would have been possible without the work of the Dell'Orso, who has been behind the scenes of his finest work for five decades. Also features performances for the TV film Orient Express, La Donna Invisibile (1969), Secret Of The Sahara (1988), Gott Mit Uns (1970), Scusi Facciamo L'amore (1969), L'uomo Proiettile (1995), and Veruschka (1971).
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
MIG 1582CD
|
"The trademark of epic poet Klaus Schulze is still distinctive even in the 21 short and very short pieces... Ready for an Oscar. Le Moulin De Daudet was a commission fort the French-Arabian director Samy Pavel. Klaus invited director and producer to visit him in his studio. For one week they cooked, ate, drank good wines and Klaus played the soundtrack direct to the rough cut of the movie. Another pearl from the huge Schulze cosmos."
|
viewing 1 To 25 of 462 items
Next >>
|
|