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Search Result for Genre SOUNDTRACK
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CD
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BCM 9585CD
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$23.50
PREORDER
RELEASE DATE: 1/24/2020
I Ladri Della Notte (aka "Les voleurs de la nuit" -- "Thieves After Dark") is a 1984 drama directed by Samuel Fuller and starring Véronique Jannot, Bobby Di Cicco, Victor Lanoux , Stéphane Audran, Camille de Casabianca, Micheline Presle, Claude Chabrol, Samuel Fuller, Samantha Fuller. Ennio Morricone wrote a perfect score to describe all the dramatic loneliness of the two protagonists linked not only by a feeling of love, but also by their criminal acts. Dark and mysterious atmospheres alternate with romantic passages for piano and orchestra, piano and flute with a classic flavor, oriental atmosphere and a dramatic theme with funky bass. Morricone wrote one of his most beautiful themes for this film, a poignant romance of ancient taste for the two lovers. At the time, General Music pressed a 33rpm which contained eleven selections. In 1997, the same material was reissued in Japan for the first time on CD by Soundtrack Listeners Communications Inc., and in Spain in 2002 by Saimel Bandas Sonoras featuring nine additional tracks approved by the composer, alternating with those of the 1984 album. Beat Records now re-release the same expanded material but including first the tracks in the 33rpm sequence followed by the bonus tracks from the stereo session, for a different listening experience. Available packaged in a jewel case with a 12-page booklet. Designed by Daniele De Gemini. Mastering and liner notes by Claudio Fuiano.
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CDCR 141CD
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$23.50
PREORDER
RELEASE DATE: 1/24/2020
In 2019, Francesco de Masi's music has been given important tributes, among which being chosen for Quentin Tarantino's movie, Once Upon A Time In Hollywood, making available once again a score which has been out of stock for some time, Il Segno Del Coyote. The movie was released in 1963 and directed by Mario Caiano, another artist very dear to Beat Records and the subject of a video included on the label's CD release of the wonderful score for Napoli Spara, created by Filippo de Masi and Daniele De Gemini, who filmed and interviewed the aging director at his mansion. The music by Maestro de Masi, already available on a double-bill with the score of C'e' Sartana, Vendi La Pistola E Comprati La Bara!, represents the first Italian score for a Western movie, still without the trademarks that would define the genre from the following year. Instead, the music composed by the maestro was a wink to the Hollywood productions of the day, written in his typical symphonic style. Now available integrally in Beat Records' classic CDCR series featuring a lot of unreleased music. Graphic layout by Daniele De Gemini. Mastering by Enrico De Gemini. Liner notes by Filippo de Masi and English edit by Josh Mitchell. Includes 12-page booklet.
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DDJ 005DLX-LP
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$37.50
PREORDER
RELEASE DATE: 1/17/2020
LP version. Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie Alien 2 Sulla Terra (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic Alien by Ridley Scott (1979), released just a few months prior. One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the '80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from Uno Sceriffo Extraterrestre, Poco Extra Molto Terrestre (1979) that are used in the first part of the movie to build tension in a particular scene. This reissue was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum's archives. Includes liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia.
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DDJ 005DLXLTDLP
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$44.00
PREORDER
RELEASE DATE: 1/17/2020
LP version. Limited edition. 180 gram, color vinyl; printed inner sleeve; edition of 100. Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie Alien 2 Sulla Terra (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic Alien by Ridley Scott (1979), released just a few months prior. One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the '80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from Uno Sceriffo Extraterrestre, Poco Extra Molto Terrestre (1979) that are used in the first part of the movie to build tension in a particular scene. This reissue was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum's archives. Includes liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia.
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DGST 046CD
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$22.00
PREORDER
RELEASE DATE: 1/17/2020
Digitmovies release the complete edition original soundtrack by Riz Ortolani for the film Gegè Bellavita (aka "Genarino, hombre objeto femenino") for the absolute first time on CD. Riz Ortolani composed "Nun Me Scuccià", the brilliant and funky main theme sung in Neapolitan by the protagonist Flavio Bucci, which describes Gegè's laziness to work and his passion for women. This pleasant motif returns in an instrumental version, alternating with a recurring upbeat tarantella in a pop version, and a romantic love theme. Originally C.A.M. published only one single with two tracks (tracks 1 and 2). Digitmovies were able to access the masters in stereo from the original recording session, which allowed the label to use everything that had been recorded. This is another CD that enriches the discography of one of the most beloved composers in the world.
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FBS 004CD
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$51.00
PREORDER
RELEASE DATE: 1/17/2020
Gates of Hell Trilogy is Beat Records' tribute to the popular apocryphal trilogy directed by horror cinema legend Lucio Fulci in the early '80s, three movies that marked the evolution of the director's style over just two years. Starting with Paura Nella Citta' Dei Morti Viventi (1980), going through E Tu Vivrai Nel Terrore... L'aldila'! (1981), and ending with Quella Villa Accanto Al Cimitero (1981), all three featured the beautiful and skilled Catriona MacColl -- British actress with delicate and expressive features -- and plots dominated by a diabolic exotericism that always closed its infernal stories with all but cathartic epilogues. The scores by Fabio Frizzi (for the first two movies) and Walter Rizzati (for the last one) became part of the cinematic memory of these movies, with timeless sonorities much loved by fans of the films. At the dawn of the 40th anniversary of the first movie of the trilogy, Beat Records makes an iconic homage to these scores by releasing them for the first time together, officially validating the link between these films. The dedication, which we imagine would be appreciated by great Lucio, is in the cover art featuring the films' three evil protagonists, Father William Thomas (Paura Nella Citta' Dei Morti Viventi), Schweick (E Tu Vivrai Nel Terrore... L'aldila'!), and Dr. Freudstein (Quella Villa Accanto Al Cimitero), magisterially painted by English artist Graham Humphreys. The 40-page booklet -- richly illustrated and featuring liner notes by Antonella Fulci, the director's daughter -- is the Eibon sigil on this luxurious edition, a must-have for all lovers of good film music. Hard paper box; 40-page booklet.
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DGST 048CD
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$22.00
PREORDER
RELEASE DATE: 1/17/2020
Digitmovies release the complete edition original soundtrack by Riz Ortolani for the film Mimi (aka Un dramma borghese) for the first time on CD. Riz Ortolani composed an orchestral soundtrack with a recurring main theme resembling a children's lullaby which was written for the adolescent girl in the film. It has a dramatic introduction and is then expanded on with the harpsichord and reprised in different versions with oboe, harp, and guitar, giving it a touch of magic. The rustic atmosphere is often interrupted by dramatic and mysterious passages (which perfectly evoke the daughter's unhealthy relationship with her father), as well as baroque music in a pop arrangement. Digitmovies were able to access the masters in stereo from the original recording session and use everything that had been recorded. Here is another CD that enriches the discography of one of the most beloved composers in the world.
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DDJ 052CD
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$23.50
PREORDER
RELEASE DATE: 1/17/2020
Almost 40 years after its theatrical debut, Cabum and Beat Records release for the first time ever the complete score for the movie Alien 2 Sulla Terra (1980, Ciro Ippolito), one of the most obscure films in the Italian horror/sci-fi realm, an apocryphal sequel to the iconic Alien by Ridley Scott (1979), released just a few months prior. One of the most sought-after soundtracks by Guido & Maurizio De Angelis fans, it is a prominent sample of the experimental style of the two composers that would feature prominently throughout the '80s. Their kaleidoscopic score begins with a country flavor and evolves with an astonishing electronic timber, sometimes morbid and obsessive. This release features nearly 80 minutes of music, complete with two cues from Uno Sceriffo Extraterrestre, Poco Extra Molto Terrestre (1979) that are used in the first part of the movie to build tension in a particular scene. This reissue was mastered by Enrico De Gemini thanks to the discovery of first-generation masters in Cabum's archives. Includes liner notes and graphic layout by Daniele De Gemini and English edit by Esteban Medaglia. CD version includes 12-page booklet.
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MAR 016LP
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$31.00
PREORDER
RELEASE DATE: 1/17/2020
Mad About Records present the first worldwide reissue of Hareton Salvanini's soundtrack for Xavana, Uma Ilha Do Amo, originally released in 1981. Rare Brazilian album of the obscure film Xavana, Uma Ilha do Amor mixes elements of jazz, bossa nova, and psych. Hareton Salvanini creates a record full of groovy guitars, refined strings, and delicate orchestral sounds. Polish film maker Zygmunt Sulistrowski pioneered the format of shooting low-budget soft porn on exotic locations. In this case, Brazilian arranger and writer Hareton Salvanini was commissioned to deliver this soundtrack. No wonder many consider him a lesser-known Arthur Verocai. Salvanini creates a record full of groovy guitars and percussions that could rival with the best of KPM or Chappell library LPs. Deluxe reissue in thick carton cover; obi.
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FKR 102LP
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$25.00
PREORDER
RELEASE DATE: 1/17/2020
From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, Video Nasty film composer, occasional Jaume Sisa (Música Dispersa) collaborator and future electronic music therapy pioneer comes the synth-ridden vocoder-loaded 1984 sci-funk soundtrack to Barcelona's daytime TV response to the universal E.T. phenomena. Get ready to meet your new alienígena amic and the unidentified flying object of thousands of Catalonian kids' affections through the 1980s as Finders Keepers present J. M. Pagan's lost lunar modular synth score to Kiu I Els Seus Amics (Kiu And Friends aka Kiu Is Your Friend). From the same intergalactic phenomenon that brought such delights as Turkey's exploito cash-in "Badi" or South Africa's lo-rent homage "Nukie", and the same craze which filled international airwaves with the likes of Extra T's electro smash single "E.T. Boogie" or the million selling Columbian "Cumbia De E.T. El Extraterrestre" smash hit. In 1982, the diaspora from Steven Spielberg's small fictional mid-American neighborhood that played host to everyone's favorite torch-fingered, three-toed, Skittle-scoffing space goblin touched virtually every family home in every major city resulting in one of the biggest cinematic merchandise phenomenas of the 21st century, resulting in an unexpected high-demand/short-supply play-off in which bootleggers, copyists, and counterfeiters rose to the challenge like never before. When Spielberg regrettably told interviewers that he had no intention of making a sequel to E.T. The Extra Terrestrial, it instantly became open-season for the imitators... but way before somebody squeezed-out, Mac & Me, ALF, and The Purple People Eater a team of kid's TV executives in Catalunya were ready to fill the widening gap in the market without haste. Created in 1983 by Luna Films and Televisió de Catalunya (TV3) and screened exclusively in Catalunya, Kiu I Els Seus Amics was one of the first E.T. "tributes" to make it out of the gate, and with a crew of five individual directors and writers to ensure that the five episode, one-off series hit the wave of phone-home-fever, Kiu has since remained a short but sweet micro-memory in the hearts of an entire generation of Catalonian cosmonauts. The bulk of this LP is made up of tracks taken from the rare full-length album which was released after the TV program had aired, coinciding with sales of jigsaws and rubberized play figures in an attempt to catch-up with the unexpected mega-success of the show. Needless to say, with a short promotional window, the LP (and cassette edition) did not benefit a repress and most copies were unfortunately sold to children.
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LP
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TOUCH 017LP
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Touch Sensitive Records present their third release with Ivor Novello and BAFTA Award-winning modern master of the soundtrack, David Holmes, working in collaboration with composer Brian Irvine. Set in Northern Ireland, directed by Holmes's longtime friends Glenn Leyburn and Lisa Barros D'Sa (Good Vibrations (2012), Cherrybomb (2009)), and written by legendary Irish playwright Owen McCafferty (whom Holmes has known for forty years), the film tells the extraordinary story of Tom (Liam Neeson) and Joan (Lesley Manville) -- their life and love as they enter the uncertainty and upset of Joan's cancer diagnosis. In a career rich in highly personal work, Ordinary Love is up there with the most affecting in Holmes's canon. Recorded between Abbey Road and Holmes's own Drama Studio, the soundtrack features input from some of his most trusted collaborators. Holmes states: "I worked on the score with Brian Irvine. He is a longtime friend and the first person I ever had studio experience with 27 years ago. It felt important to work with Brian on this as his father (Ronnie), Owen's father (Gerry) and my father (Jackie) -- all now deceased -- were great friends through a shared love of Point-to-Point horse racing and their work as bookmakers." With contributions from Holmes's bandmates, Jade Vincent and Keefus Ciancia, who comprise the trio Unloved. Vincent provides a stand-out performance -- lending her haunting and smoky vocals to the album's centerpiece and final track -- "Isn't It So". The score to Ordinary Love wasn't inspired by any other soundtrack or even musical composition but by a mathematical theory called The Game of Life. Devised by mathematician John Conway in 1970, The Game of Life consists of a collection of cells which, based on a few mathematical rules, can live, die or multiply as the cells form various patterns throughout the course of the game. "Because of the nature of the story, this really spoke to Brian and I in a musical sense and we started to create the score with the notion that the notes in each cue resembled human cells, living and dying as Joan's journey with cancer unfolded." The score uses gentle rhythms and repetition to underline the comfort and balance in Tom and Joan's routine -- even though a potentially life-changing event looms over them. The score grounds the listener whilst providing an almost dreamlike blank canvas in which to live and to love.
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LP
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LR 001LP
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$46.50
PREORDER
RELEASE DATE: 12/27/2019
Collector's first-ever LP release famous Japanese composer Taro Iwashirô's original soundtrack of the thriller masterpiece Memories Of Murder, (2004), directed by Boong Joon Ho (Parasite, 2018). The first and exclusive LP release for the soundtrack of Memories Of Murder, the film that changed modern thrillers forever and revealed acclaimed director Bong Joon Ho, winner of the 2018 Cannes Palme d'Or with Parasite. Composed by Taro Iwashiro, talented Japanese composer of 60 original soundtracks, including epic scores for John Woo's Red Cliff (2008) and major video game Onimusha 2 (2002). Score entirely remastered by Sean Magee at Abbey Road Studios, at 45rpm to ensure exceptional sound quality. Comes in gatefold sleeve; Sleeve designed by All City Media (designers of Nicolas Windin Refn's platform ByNWR.com); Printed inner sleeves with stills form the movie. Pressed at Pallas; edition of 1000.
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CD
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DGST 045CD
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Digitmovies release the complete edition CD of the original soundtrack by Gianni Ferrio for the spaghetti western A Dollar of Fear (original title: Un Dollaro Si Fifa). The Italian-style western, or spaghetti western, officially originated with the famous Dollar trilogy by Sergio Leone, even though it was Gunfight at Red Sands (aka Gringo) by Mario Caian which inaugurated the genre in Italy in 1963. With A Dollar of Fear the series started in 1960, although this film was just a comical parody of the worldwide success of Rio Bravo, directed by Howard Hawks in 1959. The Digitmovies producers used the title Un Dollaro Di Fifa which plays on the Italian title Un Dollaro d'Onore (Rio Bravo in the US). Gianni Ferrio composed a brilliant orchestral soundtrack with epic, action and romantic passages alternating with a pleasant saloon song with a female voice and songs with mixed choirs. For this CD, Digitmovies were able to use the mono master tapes of the original recording session. This CD is definitely a rarity for fans of spaghetti westerns.
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7"
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FKSP 017EP
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Graeme Miller and Steve Shill's Woodland Band (Parade) consists of homemade electronic and mechanical music heard exclusively via British TV speakers as an eerie backdrop for the Polish-made stop-motion adaptation of the Finnish comic strip. Custom-composed for radically reedited daily five-minute episodes (alongside reconstituted storylines and the narrations/impersonations of comedy actor Richard Murdoch), the short cues written and played by the two Leeds-based post-punk avant-theater composers helped exacerbate the program's bizarre spectral storylines and characters, earning a firm fixture of fear, intrigue and infatuation in the hearts and memories of a slightly confused electro-fed generation. Ticking all the boxes that attract freak-folk enthusiasts and "synthusiasts" alike, the combined efforts of Shill and Miller deployed thumb pianos, backwards tape effects, wooden pipes, and a Wasp synthesizer (the almost-affordable post-punk synth of choice) to replace the original '70s German jazz soundtrack, thus dramatically mutating the tonality of the hundred episode-long saga. Miller and Shill's unique DIY approach follows characters like Moomintroll, Sniff, Snuffkin and the Snork Maiden as they encounter hobgoblins, sand lions, and the mysterious Groke, complete with their individual detuned electronic voices and theremin-esque whimpers. Based on the original sprites invented by Tove Jansson, the modified fuzzy felt figurines were designed by animator Lucjan Debinski at the legendary Se Ma For studios in Poland for German syndication resulting in what many regard as the definitive and most enigmatic version of the story, succeeding further animated adaptations form Japan and Russia. Sharing the same nostalgia and oblique exoticism as The Singing Ringing Tree, The Little Mole, The Magic Roundabout, and other reconstituted imports seen on programs like Granada TV's Picturebox, The Moomins and its synonymous theme tune and sound effects render this limited 7" vinyl release an essential addition to the record shelves of soundtrack collectors, domestic electronic fans and absent bygone tele-addicts as well as animation and design enthusiasts on account of its unique imagery and packaging. Includes an extended take of "Woodland Band" and a never-before-heard cue from the forthcoming Lost Tapes. Like the running lengths of the original episodes, these rare specimens won't stick around for long -- act fast, relax, regress, and rejoice for the return of the Moomin trolls. Custom-made felt backed 7" sleeve depicting original production stills.
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LPDM 023LP
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LP version. The soundtrack appears here for the first time on vinyl; Edition of 300. Digitmovies presents the original soundtrack by Nico Fidenco for the film Blue Jeans. An EP single (RCA, TBBO 1114) was originally released with the songs "Blue Jeans" and "A Final Step", performed by the group Cyan, which open sides A and B. For this LP, Digitmovies used the original tapes in full stereo that were preserved in the RCA archives. Nico Fidenco composed a pleasant soundtrack with a pastoral flair which is dominated by the main theme, a romantic ballad where you hear a faster and slower vocal version. It is then reprised with different instruments: cheerful and rhythmic flute, harmonica and orchestra, harmonica and strings with a touch of country, harpsichord, and classic guitar. Directed in 1975 by Mario Imperoli, Blue Jeans starred Gloria Guida, Paolo Carlini, Annie Carol Edel, Gianluigi Chirizzi, Mario Pisu, Marco Tulli, Barbara Betti, Rino Bolognesi, Domenico Bua, and Mario Di Girolamo.
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DDJ 048CD
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Tutti Possono Arricchire Tranne I Poveri is a 1976 film directed by Mauro Severino, starring Enrico Montesano, Barbara Bouchet, and Anna Mazzamauro. It tells the story of a couple who comes into sudden wealth thanks to a football lottery and of their vicissitudes in blowing the newfound fortune. The music for this funny and oblique comedy was composed by a trio of musicians very much industrious throughout the 1970s: Franco Bixio, Fabio Frizzi, and Vince Tempera. These three musicians had developed a defined triangular identity, composing wonderful scores such as 7 note in nero, Sella D'Argento, Godzilla il re dei Mostri, Il secondo tragico Fantozzi, Febbre da Cavallo, Roma l'altra faccia della violenza, I quattro dell'Apocalisse, and many more. It was an incredible and prolific collaboration that gifted Italian cinema with iconic scores, celebrated here once again with this unreleased score that doesn't delude expectations, released as part of the DDJ series and presented in a transparent jewel case. Includes 12-page booklet designed by Daniele De Gemini with liner notes by Marco Ferretti. Mastering by Claudio Fuiano.
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CDDM 304CD
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Digitmovies presents the original soundtrack by Nico Fidenco for the film Blue Jeans. An EP single (RCA, TBBO 1114) was originally released with the songs "Blue Jeans" and "A Final Step", performed by the group Cyan, which open sides A and B. For this LP, Digitmovies used the original tapes in full stereo that were preserved in the RCA archives. Nico Fidenco composed a pleasant soundtrack with a pastoral flair which is dominated by the main theme, a romantic ballad where you hear a faster and slower vocal version. It is then reprised with different instruments: cheerful and rhythmic flute, harmonica and orchestra, harmonica and strings with a touch of country, harpsichord, and classic guitar. Directed in 1975 by Mario Imperoli, Blue Jeans starred Gloria Guida, Paolo Carlini, Annie Carol Edel, Gianluigi Chirizzi, Mario Pisu, Marco Tulli, Barbara Betti, Rino Bolognesi, Domenico Bua, and Mario Di Girolamo.
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DDJ 050CD
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Quando La Coppia Scoppia is a 1981 film directed by Steno and starring Enrico Montesano, Claude Brasseur, and Dalila Di Lazzaro in a comedy in which the protagonist Enrico Granata (Montesano) is facing a matrimonial crisis as a third party (Brasseur) tries to steal his wife (Di Lazzaro). A movie gifted with a score by Piero Umiliani, until now completely unreleased, one of the last composed by him and which denotes, once again, the maestro's proficiency in jazz orchestrations and provides rhythms for every situation, coloring the sparkling atmosphere of the movie. You find various orchestrations of the main theme, cues with a sexy flavor for a handful of nocturnal sequences and two tracks reused from prior films scored by Umiliani, Johnny Moggi Quintet (1975) and News! News! News! (1979). It's a nice tribute to the great Tuscan maestro that can't be missing from his fans' collections and which we are glad to offer in the DDJ series, namely dedicated to music of the '70s and '80s. The CD is presented in a transparent jewel case. Includes 12-page booklet with graphic layout by Daniele De Gemini and liner notes by Marco Ferretti. Mastering by Enrico De Gemini.
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7"
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BEC 5650381
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Taken from the movie Le Bel Été, written and directed by Pierre Creton, "One Blood Circle" is the main theme of the soundtrack and it features French pop legend, Etienne Daho. The B-side features a cover by The Limiñanas of the all-time French classic "Non Non Rien N'a Changé" from Les Poppys. Lionel Limiñana about writing this soundtrack: "We met Pierre during the Shadow People tour, he came to the concert and wrote to us asking for music for his film Le Bel Été. Pierre sent me the script. I thought I didn't have time to work because of the tour but I took a three-day break to give it a try. I wrote a theme and then two, three... I had a work base and I was able to continue at the hotel or in the band's van, which explains why the music is very electronic. I invited Ivan Telefunken, Pascal Comelade's Catalan guitarist, to play on some melodies. When we arrived in St Malo for La Route du Rock Festival we met Etienne Daho with whom we had wanted to work for a long time. We played the script to Etienne and the demo of 'One Blood Circle', the main theme of Le Bel Été. Etienne worked on the text and quickly returned to the studio in Paris to record his voice and choirs. The O.S.T. was done." 7" collector black vinyl in sleeve with 3mm spine with paper inner-sleeve.
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FKR 090X-LP
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$26.50
PREORDER
RELEASE DATE: 12/6/2019
Strictly limited Winter Wunderland sleeve; edition of 500. Imagine, if you will, a foreboding homemade electro-acoustic, new age, synth-driven, proto-techno, imaginary world music created on a Portastudio soundtrack for a Polish-made animated fantasy based on a Finnish modern folk tale and created for German and Austrian TV, composed in 1982 by two politically-driven post-punk theater performers from a shared house in Leeds. To even the most perspicacious and adventurous of alternative music fans, the genuine bloodline of this previously unreleased record already begins to sound like an entire record collection in one sitting. It would be surprising if this project's ambitious and exotic credentials didn't tick at least one box on your musical matrix and without one drop of unnecessary nostalgic hyperbole this project already sounds like the perfect fantasy record that you've never heard. From the same social landscape as Gang Of Four, The Mekons, and Impact Theatre Co-operative - armed with a Wasp synthesizer, an ocarina, and a cassette of the Robinson Crusoe music taped off the TV, Graeme Miller and Steve Shill used minimum means for maximum mayhem, instilling over 35 years of dream-like illusory fuzziness and freakiness into the memories of a generation of school age TV addicts waiting for the next five minute fix of outer national fuzzy felt folklore. Collected here, all in one place for the first time, Finders Keepers, in close collaboration with the original composers, present the first-ever full soundtrack release for the UK-specific cult animated series. Finders Keepers take the original homemade micro-melodies and reintroduce them to a musical landscape where fans of vintage electronics, concrète tape effects, pocket percussion, and domestic synths are finally ready to be reunited with the magnetic music of Moominvalley.
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BEC 5650382
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Taken from the movie Le Bel Été, written and directed by Pierre Creton, this new album from The Limiñanas is the first OST written by Lionel Limiñanas. The main theme "One Blood Circle" features French pop legend, Etienne Daho. Lionel Limiñana about writing this soundtrack: "We met Pierre during the Shadow People tour, he came to the concert and wrote to us asking for music for his film Le Bel Été. Pierre sent me the script. I thought I didn't have time to work because of the tour but I took a three-day break to give it a try. I wrote a theme and then two, three... I had a work base and I was able to continue at the hotel or in the band's van, which explains why the music is very electronic. I invited Ivan Telefunken, Pascal Comelade's Catalan guitarist, to play on some melodies. When we arrived in St Malo for La Route du Rock Festival we met Etienne Daho with whom we had wanted to work for a long time. We played the script to Etienne and the demo of 'One Blood Circle', the main theme of Le Bel Été. Etienne worked on the text and quickly returned to the studio in Paris to record his voice and choirs. The O.S.T. was done." 12" white vinyl in sleeve with 3mm spine with paper inner-sleeve.
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LP BOX
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RBL 072BOX
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Limited box edition. "Limited gold vinyl, limited picture vinyl with unreleased bonus material, CD, 2 postcards, two posters, gold pendant with bag, insert with liner notes by Bobby Beausoleil. Limited 149 copies."
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CD
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DDJ 051CD
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L'Ultimo Squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg's Jaws (1975). In this movie, there is an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music, composed by the De Angelis brothers, Guido and Maurizio, contributes to the obsessive and thrilling moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST Uno Sceriffo Extraterrestre Poco Extra Molto Terrestre that provides great variety to the listening experience. Aside from being released here for the first time in any format, the score of L'Ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros' label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer's live concerts. Mastering by Enrico De Gemini. CD version includes a 12-page booklet; liner notes and graphic layout by Daniele De Gemini.
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LP
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DDJ 004DLX-LP
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LP version. 180 gram vinyl. L'Ultimo Squalo (The Great White) is a 1981 movie directed by Enzo G. Castellari, an Italian reply to the horror genre dedicated to shark movies, a trend that started a few years before with Spielberg's Jaws (1975). In this movie, there is an enormous white shark disrupting the summer of a coastal city in Georgia, in a crescendo of tension and horror that will end in a terrible 1-on-1 between the monster and Peter Benton (James Franciscus), protagonist of the movie and unwitting shark hunter. The music, composed by the De Angelis brothers, Guido and Maurizio, contributes to the obsessive and thrilling moments in which the shark appears, dramatic and melodic when the story becomes more emotional. The wonderful score is also connoted by music by the two composers sung by the vocalist Ywonne Wilkins, plus a cue taken from the OST Uno Sceriffo Extraterrestre Poco Extra Molto Terrestre that provides great variety to the listening experience. Aside from being released here for the first time in any format, the score of L'Ultimo Squalo marks the beginning of a tighter collaboration between Beat Records and Cabum. The two historical labels will give life to a series of releases dedicated to wonderful music produced through the iconic De Angelis bros' label, a series that will offer a righteous tribute to these wonderful scores, much loved and long-awaited, popular staples of the two composer's live concerts. Mastering by Enrico De Gemini.
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CD
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BCM 9587CD
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$23.50
PREORDER
RELEASE DATE: 11/22/2019
Beat Records presents for the first time on CD the complete edition of the soundtrack by Nino Oliviero and Bruno Nicolai from Il Pelo Nel Mondo (aka "Go, Go, Go World!"), a documentary directed in 1964 by Renato Marvi and Antonio Margheriti. A report on the most extreme customs in the most diverse corners of the world, the various episodes include -- in addition to some strip-teases -- visions of half-naked savages, documentation on the beheading of roosters, the slaughter of wild boars, the milking of Swiss cows, the sale of Chinese children in Hong Kong, prostitution and even some religious processions. This film is part of the famous trend of the "mondo movie". At the time, C.A.M. issued a 33rpm with 22 selections in mono; the same material was reissued in America by the Musicor Records label. For this release, Beat Records were able to use the master tapes of the mono recording session, which allowed us to discover 19 unreleased tracks. Throughout the 41 tracks, the listener will be immersed in fascinating sound dimensions that describe musically all the visual stimuli in the documentary.) This premiere "mondo" CD pays homage with great affection to the musical art of two titanic Italian musicians, the Maestros Nino Oliviero and Bruno Nicolai, and will certainly be welcome in every collection dedicated to high quality film music. This beautiful soundtrack will guide you around the world with almost seventy minutes of great, timeless music. Available packaged in a jewel case with a 12-page booklet designed by Daniele De Gemini with mastering and liner notes by Claudio Fuiano.
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