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Search Result for Genre SOUNDTRACK
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LP
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WHP 1442LP
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$19.50
PREORDER
RELEASE DATE: 11/13/2020
Winner of the Goldener Bär at the 1963 Berlin Film Festival, Il Diavolo is the third feature film by director Gian Luigi Polidoro, an Italian film irregular who has signed only a handful of films poised between comedy and eroticism between the '60s and '80s. Written by Rodolfo Sonego and interpreted by an Alberto Sordi in a state of grace, Il Diavolo takes up a theme already addressed by Polidoro and Sonego in Le Svedesi of 1960, that is the Italic myth of the Swedish woman and trips to Scandinavia of our unlikely and provincial Latin lovers. A notable success at home and abroad, the film was renamed To Bed ... or Not To Bed for the American market and won Alberto Sordi a Golden Globe for best comedy actor in 1964. The soundtrack written by maestro Piero Piccioni alternates orchestral songs with a romantic flavor, swing era jazz and lounge sketches with a samba twist. Reissued for the first time on vinyl since its release in 1963, the album represents a perfect compendium of Piccioni's style of the early '60s and one of the first peaks of the collaboration with Sordi and Sonego, an artistic and human partnership built to last.
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FKR 105LP
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$26.50
PREORDER
RELEASE DATE: 10/30/2020
Frozen in time over four decades this 1984 "cyclic incantation" combines electroacoustics, grazed euphoria, industrial aesthetics, sampled salvage, and recycled mechanic folk to score a widely revered dystopian physical theatre performance from the UK's hugely influential Impact Theatre Co-Operative. From a seminal post-punk art-action faction (formed in a Leeds warehouse space alongside Gang Of Four and The Mekons), this apocalyptic prophecy not only cracked avant-garde stage boundaries but provided a captive audience with stunning set design and an incredible broken-music soundtrack before its swan song amidst Poland's 1986 power plant panic. From the sonic workbench of the very same bedsit-situationists that created the haunting 1983 music to The Moomins TV animation comes the eventual isolated music release to this pioneering theatrical spectacle of truly mythical status. The Carrier Frequency (1984) was a legendary stage work that emerged from the collaboration between the influential performance company Impact Theatre Co-operative and cult novelist Russel Hoban. The incantation of Hoban's text voiced in the broken verbiage of a post-apocalyptic broken language and the entranced physicality of Impact's ritualistic performance in a pool of cold dark water printed deeply on those who witnessed it. It reached an impassioned crescendo on the rising score by Graeme Miller and Steve Shill who also performed in the work. The music exploited samples from Hoban's own recordings of the shortwave radio broadcasts which he tuned in as he wrote, helping him order the green phosphorescent letters on the screen of his Apple computer. Shill and Miller mirrored Hoban's channeling in their approach to making the score, following the notion that this was the broadcast of some Central Eurasian radio station doomed forever to circulate fragments of static interlaced with desultory public information broadcasts and "The Record", its only surviving fragment of a lost culture. The score was forged on an 8-track tape recorder sandwiching harmonium and accordion with the output of a digital delay machine that could trap and fragments of audio to be triggered and manually pitched. It is a knowingly crude montage where samples denote fragmentation itself and their reassembly, like Frankenstein's monster, shows the stitches that join the stolen body parts.
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MH3 007LP
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$25.50
PREORDER
RELEASE DATE: 10/30/2020
In South Africa, June 16, 1976 is unanimously recognized as the definitive turning point in the tenor and intensity of the fight against apartheid. It comes as the internal capacity of the major liberation movements such as the African National Congress and the Pan Africanist Congress is nearly depleted; with many of its leaders in jail or in exile. Black Consciousness (BC) arises from these ashes and the apartheid regime scrambles to contain it in the form of assassinations, banning orders and trials. High school youths in Soweto, having already imbibed BC from their teachers (a group of newly-recruited university radicals), begin planning protests that would attain an incredible kinetic thrust. These demonstrations were supposedly to rally against the use of Afrikaans as a medium of instruction, but as student leader Tsietsi Mashinini says in the documentary film UPRIZE!, the situation in South Africa had been explosive for a long time and any issue could have delivered the shift in momentum that June 16th would symbolize. This new SPAZA release is the original motion picture soundtrack of the film UPRIZE!, but it serves a parallel function. Recorded in Yeoville, Johannesburg, during a three-day improvised scoring workshop in 2016, the recording is almost the underside of the film, which strikes a defiant pose both in the selection of speakers and in the tone of much of the archival footage. The June 16th protests stretched over several weeks in a countrywide blaze that turned out to be a sustained show of solidarity among students and an unbridled display of brutality by the state. The recording process mirrors that protraction, working out a new language with which to commemorate the death, darkness and defiance of those days.
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BCR 111LP
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$20.00
PREORDER
RELEASE DATE: 10/30/2020
2014 release; warehouse find of last copies. Female: A Musical Journey into the World of Women. This project was born of a very simple idea; to create a sonic journey into the world of women. By selecting songs from film music by the great Ennio Morricone Black Cat Records seek to give an unusual soundtrack, not inspired by a film but instead by the muse of all muses: The Women. Whose sounds could better describe this world of music than Ennio Morricone's? Who better than the maestro can really describe all the highlights of a day, a season, or a woman's life? From the most dramatic moments to the happiest, the most sensual, seductive, sensitive and tough ones at the same time. Morricone's emotional strength manages to convey strong vibrations with very few notes, just like the surreptitious glance from a woman in love that flashes between two people. When you listen to the song "Poetry Of A Woman" you can feel this vibe. The sensuality of the music of "Scena d'Amore" from the movie Crescete e Moltiplicatevi is striking. It evokes a mood quite independent of the scene in the movie; indeed, it gives your imagination the freedom to dream of sexy and sophisticated pictures. Edda Dell'Orso's voice is the second great personality of this record. On each track her presence (which is in almost all of them) leads you into this mood, almost whispering: in the sea, in bed, in the disco, at a cocktail party or on the verge of a nervous breakdown. Thus, through these notes, you will be taken by the hand into this journey with eros, passion, love, tragedy, and fantasy.
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LP
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MIA 049LP
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$26.50
PREORDER
RELEASE DATE: 10/23/2020
"You know, hyenas aren't the bad ones... These days it's humans you should fear." Erik K Skodvin's first solo film score evokes otherworldly dreamscapes that capture the atmosphere of the film Anbessa (2019), shot in Ethiopia by director Mo Scarpelli. As a "creative" documentary the film follows Asalif, a 10-year-old imaginative boy caught between the ancient and the new, navigating modernization on his own terms. Asalif tries to make sense of things while living in a shed on the outskirts of Addis Ababa with his mom. A place where capitalism and "progress" is closing in on all fronts, and threatening their lifestyle. By becoming a lion (anbessa) he can fight back against the forces outside of his control. Pursuing escapism and moments in sound is something Skodvin has been dedicating his life to the last 20 years, with his various projects: Svarte Greiner, Deaf Center, Miasmah. Often in the darker, shadowy corners of sound, but never without glimpses of light and humanity. Anbessa can at first seem like an unlikely film to be his first venture into solo film scoring, and second in total, after his collaborative score with Raúl Pastor Medall for Birgitte Stæremose's thriller Darling (2017). But somehow, the playful, dreamy character of Asalif fits perfectly with his sound. The choice was made to mix field recordings from the film with the music, which creates a type of audio cinema that fully captures the atmosphere of Asalif's world: screaming hyenas, birds, animals, nature, Asalif repairing found electronic devices, talking and singing, seamlessly blend in with bowed guitars, electro-acoustic instruments, trumpets, long pipes, and clay drums, played by Skodvin and by Volcano The Bear's Aaron Moore. The result is an affecting journey. An escape into something hopeful. For the LP edition, the score is set to one vinyl side, while the other side has a series of lone field recordings with locked grooves that creates an eerie further immersion into the world of Asalif. A photo/screenshot from the film comes with the vinyl. Full-tone artwork. B-side contains exclusive field recordings and locked grooves. Includes insert; includes download code; edition of 500.
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LP
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LR 002LP
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$45.00
PREORDER
RELEASE DATE: 10/16/2020
Collector first-ever and worldwide release of the original soundtrack of the sumptuous documentary Nice Girls Don't Stay For Breakfast (2019) about the legend Robert Mitchum, directed by the famous photographer Bruce Weber (Let's Get Lost about Chet Baker). Directed by Bruce Weber himself, the soundtrack includes melancholic and jazzy unissued tracks performed by Robert Mitchum, along with the performances of Marianne Faithfull, Rickie Lee Jones, and Dr. John. Mastered by Translab Mastering. Sleeves designed by Nathan Kilcer; printed inner sleeves with stills from Bruce Weber. 180 gram vinyl; gatefold sleeve; edition of 600. NOTE: This is not a reissue of the Julie London LP on Liberty in 1967.
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LP
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FKR 106LP
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$25.00
PREORDER
RELEASE DATE: 10/9/2020
Finders Keepers' continued and unwaning commitment to preserving the archives of composer Suzanne Ciani pays off in an avalanche of dividends with this latest master tape discovery, placing further markers in the historical development of electronic music and cinematic composition. Developed at a lesser-documented axis combining Ciani's key disciplines as a revolutionary synthesist and an accomplished pianist, these early works from 1973 capture a rare glimpse of one of the world's most important electronic music figures embarking on the early throes of a fruitful career as a film composer and sound designer with this rare and previously unheard documentary music illustrating the first-ever skiers' decent from the peak of the tallest mountain in Alaska. Capturing innocence and optimism in its composition, but never less than masterful in its realization, Denali takes what would later become the yin and yang in Ciani's versatile musical personality and provides unrivalled vistas from both side of the mountain, scaling a treacherous and fine creative line. The music on this record was also commissioned two years before Suzanne's first Buchla concerts in 1974 and 1975, which were accompanied by her seminal National Endowment Paper, and would reveal Suzanne's proud commitment to the developed Buchla instrument. After hearing this record, it will come as little surprise that the track known as "Ski Song" would later be re-appropriated (and rerecorded) on Ciani's globally critically acclaimed debut album Seven Waves (EGGS 015CD). It stands as testimony to the composer's determination and inventive nature that this single track, which would later make its way on to every future music best-seller list in the country, was originally composed on just piano and the modular synth model which she had helped to assemble on Buchla's production line ten years before her Tokyo debut. "Denali was composed using just Buchla and piano," explains Suzanne in 2020. "It was recorded at Rainbow Recording, which is the studio I found and shared with recording engineer Richard Beggs, who then sold it to Francis Ford Coppola after I fell in love and quickly moved to LA," she laments. Instead, Suzanne would in a short time find her filmic feet in Hollywood (providing sound design for Michael Small's aforementioned The Stepford Wives soundtrack) which would later lead to her winning the accolade of first female film composer to single-handedly record a major motion picture with The Incredible Shrinking Woman in 1982. But it was ten years earlier with Denali that the ball had started rolling alongside the film reel sprockets at Rainbow Recordings.
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CDCR 143CD
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$23.50
PREORDER
RELEASE DATE: 10/2/2020
Thanks to the partnership between Roman labels and distributors Cometa Edizioni Musicali, Beat Records, and Four Flies Records, one of the most iconic and essential works by Piero Umiliani has finally emerged from the archives: La Schiava Io Ce L'Ho e Tu No. The movie was directed by Giorgio Capitani starring Lando Buzzanca and Chaterine Spaak, its soundtrack recorded at Ortophonic Studios in Rome in September of 1973. Widely regarded as one of the most sought-after productions by the famous Italian composer, the original LP is now considered a holy grail among the most serious record collectors worldwide. Perhaps the main reason for this is the magnificent quality of the compositions and arrangements, written by the maestro himself, who reaches one of his compositional peaks with this score. His music is the quintessential Italian sound for '70s sophisticated comedy, its unmistakable flavor now carved into our collective imagination, blending samba-bossa rhythms, funk guitars, dynamic and airy strings, and most of all, those brilliant choirs, always functional in relation to the movie's mood (performed here by the omnipresent Cantori Moderni di Alessandroni in a leading role). Together with the sensual vocalisms of Edda Dell'Orso, they truly represent the identity of an entire genre. The release of this CD not only brings to light one of the freshest and most topical soundtracks of Piero Umiliani's career, but the original master tapes feature the complete soundtrack sessions stored in the Cometa archives. That's why we are able to present here, in addition to the LP's original track listing, 23 tracks never before released in any format, revealing Umiliani's compositional eclecticism and his ability to transition effortlessly from jazz to funk, easy listening to symphony. Personal memories by Umiliani's daughters enrich this edition through their contributions to the liner notes, offering a familiar and intimate perspective about the composer's private life. 12-page booklet; edition of 500.
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CD
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DDJ 053CD
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$23.50
PREORDER
RELEASE DATE: 10/2/2020
Cabum and Beat Records present, almost forty years after the theatrical release of the film, the wonderful score by Guido & Maurizio De Angelis for the post-apocalyptic movie 2019 Dopo La Caduta Di New York, directed in 1983 by Sergio Martino and starring Michael Sopkiw, George Eastman, Anna Kanakis, and Valentine Monnier. In a post-apocalyptic future, there are two enemy factions -- the Euraks and the Federation -- fighting for dominance, and a solitary warrior is sent by the Federation to New York to retrieve the last fertile woman on Earth. Still enjoying an immense fan base, 2019 Dopo La Caduta Di New York is considered one of the best movies of its genre, which was very popular in the '80s and most certainly influenced by some of the cult-classic American movies that were so prolific at the time. The score by the De Angelis bros. was one of the most sought-after by their fans and film music lovers and represents, like Alien 2 Sulla Terra (DDJ 052CD/DDJ 005DLX-LP/DDJ 005DLXLTDLP). Cabum and Beat Records, thanks to the discovery of the original recording sessions in the archive of the brothers' label, are finally able to offer the complete score on CD. The cover features the original poster artwork painted by Renato Casaro, with mastering by Enrico De Gemini, graphic layout and 12-page booklet designed by Daniele De Gemini and liner notes by Manuel Cavenaghi (edited in English by Josh Mitchell). CD version includes 12-page booklet; edition of 500.
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LP
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DDJ 007DLX-LP
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$37.50
PREORDER
RELEASE DATE: 10/2/2020
LP version. Color vinyl; edition of 500. Cabum and Beat Records present, almost forty years after the theatrical release of the film, the wonderful score by Guido & Maurizio De Angelis for the post-apocalyptic movie 2019 Dopo La Caduta Di New York, directed in 1983 by Sergio Martino and starring Michael Sopkiw, George Eastman, Anna Kanakis, and Valentine Monnier. In a post-apocalyptic future, there are two enemy factions -- the Euraks and the Federation -- fighting for dominance, and a solitary warrior is sent by the Federation to New York to retrieve the last fertile woman on Earth. Still enjoying an immense fan base, 2019 Dopo La Caduta Di New York is considered one of the best movies of its genre, which was very popular in the '80s and most certainly influenced by some of the cult-classic American movies that were so prolific at the time. The score by the De Angelis bros. was one of the most sought-after by their fans and film music lovers and represents, like Alien 2 Sulla Terra (DDJ 052CD/DDJ 005DLX-LP/DDJ 005DLXLTDLP). Cabum and Beat Records, thanks to the discovery of the original recording sessions in the archive of the brothers' label, are finally able to offer the complete score on CD. The cover features the original poster artwork painted by Renato Casaro, with mastering by Enrico De Gemini, graphic layout and 12-page booklet designed by Daniele De Gemini and liner notes by Manuel Cavenaghi (edited in English by Josh Mitchell).
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LP
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LPDR 006LP
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"Coinciding with Profondo Rosso's 45th anniversary, Claudio Simonetti's Goblin celebrates this anniversary with a new version of the famous soundtrack. The incredible existential and atmospheric experience of Dario Argento's films come from the merging of gorgeously crafted visuals with a soul tingling auditory experience. Once heard, Goblin's scores are never quite forgotten. Profondo Rosso is no exception, characterized by its synth heavy sound and chilling central theme. Along with Suspiria, Profondo Rosso is perhaps Argento's most celebrated film and a classic of the giallo horror subgenre in its own right. A surreal masterpiece from Dario Argento with a pounding score from cult prog rockers Goblin, Profondo Rosso (Deep Red) will leave you battered and breathless! Essential! Limited color vinyl gatefold cover."
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LP+CD
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LPDR 001LP
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"The Murder Collection, the new LP compilation of classic horror tracks written by Goblin and Simonetti, rearranged by the band Claudio Simonetti's Goblin. The compilation contains the classic soundtracks from Dario Argento and George Romero's films (Suspiria, Deep Red, Dawn Of the Dead, Phenomena, etc.) Here the songs are performed masterfully by Simonetti and band with the original '70s arrangements played with powerful energy. Claudio Simonetti: keyboards; Bruno Previtali: guitar; Federico Amorosi: bass; and Titta Tani: drums. Limited red vinyl plus CD."
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LP
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REPOSE 096LP
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Taras Bulba featuring ex Earthling Society head Fred Laird return with their second album Soul Weaver. Soul Weaver was recorded between February and April of 2020. The album is a sharp contrast to the Taras Bulba debut. Whereas One (2019) was a laidback psilocybic novelty travelogue; Soul Weaver is more guitar-driven dream like psychedelia, mixing '60s garage rock, shoegaze, bucolic west coast acid folk, and ambient feedback. The album builds on song structures instead of drifting instrumentals prevalent on the band's debut and is an indication of the path they want to go musically. Constructing the album in such a short time and under lockdown restrictions changed the way the album took shape. Due to the social distancing percussion had to be constructed from drum machines or "found" from previous sessions and cannibalized. So, in some ways this is more a solo record (Jon has never heard the songs). It is a guitar album whereas One was a rhythm/percussion focused recording. Lyrically it draws on (quite accidentally) the writings of Dion Fortune, particularly her novel The Sea Priestess (1938). It never even came into mind until I started draughting the lyrics and things started popping up that had very strong comparisons to that novel. The recording has a bit of a watery, dreamy feel too and it's also haunted. It's haunted by a good soul though; with electric blue eyes. Transparent turquoise vinyl; Housed in a reverse board printed outer sleeve with black poly-lined inner; includes download code; edition of 300.
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CD
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EZRDR 121CD
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"From beyond the gutter, The Death Wheelers bring you their second album, the soundtrack to the fictional bikesploitation flick that never was: Divine Filth. Drawing inspiration from instrumental rock, proto-metal, punk and funk, the band embalms the listener in their sonic world of decay, groove and debauchery. Surfing the line between Motörhead, The Cramps and Dick Dale, the Canadian quartet uncompromisingly blends rawness and power in their riff-fueled compositions. Recorded entirely in forty-eight hours in a live setting just like in the good old days, this second opus is a testament to what the band stands for: a no BS attitude spiked with a heavy layer of crass. Just like their previous offering, the album is devised to serve as a soundtrack loosely based on a plot synopsis of a B-movie: 'It's 1982. Spurcity is run-down. The crime rate is up and so is drug use. A new kind of kick has hit the streets and it ain't pretty. DTA, a powerful and highly addictive hallucinogenic drug, is transforming its loyal citizens into undead trash. Its users experience an indescribable high, but it leaves them rotting away within days, craving human flesh. No one knows who is dealing this new potent drug, but rumor has it that the motorcycle cult, The Death Wheelers, is behind this concoction. Could this be the end of civilization as we know it? What is motivating this group of psychotic individuals?' The cycle of violence indeed continues with this sordid slab of sounds. So hop on, and enjoy one last ride with The Death Wheelers."
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CDCR 142CD
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L'agnese Va A Morire is one of the most successful collaborations between director Giuliano Montaldo and composer Ennio Morricone. The composer, avails himself of exceptional soloists such as De Gemini on harmonica, Carnini on organ, Valdambrini on flugelhorn, Enrico Pierannunzi on piano, and the dramatic vocals of Clara Murtas to create the appropriate atmosphere to describe life turned upside-down by Nazism during WWII, during the eight months preceding the liberation of Italy from German occupiers. Morricone alternates sacral moments with dissonance to describe this dark period of Italian history. Beat Records used a first-generation stereo master prepared in 1977 for a 33rpm that was never released, now fully restored for an exceptional listening experience. The CD is released in the classic CDCR series with mastering by Daniel Winkler and Claudio Fuiano. Liner notes by Patrick Bouster. Graphic design by Daniele De Gemini, featuring the original poster art by Renato Casaro on the cover. Jewel case; 12-page booklet.
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DDJ 4501EP
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Occhio Malocchio Prezzemolo E Finocchio is one of the classic cult comedies of the '80s, the most prolific decade in Italian cinema for that cinematic genre. The movie is split into two episodes, the first featuring the absolute star Lino Banfi trying to find a jinx, and the second starring singer/actor Johnny Dorelli playing an amateur magician. Beat Records' collaboration with Cabum Publishing and the subsequent discovery in their vault of the complete original recording sessions, totally unreleased until now, gave us the opportunity for a new release dedicated to the music for cult Italian cinema that will entertain us with its fresh and funny style. The soundtrack also features "Sheriff", the main titles of the movie Uno Sceriffo Extraterrestre... Poco Extra E Molto Terrestre, which together with the main titles of Occhio Malocchio Prezzemolo E Finocchio reflects the content of the 7-inch vinyl, highly collectible, with Enzo Sciotti's original artwork for Occhio Malocchio Prezzemolo E Finocchio on the front cover and Renato Casaro's original artwork for Uno Sceriffo Extraterrestre... Poco Extra E Molto Terrestre on the back. The 45rpm also features a special edition for collectors, numbered. Mastered by Enrico De Gemini with graphic layout by Daniele De Gemini. 45rpm; numbered print; edition of 400.
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LP
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EZRDR 121LP
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$23.00
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RELEASE DATE: 9/11/2020
LP version. "From beyond the gutter, The Death Wheelers bring you their second album, the soundtrack to the fictional bikesploitation flick that never was: Divine Filth. Drawing inspiration from instrumental rock, proto-metal, punk and funk, the band embalms the listener in their sonic world of decay, groove and debauchery. Surfing the line between Motörhead, The Cramps and Dick Dale, the Canadian quartet uncompromisingly blends rawness and power in their riff-fueled compositions. Recorded entirely in forty-eight hours in a live setting just like in the good old days, this second opus is a testament to what the band stands for: a no BS attitude spiked with a heavy layer of crass. Just like their previous offering, the album is devised to serve as a soundtrack loosely based on a plot synopsis of a B-movie: 'It's 1982. Spurcity is run-down. The crime rate is up and so is drug use. A new kind of kick has hit the streets and it ain't pretty. DTA, a powerful and highly addictive hallucinogenic drug, is transforming its loyal citizens into undead trash. Its users experience an indescribable high, but it leaves them rotting away within days, craving human flesh. No one knows who is dealing this new potent drug, but rumor has it that the motorcycle cult, The Death Wheelers, is behind this concoction. Could this be the end of civilization as we know it? What is motivating this group of psychotic individuals?' The cycle of violence indeed continues with this sordid slab of sounds. So hop on, and enjoy one last ride with The Death Wheelers."
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LPDM 028LP
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Digitmovies release the original soundtrack by Berto Pisano for the film The Shameless Woman. Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual/erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film. Directed in 1974 by Giuliano Biagetti, the film stars: Philippe Leroy, Leonora Fani, Barbara Bouchet, Maria Pia Conte, Dante Cleri, Serena Cociani, Filippo De Gara, Pupo De Luca, Dana Ghia, Stefano Amato. Nino Bernardi (De Luca), a factory owner from Milan, goes on holiday to Ischia with his wife Clara (Ghia) and his teenage daughter Ornella (Fani). A depressed writer named Fabio Lorenzi (Leroy), who had been Clara's lover years ago, is staying in the same hotel. Ornella takes an interest in Fabio as she is tired of flirting with boys her own age. She has fun seducing Fabio without ever indulging herself completely. But Fabio's partner Silvia (Bouchet) arrives on the island which causes Ornella to become very jealous.
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SPDM 015CD
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Marco Werba on his soundtrack for Il Delitto Mattarella (2019): "This is Aurelio Grimaldi's fourth film which I've had the pleasure to work for. I met Aurelio thanks to Antonella Salvucci and Raffaele Mallucci and we worked together for the first time on the historical drama Anita, una vita per Garibaldi (2007), an intense movie that describes the love story between Brazilian rebellious Anita and Italian hero, Giuseppe Garibaldi. We then continued our collaboration with Il sangue è caldo di Bahia (2014) and Controtempo (2016). This new film, Il Delitto Mattarella, marks the return of Aurelio Grimaldi with an important political movie, with a storyline dense of political plots, mafia and right-wing subversive groups that brought terror in the Italy of the '80s. Specifically, mafia, that turned out to be the main culprit for the death of many honest men that tried to stop the advancement of 'Cosa Nostra', the criminal organization that grew within the Sicilian social fabric. Aurelio is a sensitive director, who knows how to enhance music, measuring it in key moments. For this movie I worked again with Aurelio Grimaldi's faithful collaborator, Maria Soldatini, who wrote the additional music of the film, and Louis Siciliano kindly gave us a nice composition that we used in two scenes of the film. We recorded the film score in Gioia Tauro with the Orchestra del Teatro Cilea of Reggio Calabria, in Antonello Bruzzese's Metro Records Studio. I've had the pleasure of working with top level soloists such as Pasquale Faucitano (violino), Pierluigi Marotta (cello), Giampiero Cannata (horn), Riccardo Rocchi (guitar), and Federica Inson (flute). I also had two valid collaborators: Luca Poletti (music assistant) and Enrico Fallea (copyist). The film score of Il Delitto Mattarella contains an obsessive rhythmic theme ('L'Aquila'), an intriguing and turbid composition ('Corleone'), a theme linked to the main character ('Piersanti Mattarella') and another one that describes the Sicily of the '80s." Also features compositions by Henry Purcell.
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LPDM 026LP
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LP version. For Da Corleone A Brooklyn, Franco Micalizzi composed and conducted an original soundtrack which contains all the elements of a genre that still has a large audience of loyal enthusiasts, even after decades. The nostalgic main theme is performed by an orchestra with wind and rhythms typical of this genre. It is introduced in the opening credits and reprised throughout the OST. There is no shortage of suspense or action music following the storyline and there are interventions with a marranzano (an instrument from Sicily). Maestro Micalizzi wrote a second recurring theme, a motif with a pop flavor which is reprised in several fast and slow orchestral versions. For this album, the stereo master tapes of the original recording session were used. Directed in 1979 by Umberto Lenzi, Da Corleone A Brooklyn stars: Maurizio Merli, Mario Merola, Laura Belli, Van Johnson, Biagio Pelligra, Venantino Venantini, Sonia Viviani, Tom Felleghy, Nando Marineo, Salvatore Billa, Giovanni Cianfriglia. After the assassination of Salvatore Santoro in Rome, commissioner Giorgio Berni is sent to Palermo to work on the case with the local commissioner Danova since there are good reasons to suspect that the mafia is involved. Meanwhile, Lieutenant Sturges of the New York Police Department stops a man who claims his name is Vito Ferrando, a suspected drug trafficker without a residence permit. Sturges sends a report to Palermo stating that Ferrando is actually the mafia boss Michele Barresi, a man who has repeatedly escaped the law. Barresi is cleared of charges for the crime in Rome, but people close to him are killed, including his girlfriend Liana Scala, and Francesco Santoro. One of the assassins, Salvatore Scalia, who is Liana's brother and Barresi's former trusted man, falls into the hands of the police during an armed conflict. Giorgio Berni obtains permission from his superiors to transfer the prisoner to America so that his testimony can be used to frame Barresi. The journey is full of dangers as the mafiosi try to eliminate the incriminating witness. Berni hides out at his ex-wife Paola's house and then manages to get to New York, but he cannot prevent Scalia's death. But Scalia has left a written testimony.
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CDDM 307CD
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For Da Corleone A Brooklyn, Franco Micalizzi composed and conducted an original soundtrack which contains all the elements of a genre that still has a large audience of loyal enthusiasts, even after decades. The nostalgic main theme is performed by an orchestra with wind and rhythms typical of this genre. It is introduced in the opening credits and reprised throughout the OST. There is no shortage of suspense or action music following the storyline and there are interventions with a marranzano (an instrument from Sicily). Maestro Micalizzi wrote a second recurring theme, a motif with a pop flavor which is reprised in several fast and slow orchestral versions. For this album, the stereo master tapes of the original recording session were used. Directed in 1979 by Umberto Lenzi, Da Corleone A Brooklyn stars: Maurizio Merli, Mario Merola, Laura Belli, Van Johnson, Biagio Pelligra, Venantino Venantini, Sonia Viviani, Tom Felleghy, Nando Marineo, Salvatore Billa, Giovanni Cianfriglia. After the assassination of Salvatore Santoro in Rome, commissioner Giorgio Berni is sent to Palermo to work on the case with the local commissioner Danova since there are good reasons to suspect that the mafia is involved. Meanwhile, Lieutenant Sturges of the New York Police Department stops a man who claims his name is Vito Ferrando, a suspected drug trafficker without a residence permit. Sturges sends a report to Palermo stating that Ferrando is actually the mafia boss Michele Barresi, a man who has repeatedly escaped the law. Barresi is cleared of charges for the crime in Rome, but people close to him are killed, including his girlfriend Liana Scala, and Francesco Santoro. One of the assassins, Salvatore Scalia, who is Liana's brother and Barresi's former trusted man, falls into the hands of the police during an armed conflict. Giorgio Berni obtains permission from his superiors to transfer the prisoner to America so that his testimony can be used to frame Barresi. The journey is full of dangers as the mafiosi try to eliminate the incriminating witness. Berni hides out at his ex-wife Paola's house and then manages to get to New York, but he cannot prevent Scalia's death. But Scalia has left a written testimony.
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CDDM 309CD
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Digitmovies re-release the originally soundtrack by Berto Pisano for the film The Shameless Woman, and for the absolute first time, Digitmovies release the OST on CD by Franco Pisano for the film Brigitte, Laura, Ursula, Monica, Raquel, Litz, Florinda, Barbara, Claudia, e Sofia le chiamo tutte... anima mia!. The Shameless Woman soundtrack: Berto Pisano composed and conducted an OST with a lounge beat and evocative orchestral themes using the wonderfully sexy voice of Edda Dell'Orso, which evoke the sensual/erotic relationship between the adult man and the teen desperate for strong emotions. The main themes are reprised with piano only. The atmosphere of apparent relaxation in the hotel in Ischia is created with pop themes written for Hammond organ and rhythm section. There is also a version with bass flute and a faster version in bossa tempo. The master tape in stereo of a rare promotional soundtrack album was found in the RCA archives. It was released in 1974 under the label Pegaso and contains almost all the recorded music from the film. Directed in 1974 by Giuliano Biagetti, the film stars: Philippe Leroy, Leonora Fani, Barbara Bouchet, Maria Pia Conte, Dante Cleri, Serena Cociani, Filippo De Gara, Pupo De Luca, Dana Ghia, Stefano Amato. Nino Bernardi (De Luca), a factory owner from Milan, goes on holiday to Ischia with his wife Clara (Ghia) and his teenage daughter Ornella (Fani). A depressed writer named Fabio Lorenzi (Leroy), who had been Clara's lover years ago, is staying in the same hotel. Ornella takes an interest in Fabio as she is tired of flirting with boys her own age. She has fun seducing Fabio without ever indulging herself completely. But Fabio's partner Silvia (Bouchet) arrives on the island which causes Ornella to become very jealous.
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LP
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WHP 1441LP
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WHP preset a reissue of Piero Piccioni's original score for Il Boom, originally released on CAM in 1963. Written by Cesare Zavattini, directed by Vittorio De Sica, and interpreted by Alberto Sordi, Il Boom can be easily considered as one of the most peculiar film comedies in the Italian post-war era. Premiered in the USA in 2017, more than 50 years after its release in 1963, the film has been described as something between Buster Keaton, David Lynch, and Billy Wilder. Some sort of very current dark satire of the consumer society. Part of the film's surreal atmosphere is due to the original score composed and produced by the legendary Piero Piccioni. A weird and very dynamic mixture of different music styles including jazz and various popular dance grooves of the period such as samba, twist, calypso, and hully gully. A simple and yet very effective compositional technique based on both serious and funny elements at the same time. The soundtrack includes "Samba Della Ruota", Piccioni's first use of samba for Alberto Sordi's films. A choice that would soon become a real passion and trademark for the great Italian comic actor.
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LP
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LPDM 022LP
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$47.50
PREORDER
RELEASE DATE: 8/7/2020
LP version. Yellow vinyl. Digitmovies release the original soundtrack by Franco Micalizzi for the film Brothers Till We Die (original title La Banda Del Gobbo). Franco Micalizzi composed and conducted one of his most iconic OSTs for the crime drama genre with this soundtrack. Within the soundtrack emerges a recurring main theme, using a Moog synthesizer, that is then developed by an energetic woodwind section. It is then reprised in slow and fast versions. There is plenty of instrumental dance music and a romantic ballad with vocals. The leitmotif is alternated with suspenseful phrases written for strings. Directed in 1977 by Umberto Lenzi, the film stars: Tomas Milian, Pino Colizzi, Isa Danieli, Sal Borgese, Luciano Catenacci, Francesco D'Adda, Sandra Cardini, Guido Leontini, Mario Piave, Jimmy il Fenomeno, Solvy Stubing. After Almost Human, Umberto Lenzi returns to crime drama with Brothers Till We Die, once again starring the Cuban actor Tomas Millian. Here the actor plays both the roles of the twin brothers: one brother is the ferocious "hunchback" and the other is a likeable swindler called "monnezza" who lives in the suburbs of Rome. The first is a ruthless criminal, the second a soft-hearted thief. During a robbery, the hunchback's partners betray him and he is forced to hide out at his friend's house. He then begins implementing his plan to take revenge. When the police are not able to find the hunchback's hiding place, they turn to his twin brother. During a dangerous car chase, the hunchback's car swerves and ends up in the Tiber River ... but the corpse is never found.
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CD
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SPDM 016CD
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$23.50
PREORDER
RELEASE DATE: 8/7/2020
Luigi Seviroli is an Italian composer. His music compositions, due to their natural dramatic intensity, have been chosen by different movie directors such as (among others) Michele Soavi (Attacco allo Stato, Nassirya), Gianluca Maria Tavarelli (Non prendere impegni stasera), Alexis Sweet (Il Capo dei Capi aka Corleone, the acclaimed TV motion picture, Intelligence and Ultimo caccia ai narcos, Alberto Ferrari (Crimini Bianchi), Federico Rizzo (Taglionetto and Il Ragioniere della Mafia aka The Bookkeeper), Patricio Valladares (Downhill, Hidden in the Woods), Antoni Sole (The Second Reign of Night) . He also composed the score of several "audio-fiction" aired by the Italian National Radio (RAI, among which are: Dylan Dog, Giovanna D'Arco, Tex, Il Graal, Mata Hari) and of the motion comic Orfani, co-produced by Sergio Bonelli Editore and RaiCom (ten episodes air played on RAI4). Luigi Seviroli is currently involved in other challenging movie projects following international productions such as the two horror Charlie Charlie directed by Tony Mercedes and Everybloody's End directed by Claudio Lattanzi.
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