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Search Result for Genre SOUNDTRACK
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LP
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JBH 090LP
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$29.00
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RELEASE DATE: 10/29/2021
Unreleased until now and super duper wow. Like British pastoral jam with killer (boom bap) drums, bass and percussion. Just dying for some huge hip-hop producer to come and piss all over it, in a good way. This record is the hidden monster, the one killer OST no one saw or heard. Bartleby the film is from 1970. Full color LP sleeve with Julian House artwork.
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BCM 9590CD
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$27.00
PREORDER
RELEASE DATE: 8/27/2021
Beat Records present the original score by Alessandro Alessandroni for Formula 1 nell inferno del Grand Prix (aka Maniacs On Wheels) a comedy with dramatic undertones directed in 1970 by Guido Malatesta, with a screenplay by Guido Malatesta and Gianfranco Clerici, photography by Mario Mancini, and editing by Jolanda Benvenuti. The cast includes Olga Berová, Giacomo Agostini, Agostina Belli, Graham Hill, Brad Harris, Irio Fantini, Silvana Jachino, Marianne Hoffmann, Fulvio Mingozzi, Gioiella Minicardi, Franco Ressel, Franca Sciutto, Rafael Santos, Ivano Staccioli, Hans von Borsody, and Gigi Bonos. Alessandro Alessandroni is a 360-degree musician, having linked his name to the famous choir of Cantori Moderni in countless soundtracks and to Italian television (Studio Uno, Sabato sera, Canzonissima'68, Canzonissima'69), not to mention composing music for movies as well as many themes for libraries. Beat Records releasing this soundtrack assembled from the mono master tapes of the recording sessions. Maestro Alessandroni composed a soundtrack where lounge music is prominent, starting with the "Main Titles," a rhythmic motif for orchestra and choir that provides the background to a car race, but also both instrumental and vocal dancefloor themes (that accompany dance scenes during house parties or at night clubs) and even a beat-like march. The composer also wrote pieces where the solo organ creates sensual atmospheres alternating with suspense music for strings and a romantic love theme for orchestra and choir. This OST is another rescue and preservation of Italian film music and a tribute to the great talent of Alessandro Alessandroni, a musician loved by fans all over the world. Mastering and liner notes by Claudio Fuiano. Graphic layout by Daniele De Gemini. CD version includes 12-page booklet.
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LPF 093LP
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$43.50
PREORDER
RELEASE DATE: 8/27/2021
LP version. Beat Records present the original score by Alessandro Alessandroni for Formula 1 nell inferno del Grand Prix (aka Maniacs On Wheels) a comedy with dramatic undertones directed in 1970 by Guido Malatesta, with a screenplay by Guido Malatesta and Gianfranco Clerici, photography by Mario Mancini, and editing by Jolanda Benvenuti. The cast includes Olga Berová, Giacomo Agostini, Agostina Belli, Graham Hill, Brad Harris, Irio Fantini, Silvana Jachino, Marianne Hoffmann, Fulvio Mingozzi, Gioiella Minicardi, Franco Ressel, Franca Sciutto, Rafael Santos, Ivano Staccioli, Hans von Borsody, and Gigi Bonos. Alessandro Alessandroni is a 360-degree musician, having linked his name to the famous choir of Cantori Moderni in countless soundtracks and to Italian television (Studio Uno, Sabato sera, Canzonissima'68, Canzonissima'69), not to mention composing music for movies as well as many themes for libraries. Beat Records releasing this soundtrack assembled from the mono master tapes of the recording sessions. Maestro Alessandroni composed a soundtrack where lounge music is prominent, starting with the "Main Titles," a rhythmic motif for orchestra and choir that provides the background to a car race, but also both instrumental and vocal dancefloor themes (that accompany dance scenes during house parties or at night clubs) and even a beat-like march. The composer also wrote pieces where the solo organ creates sensual atmospheres alternating with suspense music for strings and a romantic love theme for orchestra and choir. This OST is another rescue and preservation of Italian film music and a tribute to the great talent of Alessandro Alessandroni, a musician loved by fans all over the world. Mastering and liner notes by Claudio Fuiano. Graphic layout by Daniele De Gemini.
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CSR 296CD
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$15.50
PREORDER
RELEASE DATE: 7/16/2021
Cold Spring Records release the original dark ambient/unsettling synth soundtrack by Neil Chaney to the British supernatural horror film Aura (aka The Exorcism Of Karen Walker). From the first notes, the incredibly evocative compositions feature huge swathes of cavernous dark ambient, with unsettling dark synths in the vein of the legendary '70s Italian giallo horror. Quieter, and indeed sinister moments, are evoked by emotive strings, synths and piano, adding pathos and a melancholy atmosphere to the disturbing score. Aura: A couple discover Kirlian Photography apparatus in their new house. Intrigued by the concept of photographing peoples' Auras they unwittingly release an ancient evil. Only the local psychic can help and she knows far more than she reveals. Aura stars: Rula Lenska (a darling of British TV), Shane Taylor (Band Of Brothers), Janine Nerissa (Sandow). Composing film soundtracks since 2009, Neil Chaney was also the creative mind behind the cinematic dark ambient/fortean electronics act Satori (2007-2008 with Justin Mitchell), releasing their acclaimed album Kanashibari, and the EP Contemptus Mundi (feat Magus Peter H Gilmore, High Priest of the Church Of Satan). He was also the creator of early '90s industrial act, Pessary. Presented in a matte digipak.
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MPD 036LP
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$34.00
PREORDER
RELEASE DATE: 7/9/2021
Musique Pour La Danse present its first release in the field of video game OSTs, with the first-ever physical release of the much appreciated and globally followed Donkey Kong Country OST restoration/recreation project led by Louisiana-based composer and producer Jammin' Sam Miller. As far as video game soundtracks go, the OST for 1994 SNES game Donkey Kong Country has always been a fan-favorite. Composed mostly by David Wise, with additional tracks by Eveline Fischer and Robin Beanland, it featured atmospheric music with melodic and percussive elements, spanning many genres and vibes with many brilliant musical moments in the OST that have not only left a mark on generations of gamers, but have also earned this OST recognition far beyond the usual video game OST spheres. Indeed, from 1940s swing, to atmospheric ambient matching the various landscapes encountered in the game, via danceable bangers and highly evocative library pieces, this OST has it all. However, hardware limitations at the time meant that the music on the SNES cartridge was highly compressed and difficult to enjoy without having a console handy. Enter Jammin' Sam Miller. Using hex SPC data crudely converted to MIDI, the producer painstakingly recreated DKC's soundtrack note by note, by finding the original equipment used to create it. He then translated the MIDI into a modern studio context, adding in keyboard samples, and re-mixing the sounds with added effect and mastering. As a result, the covers he crafted can be considered faithful HD recreations of the originals. They are breathtakingly musical, elevating the original OST to new heights and further underlining how brilliant it always was, while also making the point that video game soundtracks should not be looked down upon, quite to the contrary. Remastered for vinyl, officially licensed and presented in a limited edition banana yellow double LP.
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LP
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WHP 1443LP
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Un Tentativo Sentimentale is the first film by the novelist Pasquale Festa Campanile, written and directed together with Massimo Franciosa in 1963. The film fits into the path traced by Michelangelo Antonioni with his "trilogy of incommunicability" in the early years of the decade, staging a bourgeois existential drama shot between the Roman districts of Parioli and Vigna Clara and the beach of Sabaudia. The original soundtrack is one of the most beautiful and particular among those composed in the '60s by maestro Piero Piccioni, who works on rarefied and melancholy jazz atmospheres dominated by his piano and the trumpet of the immense Nunzio Rotondo, main soloists flanked by other giants of the Italian jazz scene such as Franco Chiari (vibraphone), Marcello Boschi (alto sax), Ivan Vandor (tenor sax) and Berto Pisano (double bass).
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LP
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BTTF 010LP
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$29.00
PREORDER
RELEASE DATE: 7/2/2021
"Gatefold LP. 40 years after the release of the original soundtrack for George A. Romero's masterpiece Dawn of the Dead, Goblin unleashed this commemorative studio album. The album unveils re-imagined versions of the most significant tunes from their original iconic soundtrack, as well as new arrangements of two tracks from Suspiria."
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Cassette
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1984 007CS
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$10.50
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RELEASE DATE: 7/2/2021
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LP
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RBL 079LP
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$29.00
PREORDER
RELEASE DATE: 7/2/2021
LP version. Lavender/purple vinyl.
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LP+CD
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RBL 079BOX
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$95.00
PREORDER
RELEASE DATE: 7/2/2021
Deluxe box edition. Includes CD. Magenta vinyl. Also includes two art posters, silkscreen poster, and transparent cover. Edition of 149.
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2LP
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MOVATM 261B-LP
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$43.00
PREORDER
RELEASE DATE: 7/2/2021
"Passion is the fifth and final part of a series of five double vinyl releases that bring together some of Ennio Morricone's greatest soundtrack music. Each collection centers on a different movie genre, together they allow the listener to rediscover the unmatched genius of the greatest movie composer of all time. Passion once again reminds us that everything in Italian life is approached with gusto, energy and passion. The package includes a 4-page insert with liner notes written by Claudio Fuiano. The gatefold sleeve contains a diamond glitter foil spot varnish on the outside and images of iconic movie posters on the inside."
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CD
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CDDM 313CD
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Digitmovies release on CD for the very first time in full edition, Franco Bizio's original soundtracks for the western movie Ed ora... raccomanda l'anima a Dio (And now... make your peace with god). Franco Bixio, at the time an eighteen years old boy, composed an acoustic OST with a smaller team, arranged and directed by Vince Tempera, with typical beat sonorities. Main theme "Like A Coward", performed by Mary Ushua, lays among the end credits and was published on Cinevox SC 1060 single, together with the track "Una diligenza a Tombstone". Franco Bixio retakes the main theme with several instrumental versions, occasionally slow and fast, alternating it with a delicate love theme that stands in tense and violent atmospheres. Also, saloon music figures both in instrumental and sung versions. For this CD, Digitmovies were able to use the original recording session's mono masters as well as the original single's mono master. Unfortunately though, the opening credits, instrumental version of "Just A Coward", were beyond repair lost. So, for historical and artistic reasons, Digitmovies decided to take them from the audio of the film, which had a mix of gunfires and horses.
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CD
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DGST 050CD
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Digitmovies release on CD for the very first time in full edition, Ivan Vandor's spy movie Bersaglio Mobile (Death on the run) original soundtrack. Ivan Vandor (Pécs, 1932) has written many OSTs like I giorni contati (1962), Nudi per vivere (1964), Amori pericolosi (1964), Andremo in città (1966), Se sei vivo spara (1967). Death on the run commentary has all the classic features of Euro-spy genre: jazz, blues, Latin, Balcan music, a wild shake, love themes and orchestral passages full of tension and violence. A young Stelvio Cipriani vigorously conducts the orchestra. For this 57-minutes-long CD of Digitmovies used the recording session's mono masters.
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LP
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1984 007LP
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$29.00
PREORDER
RELEASE DATE: 7/2/2021
LP version. Red/orange swirl; gatefold sleeve.
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CD
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1984 007CD
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$16.00
PREORDER
RELEASE DATE: 7/2/2021
"1984 Publishing is re-releasing the haunting soundtrack for Children Of The Corn by Jonathan Elias with new artwork by 'Ghoulish' Gary Pullin. 1984's Children Of The Corn (directed by Fritz Kiersch) is one of the spookiest films of its era with a soundtrack by Jonathan Elias that's just as chilling! Pullin is one of the most in-demand pop culture artists in the physical media market. The Children Of The Corn soundtrack have not been pressed to vinyl since 1984, have been out of print on CD since 2009, and has yet to see a cassette release (until now)."
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CD
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BCM 9595CD
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Beat Records reissue on CD the Ennio Morricone score for the cult western Il Mio Nome E' Nessuno (My name is nobody) directed in 1973 by Tonino Valerii, starring Terence Hill, Henry Fonda, Leo Gordon, Jean Martin, Geoffrey Lewis, Piero Lulli, Benito Stefanelli, RG Armstrong, Alexander Allerson, Franco Angrisano, Mario Brega, Marc Mazza, Remus Peets, Antoine Saint John. Ennio Morricone composed one of the most loved scores from his fans around the world using elements typical of his genius such as the whistle of Alessandro Alessandroni, the voice of Edda Dell'Orso (and many other highly valued soloists) mixed with some sonic innovations as in "Mucchio Selvaggio", where the composer even ventures to include Wagner's La Cavalcata delle Valkyrie. This CD was made using the stereo mono masters of the original session with the total duration just over 74 minutes. Mastering by Claudio Fuiano. Liner notes by Andrea Morandi. Graphic layout by Daniele De Gemini. 12-page booklet.
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CD
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BCM 9591CD
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Beat Record reissue on CD this original soundtrack from the western movie Vamos A Matar Compañeros (aka Compañeros) directed in 1970 by Sergio Corbucci, starring Franco Nero, Tomas Milian, Jack Palance, Fernando Rey, Iris Berben, José Bódalo, Eduardo Fajardo, Karin Schubert, Gérard Tichy, Gino Pernice, Claudio Scarchilli, Álvaro de Luna and Jesús Fernández. Ennio Morricone wrote fabulous music scores for the revolutionary Western genre, including films such as Tepepa, La resa dei conti, and Il mercenario. Certainly, Vamos A Matar Compañeros remains one of his fans' favorite works, where the harmonica by Franco De Gemini, Alessandroni's whistle and the Cantori Moderni choir play the lion's share. In 1970, a single was released with the themes "Vamos A Matar Compañeros" (with lyrics by Bruno Corbucci) and "Il pinguino". The main theme, "Vamos A Matar Compañeros", with its revolutionary flavor, is a cheerful, rhythmic piece with choir and the intervention of harmonica, organ and tolling bell that is frequently repeated throughout the soundtrack. Another recurring theme is the light-hearted "Il pinguino" motif for whistle, harmonica, banjo and orchestra, while "La Mexicana" is a nostalgic motif with harmonica and orchestra. The mystical theme of "La Loro Patria" with its revolutionary flavor returns to the soundtrack with guitar and strings. The tension of the story is provided by dramatic, almost atonal themes such as "Un Uomo In Agguato" and "Cecchino". There is also the obligatory saloon music, according to the tradition of the genre. Beat Records reissues on the market this masterpiece by Ennio Morricone for the Italian Western using the stereo masters of the original recording sessions, with a total duration of 63 minutes. Mastering by Claudio Fuiano. liner notes by Daniel Winkler. Graphic layout by Daniele De Gemini. Includes 12-page booklet.
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CDCR 146CD
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Beat Records release on CD, for the first time ever, the original soundtrack by Francesco De Masi for Fuga Dal Bronx, directed in 1983 by Enzo G. Castellari. A wonderful score that until now was only available on vinyl, released by our publishing group at the time of the film's release. For this soundtrack, Maestro de Masi skillfully weaved electronics with a real orchestra to great effect, riding the high-energy wave of the synthesizers and a powerhouse orchestral ensemble, arranged with true talent. The CD is in Beat Records' "Classic Collector Releases" (CDCR) series, with mastering by Enrico De Gemini, graphic layout by Daniele De Gemini and liner notes by Filippo de Masi. 12 page booklet.
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CD
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DDJ 049CD
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In Beat Records' "DDJ" series, dedicated to funky cinema sounds, the label present on CD the previously-unreleased score for the episodic movie directed by Domenico Paolella in 1979, Belli E Brutti Ridono Tutti. The pen behind the soundtrack belongs to a maestro very dear to Beat Records, Giacomo Dell'Orso, husband of the divine Edda and a fine musician, orchestra conductor and arranger for his friend, maestro Nico Fidenco. After the main titles featuring a cool rock n' roll tune, there is a score dominated by the disco sound, a vein that exploded worldwide and which sees the prominent voice of Giancarlo Balestram in the end credits over a vibrant rhythmic tapestry. Mastering by Enrico De Gemini, liner notes by Marco Ferretti and graphic layout by Daniele De Gemini. 12-page booklet.
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2LP
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SR 508LP
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British artist Robin Rimbaud (Scanner) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (EDRM 427CD, 1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Wayne McGregor, Mike Kelley, Carsten Nicolai, Michael Nyman, Steve McQueen, Laurie Anderson, and Hussein Chalayan, amongst many others. Rimbaud first met Belgian artist Hans Op de Beeck at Le Fresnoy Studio national des Arts Contemporains when they were both Visiting Professors in 2012. Op de Beeck lives and works in Brussels, Belgium and creates sculpture, installations, video, photography, animated films, drawing, painting, and writing. His various works show the viewer non-existent, but identifiable places, moments and characters that appear to have been taken from everyday life. The artists found an immediate creative connection, and a year after meeting Staging Silence (2) was completed. In 2019, they returned to the theme and created Staging Silence (3). Each of the films is realized through the same principles, as two pairs of anonymous hands construct and deconstruct fictional interiors and landscapes on a mini film set of just three-square meters in size. The films take the viewer on a visual journey through depopulated, enigmatic and often melancholic, but nonetheless playful, small-scaled places, which are built up and taken down before the eye of the camera. Ranging from hyper-realistic fictional land and cityscapes to absurd, almost surreal, dreamscapes, the various locations are connected by the sense of mystery and melancholy that pervades them. And at every moment Rimbaud's score is amplifying and illustrating these moments, from tragedy to nostalgia, witty to optimistic. Introspective and lyrical, Staging Silence offers listeners a world of mystery and intrigue, held together by nature and time. This is a very humane works experienced at a time when many feel disconnected from the surrounding world. The peculiar silence that permeates this hauntingly beautiful work is very much an illustration of our times, anticipating a future in the past. Staging Silence is an exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.
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LP
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LDDC 003LP
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Les Disques De Culte are back with a new exploration of the original soundtracks of the golden age of French X-rated films, the cult movie La Femme-Objet, which has never been released before on any format. A tribute to pleasure, composed by Jean-Claude Nachon, who at the dawn of the eighties was using without any restrains all the arsenal of the pioneers of the "electro-porn" to enhance the prodigious performance of Marilyn Jess. Languorous and effective beats, between psychedelic reggae, synth-pop and electro-orgasmics take-offs, gathered in this intimate selection to listen alone or accompanied... Fully restored the audio tracks from original material. Gatefold sleeve; includes one poster from the film, one blueprint for La Femme-Objet designed by illustrator Erwan Terrier, and one erotic comic book with La Cicciolina and Marilyn Jess in English and French, 32 pages black-&-white.
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HE 69002LP
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Reissue of this 1969 classic Piero Umiliani soundtrack, Sweden Heaven And Hell. Featuring the all-time hit "Ma-Nah Ma-Nah". Russian import on endless import. Gatefold vinyl; edition of 500.
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PCR 035LP
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The music from Les Tontons Flingueurs (aka Crooks in Clover aka Monsieur Gangster) is as instantaneously recognizable as the James Bond theme thanks to a short and recurring melodic motif that can still stick in the heads of 21th century kids. Monothematicism is a word used by musicologists to refer to the use of stylistic variations based on a single musical theme as can be heard in the Tontons: on the banjo, during the nose punch sequences, played jazz, blues, gloria or Hully Gally style. Though the Tontons music may on first listen sound nothing different than a straightforward yet catchy soundtrack, it turns out to be a real exercise in style. When reading Michel Magne's autobiography L'amour de vivre it clearly appears that mixing folk music and sound experiments was a mindful artistic choice. In the movie, Antoine Delafoy (Claude Rich) who is engaged to Patricia is merely a Michel Magne caricature. He embodies a contemporary music composer in search of the "absolute anti-chord" by using a water tap. In reality and despite his classical musical education, Michel Magne has indeed had a venture into avant-garde music, going as far as organizing an infrasounds concert at the Salle Gaveau venue (Paris) on July 15th, 1954. On December 3rd, 1956 his low-frequency sounds contributed to an "empirique" show at the Théâtre des Trois Baudets (Paris) with Alexandro Jodorowsky, Jean Michel Rankovitch, and Tinguely. At the same time, he wrote music on words by Françoise Sagan for Mouloudji. In 1959 he recorded an album of "musiques tachistes" from which a show with dances was staged by Michel Descombey. His taste for provocation and avant-garde did not prevent Michel Magne from composing and arranging popular music. He hence wrote the music for six Georges Lautner movies including the famous Tontons Flingueurs in 1963. Being part of the avant-garde long-haired world what could Michel Magne think of Michel Audiard -- a most kind character who had nevertheless been burned by supporters of the "nouvelle vague" including journalist Henry Chapier who described Les Tontons Flingueurs as being "chansonnier" cinema, meant for disenchanted quinquagenarians. In between melodic effectiveness and daring arrangements and tonality, Magne's work is worth being listened to with fresh ears, cleared of clichés! Jean-Emmanuel Deluxe is the author of numerous publications including Filles de la pop and Tricatel Universalis" He writes for Rock & Folk, Citizen K, Schnock and Shindig.
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LP
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LPF 089LP
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50 years ago, Franco and Luciana De Gemini had recently moved to Rome, both looking for their place in the world. Through his collaborations with many great maestros of the period and his involvement with the orchestras, Franco got to know many people including Fulvio Corradini and Benito Costa (the former an administrator of prestigious record catalogs, the second a trusted friend). In fact, they had already caught wind of a small record label called Beat Records Company, founded on May 12, 1966, but the two had no time to devote to the endeavor so they trusted its administration to Franco De Gemini by actively involving him as a partner. It was on March 23, 1968, that they set foot in that office on Viale Medaglie D'oro. Beat had published 58 tracks, had 16,500 Liras in cash and a tax fine of 140,000 liras for failure to report. That was the day that Franco and Luciana began their adventure, which would last for him until July 20, 2013, and for her until March 3, 2016. It was an intense fifty years, always with one foot on an airplane, in a smoke-filled recording studio, in front of a Moviola viewing the scrolling images of film or around a table with incredible characters, to talk, create music and art, or simply to enjoy life. That little two-year-old son that was once picked up and held by Franco and Luciana is now a man of 50, a man with whom generations of film and music fans have been able to cultivate their passions, served and revered by the tireless work of this incredible couple. Having reached this important landmark in time, with over half a century of history behind the label, they decided to revive five significant favorites from their musical catalog and replicate them in their original format. The fifth appointment of this revival is with one of our scores unreleased on vinyl, Alla Ricerca Del Piacere by Teo Usuelli, a score a movie featuring the divine Barbara Bouchet, a beautiful icon beloved on both sides of the ocean. The music -- iconic as well, and among the most appreciated in Beat Records' catalog -- has been included on Beat at Cinecittà albums and used by the Cohen Brothers, who included "Piacere sequence, M36" in The Big Lebowski (1998). 180 gram vinyl; printed inner sleeve; external obi.
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CD
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RBL 079CD
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"Legendary director and music composer John Carpenter is one the most influential artists of the horror soundtrack genre. This musical tribute combines some of Carpenter's best musical atmospheres with very special guests such as Claudio Simonetti (Goblin), who brings us two interpretations of Halloween & 1997, along with Leather Strip, Motion Kapture, Ketvector, as well as artists of the new retro wave scene such as Code Elektro, Tibia, Simulakrum Lab and many others. A must have for any true fan of John Carpenter, horror, and electronic music!"
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