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Search Result for Genre SOUNDTRACK
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2LP
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WRJ 015GOLD-LP
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$44.50
PREORDER
RELEASE DATE: 7/24/2026
The Zelda Suites: a modern jazz reinterpretation of the music from the Legend Of Zelda, on special-edition gold vinyl. We Release Jazz presents the release of a limited-edition gold variant vinyl for Casimir Liberski ReTRio's The Z Suites, a full-length jazz album reinterpreting the music from iconic Nintendo video game series The Legend of Zelda. The epic Z-Jazz journey comes as limited edition of 300: 180g half speed mastered gold vinyl double LP housed in a heavyweight sleeve with obi. Casimir Liberski reimagines the golden era of video game soundtracks with jazz versions of Zelda favorites The Legend of Zelda (1986), A Link to the Past (1991), Link's Awakening (1993), and Oscarina of Time (1998) -- plus a few Easter eggs! Dancing between nostalgia and avant-garde, the Brussels-born pianist and composer crafts a sonic world of pixelated folklore where melody and improvisation coexist in harmony.
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MOVATM 459R-LP
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$38.00
PREORDER
RELEASE DATE: 7/10/2026
"Something Very Bad is Going to Happen is a Netflix horror series produced by the Duffer Brothers, the creative minds behind the global hit Stranger Things. The story follows engaged couple Rachel Harkin (Camila Morrone) and Nicky Cunningham (Adam DiMarco) in the tense week leading up to their wedding, as what should be the happiest time of their lives slowly unravels into a nightmarish descent of psychological terror and creeping dread. The narrative keeps guessing whether the threat they face is human, supernatural, or rooted in the couple's own fears and relationships, with eerie encounters, unsettling family dynamics, and haunting revelations. The series also features standout performances from seasoned actors Jennifer Jason Leigh and Ted Levine as members of the Cunningham family, along with Jeff Wilbusch, Karla Crome, Gus Birney, and Zlatko Buric. The music for the series is composed by Grammy Award-winning musician and composer Colin Stetson, renowned for his idiosyncratic use of saxophone in his projects. He has collaborated with acclaimed artists such as Bon Iver, Arcade Fire, and The National, amongst others. Scoring Something Very Bad is Going to Happen builds on Stetson's extensive experience in film and game music. He has composed soundtracks for films like the psychological horror Hereditary (2018) and the dark thriller The Menu (2022), as well as the epic Rockstar game Red Dead Redemption 2 (2018). For this series, Stetson delivers a suspenseful soundtrack, perfectly complementing the Duffer Brothers' signature storytelling. A must-have release for fans! Something Very Bad is Going to Happen is available as a limited edition on red colored vinyl and includes an insert."
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10"
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MOM 068LP
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$28.50
PREORDER
RELEASE DATE: 6/26/2026
Gadea's original soundtrack to In the Beginning, the new animated short film by director Ala Nunu, unfolds across three surreal, yet surprisingly real, stories about people and the world around them: a lunar probe's tardigrade cargo, 16th-century myths surrounding birds of paradise, and Hong Kong's pandemic-driven hamster cull. The film is a tonally absurd documentary-fiction essay on anthropocentrism and the human need to control narratives. This is Gadea's first musical accompaniment for animation. Collaborating with Marina Herlop on vocals, Gadea's sonic palette sits somewhere between field-recording minimalism, chamber electroacoustics, and the more fragile end of speculative composition.
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Cassette
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SOL 206CS
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$17.00
PREORDER
RELEASE DATE: 5/29/2026
"Back in 1987, Clive Barker's supernatural body-horror classic Hellraiser hit cinemas worldwide and introduced audiences to the demonic Cenobites. Barker was a devoted Coil fan (Peter Christopherson and John Balance), and he famously said they were the only band he'd ever heard on record whose music he'd had to take off because, in his words, 'they made his bowels churn.' He initially invited them to compose the film's music, and the group began recording cues. But the producers at New World Pictures ultimately rejected the material in favor of a more traditional approach, bringing in Christopher Young, whose final score remains excellent, if less experimental. What remains from Coil is an unfinished soundtrack with surviving fragments and rough ideas, abruptly left behind mid-process, a glimpse into an alternate Hellraiser movie, one listeners can only fantasize into existence. Nearly 40 years after the first Soleilmoon cassette edition was released, key long-term collaborator and Coil's 'secret third member' Danny Hyde located the original Hellraiser studio session tapes, and the bonus material recovered from them is presented here as an 'expanded ritual' edition, reassembled into a standalone, possibly definitive and strangely beautiful nightmare suite. Play it in the dark and experience the consequences of raising hell. Notes by Danny Hyde. Original artwork by Trevor Brown."
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LP
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HBR 032LP
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$37.00
PREORDER
RELEASE DATE: 5/22/2026
"Composed by Maestro Franco Micalizzi for the cult 1984 film Non C'è Due Senza Quattro, starring the iconic duo Bud Spencer & Terence Hill in a rare fourfold role, this soundtrack captures the playful spirit and global flair of the film. Micalizzi delivers a vibrant and rhythm-driven score, infused with warm Latin influences, breezy melodies, and an unmistakable sense of lightness. The result is a richly entertaining listening experience that perfectly mirrors the film's humor, energy, and escapist charm. A joyful and sun-soaked addition to any collection, this release stands as both a nostalgic tribute and a testament to Micalizzi's enduring legacy in Italian cinema soundtracks -- best enjoyed, perhaps, with a well-mixed cocktail in hand."
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LP
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GET 52785LP
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$33.00
PREORDER
RELEASE DATE: 5/22/2026
"The '90s had some of the best hip-hop soundtracks to complement their respective movies, and were compilations that could stand on their own. From 1991 to 1994, there was New Jack City ('91), Boyz N The Hood ('91), Juice ('92), Menace II Society ('93), and Above The Rim ('94). In between these movies, in 1992, the writers of Back to the Future, Bob Gale, and Robert Zemeckis, brought us Trespass, starring Ice Cube and Ice-T in an inner-city treasure hunt set in an abandoned factory in St Louis. The movie didn't break any box office records, but it was an entertaining film nonetheless. What was better than the movie was the 12-song soundtrack, released in tandem with the movie, featuring some underrated gems by Lord Finesse, Black Sheep, Gang Starr, WC & the MAAD Circle, DJ Quik, affiliates Penthouse Playas Clique and AMG. And for the first time, Ice-T and Ice Cube linked up on a song together for the title track. They would reconnect on 2Pac's second album for Last Wordz. Out of print on vinyl since its original release in 1992, Get On Down is proud to resurrect this soundtrack with a limited-edition pressing on splatter colored vinyl."
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LP
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RBL 100LP
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$66.00
PREORDER
RELEASE DATE: 5/15/2026
"Released in 1987 and destined to become one of the most controversial and iconic films in European underground cinema, Jörg Buttgereit's Nekromantik is far more than a visual provocation: it is a radical, poetic, and deeply disturbing work in which image and sound merge into a singular emotional experience. The soundtrack by Daktari Lorenz/Hermann Kopp/John Boy Walton accompanies the film with a minimal and obsessive sonic landscape, suspended between piano melodies, decadent electronic ambient textures, and distorted childlike melodies. A deliberately alienating contrast that amplifies the film's sense of tragedy, loneliness, and morbid romanticism. This release is not merely a tribute to a cult film, but a celebration of music as a narrative force, capable of transforming horror into melancholy and transgression into a distorted form of romanticism. Limited Picture Disc. 450 copies plus three art inserts, expanded remastered edition."
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LP
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MVLP 013LP
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$37.00
PREORDER
RELEASE DATE: 5/15/2026
"1977 sci-fi drive in cult classic Laserblast original motion picture soundtrack LP. Directed by Charles Band, score composed by Richard Band and Joel Goldsmith. This is the first-ever original film score by two veterans in the sci-fi film and TV genre: Band later became known for such works as Metalstorm, Re-Animator, Pit And The Pendulum, Ghoulies, Puppet Master as well as television episodes of Stargate Sg-1 and Buffy The Vampire Slayer. Joel Goldsmith, son of legendary maestro Jerry, later went on to score films such as Kull The Conquerer, Watchers, and Vamperella. Joel also handled the regular scoring chores for such TV series as The Untouchables, Stargate Sg-1 and Stargate: Atlantis. For Laserblast, Richard and Joel employed innovative electronic techniques which pre-dated the use of MIDI and other digital mediums. Also included are several '70s rock and roll style source cues which have also been tracked in another cult horror favorite, The House On Sorority Row."
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LP
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RBL 095-2LP
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$42.00
PREORDER
RELEASE DATE: 5/15/2026
"Claudio Simonetti's Goblin -- Profondo Rosso (Limited Mad Puppet Edition) celebrates the 50th Anniversary of Dario Argento's giallo masterpiece with a striking collector's release limited to just 666 copies worldwide. This exclusive edition features the legendary Profondo Rosso (Deep Red) soundtrack pressed on red marble vinyl and includes a specially designed 'Mad Puppet' mask, making it a must-own artifact for devotees of Italian horror and progressive rock. Few collaborations in genre cinema are as iconic as Argento and Goblin. The film's hallucinatory visuals and operatic violence are inseparable from Claudio Simonetti and Goblin's synth-driven score -- an electrifying blend of progressive rock, eerie nursery-rhyme motifs, and pounding rhythms that transformed horror scoring in the 1970s. Anchored by its instantly recognizable central theme, Profondo Rosso delivers an existential, nerve-fraying sonic landscape that lingers long after the final frame. Often cited alongside Suspiria as one of Argento's most celebrated works, Profondo Rosso stands as a defining entry in the giallo canon. Goblin's music -- darkly melodic, experimental, and relentlessly atmospheric -- remains one of the most influential horror soundtracks ever composed, shaping decades of genre filmmaking and soundtrack culture. This 50th Anniversary 'Mad Puppet Edition' pairs the remastered score with premium presentation: red marble vinyl housed alongside an exclusive mask inspired by the film's nightmarish imagery. Limited, visually bold, and sonically unforgettable, this edition honors one of horror cinema's most enduring audiovisual achievements."
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VNVR 008CD
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Electroacoustic composer claire rousay (US) presents her new album, The Bloody Lady, featuring the reimagined score she wrote for Viktor Kubal's 1980 eponymous animated film. Kubal (1923-1997), a pioneering Slovak animator, is considered one of the most influential animation filmmakers of the 20th century. Known as a singular artist who challenges conventions in experimental and ambient music forms, rousay crafted the score in her home studio immediately after moving to LA over the course of 2023. The inaugural performance, a screening of the film accompanied by rousay performing the score live, took place at Videodroom / Film Fest Gent 2023 in Ghent, Belgium. The project has since been developed into an 11-track album with alternating themes that evoke the film's atmosphere while standing on its own as a distinct sonic work. Based on the lurid folk tale of Elisabeth Bathory (1560-1614), the trippy Slovak animated film The Bloody Lady follows the story of a Slovak noblewoman. Accused of murdering hundreds of girls and women. Her murderous motive: hoping to remain eternally young, she allegedly bathed in their blood. Central to both the film and rousay's score is the heart and its rhythmic pulse. Much like the story itself, her compositions are whimsical, with subtle hints of looming menace. As this underlying tension lingers in the background, the score incorporates everyday sounds and nature recordings to evoke an ethereal yet unsettling atmosphere. To create these emotive textures, rousay primarily relied on a blend of granular VST synths, piano, pitched-down violin, and an array of field recordings. In a twist of serendipity claire mentions she had been traveling around Hungary and had actually visited the castle of Elisabeth Bathory a full year before being commissioned to work on the new score. She had made some field recordings there, in both the forests and around the site and randomly recorded the ambiance in a local bar. All these sounds have found their way as foliage into the live soundtrack. The Bloody Lady marks an unexpected new chapter in Rousay's blossoming career, demonstrating her ability to apply her delicate melodic sensibility and meticulous attention to detail to the medium of film. This score becomes a deeply personal and heartfelt project, casting new light on Viktor Kubal's more-than-40-year-old magnum opus and helping it regain the recognition it deserves.
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LP
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CSR 362LP
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$33.00
PREORDER
RELEASE DATE: 5/1/2026
LP version. Red color vinyl. The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of Salò, or The 120 Days Of Sodom, Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote "Addio a Pier Paolo Pasolini" (Goodbye to Pier Paolo Pasolini) for the late filmmaker, included in the final edit. Following the narrative of one of Pasolini's defining cinematic moments, the soundtrack opens with Ennio Morricone's "Son Tanto Triste," descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister renditions by the cast, and includes Morricone's own somber tribute to the director. Disgusted by the flood of crass sexploitation movies which filled the space opened up by his Trilogy Of Life, Pasolini turned to the most nihilistic thinker in European history for what became his final film. His version of De Sade's 120 Days Of Sodom, amplified with motifs from Dante's Inferno, confronts the ultimate implications of fascism in a series of sexual and moral atrocities. Limited LP edition of 500 copies on blood red vinyl in gatefold matt-laminate sleeve.
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LP
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ELE 038LP
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The award-winning film Vengeance Is Mine, All Others Pay Cash (2021) is romantic drama set in a working-class neighborhood of Indonesia's West Java. Although the story was set in the 1980s, the film's music director Dave Lumenta didn't want to use music from that period. He didn't want to automatically go with dangdut, the musical genre, a mix of Malay, Indian and modern pop music, the music of choice for majority Indonesia's working class. He simply didn't want the film to be stuck in the time setting and the social class. The film's scoring is richer, inspired not only by dangdut, but also by rock. In order for his imagination to be free of that time and social context, he decided to make music that was based on the film's characters. Lumenta was interested in vulnerability, because it's something the audience finds in the main character Ajo Kawir, an impotent who is unable to have an erection. Iteung, on the other hand, is someone who is very liberal in terms of her sexuality, but she also struggles with a traumatic past. The film successfully portrays the clash of these two characters. And from identifying these two characters, the composer creates a melody or leitmotif that represents each character. The use of analogue instruments is consistent with the film's spirit, which is shot using analogue camera. Lumenta created the music using acoustic instruments, such as the recorder, along with other sounds from an analogue synthesizer. The sound produced may not be perfect, similar to the grainy quality of an analogue film. But it is precisely due to that imperfection that the eyes and ears are compelled to watch and listen actively; listeners must squint to catch something more perfect, or listen closely to filter out imperfections in the sound. Consuming art created with analogue tools requires a different method of listening, watching, and working process.
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LP
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MOVATM 453LP
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"You don't have to be a cinephile to know Michael Winner's 1974 cult vigilante movie Death Wish. Starring the ever-stoic, quintessential action hero Charles Bronson, it was this film that defined the further careers of both Winner and Bronson. Right before this, they collaborated on The Stone Killer, in which Bronson plays a gritty detective from New York sent to L.A. to solve a case involving an old Sicilian Mafia family feud. The soundtrack is composed by jazz pianist and composer Roy Budd, who was also responsible for the much-praised soundtrack of the 1971 classic Get Carter starring Michael Caine. It begins with a gentle tender melody but it's a trick, as there is a 70-piece orchestra waiting to pounce. Suddenly the big picture is revealed and the listener enters a full-on Budd theme with a cool jazz accompaniment. The score perfectly demonstrates Budd's ability to blend jazz with orchestral arrangements in ways unparalleled by very few composers. In typical 1970s fashion, this soundtrack will surely satisfy fans of the jazz-funk and library music found on labels such as KPM and Music De Wolfe. The Stone Killer is available as a limited edition of 1000 individually numbered copies on 'Blade Bullet' colored vinyl and includes an insert with liner notes and a fold-out replica of the original movie poster."
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CD
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CSR 363CD
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$15.50
PREORDER
RELEASE DATE: 4/17/2026
Best known for his Nekromantik soundtracks (Dir. Jörg Buttgereit), Hermann Kopp composed and recorded his new soundtrack to the 1920 classic horror film Der Golem -- a leading example of early German Expressionism by Paul Wegener. First released in 1914, three versions of this material were made, but only the 1920 version is still available. Using violin, viola and electronic/synthesizer sounds, the new score adds a more contemporary, sometimes noisy edge to the film, whilst not forgetting the esoteric and mysterious components of the Golem myth of Jewish folklore. Set in a ghetto of medieval Prague, the Golem, a clay hulk brought to life by a magic scroll implanted in his chest, is summoned as a protector and avenger. The soundtrack premiered March 7, 2025 in a Parisian cinema near Place de l'Etoile -- by invitation of Vincent Glaume (organizer of the legendary Au-delà du Silence events in France, who first proposed the idea to Kopp). It was also presented at Wroclaw Industrial Festival, Poland in October 2025. Hermann Kopp started recording songs on tape in the '70s, combining his violin with a Moog imitation in a very personal and minimal approach to music, with lyrics that bordered on surrealism. After a mini-LP in 1981 and his Pop LP of 1983, he became the fifth member of experimental synthesizer band Keine Ahnung. After a split, Kopp was contacted by filmmaker Jörg Buttgereit to participate in the scores for Nekromantik, later in Der Todesking and finally in Nekromantik 2. He has since released a string of incredible works through labels such as Galakthorrö, 4iB Records, One Way Static, and Vinyl On Demand.
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CD
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CSR 362CD
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The first time on any format for Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen. Three weeks before the scandalous release of Salò, or The 120 Days Of Sodom, Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote "Addio a Pier Paolo Pasolini" (Goodbye to Pier Paolo Pasolini) for the late filmmaker, included in the final edit. Following the narrative of one of Pasolini's defining cinematic moments, the soundtrack opens with Ennio Morricone's "Son Tanto Triste," descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister renditions by the cast, and includes Morricone's own somber tribute to the director. Disgusted by the flood of crass sexploitation movies which filled the space opened up by his Trilogy Of Life, Pasolini turned to the most nihilistic thinker in European history for what became his final film. His version of De Sade's 120 Days Of Sodom, amplified with motifs from Dante's Inferno, confronts the ultimate implications of fascism in a series of sexual and moral atrocities. CD comes in matt-laminate gatefold ecopak. Limited LP edition of 500 copies on blood red vinyl in gatefold matt-laminate sleeve (CSR 362LP).
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SOR 008LP
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Every N*gger is a Star is the legendary soundtrack to the cult 1973 Jamaican film! Composed and arranged by popular Jamaican singer and bassist Boris Gardiner, this music still sounds as the perfect blend between reggae and Blaxploitation oriented soul-funk groove. Needless to remember that in 2015 the title track was sampled for the opening track of Kendrik Lamar's iconic album To Pimp For A Butterfly -- in other words an essential release for all the ghetto-sounds freaks out there!
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LP
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THROT 017LP
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$37.50
PREORDER
RELEASE DATE: 4/10/2026
Clark's latest film score is for We Bury the Dead, the Daisy Ridley-starring feature film. Limited to 500 copies for the world on color-within-color vinyl. Stunning artwork. Set in Tasmania and offering a fresh take on the zombie genre. Clark reveals the films emotional heart with tender strings and choral recordings, whilst underpinning with glorious bass sounds that could be taken straight from recent studio album Steep Stims. Plus the occasional requisite jump scare, pin drop tension and vocal eeriness.
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MVLP 008LP
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"Experience the intense score for the 1987 gore-fest, Retribution! Score composed by horror and sci-fi legend Alan Howarth, known for his iconic scores for films such as: Halloween II-V, Christine, Prince of Darkness, Escape From New York, They Live, and Big Trouble in Little China (Many of Howarth's most famous scores were composed in collaboration with John Carpenter). This special release is pressed on striking Green and Blue Pinwheel Vinyl and includes an insert featuring liner notes from the composer."
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2LP
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MVLP 012LP
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"Score composed by Gerhard Heinz. The score was composed by Gerhard Heinz, an influential figure in '60s and '70s European exploitation cinema music. Born on September 9, 1927, in Vienna, Austria, Heinz started his career as a young composer, lyricist, and pianist in the 1960s. He initially composed scores for German and Austrian B and C-grade comedies and sleazy soft-core action thrillers. Traveling frequently between Vienna and Munich, Heinz quickly became highly sought after for porn soundtracks. His distinctive music blended an infectious soul jazz sound with heavy funk and disco flavors. Over his career, Gerhard Heinz composed over 130 scores for a wide variety of films, though he remains best known for the music he contributed to the exploitation genre."
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6CD
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SPDM 030CD
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$43.50
PREORDER
RELEASE DATE: 3/13/2026
6CD box set from Digitmovies. Includes soundtracks for Angelo Lavagnino's Venere Imperiale, Mario Nascimbene's Uomini E Lupi, and Angelo F. Lavagnino, La Maja Desnuda. Venere imperiale (aka "Imperial Venus") was directed in 1962 by Jean Delannoy and starred Gina Lollobrigida, Stephen Boyd, and Gabriele Ferzetti. Originally, C.A.M. released a 33 rpm LP which was then reissued on a CAM CD in 1991 and contained thirteen selections in mono with a total of 47:15 minutes. By looking at the cue sheets attached to the mono master tapes of the original sessions, Digitmovies realized that most of the tracks on the album were in fact suites assembled by the author at the time for record purposes. So thanks to the master tapes stored in optimal condition, the label could create the definitive presentation of this important International movie OST on a double CD. The orchestra was masterfully conducted by Carlo Savina. Uomini e lupi (aka "Men and Wolves") was directed by Giuseppe De Santis in 1956. For this double CD set Digitmovies has used the master tapes in mono of the recording sessions from 1956 well preserved until today which allowed us to use every note recorded, including alternate versions, choral pieces and pieces with solo male. A proper rescue and preservation of the Italian Golden Age, the music art of Mario Nascimbene and a sincere tribute to the land of Abruzzo which with its natural beauty has been the backdrop for the film. La Maja desnuda (aka "The naked Maja") was directed in 1958 by Henry Koster and Mario Russo and starring Ava Gardner, Anthony Franciosa, and Gino Cervi. At the time, in Italy, a vinyl album on the label Fonit Cetra was released and with partially different selections on the United Artists LP issued in America that, despite did feature the writing stereo on the sleeve was absolutely in mono. For Digitmovie's double CD project, the label had access to master tapes in mono of the original recording session with conducting of Carlo Savina. In addition to the material of the previous CD that have sequenced with the film music sequence with the "finale" rightly at the end of the tracks list, the label has discovered fabulous in-edit material.
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AWE 003LP
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LP version. Laurel Halo returns with an album of original soundtrack music, composed for the film Midnight Zone by visual artist Julian Charrière. Following the path of a drifting Fresnel lighthouse lens as it descends through the Clarion-Clipperton Fracture Zone -- a remote abyssal plain in the Pacific Ocean, rich in rare metals and increasingly targeted for deep-sea mining -- the film traces a descent into one of Earth's last untouched ecosystems. Charrière's film reveals the deep not as void, but as a luminous biome teeming with fragile life: bioluminescent creatures, swirling schools of fish, and elusive predators. The suspended lens becomes an abyssal campfire, attracting species caught in the tides of uncertainty, their futures hanging in the balance. Echoing this tension, Halo's compositions evoke a sensory freefall, where gravity falters and light and sound flicker in uncertain rhythms. Midnight Zone is a sonic drift through the space between what we seek to extract, fail to understand, and must protect. Halo's score evokes the life that exists beyond a physical airbound capacity. The material features long, subtle passages of electro-acoustic ambient, drone and sound design, slowly flowing and unfolding with rich detail. The music, composed largely on a Montage 8 synthesizer and Yamaha TransAcoustic piano at the Yamaha studios in New York City, possesses an uncanny quality: that of synthetic waveforms being amplified and sung through the stringboard of the physical body of the TransAcoustic piano. Combined with stacks of violin and viol da gamba, the music on Midnight Zone possesses trace elements of a human hand in an otherwise sunken landscape. Patient, submerged, and alive. The album will be the third on Halo's imprint, Awe. The film is central to Charrière's current solo exhibition Midnight Zone. The exhibition engages with underwater ecologies, exploring the complexity of water as an elemental medium affected by anthropogenic degradation. Reflecting upon its flow and materiality, profundity and politics, its mundane and sacral dimensions, the solo show acts as a kaleidoscope, inviting us to dive deep.
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DDJ 037DLX-CD
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Beat Records presents a reissue of Ennio Morricone's score for the cult western My Name Is Nobody, directed in 1973 by Tonino Valerii and starring Terence Hill, Henry Fonda, Leo Gordon, Jean Martin, Geoffrey Lewis, Piero Lulli, Benito Stefanelli, R.G. Armstrong, Alexander Allerson, Franco Angrisano, Mario Brega, Marc Mazza, Remus Peets, and Antoine Saint John. Ennio Morricone composed one of the soundtracks most beloved by his fans around the world, using elements typical of his genius, such as Alessandro Alessandroni's whistling, the voice of Edda Dell'Orso (and many other highly esteemed soloists), but also mixed with some sonic innovations, such as in "Mucchio Selvaggio," where the composer even ventures to include Wagner's "Ride of the Valkyries." This CD was created using the stereo/mono masters of the original session, with a total running time of 74:21. Mastering by Claudio Fuiano, production notes by Andrea Morandi, graphic layout by Daniele De Gemini.
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AWE 003CD
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Laurel Halo returns with an album of original soundtrack music, composed for the film Midnight Zone by visual artist Julian Charrière. Following the path of a drifting Fresnel lighthouse lens as it descends through the Clarion-Clipperton Fracture Zone -- a remote abyssal plain in the Pacific Ocean, rich in rare metals and increasingly targeted for deep-sea mining -- the film traces a descent into one of Earth's last untouched ecosystems. Charrière's film reveals the deep not as void, but as a luminous biome teeming with fragile life: bioluminescent creatures, swirling schools of fish, and elusive predators. The suspended lens becomes an abyssal campfire, attracting species caught in the tides of uncertainty, their futures hanging in the balance. Echoing this tension, Halo's compositions evoke a sensory freefall, where gravity falters and light and sound flicker in uncertain rhythms. Midnight Zone is a sonic drift through the space between what we seek to extract, fail to understand, and must protect. Halo's score evokes the life that exists beyond a physical airbound capacity. The material features long, subtle passages of electro-acoustic ambient, drone and sound design, slowly flowing and unfolding with rich detail. The music, composed largely on a Montage 8 synthesizer and Yamaha TransAcoustic piano at the Yamaha studios in New York City, possesses an uncanny quality: that of synthetic waveforms being amplified and sung through the stringboard of the physical body of the TransAcoustic piano. Combined with stacks of violin and viol da gamba, the music on Midnight Zone possesses trace elements of a human hand in an otherwise sunken landscape. Patient, submerged, and alive. The album will be the third on Halo's imprint, Awe. The film is central to Charrière's current solo exhibition Midnight Zone. The exhibition engages with underwater ecologies, exploring the complexity of water as an elemental medium affected by anthropogenic degradation. Reflecting upon its flow and materiality, profundity and politics, its mundane and sacral dimensions, the solo show acts as a kaleidoscope, inviting us to dive deep.
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LP
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WRWTFWW 119LP
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WRWTFWW Records presents a limited-edition vinyl release of the remarkable PONYBOI (Original Motion Picture Soundtrack) by Chilean-born composer, arranger, music producer, and multi-instrumentalist Cristobal "Cristo" Tapia de Veer (The White Lotus, Utopia, Smile, Black Mirror, and many more). This collector's edition presents Tapia de Veer's complete original score for the critically acclaimed feature film PONYBOI -- a bold, genre-defying neo-noir tale directed by Esteban Arango and starring filmmaker, actor, screenwriter, model, and intersex rights activist River Gallo who also wrote the movie. The soundtrack arrives as a deluxe audiophile vinyl LP, housed in a luxurious 350gsm gold cardboard sleeve, cut with utmost precision by Sidney Claire Meyer at the legendary Emil Berliner Studios, home to Deutsche Grammophon's world-renowned legacy. Vivid, seductive, gritty, dreamy, tender, and sometimes heart-pounding in its tension, the PONYBOI soundtrack is a sinuous creature of its own -- an emotional, atmospheric, and deeply textural listening experience. Tapia de Veer fuses shimmering electronics with haunting melodies, raw rhythms, shadowy ambience, and surges of romantic intensity, perfectly embodying the film's world of danger, desire, identity, and survival on a single wild New Jersey night. It's daring, intimate, stylishly noir, and unmistakably Cristo: music that refuses boundaries and speaks directly to the pulse. The LP showcases Cristobal Tapia de Veer's uncanny ability to blend experimental sound design with narrative emotion -- a talent that has earned him global acclaim and numerous awards, including four Primetime Emmy Awards for The White Lotus. This new WRWTFWW edition celebrates his artistry in its purest form: warm, rich, analog, and physically stunning. A must for soundtrack fanatics, ambient and experimental music lovers, and rare memorabilia collectors.
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DE 337LP
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LP version. "Spider Taylor crawls over to Dark Entries with Surge Studio Music, an album of archival gay pornographic soundtracks. James Allan Taylor was born into a working-class family in Los Angeles in 1951. Nicknamed 'Spider' by his father due to his frantic energy, Taylor was a natural-born guitarist, gifted with perfect pitch and a voracious musical appetite. Throughout the '70s, he expanded his musical repertoire, playing in bands ranging from country to post-punk, like his outfit Red Wedding, while always looking for new sounds and styles to explore. During this period, Taylor also partnered with his soulmate and musical collaborator, Michael Ely. They were part of a wave of bold, young, gay couples living openly together in the years immediately following the Stonewall Riots. In the early '80s, while working at the West Hollywood gay sex club Basic Plumbing, Taylor met Al Parker, the legendary pornographic actor and director, who recruited Taylor to produce the soundtrack for a film he was working on. Parker's partnership with Steve Scott running Surge Studios produced some of the most popular all-male films of the era. Spider's music was a natural fit for Surge, and throughout 1985 and 1986, he composed the soundtracks for five films produced by the iconic studio. Assisted by engineer Steve Conrad and armed with a drum machine and some synths, Spider's compositions for film veer from the expansive, reverb-drenched 'Rainforest' to the Miami Vice-esque chugger 'Tech.' While Spider thought of this work as little more than a gig, tangential to his real craft, enthusiasts of VHS-era nostalgia and vintage erotica will be brought to bliss. Surge Studio Music is available on both LP and CD, the latter of which includes a 20-minute version of 'Strange Places, Strange Things!' as a bonus track. The album's cover art was designed by Gwenael Rattke, and features stylish images from Surge Studios releases. Also included is an insert featuring liner notes by Will Lewis, a longtime friend of Spider. The music is released from Spider's estate by Michael Ely, Spider's partner of 43 years. The shadow of AIDS lingered over Surge; Steve Scott passed from AIDS-related illness in 1987, and Al Parker succumbed in 1992. In 2014, when it became legal for same-sex couples to marry in Arizona, Spider and Michael finally became wedded. Spider would pass away from liver cancer six months later."
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