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Search Result for Genre SOUNDTRACK
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CD
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CDDM 305CD
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$23.50
PREORDER
RELEASE DATE: 3/27/2020
Armando Trovajoli composed and directed a brilliant lounge-style soundtrack based on the main theme. It is introduced in the opening credits and sung by Mal dei Primivites on the first track, and is then reprised with captivating instrumental arrangements. For the four protagonists, maestro Trovajoli composed a jazz motif with a spy-like atmosphere. Armando Trovajoli performs the scat singing with an airy piece using organ and tempo and performs the main theme on the piano. For this release, Digitmovies were able to use the mono tapes from the recording session.
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CDDM 306CD
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$23.50
PREORDER
RELEASE DATE: 3/27/2020
Stelvio Cipriani wrote a rhythmic score with a nostalgic feeling which is then reprised in bossa, suspense, and action music versions. Maestro Cipriani also composed a folk theme to describe the mafia and camorra characters who are fighting each other in the film. The album closes by reprising the folk theme and the main theme. Stelvio Cipriani's bravura as a piano soloist is also found in this OST. This album was made possible thanks to the mono masters preserved in the historical archives of the RCA.
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LPDM 024LP
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$38.50
PREORDER
RELEASE DATE: 3/27/2020
LP version. Armando Trovajoli composed and directed a brilliant lounge-style soundtrack based on the main theme. It is introduced in the opening credits and sung by Mal dei Primivites on the first track, and is then reprised with captivating instrumental arrangements. For the four protagonists, maestro Trovajoli composed a jazz motif with a spy-like atmosphere. Armando Trovajoli performs the scat singing with an airy piece using organ and tempo and performs the main theme on the piano. For this release, Digitmovies were able to use the mono tapes from the recording session.
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2CD
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BCM 9586CD
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$31.00
PREORDER
RELEASE DATE: 3/27/2020
Beat Records releases a tribute to the cinema of Lucio Fulci and Ruggero Deodato with this deluxe edition of the scores for I Guerrieri Dell'anno 2072 (Lucio Fulci, 1984) and La Casa Sperduta Nel Parco (Ruggero Deodato, 1980) by the immortal maestro of Italian and international film music, Riz Ortolani. These scores represent the two sides of the authorial coin of the composer, who provided the thriller starring David Hess with an extremely melodic soundtrack that highlights the ferocity of the scenes at a counterpoint level, similar to the style he used for Cannibal Holocaust (1980). Preceding his collaboration with Deodato, Ortolani scored the Fulci film with rock vibes and a strong backdrop of electronics. These two wonderful soundtracks finally available on CD in this deluxe edition that highlights the two musical styles across two discs, unrelated in genre but composed by the same classy author. Edition of 500, mastered by Claudio Fuiano, with dual cover art by Daniele De Gemini and liner notes by Marco Ferretti.
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LP
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LPDM 025LP
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$38.50
PREORDER
RELEASE DATE: 3/27/2020
LP version. Stelvio Cipriani wrote a rhythmic score with a nostalgic feeling which is then reprised in bossa, suspense, and action music versions. Maestro Cipriani also composed a folk theme to describe the mafia and camorra characters who are fighting each other in the film. The album closes by reprising the folk theme and the main theme. Stelvio Cipriani's bravura as a piano soloist is also found in this OST. This album was made possible thanks to the mono masters preserved in the historical archives of the RCA.
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MAR 016LP
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$31.00
PREORDER
RELEASE DATE: 3/13/2020
Mad About Records present the first worldwide reissue of Hareton Salvanini's soundtrack for Xavana, Uma Ilha Do Amo, originally released in 1981. Rare Brazilian album of the obscure film Xavana, Uma Ilha do Amor mixes elements of jazz, bossa nova, and psych. Hareton Salvanini creates a record full of groovy guitars, refined strings, and delicate orchestral sounds. Polish film maker Zygmunt Sulistrowski pioneered the format of shooting low-budget soft porn on exotic locations. In this case, Brazilian arranger and writer Hareton Salvanini was commissioned to deliver this soundtrack. No wonder many consider him a lesser-known Arthur Verocai. Salvanini creates a record full of groovy guitars and percussions that could rival with the best of KPM or Chappell library LPs. Deluxe reissue in thick carton cover; obi.
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JBH 079LP
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$27.50
PREORDER
RELEASE DATE: 3/13/2020
Unreleased masterpiece by Roy Budd, the master of British 1970s scores. Composed and recorded in 1974, The Internecine Project is a truly classic Roy Budd score, released here and now on vinyl (and on any format) for the very first time. And it's worth buying just for the totally sublime track called "Mr Easy". Coming from the peak Roy Budd period -- post Get Carter (1971) and pre Diamonds (1976) -- this score neatly bridges the two with Carter-style hypnotic, jazz-driven cues and superb Diamonds-style drama. The film itself was a slick British thriller directed by Ken Hughes, set in a gray, gloomy London and based around espionage and murder. The plot is simple; former spy Robert Elliot (the ice cool James Coburn -- with interesting facial hair and equally as interesting wardrobe) is given a big government job. In order to cut all questionable ties and clean up his rather grubby past he devises a plan in which all of his dodgy associates unwittingly kill each other on the same night -- and in alphabetical order. The film's unusual and often misspelt name comes from the word internecine -- the definition of which is conflict within a group. Full color sleeve; includes sleeve notes.
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2LP
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MPI 002LP
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$38.50
PREORDER
RELEASE DATE: 3/6/2020
One of Piero Piccioni's best contributions for the seveth art. Recorded for the homonymous documentary (1974) by Folco Quilici and Carlo Alberto Pinelli, looking for some people who reject civilization to withdraw in nature and peace, Il Dio Sotto La Pelle was released for the first time in 2000, quickly becoming one of the most sought-after records by many collectors and fans. Musica Per Immagini and Sonor Music Editions release a renewed edition of Il Dio Sotto La Pelle, where jazz, exotic and lounge music and psychedelia are mixed in an admirable way: introduced by the dreamy voice of Catherine Howe for "It's Possible", Piero Piccioni's organ gives you fragments of a dazzling splendor such as "Night To Come" or "Give Love A Chance", while "Inventions" and "Katmandu" handed down to the posterity the guitarist vein of the opera, demonstration of the period of great creativity crossed by the Italian composers, capable of filtering their traditional and classical action with some rock elements. Il Dio Sotto La Pelle is available again as double-LP album with tracks remastered by Claudio Fuiano from first generation master tapes and sequenced by Lorenzo Fabrizi. Also including twelve unreleased gems, new graphics inspired by the original posters. Designed by Luca Barcellona and Marco Ferretti's liner notes.
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CD
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SR 494CD
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Tlamess (Sortilège) is Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian director Ala Eddine Slim (Festival de Cannes' 51st Quinzaine des Réalisateurs, BFI London, ADF Argentina, Geneva GIFF, Rome Medfilm Festival, Marrakech International Film Festival). Combining hypnotic feedbacks and synthesizer orchestral work, drifting ambient with shamanic beats, the Tlamess (Sortilège) original soundtrack was entirely improvised while watching the movie's rushes. On those sessions that took place between Mikrokosm recording studios in Lyon and Magnum Diva home studio in Paris, you find Oiseaux-Tempête's quartet core team: Frédéric D. Oberland, Stéphane Pigneul, Mondkopf, and Jean-Michel Pirès (Bruit Noir). Fully instrumental, including extended versions, and unreleased tracks, this immersive film score is also their most electronic album to date. "S, a young Tunisian soldier, has been told that his mother has died, and is given a week's leave. Instead of returning to his military base, he starts to drift and locking himself away in his parents' house. This passive form of desertion culminates in a manhunt through the outskirts of the city. In the second part of this hypnotic diptych, a young woman, F, is also fleeing an oppressive situation. Married to a rich man and pining away in a luxury solitude she decides to flee the golden cage and disappears into the nearby woods. Eventually the two characters will meet inside the strange forest." In his second feature, director Ala Eddine Slim presents an intriguing juxtaposition of raw realism with a hypnotic allegory of contemporary Tunisia, held together by an intense, powerful, and grating soundtrack. Regularly pairing with cinema and photography since their debut, Oiseaux-Tempête also accompanied the work of video/filmmakers As Human Pattern (KHAMSIN, best documentary at Torino Film Festival), Hinde Boujemaa (Noura's Dream, Golden Tanit & Best Actress prizes at JCC Carthage), Léa Fehner (Les Ogres, best film at Cabourg Film Festival), Stéphane Charpentier (The Divided Line, Athens French Institute), Karel Doing (Palindrome Series, International Film Festival Rotterdam), Clément Cogitore (Braguino exhibition at Le BAL), and the Temps Zero live screenings (in Berlin, Paris, Toulouse with photographers Michael Ackerman, Gaël Bonnefon, Adam Cohen, Damien Daufresne, Alisa Resnik, Gilles Roudière, Yusuf Sevincli...)
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CD/BOOK
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CY 001CD
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Song Cycle Records announce the release of Solaris. Sound And Vision: The Film Album, in collaboration with the Andrey Tarkovsky Institute. A collector's edition book that includes the exclusive photo book with unreleased images of the movie set and essays about music and cinema of the duo Andrey Artemiev and Edward Tarkovsky, and the soundtrack on CD realized by the great Russian composer Edward Artemiev for the Andrey Tarkovsky's masterpiece film Solaris (1972). List of contents: Dialogue with Andrey Tarkovsky about science-fiction on the screen by Naum Abramov; Interview with Edward Artemiev; Music in Solaris and other Andrey Tarkovsky films by Roberto Calabretta; Exclusive and unreleased images from Solaris. Deluxe photo-book (hard-cover); 30x30cm, 96 pp, 73 photos, 7 illustrations; limited edition of 1000.
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2LP
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MOVATM 257LP
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$35.00
PREORDER
RELEASE DATE: 2/28/2020
"Music on Vinyl proudly presents the brand new Ennio Morricone Themes series, a unique collection of the greatest scores 'The Maestro' composed for movies over the past 70 years, divided into different Themes. Western is the first in a series of five double vinyl releases that bring together some of Ennio Morricone's greatest soundtrack music. Each Theme centers on a different movie genre, together they allow the listener to rediscover the unmatched genius of the greatest movie composer of all time. Western contains a selection of defining Morricone songs, featured in legendary (Spaghetti-) Western movies like Once Upon A Time In The West, A Fistful of Dollars, The Good, the Bad and the Ugly, A Pistol for Ringo, The Return of Ringo and many more, selected on two LPs. Starting 70 years ago as an arranger for the piece Mamma Bianca, Ennio Morricone is the emperor of scores and soundtracks. Morricone has always been a huge influence for the likes of Hans Zimmer, Danger Mouse, Muse, Metallica and many more musicians. He's one of the most successful composers of all-time, selling over 70 million records and winning dozens of awards. Western is available as a limited edition of 3,000 individually numbered copies on gun-smoke colored (transparent with black marbled) vinyl. The package includes a 4-page insert with liner notes written by Claudio Fuiano."
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LP
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SR 494LP
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LP version. Orange vinyl; includes poster. Tlamess (Sortilège) is Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian director Ala Eddine Slim (Festival de Cannes' 51st Quinzaine des Réalisateurs, BFI London, ADF Argentina, Geneva GIFF, Rome Medfilm Festival, Marrakech International Film Festival). Combining hypnotic feedbacks and synthesizer orchestral work, drifting ambient with shamanic beats, the Tlamess (Sortilège) original soundtrack was entirely improvised while watching the movie's rushes. On those sessions that took place between Mikrokosm recording studios in Lyon and Magnum Diva home studio in Paris, you find Oiseaux-Tempête's quartet core team: Frédéric D. Oberland, Stéphane Pigneul, Mondkopf, and Jean-Michel Pirès (Bruit Noir). Fully instrumental, including extended versions, and unreleased tracks, this immersive film score is also their most electronic album to date. "S, a young Tunisian soldier, has been told that his mother has died, and is given a week's leave. Instead of returning to his military base, he starts to drift and locking himself away in his parents' house. This passive form of desertion culminates in a manhunt through the outskirts of the city. In the second part of this hypnotic diptych, a young woman, F, is also fleeing an oppressive situation. Married to a rich man and pining away in a luxury solitude she decides to flee the golden cage and disappears into the nearby woods. Eventually the two characters will meet inside the strange forest." In his second feature, director Ala Eddine Slim presents an intriguing juxtaposition of raw realism with a hypnotic allegory of contemporary Tunisia, held together by an intense, powerful, and grating soundtrack. Regularly pairing with cinema and photography since their debut, Oiseaux-Tempête also accompanied the work of video/filmmakers As Human Pattern (KHAMSIN, best documentary at Torino Film Festival), Hinde Boujemaa (Noura's Dream, Golden Tanit & Best Actress prizes at JCC Carthage), Léa Fehner (Les Ogres, best film at Cabourg Film Festival), Stéphane Charpentier (The Divided Line, Athens French Institute), Karel Doing (Palindrome Series, International Film Festival Rotterdam), Clément Cogitore (Braguino exhibition at Le BAL), and the Temps Zero live screenings (in Berlin, Paris, Toulouse with photographers Michael Ackerman, Gaël Bonnefon, Adam Cohen, Damien Daufresne, Alisa Resnik, Gilles Roudière, Yusuf Sevincli...)
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LP
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ODR 068LP
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After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) the Italian combo Mokadelic returns with a brand-new score, Sulla Mia Pelle, for one the most controversial movies around. Based on the despicable history of Stefano Cucchi, literally killed in prison by a bunch of policemen, the album renews the cinematic style of Mokadelic through a series of almost dramatic instrumental sketches. Equally informed by the post-rock of luminaries such as Godspeed You Black Emperor! and Explosions In The Sky, not to mention the subtle rhythms of contemporary IDM (in the vein of Boards Of Canada) -- the band delivers their signature with several epic moments. That is the real companion to a tragic feature film. Color vinyl.
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LP
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FKR 102LP
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From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, Video Nasty film composer, occasional Jaume Sisa (Música Dispersa) collaborator and future electronic music therapy pioneer comes the synth-ridden vocoder-loaded 1984 sci-funk soundtrack to Barcelona's daytime TV response to the universal E.T. phenomena. Get ready to meet your new alienígena amic and the unidentified flying object of thousands of Catalonian kids' affections through the 1980s as Finders Keepers present J. M. Pagan's lost lunar modular synth score to Kiu I Els Seus Amics (Kiu And Friends aka Kiu Is Your Friend). From the same intergalactic phenomenon that brought such delights as Turkey's exploito cash-in "Badi" or South Africa's lo-rent homage "Nukie", and the same craze which filled international airwaves with the likes of Extra T's electro smash single "E.T. Boogie" or the million selling Columbian "Cumbia De E.T. El Extraterrestre" smash hit. In 1982, the diaspora from Steven Spielberg's small fictional mid-American neighborhood that played host to everyone's favorite torch-fingered, three-toed, Skittle-scoffing space goblin touched virtually every family home in every major city resulting in one of the biggest cinematic merchandise phenomenas of the 21st century, resulting in an unexpected high-demand/short-supply play-off in which bootleggers, copyists, and counterfeiters rose to the challenge like never before. When Spielberg regrettably told interviewers that he had no intention of making a sequel to E.T. The Extra Terrestrial, it instantly became open-season for the imitators... but way before somebody squeezed-out, Mac & Me, ALF, and The Purple People Eater a team of kid's TV executives in Catalunya were ready to fill the widening gap in the market without haste. Created in 1983 by Luna Films and Televisió de Catalunya (TV3) and screened exclusively in Catalunya, Kiu I Els Seus Amics was one of the first E.T. "tributes" to make it out of the gate, and with a crew of five individual directors and writers to ensure that the five episode, one-off series hit the wave of phone-home-fever, Kiu has since remained a short but sweet micro-memory in the hearts of an entire generation of Catalonian cosmonauts. The bulk of this LP is made up of tracks taken from the rare full-length album which was released after the TV program had aired, coinciding with sales of jigsaws and rubberized play figures in an attempt to catch-up with the unexpected mega-success of the show. Needless to say, with a short promotional window, the LP (and cassette edition) did not benefit a repress and most copies were unfortunately sold to children.
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7"
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FKSP 004EP
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This long-lost Parisian skin flick Jeunes Filles Impudiques (aka, Schoolgirl Hitchhikers) marks a particularly vulnerable period in the career of one of the most underrated and misunderstood directors to emerge from the rising smoke of the 1968 Parisian social explosion. From a director with early links with the Paris underground, the Letterists, the surrealists, improv theatre, and the free-press comes the reclaimed audio tracks from one of his rarest celluloid moments -- but let's not confuse this for high-art. Finders Keepers make no bones, this is Jean Rollin's maiden voyage into adult entertainment, Directed under the pseudonym of Miche Gentil with a flimsy plot, questionable acting skills and an awesome little schizophrenic soundtrack. The Brutus Drums percussion workout, the acidic folk pastoral movements, the Cul-De-Sac-esque jazz theme and the UK library sound-alike tile-tune all make up this five track veritable banquet of Gallic sleaze and second-class sound providing fans of cult cinema and b-music with an unexpected glimpse into the No-No generation at its most candid. The interests of good taste have ensured that this long-lost movie has been buried for some 40 odd years with a musical score bursting to jump out of the can and down your tone arm which has now been made possible by a recently renovated negative print and new source material. These original Pierre-Raph (of Requiem For A Vampire infamy) compositions from the publishing Library of Paris' Musicale Editions Dellamarre (of Acanthus/Unity fame) come straight from Rollin himself as an introduction to Finders Keepers' new Rollinade series documenting some of the finest musical moments of the director's career as an avant-gardener, counter-culture vulture and Gallic vamp-tramp all housed in their original hand-painted promotional artwork for the first time ever on vinyl.
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2LP
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MOVATM 184LP
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"Call Me By Your Name, the film by Luca Guadagnino, is a sensual and transcendent tale of first love, based on the acclaimed novel by André Aciman. Summer of 1983, Northern Italy. An American-Italian is enamored by an American student who comes to study and live with his family. Together they share an unforgettable summer full of music, food, and romance that will forever change them. The film received critical acclaim. Critics praised in particular Chalamet, Hammer and Stuhlbarg's performances, Guadagnino's direction and the screenplay. Call Me By Your Name won a variety of Awards, including Academy, Bafta, GLAAD and many more. Sufjan Stevens's song 'Mystery of Love' was nominated for the Academy Award for Best Original Song at the 90th Academy Awards. Luca Guadagnino wanted the film's music to be connected to Elio, a young pianist who likes to transcribe and adapt pieces in order to get close to Oliver. The music is used to reflect the time, the characters' family, level of education and 'the kind of canon they would be a part of'. Guadagnino found himself resonating with Sufjan Stevens' lyricism through his work and initially asked Stevens to record an original song. Eventually, Stevens contributed three songs to the soundtrack: 'Visions of Gideon', which was used at the end of the film, 'Mystery of Love,' which was featured in the film's first trailer and a new rendition of 'Futile Devices' with piano. Stevens penned the songs by using the script, the book, and the conversations with the director about the characters. It marks Sufjan Stevens' first soundtrack for a feature film. The vinyl package of Call Me By Your Name includes a poster, an insert and the 180 gram records are housed in 2 exclusive printed innersleeves. This is a limited edition of 10,000 individually numbered copies on transparent red vinyl, to celebrate the release of Find Me, André Aciman's brand new novel and sequel of Call Me By Your Name. The heavyweight jacket has a deluxe varnish on the title and special "linen-look" finish. The album is housed in a customized PVC jacket with 'Somewhere In Northern Italy' engraved on the back."
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LP
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WRWTFWW 037LP
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WRWTFWW Records announce the first ever vinyl release of Tom Raybould's award-winning movie soundtrack for excellent AI-themed sci-fi thriller The Machine (2013). Undoubtedly one of the greatest (and most overlooked) movie scores of the 2010s, The Machine finds its influences in the works of John Carpenter, Vangelis, Brad Fiedel, and Tangerine Dream, but presents its own unique twist, one that cleverly evokes the thin line between man and machine that haunts the whole film. Cold and tenacious rhythms suggest mechanical killer instincts, brooding synths crystallize the fear of an AI-controlled future, but the warm and gentle sounds of guitar and piano ease the tension and bring hope of humanity. From its menacing introduction to its tender ending, Tom Raybould's masterwork ingenuously blends ambient, electronic, neoclassical, and synth wave to recontextualize and upgrade the classic '80s sci-fi movie score template, holding its own against mammoth soundtracks like Blade Runner (1982) or The Terminator (1984). Truly. Cold with a touch of humanity like the perfect machine, Tom Raybould's movie score won the BAFTA Cymru award for Best Original Music in 2013. LP housed in a glow-in-the-dark sleeve. "Tom Raybould's Music For The Machine Is Amazing" --Bloody Disgusting
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LP
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RED 261LP
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First vinyl reissue of this true gem from the "cocktail generation" soundtracks! The great Armando Trovajoli, an exceptional composer and the one who brought American jazz to the Italian cinema, with his experienced touch, elegant phrasing and irony curry the listener over this incredible sound experience supported by the mighty vocal band, I Cantori Moderni of Alessandro Alessandroni. Bossa jazz vibes for this truly magnificent score for this Italian crime comedy movie, sequel of the famous The Seven Gold Men (1965) here presented in audiophile quality. 45RPM; Color vinyl; edition of 500.
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LP
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RED 260LP
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End Of The Game (aka Il Giudice e il suo Boia) finally on vinyl for the first time. One of the most wanted and mysterious scores by the maestro Ennio Morricone. With the help of the magical voice of Edda Dell'Orso (Sul Ponte di Istambul) this score follows the steps of the most famous soundtrack composed by the maestro combining melancholic melodies with wild funky tunes, such as the brilliant "Shake del Giudice". End Of The Game (aka Il Giudice e il suo Boia, aka Assassinio sul Ponte, aka Der Richter und Sein Henker) was a 1975 cult noir movie starring the great John Voigt and Jacqueline Bisset. Color vinyl; edition of 500.
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CD
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HELLEX 001CD
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The self-titled original soundtrack from the much-hyped Berlin-based movie Yung (2018). Music supervision by DJ Hell. First release on the brand-new DJ Hell label, The Hell Experience. Features DJ Hell, Tyrell, MCNZI, Fango, Abblou, YUNG, Malakoff Kowalski, and Vegas by Night.
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CD
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DGST 048CD
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Digitmovies release the complete edition original soundtrack by Riz Ortolani for the film Mimi (aka Un dramma borghese) for the first time on CD. Riz Ortolani composed an orchestral soundtrack with a recurring main theme resembling a children's lullaby which was written for the adolescent girl in the film. It has a dramatic introduction and is then expanded on with the harpsichord and reprised in different versions with oboe, harp, and guitar, giving it a touch of magic. The rustic atmosphere is often interrupted by dramatic and mysterious passages (which perfectly evoke the daughter's unhealthy relationship with her father), as well as baroque music in a pop arrangement. Digitmovies were able to access the masters in stereo from the original recording session and use everything that had been recorded. Here is another CD that enriches the discography of one of the most beloved composers in the world.
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DGST 046CD
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Digitmovies release the complete edition original soundtrack by Riz Ortolani for the film Gegè Bellavita (aka "Genarino, hombre objeto femenino") for the absolute first time on CD. Riz Ortolani composed "Nun Me Scuccià", the brilliant and funky main theme sung in Neapolitan by the protagonist Flavio Bucci, which describes Gegè's laziness to work and his passion for women. This pleasant motif returns in an instrumental version, alternating with a recurring upbeat tarantella in a pop version, and a romantic love theme. Originally C.A.M. published only one single with two tracks (tracks 1 and 2). Digitmovies were able to access the masters in stereo from the original recording session, which allowed the label to use everything that had been recorded. This is another CD that enriches the discography of one of the most beloved composers in the world.
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BCM 9585CD
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I Ladri Della Notte (aka "Les voleurs de la nuit" -- "Thieves After Dark") is a 1984 drama directed by Samuel Fuller and starring Véronique Jannot, Bobby Di Cicco, Victor Lanoux , Stéphane Audran, Camille de Casabianca, Micheline Presle, Claude Chabrol, Samuel Fuller, Samantha Fuller. Ennio Morricone wrote a perfect score to describe all the dramatic loneliness of the two protagonists linked not only by a feeling of love, but also by their criminal acts. Dark and mysterious atmospheres alternate with romantic passages for piano and orchestra, piano and flute with a classic flavor, oriental atmosphere and a dramatic theme with funky bass. Morricone wrote one of his most beautiful themes for this film, a poignant romance of ancient taste for the two lovers. At the time, General Music pressed a 33rpm which contained eleven selections. In 1997, the same material was reissued in Japan for the first time on CD by Soundtrack Listeners Communications Inc., and in Spain in 2002 by Saimel Bandas Sonoras featuring nine additional tracks approved by the composer, alternating with those of the 1984 album. Beat Records now re-release the same expanded material but including first the tracks in the 33rpm sequence followed by the bonus tracks from the stereo session, for a different listening experience. Available packaged in a jewel case with a 12-page booklet. Designed by Daniele De Gemini. Mastering and liner notes by Claudio Fuiano.
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CD
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CFS 004CD
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Beat Records present the soundtrack for La Chiave, a film by Tinto Brass, presented for the first time on CD from first-generation stereo album master tapes vaulted in Cabum archives in pristine conditions. Music composed, orchestrated, and conducted by Ennio Morricone. La Chiave (aka The Key, La clè, Der Schlüssel) is an erotic movie directed by Tinto Brass in 1983. The story of the film takes place in Venice during the fascist era on the eve of the declaration of the Second World War. It is the story of an elderly English professor, director of the Art Biennale, and his young wife Teresa. In 1983, the Triple Time Music label issued a 33rpm album with ten selections assembled by the composer himself. The same material was reissued on a French 33rpm album and on a German 33rpm album. For this world premiere CD reissue, Beat Records have remastered the first-generation stereo master tapes vaulted in Cabum archives and used for the 1983 Italian vinyl. For Ennio Morricone fans around the world, it'll surely be a welcome addition, especially considering that La Chiave is one of the very few scores by Ennio Morricone that was not yet available in CD format. The album opens with a grotesque slow waltz reprising Strauss's "The Blue Danube Waltz", given a very personal arrangement in "Da Vienna A Vienna (1a versione)" and reprised in "Da Vienna A Vienna (2a versione)", and "Quattro Frammenti Per Orchestra Da Camera". For "Funebre E Pomposo",' the composer has written a very dramatic orchestral piece for a funeral. The classic side of Ennio Morricone is present in "Due Variazioni Da Un Tema Sereno", where the Baroque approach represents Venice. A happy theme with a prominent flute and waltz tempo describes the quieter moments of the plot in "Citazione Da Un Vecchio Valzer", and there's a can-can with funny tonalities typical of the Petri and Tornatore movies in "Mini Can Can Grottesco". A string quartet slowly describes the sensuality of the protagonist in "Tre Frammenti Per Quattro D'archi", and a psychological feeling of sadness and anxiety is evoked by the seemingly quiet piece "Malessere". The piece "Lei Pensata Da Lui", with a Baroque flavor alternating between folk and pop, cheerfully closes the disc. La Chiave is the second release in a series aiming to reevaluate the classic Cabum OST catalog. Graphic design by Claudio Fuiano and Daniele De Gemini. Remastering by Claudio Fuiano.
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CD
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CDCR 141CD
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$23.50
PREORDER
RELEASE DATE: 1/24/2020
In 2019, Francesco de Masi's music has been given important tributes, among which being chosen for Quentin Tarantino's movie, Once Upon A Time In Hollywood, making available once again a score which has been out of stock for some time, Il Segno Del Coyote. The movie was released in 1963 and directed by Mario Caiano, another artist very dear to Beat Records and the subject of a video included on the label's CD release of the wonderful score for Napoli Spara, created by Filippo de Masi and Daniele De Gemini, who filmed and interviewed the aging director at his mansion. The music by Maestro de Masi, already available on a double-bill with the score of C'e' Sartana, Vendi La Pistola E Comprati La Bara!, represents the first Italian score for a Western movie, still without the trademarks that would define the genre from the following year. Instead, the music composed by the maestro was a wink to the Hollywood productions of the day, written in his typical symphonic style. Now available integrally in Beat Records' classic CDCR series featuring a lot of unreleased music. Graphic layout by Daniele De Gemini. Mastering by Enrico De Gemini. Liner notes by Filippo de Masi and English edit by Josh Mitchell. Includes 12-page booklet.
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