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01. Dewa Alit & Gamelan Salukat - Sukat Tacala
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02. Dewa Alit & Gamelan Salukat - Baur Bentur
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ARTIST
ALIT & GAMELAN SALUKAT, DEWA
TITLE
Baur Bentur
FORMAT
LP
LABEL
BLACK TRUFFLE
CATALOG #
BT 143LP
BT 143LP
GENRE
WORLD
RELEASE DATE
6/19/2026
Dewa Alit
, master of radical Balinese gamelan, returns to Black Truffle with
Baur Bentur
.
Genetic
introduced international listeners to the magical sound-world of Alit's
Gamelan Salukat
, who perform on instruments tuned to a unique scale derived from modified versions of two traditional Balinese scales. The two pieces heard on
Chasing the Phantom
further demonstrated his radical fusion of tradition and experimentation, with passages where unorthodox techniques make the acoustic ensemble resemble glitching electronics.
Baur Bentur
now highlights another aspect of Alit's work, presenting pieces composed in 2024 and 2025 where Gamelan Salukat performs alongside virtuoso pianist
Sri Hanuraga
. Alit's music is grounded in deep reflection on the tradition of Balinese gamelan and its place in the contemporary world. His title, "Baur Bentur," which translates as "mixing and smashing," points to his embrace of the intercultural mixture of Eastern and Western elements in the search for innovation. Against the calcification of Balinese music into tourist entertainment, Alit poses his searching, experimental work, which celebrates the communal values and performance practices of traditional gamelan while pushing into startling new directions. "Sukat Tacara" is a study in layered tempos, meters, and polyrhythms, a constantly shifting dialogue between piano and the instruments of Gamelan Salukat. It begins close to a traditional concerto, pairing a brisk sequence of melodic variations from the piano with a spare but propulsive accompaniment of drums and hanging metallophone tones, punctuated by low gong strikes. The piece dazzles with its inventive rhythms and dynamics, building to a stunning passage featuring the signature heavy muting technique of the Gamelan Salukat metallophones in kinetic patterns that would be at home on a PrÃncipe release. The title piece begins at high intensity and rarely lets up, working through bracing unison ensemble melodies and punctuation points where piano and gamelan together seem to become a single, thudding drum. For much of the piece the piano is tightly integrated into the ensemble, the harmonic extensions of the melodic line subsumed into a moving cloud of complex overtones generated by the gamelan instruments. Wildly kinetic on the rhythmic level, the piece swarms with microscopic movements of beating patterns generated by the "blend and crush" of three simultaneous tuning systems: the equal temperament of the piano and the saih cenik (small scale) and saih gede (big scale) used by the gamelan instruments. Accompanied by the composer's thoughtful liner notes and images of the musicians,
Baur Bentur
is a stunning next step in Alit's radical combination of tradition and innovation.
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