Search Result for Genre WORLD
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HIPD 021LP
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$28.00
PREORDER
RELEASE DATE: 8/30/2024
Dive into Sreya & Cilon's first LP, Atenção com Coração. With bossa nova tunes, this project delivers caring and beautiful messages about self-realization and living in the present moment. Atenção com Coração is more than an album; it's a journey into self-discovery and moments of contemplation. The lyrics, elegantly simple yet profound, convey direct ideas while weaving narratives from everyday life. The songs resonate with the theme of realizing one's potential on life's odyssey. Whether portraying nature as a nurturing mother or exploring the worship of the sea goddess Yemanja rooted in Brazilian and African traditions, the album offers an extraordinary journey. The musical break likens the morning sun to the bliss of being alone and finding oneself. The soft tone creates a sensorial experience, inviting you to embark on a contemplative musical exploration. The enchanting melodies of Atenção com Coração make it a superb neo-bossa album, setting the perfect tone for the return of summer. Immerse yourself in the soothing rhythms and contemplative lyrics as you let the music accompany your moments of sunshine and warmth. This musical masterpiece captures the essence of the season, making it your ideal soundtrack for the summer days ahead.
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HE 68009LP
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$26.00
PREORDER
RELEASE DATE: 7/12/2024
This is the second incredible album which the Brazilian bossa combo Tamba 4 did in the US for A&M Records, during the brief time when they were expanded to a quartet from the original Tamba Trio lineup. This album can be considered a masterpiece that combines their original style with American sophistication. The set is completely sublime. A wonderful mix of the group's trademark harmony vocals and crackling bossa rhythms, with the warmly flowing CTI production style of the time -- not funky like the CTI sound of the '70s, but a bit more sophisticated than the style Creed Taylor had been using earlier at Verve. Tracks are short, breezy, and often very lively -- bossa grooving warmed in the California sun.
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7"
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VAMPI 45104EP
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$15.50
PREORDER
RELEASE DATE: 7/5/2024
The Bronx in the 1970s, marked by the presence of notorious gangs, presented a complex and challenging urban landscape reflected in abandoned buildings and neglected public spaces. The prevalence of street gangs, such as the Ghetto Brothers, contributed to an atmosphere of heightened tension and occasional violence. The Ghetto Brothers, originating from the Melendez family who moved from Puerto Rico to the South Bronx in the 1950s, faced challenges involving violence and crime. Despite this, Benjy Melendez, a key figure, directed the group towards community improvement. The Ghetto Brothers embraced music, crafting a potent, NYC-flavored musical fusion that caught the attention of record mogul Ismael Maisonave (Salsa Records). Their collaboration resulted in the recording of eight tracks in a single electrifying day at Manhattan's Fine Tone Studios, skillfully produced by Latin studio maestro Bobby Marin (Harvey Averne, La Lupe, Brooklyn Sounds), one of the best Latin funk albums ever recorded. This musical odyssey showcases the band's ability to seamlessly blend genres, creating a NYC-flavored stew that captivates listeners with its authenticity. The two tracks on this single, stand out songs from the LP, are a perfect representation of the Ghetto Brothers sound. "Got This Happy Feeling" is an upbeat number with heavy Latin funk grooves, while "Girl From the Mountain" is a highly addictive mid-tempo soulful ballad. These tracks are a vibrant tapestry, weaving together the raw energy of the South Bronx streets and the soulful melodies born from the band's Puerto Rican heritage.
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7"
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MR 7370EP
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$15.50
PREORDER
RELEASE DATE: 7/5/2024
After two successful albums on MAG, supported by a handful of singles, the Peruvian garage beat band Los York's culminated their disagreements with their label by leaving it in 1969 and signing a new contract with Virrey. Along the way there was an album to finish for which they had already recorded a good part of the instrumental tracks. Los York's 69 finally saw the light of day on MAG but, to the surprise of its fans, the voice of its charismatic singer, Pablo Luna, had been replaced by that of the no less iconic Pablo Branda, also known as Melcochita. The all-round artist, trained in the studios of MAG as a skilled percussionist, guitarist and sonero, proved himself to also sing and shout with the same energy and attitude as the brilliant Pablo Luna. On top of that, it is rumored that it was another MAG artists, Los Teddy's, who actually completed the instrumental tracks for some cuts on the album, something that seems consistent with the much more energetic and surfy style of songs like "El Sicodélico." Two of the best and wildest songs contained on their last LP had never appeared on a single despite their enormous potential for the dance floor and the interest they aroused among DJs since their rediscovery in the '60s scene. Set the dance floor on fire with the first time 45 issue of this Latin garage double-sider.
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BTR 098BLU-LP
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$26.00
PREORDER
RELEASE DATE: 7/5/2024
Blue color vinyl version. Middle Eastern psych, funk, disco, and Japanese folk and pop, converge to create a mesmerizing new sound on Kokoro, Sababa 5 and Yurika's collaborative debut album for Batov Records, collecting four acclaimed singles and four brand new songs. Renowned for their innovative approach to merging Middle Eastern psych, funk and disco grooves, Sababa 5 found their perfect partner in Japanese singer and belly dancer Yurika Hanashima, who having graced stages dancing with Boom Pam and Ouzo Bazooka, found her own voice alongside the group, and together yielded hits "Tokyo Midnight," "Nasnusa," and "Crossroad of Love," earning accolades from tastemakers such as Gilles Peterson, Cerys Mathews, and Jeremy Sole. In Kokoro, Sababa 5 and Yurika present a collection of tracks that transcend cultural boundaries and delve into the depths of human emotion. From the nostalgic romance of "Nasnusa" to the carefree "Halilim Halilim," each song on the album tells a story of love, sisterhood, and the journey of the soul. The title track, "Kokoro", which embodies the essence of the album's musical exploration, refers to the sky, the performers' journey together, and the moment. Psychedelic soul, with touches of the Mediterranean coast and desert. Opener "Empty Hands" explores Yurika's theory that "when you have empty hands you get everything", countered by the hypnotizing keys of Eitan Drabkin over an Afrobeat inspired groove, and bittersweet bassline from Amir Sadot. The playful and summery "Halilim Halilim" was inadvertently named by Dani Ever Hadani of Middle Eastern psych and surf rockers, Ouzo Bazouka, and alludes to how love enters and leaves our lives like the air blown through a flute. Ilam Smilan's exceptional guitar playing stands out, as does the unwavering groove and rhythm of drummer Raz Man. The second half of the record collects Sababa 5 and Yurika's earlier and incredibly popular singles. The attraction of Yurika's mesmerizing vocals over Sababa 5's infectious grooves is irresistible across Kokoro, and the album marks a significant milestone in both their musical journeys. As Sababa 5 continue to redefine their sound, and Yurika establishes herself as a vocalist of note, Kokoro stands as a testament to the power of collaboration and the timeless bonds of music, love and romance.
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LP
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VAMPI 301LP
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$28.50
PREORDER
RELEASE DATE: 7/5/2024
The self-titled Orquesta Olivieri appeared in 1972, just when the Fania Records revolution, powerfully controlling the salsa business, was reaching its peak. It disappeared for good, sadly representing the last production by this band. This 1972 album reflects the years when salsa was exploding In New York City, and, for that matter, Latin America altogether. Produced by Bobby Marin, an experienced go-to man in Latin Music, especially Afro-Caribbean sounds, was released by Pavilion Records, a NYC restaurant related label. This was actually the only album ever released by this, very short-lived label. Side A opens with the slow-paced Latin soul song "There is No Other Girl," that style-wise connects to their previous LP, released when the boogaloo trend was still around. In fact, this song had been previously released two years earlier on a 45 and was then overdubbed (adding an organ on top) for this LP version. The song is very much in demand these days in the lowrider soul scene due to the breath-taking vocal harmonies and appealing production. The album also comprises spicy guaguancós on "Cuando llegué a Borinquen," the classic "Los Muchachos de Belén" and "Tabaritiando." There is also room for a cha-cha-chá, "MarÃa Isabel," and a guaracha "Perrito sabueso," and the album closes with the Latin soul ballad "Preferà perderte," interpreted in Spanish. First time official reissue.
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BTR 098LP
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$24.00
PREORDER
RELEASE DATE: 7/5/2024
Middle Eastern psych, funk, disco, and Japanese folk and pop, converge to create a mesmerizing new sound on Kokoro, Sababa 5 and Yurika's collaborative debut album for Batov Records, collecting four acclaimed singles and four brand new songs. Renowned for their innovative approach to merging Middle Eastern psych, funk and disco grooves, Sababa 5 found their perfect partner in Japanese singer and belly dancer Yurika Hanashima, who having graced stages dancing with Boom Pam and Ouzo Bazooka, found her own voice alongside the group, and together yielded hits "Tokyo Midnight," "Nasnusa," and "Crossroad of Love," earning accolades from tastemakers such as Gilles Peterson, Cerys Mathews, and Jeremy Sole. In Kokoro, Sababa 5 and Yurika present a collection of tracks that transcend cultural boundaries and delve into the depths of human emotion. From the nostalgic romance of "Nasnusa" to the carefree "Halilim Halilim," each song on the album tells a story of love, sisterhood, and the journey of the soul. The title track, "Kokoro", which embodies the essence of the album's musical exploration, refers to the sky, the performers' journey together, and the moment. Psychedelic soul, with touches of the Mediterranean coast and desert. Opener "Empty Hands" explores Yurika's theory that "when you have empty hands you get everything", countered by the hypnotizing keys of Eitan Drabkin over an Afrobeat inspired groove, and bittersweet bassline from Amir Sadot. The playful and summery "Halilim Halilim" was inadvertently named by Dani Ever Hadani of Middle Eastern psych and surf rockers, Ouzo Bazouka, and alludes to how love enters and leaves our lives like the air blown through a flute. Ilam Smilan's exceptional guitar playing stands out, as does the unwavering groove and rhythm of drummer Raz Man. The second half of the record collects Sababa 5 and Yurika's earlier and incredibly popular singles. The attraction of Yurika's mesmerizing vocals over Sababa 5's infectious grooves is irresistible across Kokoro, and the album marks a significant milestone in both their musical journeys. As Sababa 5 continue to redefine their sound, and Yurika establishes herself as a vocalist of note, Kokoro stands as a testament to the power of collaboration and the timeless bonds of music, love and romance.
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CD
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TWCD 1029CD
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$12.50
PREORDER
RELEASE DATE: 7/5/2024
Rhythms recorded in Jamaica by Winston "Cobra" Francis. Featuring Captain Juce.
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LP
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HONEY 096LP
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$24.00
PREORDER
RELEASE DATE: 6/28/2024
Back to the roots of one of the most influential South American songwriter and composer. A pioneer of the musical genre of bossa nova in the late 1950s, Joao Gilberto was often called "father of bossa," while in his native Brazil he was referred to as "O Mito" ("The Legend"). This compilation investigates his early career, showing the many sides of his sophisticated art.
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LP
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SOULG 014LP
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$28.00
PREORDER
RELEASE DATE: 6/28/2024
Reissued for the first time on vinyl, here's Jamaican reggae singer George Faith's second album, originally released on Hollywood Records in 1979. Amazing soulful reggae melodies backed by the likes of Sly & Robbie, Aston "Family Man" Barrett, Tommy McCook, Earl "Chinna" Smith, and more. Produced by the one and only Bunny Lee at Harry J Studios, and mixed by Scientist at King's Tubby's Studios!
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LP
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VAMPI 300LP
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$28.50
PREORDER
RELEASE DATE: 6/21/2024
Unknown spiritual jazz gem recorded in Argentina in the '80s, under the influence of Pharoah Sanders, Don Cherry, Archie Shepp, and originally released on Litto Nebbia´s label Melopea. Already supported by Gilles Peterson on his radio show, this mind-blowing album combines ethno-free jazz passages and deep progressive compositions led by saxophonist Marcelo Peralta resulting a very impressive ode to the legacy of Coltrane. This is the first and only album ever released by this band, Grupo de Improvisación Tercer Mundo ("Third World Improvisation Group"), formed by a quartet of young musicians based in Buenos Aires accompanied by drummer Norberto Minchillo (López Fürst, Fernando Gelbard, Jorge Navarro) and Litto Nebbia himself during the recording sessions. They would also organize weekly jam sessions in public spaces in Buenos Aires, getting visual artists, poets and even passersby involved in these communal actions that aimed to promote self-expression in an environment of total freedom. After the gigs they'd gather again for intense listening sessions of deep jazz for hours. "Almas Liberadas" and "Un Hilo de Luz" sound as a clear tribute to Pharoah Sanders, as the subtitle of the latter openly states. First time reissue. Includes extensive notes and many previously unpublished photos.
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LP
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LANR 046LP
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$28.00
PREORDER
RELEASE DATE: 6/21/2024
Fully remastered and licensed, limited to 500 copies. Reissued here for the first time, in an extended version, the UK reggae band Eclipse's only album, originally released on Ball Record in 1978. One of the best-kept secrets of the late '70s/mid '80s British reggae scene who, with Steel Pulse, competed for the title of best reggae band in Birmingham. The album includes these eight tracks plus both sides of the bands final single and a brace of previously unreleased tracks.
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LP
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MR 457LP
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$27.00
PREORDER
RELEASE DATE: 6/21/2024
Rare debut LP by the eccentric Peruvian singer Jean Paul "El Troglodita", known for his wild performances and extreme way of life. Often labeled as a nueva ola artist, he rather saw his performance style as a solo artist as following in the footsteps of Los Saicos, also signed to Disperú. This album includes Spanish sung versions of British beat songs and covers of the American songbook as well as various international hits. Enrique Roberto TellerÃa made his Peruvian television debut in 1965 under the stage name Jean Paul "El Troglodita" and wearing an imitation leopard skin suit. He would switch from melodic calm to shouting wildly or suddenly drop to the floor on his knees and smash the furniture like crazy. At the age of 19, DisPerú signed him to the label on the strength of these early performances. His first single included a freely translated version of "Secret Agent Man" in Spanish. He began to work on the eleven cover versions that would feature on his first LP immediately, writing all his own lyrics and accompanied by the beat band Los Steivos. Despite the predominance of English beat music in Peru, the album only included three songs directly related to the British invasion: "Bus Stop" by The Hollies, also played in raga rock style; "Paint it Black" by The Rolling Stones; and "The House of the Rising Sun," which follows the arrangement recorded by The Animals. El Troglodita's association with the so-called nueva ola, indicated on the back cover, needs clarification. In Peru, nueva ola was a mixed bag rather than a specific musical style and encompassed slow rock, twist, bossa nova and all the styles that the record industry produced to tame the wild rock 'n' roll impulses of teenagers in the early sixties. Jean Paul's "hippie" lifestyle got him arrested by the new de facto military government in 1968, who accused him of promoting drug consumption and corrupting the Peruvian youth. The charges were soon dropped but his reputation was tarnished, and he ended up emigrating to Central America.
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LP
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VAMPI 299LP
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$28.50
PREORDER
RELEASE DATE: 6/21/2024
Guaracheros was released on MAG, in Peru, at the end of 1961 and includes six versions, four of them are of Cuban origin, and also original compositions masterfully performed by Nelson Ferreyra's Sonora. Nelson Ferreyra's career went from strength to strength, and was publicly recognized as an international figure of tropical music. This album is a brilliant reflection of MAG's tagline: "Si su fiesta le fracasa, discos MAG faltan en casa" ("If your party flops, you're missing MAG records at home"). First time reissue. The records Nelson Ferreya recorded at the MAG studios display his passion for Cuban music and particularly for guaracha, accompanied by the pianist Cano Romero, a personal friend who had played with him from the early days of his career, and would go on to find his own orchestra some years later. Kiko Hernández, the lead singer, joined Ferreyra in almost all his future projects, until his early death in the seventies. Few countries outside Cuba embraced Guaracha as enthusiastically as Peru. Pancho Acosta, Króffer Jiménez, Oswaldo Barreto, and Nelson Ferreyra himself kept the genre alive with their compositions in the sixties and, in the following decade, several of the classics of the Peruvian cumbia movement are really guarachas composed in different parts of the country. "Guaracheros" (Kiko Hernández and Pablo Villanueva) opens the LP, a highly crafted composition by Cano Romero. Maintaining the dance level, two songs by Nelson Ferreyra follow: "Con cencerro y timbal" and "Fiesta en el aire." The references to Venezuela in the lyrics are not accidental, as the LP was also distributed there, where it sold very well. Nelson Ferreyra's career went from strength to strength, and he went on to tour Panama, Chile and Ecuador. In the latter, he was publicly recognized as an international figure of tropical music.
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ACOLOUR 048LP
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$27.00
PREORDER
RELEASE DATE: 6/21/2024
A Colourful Storm presents the first vinyl edition of Yahho no Potori, a treasured recording by one of the most cherished contemporary Japanese folk outfits, Eddie Marcon. Comprised of the core duo of Eddie Corman and Jules Marcon, Eddie Marcon was formed in Himeji in 2001, following Corman's involvement in noise-rock duo Coa and Shinsuke Michishita's fabled psychedelic outfit, LSD March. Marking a stylistic shift into delicate, acoustic territories, the duo would release dozens of albums and singles, mostly self-released through their Pong-Kong imprint, that have seen little distribution outside of Japan. Recorded over a particularly humid summer and autumn, Yahho no Potori sees Eddie Marcon drifting from the delicate psychedelia of their debut EP into traditional song-based structures. A touching document of joy, tenderness and wistfulness, Marcon's deft yet effortless strum sets a stylish backdrop for Corman's voice to ascend. Desirous yet self-assured, Corman breathes life into an intimate space adorned by the elegant instrumentation of Yashuhisa Mizatani, Yoriro Tatekawa, Ran Mizutani, and Saya Ueno, whose ingenuous collaborative instinct has been gifted to listeners through collectives such as Tenniscoats, Maher Shalal Hash Baz, and Spirit Fest. Here, she also lends her engineering prowess, having produced the album. Devotees of ambitious yet beautifully understated songwriting, as well as followers of Reiko and Tori Kudo, Nagisa Ni Te and Ai Aso, will find much to adore in the songs of Eddie Marcon. An intense and devastating recording, A Colourful Storm is proud to give new life to a shimmering, underappreciated gem.
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CD
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TWCD 1053CD
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$12.50
PREORDER
RELEASE DATE: 6/21/2024
Rhythms recorded in Jamaica at Channel One Studio by Prince Far I. Reissue of this dub album recorded at Channel One in the early '80s and engineered by Scientist. This CD issue which will also include four tracks not on the original vinyl version.
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CD
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WWSCD 089CD
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$16.00
PREORDER
RELEASE DATE: 6/14/2024
Wewantsounds announces the reissue of Norio Maeda's cult classic Rock Communication Yagibushi, released in Japan in 1970. The album has since become a Japanese jazz funk cornerstone and is now highly sought-after on the international DJ scene. The album reinterprets 14 traditional Japanese folk songs into jaw-dropping jazz funk instrumentals featuring killer arrangements by Maeda that would fit perfectly between David Axelrod and Lalo Schifrin. One of the most prolific Nippon arrangers, Norio Maeda on a par with Yuji Ohno and Kentaro Haneda and this album has long been on many collectors' wantlist. Rock Communication Yagibushi is reissued internationally for the first time, with newly remastered audio, original gatefold artwork and new liner notes by Paul Bowler. Norio Maeda was born in Osaka Prefecture in 1934 and learnt to read music from an early age thanks to his father. He was largely self-taught on piano and quickly got into jazz, before moving to Tokyo in the mid '50s to immerse himself in the city's thriving jazz scene. There Maeda started his own group before joining The West Liners led by saxophonist Konosuke Saijo as pianist and arranger in 1959. Maeda arranged many pop and jazz albums by the likes of Nobuo Hara, Terumasa Hino, jazz singer Mieko Irota and, in 1969, he released the album This is Jazz Rock with saxophonist Jiro Inagaki, reinterpreting international pop, jazz and soul hits with groove arrangements which would pave the way for Rock Communication Yagibushi a year later. For the album, Maeda used two lineups -- a reduced one comprising Takeshi Inomata on drums, Shigeo Suzuki on sax and flute, Kiyoshi Sugimoto on guitar, and Tetsuo Fushimi on trumpet -- and an extended one adding three trumpets, four trombones and a different drummer, Takahiro Suzuki. The album is an explosive succession of instrumental funk and breakbeat nuggets that are reminiscent of David Axelrod with shades of Italian cinematic groove adding a Japanese twist to the mix. It's hard to pick a favorite track as Norio Maeda hits the mark every time and manages to display many fascinating shades of funk throughout the album. One of the most coveted Japanese classics on the international diggers scene, Rock Communication Yagibushi is finally available internationally and will please Japanese jazz funk's many fans.
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LP
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WWSLP 089LP
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$29.50
PREORDER
RELEASE DATE: 6/14/2024
LP version. Wewantsounds announces the reissue of Norio Maeda's cult classic Rock Communication Yagibushi, released in Japan in 1970. The album has since become a Japanese jazz funk cornerstone and is now highly sought-after on the international DJ scene. The album reinterprets 14 traditional Japanese folk songs into jaw-dropping jazz funk instrumentals featuring killer arrangements by Maeda that would fit perfectly between David Axelrod and Lalo Schifrin. One of the most prolific Nippon arrangers, Norio Maeda on a par with Yuji Ohno and Kentaro Haneda and this album has long been on many collectors' wantlist. Rock Communication Yagibushi is reissued internationally for the first time, with newly remastered audio, original gatefold artwork and new liner notes by Paul Bowler. Norio Maeda was born in Osaka Prefecture in 1934 and learnt to read music from an early age thanks to his father. He was largely self-taught on piano and quickly got into jazz, before moving to Tokyo in the mid '50s to immerse himself in the city's thriving jazz scene. There Maeda started his own group before joining The West Liners led by saxophonist Konosuke Saijo as pianist and arranger in 1959. Maeda arranged many pop and jazz albums by the likes of Nobuo Hara, Terumasa Hino, jazz singer Mieko Irota and, in 1969, he released the album This is Jazz Rock with saxophonist Jiro Inagaki, reinterpreting international pop, jazz and soul hits with groove arrangements which would pave the way for Rock Communication Yagibushi a year later. For the album, Maeda used two lineups -- a reduced one comprising Takeshi Inomata on drums, Shigeo Suzuki on sax and flute, Kiyoshi Sugimoto on guitar, and Tetsuo Fushimi on trumpet -- and an extended one adding three trumpets, four trombones and a different drummer, Takahiro Suzuki. The album is an explosive succession of instrumental funk and breakbeat nuggets that are reminiscent of David Axelrod with shades of Italian cinematic groove adding a Japanese twist to the mix. It's hard to pick a favorite track as Norio Maeda hits the mark every time and manages to display many fascinating shades of funk throughout the album. One of the most coveted Japanese classics on the international diggers scene, Rock Communication Yagibushi is finally available internationally and will please Japanese jazz funk's many fans.
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MOV 3700COL-LP
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$36.00
PREORDER
RELEASE DATE: 6/7/2024
"Deep Nyabinghi drumming and chanting on a version of the Ethiopian national anthem gets things underway on Slave Call, a majestic journey through the spiritual roots of reggae. Later songs add guitars, bass, keyboards, and horns to build a more standard reggae sound on that foundation, but there's always a dignified restraint and the profundity of the nyabinghi beat. the entire album revolves around Leonard Dillon's Rastafarian beliefs, with even the cover of the Beatles' 'Let It Be,' rewritten to a religious end. Slave Call is available as a limited edition of 750 individually numbered copies on orange colored vinyl."
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LP
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WE 010LP
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$40.00
PREORDER
RELEASE DATE: 6/7/2024
Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe, and Horace Andy and within short order Hudson brought his all-round talent to full fruition. In 1974, he produced two ground-breaking albums. Pick A Dub was one of the first official dub albums ever, and is still considered to be one of the greatest moments of Jamaican music. In addition, the unique Flesh Of My Skin, Blood Of My Blood became the first concept album in reggae history. Thematically dedicated entirely to black history, this masterpiece captivates with an atmosphere that is as dark as it is deeply spiritual, charged by Hudson's eccentric vocals. In 1981, he created the dub masterpiece Playing It Cool, Playing It Right which he produced with the help of Wackie's founder and mastermind Lloyd 'Bullywackie' Barnes. It remained the only collaboration between the two producers. Hudson decided to release it on his own label Joint International as he has done on his previous releases. The album continues Hudson's psycho-acoustic journey into the abyss of existence and has the power to overwhelm the listener with the beauty of artistic self-empowerment. "Too Much Formula" sings Hudson, whose voice occasionally recalls Sly Stone, "Darkest Night" answers an echoing background chorus found elsewhere on the track "California." Hudson's production techniques are fascinating on this album. There is often a kind of flashing-whip sound on the snare, which adds dynamics to the whole album. Rarely has a dub record sounded so electrifying, with radical spatial sound spreading out in all directions and rarely has it been as crystal clear, with warm bass and echophonic treatments as contained within these 30 minutes of music. 43 years after its first release and 20 years after its last re-release on the German-British label Basic Replay (Basic Channel/Honest Jon's), Playing It Cool, Playing It Right is now finally available again via Week-End Records, with a newly revised master and a rare interview with Lloyd 'Bullywackie' Barnes, talking about the making of this amazing album.
"It feels fresh and sounds amazing." --Lloyd Barnes Wackie's
"Legendary, strange, compelling music." --Mark Ainley, Honest Jon's
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7"
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PRTL 7087EP
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$15.50
PREORDER
RELEASE DATE: 6/7/2024
Top slice of early '90s digital roots from reggae legend Earl 16, best known for his work with the likes of Lee Perry, Augustus Pablo, Mikey Dread, Leftfield, and Dreadzone. Produced by Earl Sixteen and previously only available on Earl's 1992 LP Boss Man.
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LP
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MILS 012LP
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$25.00
PREORDER
RELEASE DATE: 6/7/2024
"The Madlib Invazion Music Library Series Entry #12: DJ Muggs takes the Soul Assassins approach to source music -- deep, dark, dank. The Madlib Invazion Music Library Series was created by Madlib and Egon to give their creative friends a chance to stretch out and indulge in whatever type of music they wanted. This music was created for easy, one-stop clearance in film and television synchronization usage and for sampling. You can also enjoy these albums in the way that many do with the best of the best vintage library catalogs -- listen, ponder, repeat."
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LIFE 045LP
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$24.00
PREORDER
RELEASE DATE: 6/7/2024
This somehow mythological album from one of Iran's top sitarist lurches between traditional Eastern forms and more modern Western styles, blending the two into a fascinating fusion of cultures and flavors. Similar to the work of Indian rare groove master Ananda Shankar, the record brings to life the ultimate marriage of funky drums, lush horns, wah-wah guitars and Eastern harmonies. A necessary re-discovery!
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LP
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VP 4252LP
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$27.00
PREORDER
RELEASE DATE: 5/31/2024
"Freddie McKay's Creation album, expertly produced by Ossie Hibbert showcases a well-chosen blend of original, soon-to-be classics 'longside a selection of inspired anthemic do-overs. It's a measure of the quality of this release that these inspired interpretations stand up as equal to the Burning Spear and Dennis Brown originals. The selection of subtle dub versions of the songs included serve to highlight the brilliance of the musicians playing in the classical 'rockers' style that dominated the latter half of the seventies."
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CD
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JRCD 007CD
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2014 repress. Brand new release from the Jamaican Recordings label, this time focusing on unreleased dubs of Bunny Lee-produced Horace Andy tracks dating from the years 1973 to 1976. It was during this period that Horace made some of his finest works, usually with "Striker" Lee as producer. Tracks include never-before released versions of Andy tracks such as "Skylarking," "You Are My Angel," "Love of a Woman," "Something On My Mind," "Just Say Who," "My Guiding Star," "Money Money," "Zion Gate" and more. Includes two CD bonus tracks.
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