Search Result for Genre WORLD
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LP
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VAMPI 328LP
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$28.50
PREORDER
RELEASE DATE: 9/19/2025
Ranil is undoubtedly the most unconventional figure among the greats of Amazonian cumbia, earning a well-deserved place alongside all the better-known iconic bands. He worked as a teacher, criollo guitarist, radio host, TV entrepreneur, and politician, but gained lasting fame as the founder of Ranil y Su Conjunto Tropical in the 1970s. By 1968, around the same time Los Destellos were making waves in Lima, groups like Los Wembler's de Iquitos and Juaneco y su Combo began electrifying cumbia in Iquitos. This new genre, dubbed Amazonian cumbia, exploded nationwide in 1973, thanks to hits by Juaneco y su Combo, Los Mirlos, and Los Wembler's. The success these bands achieved spawned dozens of other groups from the Amazon. Ranil, always a visionary, recognized the movement's potential and joined forces through his first single recorded on the Dinsa label in 1974. Unhappy with the contractual terms, he went on to found Producciones Llerena, the label on which he would release the rest of his discography. Over the years, Ranil y su Conjunto Tropical featured guitarists like Límber Zumba and Luis Nigro, while Ranil remained the lead vocalist and bassist for group. Zumba and Nigro had already played with other regional bands and written songs for groups like Los Destellos and Los Mirlos. This compilation offers a glimpse into the vast musical output Ranil created in the late 1970s and early 1980s, bringing together 14 tracks from the band's ten LPs. These records have always been hard to come by as, despite being recorded in Lima, they were distributed by Ranil from Iquitos. Psychedelia, rock fusion, cumbia, salsa, mambo, Amazonian folk -- you'll find all these flavors blended into the vibrant, jungle-rich sound Ranil crafted.
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LP
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N 102LP
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$32.00
PREORDER
RELEASE DATE: 9/19/2025
The Alien Dub Orchestra is ragtag collective of Bavarian musicians, featuring members of The Notwist and G.Rag y los hermanos Patchekos. The cohort formed around the idea of performing the standards of the fabled Breadminster Songbook, aka the back-catalogue of lone dubman Elijah Minnelli. Minnelli is known for constructing wheezy, forlorn odes to his hometown, both as highly sought-after self-released 7" singles, and a critically-acclaimed debut album, Perpetual Musket for FatCat Records, lauded by the likes of The Guardian, The Wire, and The Quietus. Plays the Breadminster Songbook finds group covering Minnelli's cumbia-infused dub reggae with full band, playing an eclectic array of instruments including: guiro, accordion, melodica, sousaphone, trumpet and assorted percussion. The seeds of the Alien Dub Orchestra were sown during a support gig for The Notwist, where assorted musicians joined Minnelli for an encore, reinterpreting one of his dub remixes across woodwind, brass and assorted percussion. Despite the non-traditional origins of the source material, the inherent musicality of Minnelli's songwriting shines through across his releases, and this creative kinship is what attracted the Orchestra to reimagining his work. The first live collaboration led to recording sessions and further gigs, with the Orchestra building a full set of Minnelli's music. The resulting album puts forward the strongest case yet of the shared musical throughline between the acts, where cumbia, dub and folk sensibilities coalesce to something altogether unique. The tracks are wrought new, with melodies fleshed out and broader instrumentation expanding the sonic possibilities of the compositions. For these dubs, Minnelli is joined by Raimund Wong, who had caught his ear with his ambitious live sets, a daisy chain of tape machines and FX pedals. Again, despite their differing creative processes, the two bonded over a shared love of dub music.
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LP
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WWSLP 102LP
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$35.00
PREORDER
RELEASE DATE: 9/12/2025
Wewantsounds reissues Fairuz's classic album Chat Iskandaria released on Relax-in in 1987. The album sees "The Lebanese Diva" going back to her roots and interpreting classic songs by the Rahbani Brothers in her own style accompanied by hypnotic traditional orchestral arrangements. Coming with its original deluxe gatefold sleeve, the album -- curated by Mario Choueiry from Institut du Monde Arabe (Paris), who also wrote the liner notes -- has been newly remastered by Colorsound Studio in Paris. Fairuz is a living legend and one of the greatest divas of the Arab world. For more than sixty years, she has been at the heart of Arabic music, releasing landmark albums since the early '50s and performing on stages around the globe. Fairuz rose to prominence through her collaboration with the Rahbani Brothers (Assi and Mansour), a creative partnership that began in the 1950s and flourished through the 1970s, producing a vast repertoire of timeless songs that remain beloved across the Arab world and beyond. In the late 1970s, Fairuz shifted to a more modern sound with albums such as Wahdon (1979) and Maarifti Feek (1986), produced by her son Ziad Rahbani, blending jazz, funk, and other contemporary influences into her music. However, Chat Iskandaria, released in 1987, marks a return to her classic Rahbani sound, offering a more traditional yet captivating approach to Arabic music. The album sees Fairuz interpreting a selection of Rahbani Brothers compositions in their signature theatrical and orchestral style, with themes ranging from nostalgia and love -- including a heartfelt homage to the city of Alexandria -- to the passage of time, central motifs in much of their work the legendary poet Saïd Akl contributes to two songs, "Min Rawabina Al Kamar" and "Fattehhon Alay." Unlike her more experimental collaborations with Ziad Rahbani, Chat Iskandaria stays firmly rooted in traditional Lebanese and Levantine musical aesthetics. Rich in melody and poetic imagery, it showcases Fairuz at her most evocative, supported by the refined orchestral arrangements that defined her golden era with the Rahbanis. Chat Iskandaria is a must-have for lovers of classical Arabic music and a poignant reminder of the enduring artistic bond between Fairuz and the Rahbani Brothers. Wewantsounds releases the album on vinyl for the first time since its original 1987 release, featuring its beautiful gatefold sleeve, remastered audio and a new bilingual introduction by Mario Choueiry (Institut du Monde Arabe).
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LP
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CLASSIC 091LP
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$26.00
PREORDER
RELEASE DATE: 9/12/2025
"Talán is the title of Raphael Rogiński's new solo album. Rogiński -- Polish guitarist, composer and musicologist, received recognition not only as a member of the Shofar trio where he performs with saxophonist Mikołaj Trzaska and percussionist Macio Moretti but also thanks to his astounding takes on John Coltrane's music released in 2015 Plays John Coltrane And Langston Hughes African Mystic Music. 'Talán is a very old (probably Scythian) word that can be translated as 'maybe' and that's where my musical approach comes from -- I take something in order to lose something else,' Rogiński explains. 'It's a constant process of achieving goals by getting rid of others and I'm fixated on this idea. It's also a meditation upon a process, a calm observation,' he adds. Talán is also a result of Rogiński's fascination with the Black Sea. 'All of the tracks are somehow connected to it and some were composed in Odessa -- a city often thought of as a gateway to Asia. This is where my some of my ancestors arrived to Europe,' says Raphael. 'When working on these tunes I came to know the Black Sea both physically and spiritually. What's interesting, it's been once called Inhospitable Sea only to later turn into Hospitable Sea. A myth was tamed and when the mystery disappeared and different civilizations met, a new myth came into life. The album was composed over a couple of years and took many attempts at the recording. My patience is usually very limited so this has been a strange experience for me. But traveling the region of the Black Sea and discovering its nature within myself required time. Our world is full of wonders and awes and traveling (both physically as well as emotionally) remains one of the most important aspects of living,' Rogiński admits."
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LP
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CLASSIC 100LP
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$29.00
PREORDER
RELEASE DATE: 9/12/2025
"Bura is a brand-new album by guitarist Raphael Rogiński and the group Ru?ičniak Tajni (Svetlana Spajić, Marina D?ukljev and Tijana Golubović). It features guest appearances by Piotr Zabrodzki (LXMP, Mitch & Mitch) and Mila Gavrilovič. Ru?ičniak Tajni is a unique meeting of Polish and Serbian musical traditions, the result of cooperation between artists seeking new forms of expression based on the cultural heritage of Central and Eastern Europe. The initiator of the project is Raphael Rogiński -- a Polish guitarist, composer and researcher, known for his experimental approach to traditional music and his love of improvisation. In the project, he is accompanied by three outstanding Serbian artists whose work is a conscious combination of local traditions and modern expression: Svetlana Spajić -- a renowned ethnomusicologist and singer, specializing in old vocal techniques and archaic song forms. Her interpretations combine authenticity of message with sensitivity to the contemporary context. Marina D?ukljev -- a pianist moving in the area of improvised and experimental music, known for deconstructing harmonic and rhythmic structures. Tijana Golubović -- a violinist and vocalist, drawing from folk performance practice, while simultaneously exploring new sonic narratives. Their collaboration resulted in the album Bura, recorded in Serbia in November 2024. The title refers to the characteristic wind from the northern Balkans, symbolizing both the forces of nature and the cultural tensions shaping the identity of the region. The album is a musical encounter of traditional Serbian songs -- reconstructed on the basis of oral traditions and archival materials - with modern means of expression. Another key element is Raphael Rogiński's original compositions, inspired by Sufi poetry, which was translated into Serbian in the 19th century."
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LP
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BSR 932R-LP
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$24.00
PREORDER
RELEASE DATE: 9/12/2025
"1999 ska heavy album from Toots & The Maytals. Wicked pacing and inspired playing and singing set this one as a high-water mark in the Maytals' discography."
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7"
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VAMPI 45114EP
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$17.50
PREORDER
RELEASE DATE: 9/5/2025
A longtime favorite among Brazilian music collectors! Trio Ternura's "A Gira," originally released in 1973, blends mid-tempo grooves with percussive funk and soul in a way that feels effortlessly timeless. Vampisoul now make this incredible single available once again, cut at 45 RPM and remastered from the original tapes. The track was written by the group's father and uncle as a heartfelt homage to the Candomblé deity -- celebrating nature and spirituality. Trio Ternura was a true family project, made up of three siblings with deep musical roots. According to them "A Gira" captures "the dancing, the expression, the lyrics and musical relaxation -- something very Brazilian." The B-side features the trio's soulful interpretation of Gato Barbieri's "Last Tango in Paris," adding a mellow cinematic touch to this sought-after release.
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LP
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VPALWR 52272LP
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$27.00
PREORDER
RELEASE DATE: 9/5/2025
"Sister Nancy's 'Bam Bam' on the Stallag Riddim is arguably the most licensed dancehall track for advertising and film backgrounds with multiple uses since 2000. The song has also displayed amazing lasting power for club DJs, with its instantly recognizable hooks. This album, originally released in 1982, showcased Sister Nancy for the world on the heels of a hit that has only gotten bigger over the decades. This is the first legitimate re-issue of the album, since the death of producer and techniques label founder, Winston Riley. Demand will be strong for this rare gem."
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CD
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GB 173CD
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$15.50
PREORDER
RELEASE DATE: 8/29/2025
The celebrated Rwandan folk duo returns with a resonant fifth album, Rwanda Sings with Strings. The record combines their signature earthy vocals and acoustic instrumentation (guitar and hand percussion) with atmospheric cello and violin arrangements, creating a soundscape that vividly brings to life their powerful stories of resilience, memory, and longing. Recorded 100% live without overdubs in a hotel room by Grammy-winning producer Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Parchman Prison Project), the album delivers an unusually intimate listening experience. Reflective, unfiltered and deeply human. For The Good Ones' fifth album, Ian Brennan scheduled a cellist and violinist to accompany the duo. The entire album was recorded in single takes without written scores or demos. The arrangements were improvised on the fly by the two string players who also didn't know each other. Within minutes of meeting all four musicians were recording -- their only communication, musical. "It was all an experiment," reports producer Ian Brennan, "but the second the strings entered during the intro of 'Agnes Dreams of Being an Artist,' it felt like the room began levitating and there was no doubt that something magical and profoundly beautiful was occurring. The album is extraordinarily ethereal -- even by their high standards." The session fulfilled the group's long-held dream to have main writer, guitarist, and lead vocalist, Adrien Kazigira's songs performed with strings. Sequestered in a Washington, DC hotel room the day prior to The Good Ones NPR "Tiny Desk" session, the musicians recorded nineteen songs in just three hours. Kazigira was so happy with the experience, afterwards, he wrapped his arms around the cello, as he lay chuckling and exhausted on the couch. The album's sound is steeped in a romanticism, longing, and a sense of resigned grandeur that echoes Malian balladeers like Boubacar Traoré or even Nick Drake and Astral Weeks. Perfect Sunday morning listening. Decidedly an underground group, The Good Ones' renown is nonetheless evidenced by the stellar musicians who've collaborated with them in the past, including members of Wilco, TV on the Radio, Sleater-Kinney, My Bloody Valentine, and Fugazi, and also by the vocal supporters that they've attracted such as Led Zeppelin legend Robert Plant. Kazigira states, "We are so thankful that music has taken us so many places that we never dreamed of visiting. And this new album has given us hope and really carried us through the hard times."
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LP
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GB 173LP
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$28.00
PREORDER
RELEASE DATE: 8/29/2025
LP version. The celebrated Rwandan folk duo returns with a resonant fifth album, Rwanda Sings with Strings. The record combines their signature earthy vocals and acoustic instrumentation (guitar and hand percussion) with atmospheric cello and violin arrangements, creating a soundscape that vividly brings to life their powerful stories of resilience, memory, and longing. Recorded 100% live without overdubs in a hotel room by Grammy-winning producer Ian Brennan (Tinariwen, Ramblin' Jack Elliott, Parchman Prison Project), the album delivers an unusually intimate listening experience. Reflective, unfiltered and deeply human. For The Good Ones' fifth album, Ian Brennan scheduled a cellist and violinist to accompany the duo. The entire album was recorded in single takes without written scores or demos. The arrangements were improvised on the fly by the two string players who also didn't know each other. Within minutes of meeting all four musicians were recording -- their only communication, musical. "It was all an experiment," reports producer Ian Brennan, "but the second the strings entered during the intro of 'Agnes Dreams of Being an Artist,' it felt like the room began levitating and there was no doubt that something magical and profoundly beautiful was occurring. The album is extraordinarily ethereal -- even by their high standards." The session fulfilled the group's long-held dream to have main writer, guitarist, and lead vocalist, Adrien Kazigira's songs performed with strings. Sequestered in a Washington, DC hotel room the day prior to The Good Ones NPR "Tiny Desk" session, the musicians recorded nineteen songs in just three hours. Kazigira was so happy with the experience, afterwards, he wrapped his arms around the cello, as he lay chuckling and exhausted on the couch. The album's sound is steeped in a romanticism, longing, and a sense of resigned grandeur that echoes Malian balladeers like Boubacar Traoré or even Nick Drake and Astral Weeks. Perfect Sunday morning listening. Decidedly an underground group, The Good Ones' renown is nonetheless evidenced by the stellar musicians who've collaborated with them in the past, including members of Wilco, TV on the Radio, Sleater-Kinney, My Bloody Valentine, and Fugazi, and also by the vocal supporters that they've attracted such as Led Zeppelin legend Robert Plant. Kazigira states, "We are so thankful that music has taken us so many places that we never dreamed of visiting. And this new album has given us hope and really carried us through the hard times."
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LP
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CTLP 3116LP
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$18.50
PREORDER
RELEASE DATE: 8/15/2025
Originally released by RAS in 1994. Recorded and mixed at Leggo Recording Studio Kingston, Jamaica. Blood Brothers review by Jo-Ann Greene: "After the success of 1984's Two Bad Superstars Meet, it was inevitable that Gregory Isaacs and Dennis Brown would join forces time and again. On Blood Brothers, the pair duets on four co-written tracks, then go their own way on another four self-composed songs apiece -- the upside is that even if Brown is no longer in perfect voice, his performances are still gloriously rich in emotion and soul. This is particularly notable on 'Ease Up,' the pair's heartfelt plea for 'Mr. Big Shot' to ease up the pressure on the sufferers, and the equally impassioned 'Hard Labor,' a tough look at prison life. The stellar title track is a bouncy and jubilant celebration of fraternal love, while the gorgeous 'Closer Than a Friend' revels in the men's glorious harmonies. Of Brown's own solo numbers, a recut 'Here I Come' is the weakest, his vocals reed-thin, which the backing Roots Radics' militant rhythm and producer Errol 'Flabba' Holt's crisp production emphasize. Far superior is Brown's inspiring, soulful performance on the praise-filled 'Give Thanks to the Father' and his impassioned loverman delivery on 'True Love Is Hard to Find.' Arguably the best of his numbers is the last, 'Lover With Meaning,' and here Brown's voice is thick and rich with emotion. The sparser the sound, the brighter the singer shines, as on his totally laid-back 'Hooked on Your Love,' where the backing is stripped down to tattooed beats, Holt's reverbed bass, and a sprinkling of keyboards. From the sweet 'Goodbye Love,' across the vivacious 'The Love Letter' and on to the sufferer's-themed 'The Feds,' Isaacs struts his best stuff. Of course, as the title makes clear, this set wasn't meant as a clash album, but a showcase for two superb talents."
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LP
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RROO 390LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
A gifted guitarist and singer-songwriter, Lascelles Beckford has a long history in reggae. After playing with Harold Butler in the late 1970s, Beckford began fronting Crucial Vibes, based in Old Harbour, west of Spanish Town, the band making waves in Canada in 1983. One of the leading Jamaican backing bands of the mid-1980s, debut album Control Yourself is an excellent blend of hard-hitting roots tunes, protest music and sophisticated love songs, all driven by their excellent musicianship, with the percussionist Skully and saxophonist Dean Fraser adding exquisite touches. Quality from start to finish -- one for all roots connoisseurs.
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LP
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LANR 057LP
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$31.50
PREORDER
RELEASE DATE: 8/8/2025
Fully licensed, all tracks remastered. Re-issued for the first time on vinyl, this obscure dub masterpiece -- originally available on the small imprint Silver Camel in 1981 -- is still considered one of the best efforts by brilliant singer and producer Al Campbell. More magic at the controls with the key presence of Barnabas and Maxie at Channel One and Scientist tracks mixed at King Tubby's studio. Dig better with dub originators!
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LP
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CTLP 198LP
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$18.50
PREORDER
RELEASE DATE: 8/8/2025
2025 repress. Recorded at Channel One. Credits: Aston "Family Man" Barrett, Robbie Shakespeare (bass), Hoss Mouth, Sly Dunbar (drums), Earl "Chinna" Smith (guitar), Ossie (organ), Ansel Collins (piano), Linval Thompson (producer).
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LP
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OTLP 002LP
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$15.00
PREORDER
RELEASE DATE: 8/8/2025
Originally released by Jah Thomas's Midnight Rock label from Jamaica, in 1982; now repressed by Clocktower. Ranking Toyan was already a seasoned veteran of Kingston's soundclash scene, having apprenticed with a number of smaller outfits before becoming earning a slot with Henry "Junjo" Lawes's Volcano Sound and winning widespread acclaim for his effortless, patois-laden delivery and his gruff putdowns of rival DJs. Though Toyan had already cut a number of outstanding sides for producer Don Mais, his collaborations with Lawes are undoubtedly his definitive recordings. Ghetto Man Skank stands as the very best of these. It boasts a set of simple, punishingly hard rhythms from the ace studio band The Roots Radics, which Toyan dominates with ease. His ability to spill forth unending streams of wordplay, streetcorner boasts, and infectious slogans is truly remarkable, enlivening every song on this set. Though Toyan didn't receive the same acclaim as fellow Volcano Sound DJs like Yellowman and Eek-A-Mouse, his outstanding performances on Ghetto Man Skank prove he was their equal in every respect.
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LP
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BSR 843LP
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$24.00
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RELEASE DATE: 8/8/2025
"Originally issued in 2007 on Secret Records as a companion CD to Lester 'Dillinger' Bullock's spirited deejay album, Ten To One, whose bold, brash braggadocio can still be heard echoing in and out, in and out and in and out of the mix here over a superb selection of dubwise rhythms from Niney The Observer. Pressed on 180 gram vinyl."
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LP
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RROO 392LP
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$20.50
PREORDER
RELEASE DATE: 8/8/2025
During the early 1980s, stylistic dancehall toaster Earlando Neil became Early B chatting on the sound systems Soul Imperial Hi-Fi and King Majesty, consolidating his reputation on the mighty Kilimanjaro. Scoring many hits before his untimely death in 1994, the posthumous compilation Immortal was compiled by Ossie Thomas, the producer of some of B's greatest work; highlights include the smash hit "Gateman Get Fraid," the desultory "Imitator," the sadly prescient "If You A Coward Leave Out Badness" and the salutary "Honourable Nesta Marley." Highlighting Early B's lyrical prowess, Immortal lives up to its title for sure.
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CD
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GR 008CD
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$11.00
PREORDER
RELEASE DATE: 8/8/2025
Collection of dubs from the Black Ark Studios.
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LP
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RROO 375LP
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$20.50
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RELEASE DATE: 8/8/2025
This is a superior Jah Thomas record with all the great midnight rock rub-a-rub riddims. A big album that represents Jah Thomas, packed full of early dancehall numbers that let you fully enjoy the wonderful atmosphere of the time, including the big hit title track!
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LP
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SOR 007LP
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$23.50
PREORDER
RELEASE DATE: 8/8/2025
Definitely ahead of its time, Black Jade approach was very sophisticated, creating more than a serious cult in downtown London. While their debut Contempo (SOR 004LP) was a "religious" dub affair, their sophomore album showcased a more rootsy direction. Published as a mere private press in the second half of the seventies, the album is finally available in a long overdue re-issue.
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LP
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MOV 2615COL-LP
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$39.00
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RELEASE DATE: 8/8/2025
"Lee 'Scratch' Perry & The Upsetters' classic Return of Django. Lee Perry had already been making name in the Jamaican music scene for about a decade before Return of Django hit the UK charts in 1969. It was released after Trojan released a hugely popular collection of Perry's biggest instrumentals. This album is a must for everyone that enjoys that good old vintage reggae sounds. Lee 'Scratch' Perry was a pioneer of dub music and worked together with artists such as Bob Marley and the Wailers, The Clash and The Beastie Boys. Return of Django is available as a limited edition of 1000 individually numbered copies on white colored vinyl."
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LP
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LION 203LP
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$27.00
PREORDER
RELEASE DATE: 8/1/2025
"Several years in the making, Lion can now finally deliver on its promise of another Groove Club volume dedicated to the deep and moving (and grooving) compositions of Sinn Sisamouth, sung by the Emperor of Khmer music himself, alone or duetting with the other legendary singer of those halcyon days in Cambodian music: Ros Sereysothea, the 'Queen with the Golden Voice.' Groove Club Vol. 5 also includes a 16-page booklet featuring an exclusive interview with Mrs. Khav Thong Nhot, widow of Sinn Sisamouth, and Sin Sethsochhata, artist and granddaughter of Sinn Sisamouth, revealing more about Sinn Sisamouth than has ever been known before now. Readers hear directly from his wife about their courtship, their life together as Sinn Sisamouth became famous -- and then what happened as the Khmer Rouge took control: the separation from her husband, and her own harrowing experiences trying to keep herself and their children alive. It's not easy reading, yet stands as an important contribution to a story which until now has only been partially told. Sinn Sisamouth's granddaughter, Sin Sethsochhata, a musical artist and also keeper of the family's legacy, speaks of her own experiences in both realms. Sinn Sisamouth is, without question, the most famous and beloved Cambodian singer and songwriter of all time. A brilliant singer and composer, 'the Emperor of Khmer music' has had a greater influence and has touched more hearts than any other singer in the country's history. Though he was tragically taken from this world, his soul, spirit, and emotions are echoed in the legacy of songs he bequeathed to the world, and for this reason, he is eternal. The fact that any of this music even exists today is nothing short of miraculous. Original vinyl is extremely rare -- and well-guarded! Lion has done its utmost to make the sound quality of the songs as good as can be without in any way treating or disrupting or limiting (or destroying) the frequency range of the tracks. This means that a few tracks might sound less than audiophile quality. But who cares! It's about the music. It's always about the music. And the stories. Mostly the music. Although this time, very much about the stories too. Official reissue -- and in most cases, first appearance of any kind -- of these insanely rare recordings since their initial release as singles."
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LP
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BR 189LP
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$35.00
PREORDER
RELEASE DATE: 8/1/2025
Buh Records presents El tiempo quiere cantar ("Time Wants to Sing") the debut album by Pacha Wakay Munan, a duo formed by Peruvian musicians and researchers Dimitri Manga Chávez and Ricardo López Alcas. This album explores the sonic possibilities of pre-Hispanic instruments in a contemporary musical context. Through their performance, they explore their tonal possibilities, the interaction between their frequencies, and their ability to generate new dialogues. The work of Pacha Wakay Munan aligns with the tradition of sound explorers such as the Peruvians Arturo Ruiz del Pozo and Luis David Aguilar or the Colombians Yaki Kandru. The album's repertoire consists of pieces that explore diverse sonorities and musical concepts. "Pacha Wakay Munanqa" introduces the timbral variety of the instruments used. "El Taki Onkoy" draws inspiration from historical accounts and the meaning of its name ("Sick Song"), based on a Culina chant documented by Rodolfo Holzmann. It features vocals by the experienced singer Ximena Menéndez. "Mundo Posible" is a reinterpretation of an improvisation session with musicologist Chalena Vásquez Rodríguez, where the piano dialogues with ceramic antaras. Other pieces delve into the sonic construction of these instruments in relation to their cultural contexts. "Machu Tara" explores the concept of tara, a rough and vibrant sound quality found in certain Andean musical traditions. "Túpac Huaca" references the Huaca Aliaga in Lima, creating a sound palette where pututos, whistling vessels, and quenas converge. "Agua, Cuarzo y Viento" introduces quartz sikus and bowls tuned to different frequencies, evoking the interaction between natural elements and resonant vibrations. In the piece "Qinray Tema", Camilo Ángeles plays the metal transverse flute, creating a contrast with the pre-Hispanic ceramic flutes and pelican bone flutes. El tiempo quiere cantar is released by Buh Records in digital format and in a limited vinyl edition of 300 copies.
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LP
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BSR 922PT-LP
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$19.00
PREORDER
RELEASE DATE: 8/1/2025
"Rasta Pon Top is a classic roots reggae album by the Twinkle Brothers, a Jamaican reggae group formed in the early 1960s. Rasta Pon Top is known for its strong Rastafarian themes, uplifting lyrics, and infectious rhythm, which are hallmarks of the group's music. The Twinkle Brothers, led and produced by Norman Grant, have been influential in the reggae scene for decades."
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MOV 2721COL-LP
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$38.00
PREORDER
RELEASE DATE: 8/1/2025
"The Jamaican musical group The Maytals can be considered as one of the best known and most important ska and rocksteady groups of all time. Frontman Toots Hibbert penned an impressive catalogue of songs during his time in jail, and after he did his time, he reunited with his bandmates and entered the studio with the brilliant producer Leslie Kong. Some of the great tracks he recorded during that time are included on this record, like 'Monkey Man' (covered by the legendary Amy Winehouse) and 'Pressure Drop.' The quality and energy of this band is very well captured on this release. Monkey Man is available as a limited edition of 1,000 individually numbered copies on yellow colored vinyl."
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