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PREORDER
Ships When IN STOCK.
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ARTIST
TITLE
Bellfort Strasse
FORMAT
LP
LABEL
CATALOG #
DOT 005LP
DOT 005LP
GENRE
RELEASE DATE
11/14/2025
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"Although it is true that the Nanaimo concert hall known as 'The White Room' has been eradicated by real estate greedheads, Jack and Dave (who ran the place and its documenting record label) have decided to keep the label going because why the hell not? The first fruit of this divine union is the Belfort Strasse LP by Eugene Chadbourne's Contemporary Rock Band (whose name was copped from an otherwise anonymous Pismo Beach cover band). Under this exquisitely generic banner you'll find Eugene Chadbourne on vocals, guitar and banjo, Schroeder on drums, Jan Fitsjen on bass and baritone guitar and occasionally Titus Waldenfels on lap steel. Unlike their namesake, this Contemporary Rock Band only plays a couple of covers -- Johnny Paycheck's 'The Cave' and Willie Nelson's 'Wake Me When It's Over.' These are also the tracks on which Waldenfels's lap steel adds musical width, while on 'Prisoner' (recorded for Bulgarian National Radio), the ensemble features solely Chadbourne and Schroeder. The material here was recorded in 2018-19 in a basement studio on Belfort Strasse in Freiburg-im-Brieslau, Germany or in taverns within walking distance of the studio, using a mobile recording facility. A few of the tunes have appeared on some of Eugene's recent CDRs, but this the first vinyl appearance of the music, and a damn fine appearance it is. Unlike his more 'purely' avant instrumental records, Belfort Strasse is a suite of Eugene's sometimes-straight/sometimes-bent lyrics, spiced up with experimentally-canted musical flourishes that fuck with time, melody and harmonics in equal measure and at their own cruel pace. Eugene's approach is so amazingly advanced it can often be head-spinning to try and unravel its intent, but the overall effect kinda destroys the perceptual barriers between sounds deemed 'inside' and 'outside.' This is a trick Chadbourne has long been working at, but as much as I loved many of his early efforts at this syncretic mode of creation, over the years his tactics have become a bit less manic, which seems like a good thing in terms of making the lines blurrier than ever. Eugene is an artist whose aesthetic has long seemed to be dictated by Duke Ellington's statement, 'if it sounds good and feels good then it is. Good. There's no art when one does something without intention.' And to my ear, Belfort Strasse, is Eugene's most adamant exemplar of this dictum yet. If you can't dig it. I'm not certain you can dig." --Byron Coley
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