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01. HAROLD BUDD/GAVIN BRYARS/JON HASSELL - Map Of Dusk
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02. HAROLD BUDD/GAVIN BRYARS/JON HASSELL - Cartago Sand Dancing
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03. HAROLD BUDD/GAVIN BRYARS/JON HASSELL - Strange Thunder
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04. HAROLD BUDD/GAVIN BRYARS/JON HASSELL - Sketch For Sub Rosa
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05. HAROLD BUDD/GAVIN BRYARS/JON HASSELL - 8 Perspectives Romanes
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ARTIST
BUDD/GAVIN BRYARS/JON HASSELL, HAROLD
TITLE
Myths 3: La Nouvelle Serenite
FORMAT
CD
LABEL
SUB ROSA
CATALOG #
SR 005CD
SR 005CD
GENRE
ROCK
RELEASE DATE
6/6/2006
This is a reissue of the third volume in this early Sub Rosa compilation series, originally released in 1987. Features long tracks from Jon Hassell (duo with
J.A. Deane
, from 1985), never released since; Harold Budd (duo with
Eugen Bowen
, from 1983) in the mood of "The Serpent in Quicksilver" (with a splendid steel guitar); Gavin Bryars (duo with
Andrew Thomson
, from 1987); an unpublished sketch for two pianos called "Sketch For Sub Rosa" (later published on ECM with a chamber ensemble); and an excerpt from
Les Archives Sonores Sub Rosa
, a short film without image. Spanning from 1972-1975, Harold Budd created four individual works under the collective title
The Pavilion of Dreams
, produced by ambient pioneer
Brian Eno
. His two subsequent collaborations with Eno,
The Plateaux of Mirror
and
The Pearl
, established his trademark atmospheric piano style. Jon Hassell's first recordings were made with minimalist masters
La Monte Young
and
Terry Riley
, through whom he met the Hindustani raga master,
Pandit Pran Nath
. From his studies of the classical Indian music of the Kirana tradition he adapted these techniques to the trumpet and developed a new style of playing which forms the basis of his own unique sound world. Gavin Bryars has written a large number of works, including three operas, and a number of instrumental pieces. His first major work as composer was
The Sinking of the Titanic
on Brian Eno's Obscure label in 1975. This collection gathers together the most stunning of ambient, atmospheric sound worlds from three very important composers.
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