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PREORDER
Ships When IN STOCK.
01. Jung An Tagen - 01-RSP-OTO
02. Jung An Tagen - 02-RSP-MIX
03. Jung An Tagen - 03-RSP-MIX
04. Jung An Tagen - 04-RSP-OTO
05. Jung An Tagen - 05-RSP-OTO
06. Jung An Tagen - 06-RSP-MIX
07. Jung An Tagen - 07-RSP-MIX
08. Jung An Tagen - 08-RSP-OTO
09. Jung An Tagen - 09-RSP-OTO
10. Jung An Tagen - 10-RSP-MIX
11. Jung An Tagen - 11-RSP-MIX
12. Jung An Tagen - 12-RSP-OTO
13. Jung An Tagen - 13-RSP-OTO
14. Jung An Tagen - 14-RSP-MIX
15. Jung An Tagen - 15-RSP-MIX
16. Jung An Tagen - 16-RSP-OTO
17. Jung An Tagen - 17-RSP-OTO
18. Jung An Tagen - 18-RSP-MIX
19. Jung An Tagen - 19-RSP-MIX
20. Jung An Tagen - 20-RSP-OTO
01. Jung An Tagen - Juster Renormification
02. Jung An Tagen - 3pyt2_ext2_1 Remix
03. Jung An Tagen - Gunja Gun Ten
04. Jung An Tagen - 10-RSP-MIX (Nervoso RMX)
05. Jung An Tagen - SilenceandReorderedRemoved19Stems
06. Jung An Tagen - Open Focus
07. Jung An Tagen - Kimabebe RMX
08. Jung An Tagen - Reversible
09. Jung An Tagen - OTO
10. Jung An Tagen - Dimitry Bubble Sequence
11. Jung An Tagen - Bang Bang 15
ARTIST
TITLE
Revenge of the Speaker People
FORMAT
2CD

LABEL
CATALOG #
EMEGO 321CD EMEGO 321CD
GENRE
RELEASE DATE
9/26/2025

In 1978, at the University of London, the physicist David T. Kemp made an unusual discovery. Kemp noticed that faint sounds, known as Otoacoustic emissions (OAEs), revealed the existence of the cochlear amplifier, a mechanism responsible for sound sensitivity and frequency resolution. This discovery proved that the ear is an active rather than passive organ. Following this discovery the experimental music world embraced these findings by incorporating them into sound works. Maryanne Amacher was a notable early pioneer of this technique resulting in large scale sound works, the likes of which audiences had never encountered prior. Since these early explorations the use of OAEs has spread more widely in the experimental music landscape, notably by Editions Mego artists Florian Hecker and Marcus Schmickler. Stefan Juster aka Jung An Tagen is known for conceptual works and has a large back catalogue of intriguing ideas and sounds. Revenge of the Speaker People is another adventurous release, one which takes the Otoacoustic discoveries of David T. Kemp and applies them to a techno framework. OAEs are fragile and can collapse quickly when combined with other elements. Jung An Tagen's success in combining OAEs with beats is therefore quite an achievement, without precedent. The first CD comprises the results of Juster's experiments, resulting in some of the strangest techno committed to digital since the initial burst of the Mego label. A series of head spinning, ear tickling extreme electronic miniatures bleed in a continuous form. This adventurous and playful music would likely have many a raver run to the bathroom. There is a tangible subversive delight in mixing in such sounds to what is ostensibly "club music." Because the record had this clear divide of beat and otoacoustics the idea came to see how the material would lend itself to a series of remixes. The second CD has remix contributions from a selection of artists from the Editions Mego stable alongside Juster's own ETAT imprint along with DJ Nervoso from the Príncipe crew. The results are a head-spinning variety of Otoacoustic mayhem as the likes of Evol, Thomas Brinkman, Ellan Phan, Nik Colk Void and others fold these initial bizarre sounds into even more twisted shapes. Revenge of the Speaker People is a daring, playful and audacious release. One that will baffle your ears, neighbors and dancefloor clients.