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01. Loom & Thread - Twill Weave
02. Loom & Thread - Shoals
03. Loom & Thread - Dispersion
04. Loom & Thread - Driftin'
05. Loom & Thread - D22222
06. Loom & Thread - Overturn
07. Loom & Thread - Sax4
08. Loom & Thread - Spheres
09. Loom & Thread - Rya Knots
10. Loom & Thread - Knitted
11. Loom & Thread - DC
12. Loom & Thread - At Your Own Risk
13. Loom & Thread - Not At All
14. Loom & Thread - Trig Points
15. Loom & Thread - Workaround
ARTIST
TITLE
Dispersion
FORMAT
LP

LABEL
CATALOG #
MACROM 083LP MACROM 083LP
GENRE
RELEASE DATE
4/17/2026

With Dispersion, Loom & Thread return to the volatile architecture of the expanded piano trio -- and quietly fracture it from within. Daniel Klein (drums), Tobias Fröhlich (double bass) and Tom Schneider (keys, sampler) remain the sole agents on stage and in the final recording. The triangle holds. And yet, the field has expanded. For their second studio album, the trio fed their improvisations with the timbral signatures of guest saxophone and vibraphone players -- not just as additional voices to be featured, but also as material to be absorbed, atomized and redistributed. The result is not augmentation but thorough refraction. Where the debut album explored the recursive labyrinth of Schneider's live sampling of his own piano, Dispersion introduces an external grain into the feedback system. Breath and metal. Reed turbulence and struck resonance. The trio sampled extended improvisations by saxophone and vibes players: Victor Fox, Asger Nissen, Volker Heuken, and L&T's own Daniel Klein; dissected their attacks, overtones and decay curves, and integrated these fragments into the trio's internal circuitry. What emerges is a play of presences without bodies -- instrumental ghosts circulating through the dense weave of rhythm and keys. A vibraphone shimmer appears, yet no mallets are visible. A reed multiphonic surges through the texture, bending space between bass and drums. These events are neither quotations nor overlays; they are redistributed energies, dispersed across the trio's grammar. A digital multidimensional interplay ensues. The sampled materials from other improvisers are stripped of their erstwhile two-way interaction and reconstituted as malleable particles. Signifier detached from origin, resonance detached from gesture. The trio navigates a constantly shifting topology in which acoustic memory and electronic manipulation are indistinguishable. Crucially, the album never abandons the physical urgency of three musicians reacting in real time. The additional timbral layers do not thicken the texture into opacity; rather, they introduce stark points and arrows of diffraction. Dispersion is not about addition but about distribution -- of agency, of timbre, of temporal perspective. It is an album in which the trio setting becomes a site of multiplicity without surrendering its immediacy. A dissolution not only of the divide between present experience and memory, but between inside and outside, self and other. Three musicians. Countless vectors. A music that fractures in order to cohere.