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01. Day 1 - Part 1
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02. Day 1 - Part 2
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03. Day 1 - Part 3
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04. Day 1 - Part 4
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05. Day 1 - Part 5
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01. Day 2 - Part 1
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02. Day 2 - Part 2
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03. Day 2 - Part 3
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04. Day 2 - Part 4
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05. Day 2 - Part 5
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06. Day 2 - Part 6
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ARTIST
OLIVEROS, MIA MASAOKA, ISSUI MINEGISHI, PAULINE
TITLE
Two Days In Dreamland
FORMAT
2CD
LABEL
IMPORTANT RECORDS
CATALOG #
IMPREC 519CD
IMPREC 519CD
GENRE
ELECTRONIC
RELEASE DATE
4/17/2026
These stunning recordings combine the great strengths of
Pauline Oliveros
on her Roland V-Accordion,
Issui Minegishi
, Ichigenkin master and great-great granddaughter of the founder of the Seikyodo Ichigenkin tradition and
Miya Masaoka
on her 21 string Japanese Koto. Together, these masterful improvisors create a beautiful and fascinating world of instrumental communication. This trio of legendary artists establish a sonic zone so compelling that you'll never want to leave. This double CD preserves the original session edits chronologically in order to preserve the emotional flow of the recordings. Disc one presents the first day of sessions and disc two presents the second day. Hence the title,
Two Days In Dreamland
. Recorded at Dreamland Studios in Hurley, New York. Mastered by
Tom Eaton
at Sounds & Substance. Pauline Oliveros, composer and accordionist, was a central figure in the development of post-war experimental and electronic music. She was a founder of the San Francisco Tape Music Center along with
Ramon Sender
and
Morton Subotnick
and she also served as its director.
Minegishi Issui
is the great-great-granddaughter of
Tokuhiro Taimu
, founder of the Seikyodo Ichigenkin tradition. She received her earliest training from her great-grandmother,
Matsuzaki Issui
, who was the third hereditary head of Seikyodo and who was also designated by the Japanese government as official guardian of the Ichigenkin tradition, as one of the country's Intangible Cultural Treasures. Miya Masaoka is an American sonic artist, composer and performer. Her work explores bodily perception of vibration, movement and time, while foregrounding complex timbre relationships. She has created a body of work that encompasses scores for orchestras and ensembles, sculpture works instigating new modes of listening, interactive media. Among her awards are the John Simon Guggenheim Fellowship, a Fulbright, the American Academy Rome Prize, the Doris Duke Artist Award and the United States Artist Award.
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