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01. Tomeka Reid & Fred Lonberg-Holm - Pluck It
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02. Tomeka Reid & Fred Lonberg-Holm - Alla Mingus For La Bang
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03. Tomeka Reid & Fred Lonberg-Holm - Fragile
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04. Tomeka Reid & Fred Lonberg-Holm - In Walked Ray
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05. Tomeka Reid & Fred Lonberg-Holm - Rally
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06. Tomeka Reid & Fred Lonberg-Holm - C'mon
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07. Tomeka Reid & Fred Lonberg-Holm - Monti-Cello
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08. Tomeka Reid & Fred Lonberg-Holm - How Can We?
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ARTIST
REID & FRED LONBERG-HOLM, TOMEKA
TITLE
Eight Pieces for Two Cellos
FORMAT
LP
LABEL
CORBETT VS. DEMPSEY
CATALOG #
CVSDLP 004LP
CVSDLP 004LP
GENRE
JAZZ
RELEASE DATE
12/9/2022
Repertoire for cello represents a little-explored niche of the greater jazz songbook. In 2013, cellists
Tomeka Reid
and
Fred Lonberg-Holm
turned their arranger-ly and composer-ly attention to this terrain, assembling a selection of four originals (three by Lonberg-Holm, one by Reid) and four works by other composers. The latter include "Pluck It" by pioneering jazz cellist
Fred Katz
, member of the
Chico Hamilton Quintet
and soundtrack composer for
Roger Corman
films; "In Walked Ray" by intrepid hardbop bassist and cellist
Sam Jones
, who worked extensively with
Cannonball Adderley
; "Rally" by legendary bassist and cellist
Ron Carter
, who played with everyone from
Miles Davis
to
Eric Dolphy
to
A Tribe Called Quest
; and "Monti-Cello" by
Harry Babsin
, the least recognizable name in the group who played cello duets with
Oscar Pettiford
and recorded the first jazz cello solos with
Dodo Marmarosa Trio
in 1947. These new takes on old charts provide a storied backdrop and contemporary diving-board for Reid and Lonberg-Holm. By turns achingly beautiful -- utilizing all the woody resonance of the twinned instruments -- and probingly exploratory, they pay reverence to and also rethink their predecessors' music. Alongside these historically-mined tracks are the player's own deeply engaging compositions. Reid's "Alla Mingus For La Bang" pays homage to one stringsman by way of another: bassist
Charles Mingus
to violinist
Billy Bang
. Lonberg-Holm's "Fragile, C'mon," and "How Can We?" all investigate the bowed and pizz'ed cosmos of the celli with devilish relish. Gorgeously recorded direct-to-stereo sans audience at Chicago's Logan Art Center, with a cover that sports a painting by Lonberg-Holm.
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