Search Result for Genre JAZZ
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DMOO 033LP
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$20.50
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RELEASE DATE: 8/4/2023
Reissue, originally released in 1965.Collecting recordings made between 1953 and 1956, Miles Davis Plays For Lovers is a look at the more sensitive and sensual side of the great trumpeter, focusing on his sultry and smoky late night ballads. Mostly featuring his legendary mid-50s quintet of Coltrane, Garland, Chambers, and Jones, this collection highlights that group's ability to slow things down to a soulful, brilliant simmer. Classic jazz ballads that swing, perfect for late nights with a lover at your side. Clear vinyl; numbered.
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DMOO 038LP
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$20.50
PREORDER
RELEASE DATE: 8/4/2023
Reissue, originally released in 1962. Recorded in New York in 1957 (though not released until 1962), Tijuana Moods was, according to Charles Mingus himself, "the best album I ever made." The music is a vigorous stew of Mexican rhythms and sophisticated post-Ellington arrangements, further invigorated by the soloing of trumpeter Clarence Shaw, trombonist Jimmy Knepper, and, particularly, saxophonist Shafi Hadi. Mingus's vision of Tijuana was clearly sensual, the music evoking strippers, frenetic street scenes, and heart-broken lovers. Making use of suite like thematic material and various forms of counterpoint, the group sounds much larger than it is, and points toward Mingus's later experiments with form. the bristling sound and spirit of the music, however, are its primary attractions -- a remarkable place where Mexican fantasy and hard bop meet. Clear vinyl; numbered.
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DMOO 034LP
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$20.50
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RELEASE DATE: 8/4/2023
Reissue, originally released in 1958. A pioneer of bebop, Max Roach went on to work on many other styles of music and is generally considered alongside the most important drummers in history having worked with such musicians as Coleman Hawkins, Dizzy Gillespie, Miles Davis, Duke Ellington, Charlie Parker, Stan Getz, and more. A seminal set, stretching out towards the directions Max would explore fully on the Candid, Impulse!, and Fantasy labels in the '60s. Group members include Booker Little on trumpet, George Coleman on tenor, Ray Draper on tuba, and Art Davis on bass -- and the lack of a piano makes for a very exciting sound. Clear vinyl; numbered.
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DMOO 052LP
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$20.50
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RELEASE DATE: 8/4/2023
Reissue, originally released in 1961. The West Indian-born alto saxophonist Joe Harriott was one of the most convincing boppers outside of the USA, though by the end of the 1950s he was exploring freer musical pastures, and the quintet with which he undertook the exploration was an outgrowth of the hard bop band with which he'd made a name on the British scene. Often in the past the group's music, in which trumpet and flugelhorn player Shake Keane figured alongside Harriott in the front line, has been compared with that of the early Ornette Coleman quartets, but here it's far more interactive, a fact borne out most obviously by the lack of soloists. Here on Free Form is where the rhythm of that indigenously West Indian form is extraordinarily maintained in the midst of characteristic group exchanges. Clear vinyl; numbered.
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DMOO 028LP
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$20.50
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RELEASE DATE: 7/28/2023
Reissue, originally released in 1961. Best known for his pioneering work in be-bop, drummer Max Roach was a hugely important figure who worked with countless jazz greats, including Dizzy Gillespie, Duke Ellington, Charlie Parker, Miles Davis, Charles Mingus, and Thelonious Monk. We Insist! Max Roach's Freedom Now Suite was created with then-wife Abbie Lincoln, saxophonist Coleman Hawkins, the Nigerian percussionist Olatunji, and lyricist Oscar Brown Jr to commemorate the hundredth anniversary of the Emancipation Proclamation, the unique landmark an intense, musically challenging masterwork of social relevance that was far ahead of its time. Clear vinyl; numbered.
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CNLP 070LP
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$38.50
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RELEASE DATE: 7/21/2023
Reissue, originally released in 1968. Volker Kriegel was considered the pioneering jazz-rock and fusion guitarist from Europe. 1968 was a crucial year for his career as he released With A Little Help From My Friends, his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist, Claudio Szenkar. The covers performed are the two by Lennon-McCartney "With A Little Help From My Friends" and "Norwegian Wood", and the traditional Brazilian "Nãnã Imborô". Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over nine minutes and featuring Tony Scott on clarinet and Gustl Mayr on tenor sax. Over the years, Kriegel would go on to participate in over 200 albums.
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MAR 075LP
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$35.50
PREORDER
RELEASE DATE: 7/21/2023
Reissue for the first time worldwide, originally released in 1976. Jazz funk masterpiece. For every celebrated record in jazz, soul, and related music, there are probably thousands more with all the genius for which widespread recognition never came or was delayed. In 1976, Dana Kaproff released one of the most wanted jazz-funk albums recorded in Los Angeles. A jazz fusion record for the discerning connoisseur. Tight drums and well-programmed synths. Excellent production and recording. Fans of '70s Herbie Hancock, George Duke, Weather Report, funky library records... heads up. 180 gram vinyl; hard cardboard cover + obi; includes download card.
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TROST 234LP
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$31.50
PREORDER
RELEASE DATE: 7/14/2023
LP version. The End is near -- after two albums on the now defunct UK label Rare Noise, the powerful project of Sofia Jernberg (vocals), Kjetil Møster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar), and Børge Fjordheim (drums) releases their third album on Trost. They combine avant-rock, jazz, and a haunting beautiful voice to a seethe mix of emotions, noise, music -- a sonic landscape, dynamic, and captivating. This album is a true testament to the power of experimental music that continues to push boundaries and explore new sonic territories. Sofia Jernberg's voice is a central element -- her timbre and diverse vocal techniques set new accents and give the tracks an extraordinary emotional depth.
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TROST 234CD
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$16.50
PREORDER
RELEASE DATE: 7/14/2023
The End is near -- after two albums on the now defunct UK label Rare Noise, the powerful project of Sofia Jernberg (vocals), Kjetil Møster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar), and Børge Fjordheim (drums) releases their third album on Trost. They combine avant-rock, jazz, and a haunting beautiful voice to a seethe mix of emotions, noise, music -- a sonic landscape, dynamic, and captivating. This album is a true testament to the power of experimental music that continues to push boundaries and explore new sonic territories. Sofia Jernberg's voice is a central element -- her timbre and diverse vocal techniques set new accents and give the tracks an extraordinary emotional depth.
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RSJLP 001LP
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$30.00
PREORDER
RELEASE DATE: 7/7/2023
"Reissued on vinyl for the first time in nearly 40 years, The Stan Tracey Quartet's Under Milk Wood is considered one of the finest British jazz albums ever made, an effortlessly iconic masterpiece that encapsulates the heady '60s jazz boom. It features compositions by the great Stan Tracey -- The Godfather of British Jazz -- inspired by Dylan Thomas' drama Under Milk Wood, including the timeless 'Starless and Bible Black' with its acclaimed solo by tenor saxophonist, Bobby Wellins. Like Thomas's characters, the themes vary greatly in tempo, in mood, in dramatic depth. The title song is a triumph, not only because it stands by itself as a beautifully conceived jazz ballad, but because it sets the scene for the rest of the writing and playing. Some of the other themes are impressionistic and highly subjective sketches of Thomas seen through the prism of jazz. It was awarded 69th place in Jazzwise magazine's 'The 100 Jazz Albums That Shook the World': 'Tracey is indispensable, a one-man mission statement. Here he showed how much could be achieved within the basic jazz quartet format. Reaction at the time seems to have been along the lines of where on earth did this come from? Coherent, vital and mind-stretching.'" "The haunting 'Starless and Bible Black' remains probably the finest single recorded performance by a British jazz group." --The Observer
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HONEY 081LP
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$24.00
PREORDER
RELEASE DATE: 7/7/2023
Reissue, originally released in 1962. A quite obscure release from a Los Angeles based alto saxophonist named Vi (Elvira) Redd, a blues infected player, singer and educator who since the early '50s has performed with many jazz greats like Dexter Gordon, Max Roach, Roland Kirk, Count Basie, and others. Originally released in 1962, Bird Call was Redd's debut album, a hard swinging studio session featuring a top-class band that included pianist Russ Freeman, Leroy Vinnegar, or Bob Whitlock on bass, guitarist Herb Ellis, trumpeter Carmell Jones, vibraphonist Roy Ayers, and her then-husband, Richie Goldberg, on drums. Another invaluable document from the historical yet unknown LA's black community jazz scene.
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HONEY 080LP
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$24.00
PREORDER
RELEASE DATE: 7/7/2023
Reissue, originally released on Pacific Jazz in 1963. Jazz Waltz brings together the talent of pianist Les McCann and the legendary Jazz Crusaders featuring the great late Joe Sample (piano, organ), the horn frontline of Wayne Henderson (trombone) and Wilton Felder (tenor saxophone), and the super tight rhythm section of Bobby Haynes (bass) and Stix Hooper (drums). One of those great soul-jazz records where every track is pure gold!
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LP
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HONEY 084LP
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$24.00
PREORDER
RELEASE DATE: 7/7/2023
Reissue, originally released by RCA Victor in 1962. Our Man In Jazz marks Sonny Rollins's first step towards a more open and explorative form of jazz. Performed by a piano-less line-up featuring two hipper creative Ornette Coleman alumni: Don Cherry on trumpet and Billy Higgins on drums plus the super solid double bass of Bob Cranshaw, this release stands as a brilliant document of the early sixties new wave in jazz.
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LP
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HONEY 082LP
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$24.00
PREORDER
RELEASE DATE: 7/7/2023
Reissue, originally released in 1963. This is a majestic piece of work. Considered as one of Duke Ellington's best studio recordings of the sixties this is also an essential mosaic piece within Duke's open wide Afro-centric vision. Performed by a top version of his famous big band, Afro Bossa sounds as a sophisticated, sensual blend of orchestral jazz arrangements and black bossa flavored grooves. Among the players, many of Duke's historical sidemen such as trumpeter Ray Nance, sax giants Paul Gonsalves and Johnny Hodges, drummer extraordinaire Sam Woodyard, and last but not least, Ellington's faithful sideman Billy Strayhorn.
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MAR 076LP
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$35.50
PREORDER
RELEASE DATE: 7/7/2023
Reissue, originally released in 1976. Spirale is one of the essential recordings of Eastern European modal jazz. The masterpiece recorded by Paul Weiner, a pianist from Timisoara, a city in Romania, has been transformed into a cult LP and not just because it is a source of samples. 180 gram vinyl; hard cardboard cover + OBI.
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MAR 066LP
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$35.50
PREORDER
RELEASE DATE: 7/7/2023
Reissue, originally released in 1979. French drummer and jazz musician/composer Daniel Bechet dedicated Songs To My Father to his father, the famous sax/clarinet player Sydney Bechet. The only LP from Sydney Bechet's son is a hidden treasure. The base is a solid fusion and jazz funk sound. Still, the mellow and soulful moment is wonderfully groovy with arrangements reminding George Duke's albums, or Cortex plenty of funky Fender Rhodes. 180 gram vinyl; hard cardboard cover + OBI.
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LP
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HGBS 20203LP
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$33.00
PREORDER
RELEASE DATE: 7/7/2023
"With the label MPS, post-war musical history was written in Germany: noble music productions with many international greats come from the Black Forest and are timelessly legendary. Some treasures from the label's archive are released by HGBSBlue on high-quality vinyl, like this hot live recording with the Pony Poindexter Quartet from 1969. Poindexter, saxophonist and singer, was a native of New Orleans who came to Paris in 1964, where he lived for many years. He is credited with important impulses for the soprano saxophone in jazz, and his strongly blues-oriented style is probably related to his hometown. It was not until 1977 that he went back to the USA, where he died in 1988. In Munich he met two young Czech musicians who had a stopover there after the end of the 'Prague Spring' before starting their successful jazz careers in the USA: Jan Hammer and Jiri (George) Mraz. Together with them, as well as the German drummer Michael Dennert (1935-2016), the US saxophonist recorded this live record in 1969, on which the four musicians move in expressive playing mood in the footsteps of their musical ancestors from New Orleans. Hammer and Mraz already show their extraordinary brilliance and maturity. Jan Hammer amazes with his earthy organ playing and Jiri Mraz with refreshing virtuosity. The Happy Life Of Pony Poindexter was the name of the release on the MPS sub-label 'Session' back then. It has now, after more than 50 years, been re-edited, refreshed and mastered. You can still feel the sparkling power and happy gut feeling with which the music was made. Poindexter knows how to carry away the audience. Just as the musicians before him did in his hometown of New Orleans. Just hot jazz."
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LP+12"
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CVSDLP 010LP
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$39.50
PREORDER
RELEASE DATE: 6/30/2023
Sexmob breaks new sonic ground with longtime producer Scotty Hard on The Hard Way, a new and extraordinary collaboration. For over a quarter-century, the visionary quartet Sexmob has exploded all preconceived notions of what an instrumental jazz band can be. In many cases -- on the albums Dime Grind Palace (2003), Din of Inequity (1998), Solid Sender (1999), and Sex Mob Does Bond (2001) -- they've done so with producer Scotty Hard at the board. On The Hard Way, Sexmob's remarkable new recording for 2023, the music skews decisively electronic, as Hard's beats and soundscapes provide slide trumpeter and founder Steven Bernstein, saxophonist Briggan Krauss, bassist Tony Scherr, and acoustic/electric drummer Kenny Wollesen, all the stimulus they need for further composition and fearless reinvention. Acclaimed pianist/composer Vijay Iyer guests on "You Can Take a Myth," sprinkling stark sustained treble tones and abstract harmonies on top of fat processed bass (played by Hard) as the composition unfolds. John Medeski (of Medeski Martin & Wood) underlays organ chords and blues phraseology to perfection on "Banacek" and works atmospheric magic with mellotron, counterposing Hard's evocative balafon samples, on "Club Pythagorean," one of two tracks included on the bonus 12" EP (45rpm). The other, "Dominion," was created with DJ Olive. With each offering, and certainly with The Hard Way and its rich electro-acoustic groove canvas, Bernstein and crew evince a modernizing impulse but also an equally strong foundation in the roots of jazz and American song. Funky, bluesy, with a tattered dissonance conjured up by Krauss's throaty saxophone tone, the distinctive wail of Bernstein's rare horn and the swagger of Scherr and Wollesen's rhythm section grind, Sexmob continues to chart new paths in 21st century creative music.
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LP
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WWSLP 076LP
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$31.50
PREORDER
RELEASE DATE: 6/30/2023
LP version. Wewantsounds announce the first international reissue of Ayako Shinozaki's Music Now For Harp released in 1974 by Nippon Columbia. The LP was released on the label's cult "Master Sonic" series and features Shinozaki's harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. Japanese harpist Ayako Shinozaki first studied in Japan, then at Julliard in New York and, upon her return in Japan in the early 1970s, she launched her yearly "Harp No Koten" recital (the first or which took place in 1972) with the idea of pushing the boundaries of the instrument, delving into the more experimental side of the spectrum and following in the recent steps by Dorothy Ashby and Alice Coltrane to get the instrument out of classical music. The album Music Now For Harp is the fruit of this first recital and is composed of three pieces that were played there. The first piece, "Stanza II" was composed by Toru Takemitsu, one of the most famous contemporary Japanese composers of the 20th century. "Stanza II" was written in 1971 for Swiss harpist Ursula Holliger and is a subtle piece featuring Shinozaki's harp intertwined with tapes of drones, birdcall and street sounds. It's typical of the music composed by Takemitsu at the time and in the Japanese notes, he refers to the music as "a midday scene, a stone shatters the silence, words are exchanged, a bird crosses the sky, casting no shadow." The second piece of the album, "Poem of Lin" was written by the young Japanese composer Katsuhiro Tsubono (who was 25 years old at the time). The piece was composed for harp, bells and voice and is an eerie yet percussive soundscape emphasizing Shinozaki's interplay with percussion and voice. The final piece "Heterodyne" makes up the whole of side two, composed by legendary Japanese musician Takehisa Kosugi. It is an extraordinary piece of music featuring Shinozaki's harp and Kosugi violin dialoguing over Kosugi's added electronic effects. The piece is a deep, spiritual journey mixing the organic feel of the harp and violin with the futuristic touch brought by Kosugi's hypnotic, almost funky sound waves. Newly remastered by Nippon Columbia. Original artwork designed by legendary Japanese graphic designer Kohei Sugiura. Includes two-page insert with new liner notes by Alan Cummings.
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TDP 54117LP
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$24.00
PREORDER
RELEASE DATE: 6/30/2023
Reissue, originally released in 1977. Modern and grounded in 1960s hard-bop sensibility, the American pianist and composer Albert Dailey (1939-1984) had perfect control over his instrument. Since an early age he played with cutting-edge musicians, the likes of Art Blakey, Sarah Vaughan, Stan Getz, Charles Mingus, and Lee Konitz, to name just a few. But despite that, he was an underrated artist during his lifetime receiving deserved recognition only after his death. Renaissance - 2 November 1977 is his second album, played by a bold group that includes the voice of Cheryl Alexander, Carter Jefferson on sax, Cecil McBee on bass, and features both Cheryl Alexander and Adam Nussbaum on drums. Completely remastered. Licensed from Good Time Inc.
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CD
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SDBANU 034CD
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$15.50
PREORDER
RELEASE DATE: 6/30/2023
Futuristic Brussels based four-piece ECHT! are set to release their sophomore album Sink-Along on the groove-obsessed Sdban Ultra label. ECHT! takes the best of Jonwayne, DJ Rashad, J Dilla, Ivy Lab, Tsuruda, and Aphex Twin, resulting in an unrivalled sound. In a society geared almost exclusively toward the technological, ECHT! forges a different path, one that instead replaces the mechanical with the human. At the heart of their creative process made up of actual skin and bone, the influences of trap, bass music, jazz, and hip-hop burst forth through their expert playing of instruments. Sink-Along showcases a rawer and more straight-forward approach than their debut. Whether on the bass-heavy opener "Glide" or the beat-to-beat sounds of "Cheesecake" and "Bryan Brains", ECHT! confirms its taste for deep, dark beats pushed to the extreme. No one can remain indifferent. A more luminous universe is brought to the fore on the introspective "Vault-A" and "Dawn In Duden" but at the core of Sink-Along, the common denominator is a warm and organic groove, evident on the inventive "Rouf-rouf" and "Mtwk part2". "For this album we wanted to make strong and opposite emotions coexist a dark and intense apocalyptic tendency, and a life and dance impulse that runs through everything. A paradox that is reflected in the wordplay of the title Sink-Along." Releasing their debut EP DOUF in 2019, the following year, ECHT! finished third in Red Bull Elektropedia's "Fresh on The Scene" category and the EP was nominated for "Best EP". ECHT! released three sublime live studio sessions titled the BREWmixes in 2021, which received support from tastemakers worldwide. Their debut album INWANE soon followed (SDBANU 021RE-LP). Echt means "vrai de vrai" -- "true" or "real" in Brusseleir (Brabantian dialect of Brussels). The name is a direct reference to the fact that their sound transmission is "real", performed with conventional musical instruments as opposed to computer music which the production might suggest. It also relates to the fact that none of the members of the band are originally from Brussels -- bassist Federico Pecoraro is from Italy, keyboardist Dorian Dumont is from France, and drummer Martin Méreau and guitarist Florent Jeunieaux are both from the Mons region on Belgium. LP version comes on orange vinyl; includes printed innersleeve.
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SVVRCH 076LP
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$20.50
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RELEASE DATE: 6/30/2023
Reissue, originally released in 1963. Unorthodox saxophonist Albert Ayler straddled different jazz streams during his brief career. After playing with Stanley Turrentine and Harold Budd in the late 1950s, a move to Sweden brought him into the limelight, fronting his own trio. Debut album Something Different!!! comprised four dissonant songs delivered live with bassist Torbjörn Hultcrantz and drummer Sune Spångberg, with a barely recognizable rendition of showtune "I'll Remember April," an off-kilter take of Sonny Rollins's "The Stopper" (retitled "Rollins' Tune") and a wobbly cut of Miles Davis's "Tune Up," along with the original "Free." An exceptional musical experience.
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LP
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CORTIZONA 022LP
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$28.00
PREORDER
RELEASE DATE: 6/30/2023
Get ready for schntzl 2.0. On their third album Casper Van De Velde and Hendrik Lasure, the two SpongeBobs of Belgian jazz, enter Cortizona and take you on board of their newly discovered musical spectrum. Rollercoastin' between extreme emotions Casper and Hendrik slide through 90's Euro-optimism on synths, frantic drum rolls, lost piano sounds, and sample wizardry: blending Spanish guitars, voices of singing ladies, slow-mo clarinets, and the patterns of a percussion robot. Holiday is the result of a residency in Ravenna, Italy in October in 2021 where musique concrète, replica sounds, and frenetic hyper-pop textures sneaked into the musical world of schntzl. Sculpting a world of friction, hypodermic joyful changes, sad euphoria, and good old plain fun. RIYL: Matmos in a jazz mood, free vibin' PC Music, Enya on XTC, improvising Valentina Magaletti, moody SOPHIE, BadBadNotGood going GoodGoodNotBad and other excellent music.
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CD
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WWSCD 076CD
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$16.00
PREORDER
RELEASE DATE: 6/30/2023
Wewantsounds announce the first international reissue of Ayako Shinozaki's Music Now For Harp released in 1974 by Nippon Columbia. The LP was released on the label's cult "Master Sonic" series and features Shinozaki's harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. Japanese harpist Ayako Shinozaki first studied in Japan, then at Julliard in New York and, upon her return in Japan in the early 1970s, she launched her yearly "Harp No Koten" recital (the first or which took place in 1972) with the idea of pushing the boundaries of the instrument, delving into the more experimental side of the spectrum and following in the recent steps by Dorothy Ashby and Alice Coltrane to get the instrument out of classical music. The album Music Now For Harp is the fruit of this first recital and is composed of three pieces that were played there. The first piece, "Stanza II" was composed by Toru Takemitsu, one of the most famous contemporary Japanese composers of the 20th century. "Stanza II" was written in 1971 for Swiss harpist Ursula Holliger and is a subtle piece featuring Shinozaki's harp intertwined with tapes of drones, birdcall and street sounds. It's typical of the music composed by Takemitsu at the time and in the Japanese notes, he refers to the music as "a midday scene, a stone shatters the silence, words are exchanged, a bird crosses the sky, casting no shadow." The second piece of the album, "Poem of Lin" was written by the young Japanese composer Katsuhiro Tsubono (who was 25 years old at the time). The piece was composed for harp, bells and voice and is an eerie yet percussive soundscape emphasizing Shinozaki's interplay with percussion and voice. The final piece "Heterodyne" makes up the whole of side two, composed by legendary Japanese musician Takehisa Kosugi. It is an extraordinary piece of music featuring Shinozaki's harp and Kosugi violin dialoguing over Kosugi's added electronic effects. The piece is a deep, spiritual journey mixing the organic feel of the harp and violin with the futuristic touch brought by Kosugi's hypnotic, almost funky sound waves. Newly remastered by Nippon Columbia. Original artwork designed by legendary Japanese graphic designer Kohei Sugiura. Includes two-page insert with new liner notes by Alan Cummings.
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TDP 54110LP
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$24.00
PREORDER
RELEASE DATE: 6/30/2023
Reissue, originally released in 1971. The core membership of free jazz act The Trio ensured its output was captivating, comprised as it was of double-bassist Barre Phillips, who had played with Archie Shepp, Chris McGregor, and Gong; saxophonist John Surman, who had played with John McLaughlin, Lester Bowie, and Alexis Korner; and drummer Stu Martin, who had played with Count Basie, Donald Byrd, and Herbie Hancock. On the gripping sophomore set Conflagration, guest players include Chick Corea and trumpeter Harry Beckett, ensuring their take on abstract jazz contains melody as well as jarring exchanges. Another great Trio free jazz set. Licensed from BMG.
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