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LP
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TROST 173LP
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$22.00
PREORDER
RELEASE DATE: 9/21/2018
Trost have unearthed another gem from the Japanese jazz maestro Akira Sakata, together with Bill Laswell, Hamid Drake, and Pete Cosey. Fisherman's.com was released originally on CD, Japan-only, by Starlets Records in 2001. This release marks its first time on vinyl and available worldwide. Fisherman's.com is Sakata's ode to folksongs of the sea -- an intense personal statement on the fluidity of tradition. Personnel: Akira Sakata - alto saxophone, vocals, synth; Bill Laswell - bass, synth; Hamid Drake - drums; Pete Cosey - guitar.
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2CD
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TROST 175CD
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$18.00
PREORDER
RELEASE DATE: 9/21/2018
Recorded in 2012, Musik Der 135. Aktion, Kuba captures the controversial performance from Herman Nitsch's Orgien Mysterien Theater ("Orgies Mysteries Theater") as part of the Havana Biennial art exhibition. For more than fifty years Nitsch has been an influential and striking figure of Austrian art ("Vienna Actionism"). In his Orgien Mysterien Theater Nitsch uses actors, blood, animal bodies and entrails, fruits, symbolic crucifixion, music, processions, and ritualistic gestures to enact a new form of Gesamtkunstwerk: pagan ceremonies that aim to a kind of collective catharsis. "Dionysos gegen den Gekreuzigten" ("Dionysus against Christ Crucified") was performed by 150 musicians and 30 actors, including the University's Symphony Orchestra ISA and the artist himself, celebrating Afro-Cuban rituals and ceremonies. Released In cooperation with Nitsch Foundation.
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CD
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TROST 170CD
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Great dedicated music by four strong individual players, brought together by Rodrigo Amado -- intense communication with room for outbreaking solo-parts but always held together through a vision of playing together, all the time exiting and interwoven with beautiful melodies. Personnel: Rodrigo Amado - tenor saxophone; Joe McPhee - pocket trumpet, soprano saxophone; Kent Kessler - double bass; Chris Corsano - drums.
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LP
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TROST 170LP
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LP version. Great dedicated music by four strong individual players, brought together by Rodrigo Amado -- intense communication with room for outbreaking solo-parts but always held together through a vision of playing together, all the time exiting and interwoven with beautiful melodies. Personnel: Rodrigo Amado - tenor saxophone; Joe McPhee - pocket trumpet, soprano saxophone; Kent Kessler - double bass; Chris Corsano - drums.
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LP
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TROST 171LP
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Trost presents the first vinyl edition of How To Raise An Ox by Zu and Mats Gustafsson. Initially released on CD in 2005 by Atavistic. Features new cover artwork. Long-running intense jazz/noise-core band Zu from Italy teams up with Viking-saxophonist extraordinaire Gustafsson (The Thing, Fire!). Mastering by Andy Moor (The Ex) and Colin McLean.
Personnel: Mats Gustafsson - baritone saxophone; Luca Tommaso Mai - baritone saxophone; Massimo Pupillo - bass; Jacopo Battaglia - drums.
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CD
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TROST 172CD
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Beautiful, insightful improvisation pieces by two master-musicians full of creativity and musical knowledge. Mastered by Jean-Marc Foussat. Liner notes by Ken Vandermark. Artwork by Lasse Marhaug. Personnel: Elisabeth Harnik - piano; Joëlle Léandre - double bass.
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LP
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TROST 161LP
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Massimo Pupillo (heavy bass player of ZU) teams up with the mesmerizing voice of Cindytalk, Gordon Sharp. Recorded live at Cafe Oto, UK at their first meeting -- producing haunting music from another sphere. Dark, atmospheric, wondrous. Personnel: Massimo Pupillo - electric bass; Gordon Sharp - voice, computer.
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LP
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TROST 168LP
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London based saxophonist Colin Webster is quickly establishing himself on the European avant-garde scene. Working with a broad range of collaborators, Webster is known for working from extreme sonic palettes -- from minimal to maximal, constantly pushing boundaries. Webster first worked with Dirk Serries on the landmark Endless Voids performance led by Dead Neanderthals at the 2014 Incubate Festival. Since this initial meeting, the two have worked on different collaborations both live and in the studio, a number of these encounters involving the drummer Andrew Lisle. Also based in London, Andrew Lisle's quick and highly textural playing is making him highly in demand in the fertile improvisation community. In turns both propulsive and abstract, Lisle has worked with a number of key UK-based improvisers including Alex Ward, Daniel Thompson, Seymour Wright, and also plays in the Roland Ramanan Tentet, and punk-improv band Shatner's Bassoon. Dirk Serries is hardly your average improvising musician. Even though the man has a fondness for the classic free jazz of the sixties and seventies and the current updates, his own talents lie elsewhere. As a master of texture, a skill which he's been able to forge and refine for more than 30 years (as Vidna Obmana, Fear Falls Burning, Microphonics, with collaborative projects and, more recently, under his own name), he has always been involved in the more abstract, or sound-oriented wing of experimental music. Serries is now less reliant on his trademark effects and loops. A new "naked" language that veers from gentle strumming to scribbling, pointillism, and occasional outbursts of disjointed howls. Pulling from his great experience in the worlds of ambient and industrial music, as well as from masters like Derek Bailey, Serries's approach is improvisation that relies purely on his relationship with his electric guitar, prepared or not. Personnel: Dirk Serries - electric guitar; Andrew Lisle - drums; Colin Webster - baritone and alto saxophone. Mastering by Dirk Serries. Edition of 300. "Kodian Trio ... blasts through, mashing free improv clicks and clatters with free jazz-inspired hoots and hollers, all wrapped up in a waistcoat of gimlet-eyed punk attitude." --Paul Margree, We Need No Swords
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TROST 164CD
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The new album combines again the trademarks of Made To Break: the soulful and grooving play of Ken Vandermark (one of the key musicians/composers in the current free jazz scene) on reeds with the filigran electronic distortions and loops of Christof Kurzmann, with a solid rhythm layer by the young Dutch bassist lloopp Jasper Stadhouders and drummer Tim Daisy. An unusual "jazz" record, fascinating so much the more. Personnel: Ken Vandermark - reeds; Christof Kurzmann - electronics; lloopp Jasper Stadhouders - bass; Tim Daisy - drums. Recorded, mixed, and mastered by Bob Weston.
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LP
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TROST 158LP
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LP version. Boneshaker are Mars Williams (reeds, toy instruments), Paal Nilssen-Love (drums & percussion) and Kent Kessler (bass), three prolific powerhouse musicians, carrying among them a Grammy nomination and decades of experience with the top ensembles in the world. Thinking Out Loud is their third album. Personnel: Mars Williams - reeds; Paal Nilssen-Love - drums; Kent Kessler - bass.
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LP
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TROST 164LP
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LP version. The new album combines again the trademarks of Made To Break: the soulful and grooving play of Ken Vandermark (one of the key musicians/composers in the current free jazz scene) on reeds with the filigran electronic distortions and loops of Christof Kurzmann, with a solid rhythm layer by the young Dutch bassist lloopp Jasper Stadhouders and drummer Tim Daisy. An unusual "jazz" record, fascinating so much the more. Personnel: Ken Vandermark - reeds; Christof Kurzmann - electronics; lloopp Jasper Stadhouders - bass; Tim Daisy - drums. Recorded, mixed, and mastered by Bob Weston.
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2CD
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TROST 169CD
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Novaks Kapelle were one of the most legendary bands of the Austrian underground, famous and feared for their wild live performances and strict anti-establishment/music-business/audience/everything attitude. They went from raw psychedelic rock in the late '60s to proto-punk to some kind of weird glam/hard rock at the end. 1978 saw later jazz-star guitarist and Gipsy Love member Harri Stojka joining. Beside some bootlegs available on the internet, many labels tried over the years to release an official complete compilation of their works. After Trost sublabel Cien Fuegos reissued their only full album Naked on vinyl in 2013 (CFX 007LP), Trost finally got an agreement to release this double CD. All Novaks Kapelle related material from Hypodermic Needle 7" (1968), Not Enough Poison/Smile Please 7" (1969), Novakskapellelive (1977), Naked (1978), Brennmaterial Für Die 80er (1979), the compilation WienmusikK (1981), and an unreleased bonus track. Personnel: Walla Mauritz - vocals, saxophone, harmonica (1967-1979); Peter Travnicek - bass (1967-1979); Erwin Novak - drums (1967-1979); Harri Stojka - guitar (1978-1979); Paul Braunsteiner - guitar (1970-1979); Helge Thor - guitar (1967-1970). Comes with extensive 24-page booklet, including many band photos and newspaper-clippings from the '60s and '70s. Liner notes by Al Bird Sputnik (Trash Rock Archives). Remastering by Martin Siewert.
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CD
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TROST 158CD
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Boneshaker are Mars Williams (reeds, toy instruments), Paal Nilssen-Love (drums & percussion) and Kent Kessler (bass), three prolific powerhouse musicians, carrying among them a Grammy nomination and decades of experience with the top ensembles in the world. Thinking Out Loud is their third album. Personnel: Mars Williams - reeds; Paal Nilssen-Love - drums; Kent Kessler - bass.
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CD
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TROST 167CD
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Three young musicians team up to form this exciting trio. Personnel: Mette Rasmussen - alto saxophone; Tashi Dorji - guitar; Tyler Damon - drums.
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LP
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TROST 159LP
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Trost present Schraubenlieder, unreleased songs by Sven-Ake Johansson and Alexander von Schlippenbach from 1988, recorded by Radio DRS Bern. Personnel: Sven-Ake Johansson - vocals; Alexander von Schlippenbach - piano.
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2LP
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TROST 160LP
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Double LP version. Hermann Nitsch playing the church organ in the Jesuit church of Vienna, November 20th, 2013. Four heavy drone pieces, mastered by Martin Siewert.
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TROST 160CD
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Hermann Nitsch playing the church organ in the Jesuit church of Vienna, November 20th, 2013. Four heavy drone pieces, mastered by Martin Siewert. CD version comes with an eight-page booklet with artwork and an essay by Nitsch about music (in German).
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TROST 149CD
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Lean Left, the quartet of jazz drummer Paal Nilssen-Love and saxophonist Ken Vandermark with The Ex members Terrie Hessels and Andy Moor, present I Forgot To Breathe. Personnel: Paal Nilssen-Love - drums; Terrie Hessels - guitar; Andy Moor - guitar; Ken Vandermark - reeds.
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7" PIC. DISC
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TROST 166EP
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7" picture disc for Barry Guy's 70th birthday. Interspecies personnel: Laubfrosch (Hyla Arborea) - acoustic sounds; Wasserfrosch (Rana Esculenta) - acoustic sounds; Barry Guy - acoustic sounds. Recorded May 30th, 2011 by Maya Homburger in Oberstammheim, Switzerland; Edited and mastered by Mikael Werliin at Studio Oodion Göteborg; Photos by Maya Homburger; Graphic design by Lasse Marhaug; Produced by Mats Gustafsson. Limited edition of 300 (numbered).
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LP
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TROST 149LP
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LP version with screenprinted cover. Lean Left, the quartet of jazz drummer Paal Nilssen-Love and saxophonist Ken Vandermark with The Ex members Terrie Hessels and Andy Moor, present I Forgot To Breathe. Personnel: Paal Nilssen-Love - drums; Terrie Hessels - guitar; Andy Moor - guitar; Ken Vandermark - reeds.
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LP
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TROST 154LP
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LP version. Mats Gustafsson plays slide, tenor, baritone, bass saxophones. Christof Kurzmann uses special ppooll software and voice, live processing. Recorded, mixed & mastered at Garnison 7, Vienna by Martin Siewert. Artwork by Jimmy Draht. Liner notes by Ken Vandermark. Limited vinyl edition of 300 with screen-printed covers. Ken Vandermark, from the liner notes: "On the surface, its fundamental components seem to come from the 20th century: the saxophone (invented in 1846, but not coming to the fore until jazz and Coleman Hawkins took a hold of it), the laptop computer (initially developed around 1980), and tape music (first started around 1950). But when examining the materials it becomes quickly apparent that, though the 'machines' may belong to the previous century, the methodologies applied to them do not. The six pieces on this album began as open improvisations digitally recorded at Martin Siewert's studio in Vienna, Austria. A section of each improvisation that was considered most successful from a musical standpoint was 'spliced out' and kept as a composition - the studio was used as a means to produce a performance rather than to strictly document, not usually the case when recording improvised music. Mats Gustafsson (who also plays keyboard here) has added to the range of extended techniques for saxophones instigated in the 1970s, by musicians like Anthony Braxton, Evan Parker, Roscoe Mitchell, Trevor Watts, Steve Lacy, and Peter Brötzmann. He's developed these through his unique approach to the instruments, which is often built upon phrasing power that can stand up to rhythmic frameworks and volume that frequently have little to do with the origins of improvised music. In many cases, the grooves explored on this collection of recordings are about pulse, but not the rhythmic feel of jazz, nor the timing of late 20th century free improvisation. And as Christof Kurzmann (who also sings here) explained to me, the instrument he plays is not the laptop, but the software that he runs on it, called ppooll and refined by Klaus Filip and Arnold Habirl in [2015??]... ppooll gives Christof nearly infinite manufacturing possibilities for sound - from creating new material that's used later in performance, to processing sonic events in real time. The elements of construction used to make this album and the resulting music all belong to this century, to this period."
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CD
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TROST 163CD
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Recording of Heather Leigh and Peter Brötzmann's great set at Unlimited Festival, Wels, 2016. Personnel: Heather Leigh - pedal steel guitar; Peter Brötzmann - tenor saxophone.
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LP
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TROST 156LP
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LP version. Johan Berthling: double bass; Martin Küchen: tenor and soprano saxophones, retardophone, flute; Steve Noble: drums and percussion. Recorded by David Carlsson at Gula Studion, Malmö, Sweden, November 1, 2015. Mixed by David Carlsson. Mastered by Martin Siewert. Cover photo by Donald Boström.
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TROST 156CD
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Johan Berthling: double bass; Martin Küchen: tenor and soprano saxophones, retardophone, flute; Steve Noble: drums and percussion. Recorded by David Carlsson at Gula Studion, Malmö, Sweden, November 1, 2015. Mixed by David Carlsson. Mastered by Martin Siewert. Cover photo by Donald Boström.
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TROST 153CD
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Beside Trost releasing artists Chris Corsano (projects with Akira Sakata, Massimo Pupillo, Joe McPhee, and Mette Rasmussen, to name a few) and Ingebrigt Håker Flaten (The Thing), with this new formation, the label works with the active US cellist and composer Daniel Levin. Daniel Levin is "one of the outstanding cellists working in the vanguard arena" (All About Jazz), "ridiculously fluent, virtually overflowing with ideas" (New York City Jazz Record), and "very much the man to watch" (Penguin Guide to Jazz). No matter what setting he plays in, cellist Daniel Levin occupies a musical space bordered by many kinds of music, but fully defined by none of them. The New York Times on Levin: "Demonstrating an impressive breadth of texture and contrast, the cellist Daniel Levin comes well prepared for a career in jazz's contemporary avant-garde." Elements of European classical music, American jazz, microtonal and new music, and European free improvisation all figure prominently in his unique sound. John Sharpe in The New York City Jazz Record: "he invokes all manner of musics with prodigious skill: jazz, classical, improv, noise, vocal chorus. Those with an adventurous streak or interest in the outer reaches of the cello universe will find much to savor." Personnel: Daniel Levin - cello; Ingebrigt Håker Flaten - bass; Chris Corsano - drums.
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