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CD
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TROST 181CD
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$17.00
PREORDER
RELEASE DATE: 5/24/2019
New York based producer and engineer Marc Urselli had the idea to bring people together who had never met before and let that meeting of minds create beautiful soundscapes. Film director and musician Jim Jarmusch, Sonic Youth co-founder and guitarist Lee Ranaldo shared space with versatile drummer Balázs Pándi (projects with Keiji Haino, Venetian Snares, Merzbow) for a night session at Urselli's EastSide Sound studio in downtown New York. These are the unfiltered results. Absorbing instrumental patterns of cinematic sounds and improvised rhythms. No overdubs, no editing. All was recorded live and analog, produced and mixed by Marc Urselli. The front/back cover photos were taken by photographer William Semeraro in Norway. That is why Marc Urselli gave all the songs titles inspired by Norwegian mythology. CD version includes two extra tracks.
Personnel: Lee Ranaldo - guitar, pedals, bells; Jim Jarmusch - guitar, pedals, mini-synthesizer; Marc Urselli - bass, laptop; Balázs Pándi - drums.
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TROST 181LP
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$22.00
PREORDER
RELEASE DATE: 5/24/2019
LP version. New York based producer and engineer Marc Urselli had the idea to bring people together who had never met before and let that meeting of minds create beautiful soundscapes. Film director and musician Jim Jarmusch, Sonic Youth co-founder and guitarist Lee Ranaldo shared space with versatile drummer Balázs Pándi (projects with Keiji Haino, Venetian Snares, Merzbow) for a night session at Urselli's EastSide Sound studio in downtown New York. These are the unfiltered results. Absorbing instrumental patterns of cinematic sounds and improvised rhythms. No overdubs, no editing. All was recorded live and analog, produced and mixed by Marc Urselli. The front/back cover photos were taken by photographer William Semeraro in Norway. That is why Marc Urselli gave all the songs titles inspired by Norwegian mythology.
Personnel: Lee Ranaldo - guitar, pedals, bells; Jim Jarmusch - guitar, pedals, mini-synthesizer; Marc Urselli - bass, laptop; Balázs Pándi - drums.
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TROST 184DVD
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$17.00
PREORDER
RELEASE DATE: 4/12/2019
My Talk With Florence is a biographical interview-film of Florence Burnier-Bauer and her intimate story. A life full of violence and abuse; in the family, on the road, and finally in the commune of the Viennese actionist artist Otto Muehl. This is a big showdown with the dark side of Otto Muehl as an icon of counterculture and social experiments. Directed and written in 2015 by Austrian film maker Paul Poet -- Foreigners Out! Schlingensiefs Container (2002), Empire Me (2011). The DVD contains the 128-minute film in German and English, a 20-minute-TV-interview with Paul Poet for the Austrian broadcast-show Oktoskop, a short documentary on the 2012 art exhibition of Florence by Paul-Julien Robert, excerpts from the Cinema Concert Version, German and English Trailer. The booklet contains essays about the movie and its impact by Hollywood actress and activist Rose McGowan, Alt-Porn Icon Stoya, Sandra Nigischer (Sorority, Der Standard), Marina Richter (Cineuropa, OneBillionRising), Helga Christina Pregesbauer (Wortflechte), Hanin Hannouch (Kinofrau), Karin Schiefer, Paul Poet, and Florence Burnier- Bauer. Including a special audio-track with the soundtrack by Alec Empire, created for the movie and performed at live-screenings. PAL format and region free.
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TROST 185CD
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$17.00
PREORDER
RELEASE DATE: 3/29/2019
Accelerated Frames Of Reference is the blistering debut album by Mopcut. Lukas König (Koenigleopold/5K HD/Kompost 3) on synthesizers and drums, Julien Desprez on electric guitar, and vocalist Audrey Chen. Three artists have joined forces to create songs beyond language and gravity at the interface of sound architecture and performance-ritual. Minimal and maximal improvisation, noise, and electronics, overlaid by Audrey Chen's ecstatic vocals.
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TROST 185LP
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$22.00
PREORDER
RELEASE DATE: 3/29/2019
LP version. Accelerated Frames Of Reference is the blistering debut album by Mopcut. Lukas König (Koenigleopold/5K HD/Kompost 3) on synthesizers and drums, Julien Desprez on electric guitar, and vocalist Audrey Chen. Three artists have joined forces to create songs beyond language and gravity at the interface of sound architecture and performance-ritual. Minimal and maximal improvisation, noise, and electronics, overlaid by Audrey Chen's ecstatic vocals.
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TROST 179LP
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$22.00
PREORDER
RELEASE DATE: 3/29/2019
Italian composer and bass-player Massimo Pupillo (ZU) and Australian drummer Tony Buck (The Necks) collaborate in a beautifully haunting, absorbing ambient set, taking in electronic abstraction and free improvisation. Pupillo and Buck are well known for their work with their long-running bands, as well as for their collaborations with musicians of the current international avantgarde scene; Pupillo released for instance with Cindytalk, FM Einheit, Oren Ambarchi, Chris Corsano; Buck with Fennesz, Branford Marsalis, and Magda Mayas. On Time Being/Unseen, you'll experience floating uncanny percussion sounds underlined with heaving subs, sealed in deep and noisy atmospheres. Personnel: Tony Buck - drums, percussion, vibraphone; Massimo Pupillo - bass, electronics.
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TROST 178CD
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$17.00
PREORDER
RELEASE DATE: 3/29/2019
Italian composer and bass-player Massimo Pupillo (ZU) and Australian drummer Tony Buck (The Necks) collaborate in a beautifully haunting, absorbing ambient set, taking in electronic abstraction and free improvisation. Pupillo and Buck are well known for their work with their long-running bands, as well as for their collaborations with musicians of the current international avantgarde scene; Pupillo released for instance with Cindytalk, FM Einheit, Oren Ambarchi, Chris Corsano; Buck with Fennesz, Branford Marsalis, and Magda Mayas. On Time Being/Unseen, you'll experience floating uncanny percussion sounds underlined with heaving subs, sealed in deep and noisy atmospheres. Personnel: Tony Buck - drums, percussion, vibraphone; Massimo Pupillo - bass, electronics.
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TROST 174CD
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At The Hill Of James Magee presents the duos complete performance at the extraordinary monument "The Hill" in the Chihuahuan Desert in the middle of nowhere in Texas. John Butcher and Joe McPhee had never shared a stage before which ended up being an attentive collaboration, starting with a long duo, alternating solo performances, and closing the atmospheric set with another duo. Personnel: Joe McPhee - alto sax; John Butcher - tenor sax.
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TROST 176CD
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A young, super-tight and intense power trio from Moscow, Brom genuinely push heavily, crossing over among improv, noise-rock and free jazz with Sunstroke.
"One of the most amazing mixes of musical elements I have heard in a long freakin´ time."--Mats Gustafsson
Personnel: Dmitry Lapshin - double bass; Anton Ponomarev - saxophone; Yaroslav Kurilo - drums.
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TROST 176LP
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LP version. A young, super-tight and intense power trio from Moscow, Brom genuinely push heavily, crossing over among improv, noise-rock and free jazz with Sunstroke.
"One of the most amazing mixes of musical elements I have heard in a long freakin´ time."--Mats Gustafsson
Personnel: Dmitry Lapshin - double bass; Anton Ponomarev - saxophone; Yaroslav Kurilo - drums.
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TROST 177CD
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Chicago Edge Ensemble is a special project of the finest Chicago musicians dealing in free jazz and improvisation, put together by Dan Phillips. Insidious Anthem is their second album, and first on Trost. Personnel: Dan Phillips - guitar; Hamid Drake - drums; Mars Williams - saxophones and percussion; Jeb Bishop - trombone; Krzysztof Pabian - double bass.
"Dan Phillips leads a quintet with muscle and a big Chicago sound and memorable compositions." --The Wire.
"Chicago jazz is the complexity of the postmodern sound with a predisposition for rump shaking. The Quintet rarely lowers the flame from boiling." --All About Jazz.
"Fans of both traditional and more adventurous jazz will find much to like here. Indeed, the Chicago Edge Ensemble does manage to succeed in representing the city's diverse musical roots, and in a highly enjoyable fashion to boot." --Avant Music News.
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TROST 180CD
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Sparrow Nights is the first studio album from the furious duo of pedal steel player Heather Leigh and saxophone legend Peter Brötzmann. Their collaboration has quickly gained a well-earned reputation for their cutting-edge music and frenetic but sensuous playing. Recorded and mastered in Vienna by Martin Siewert. Features artwork by Brötzmann; LP version comes in a heavy, '60s style tip-on cover.
"There is complexity in simplicity, and Sparrow Nights is Brötzmann and Leigh's most enduring record to date. A series of emotionally rich and boldly elucidated tonal and timbral exchanges played like compositions on pedal steel and reeds, the tracks (released as a six-track LP and ten- track CD) are cold-forged minimalist blues motifs dragged from instrumental laments. After three years playing together Brötzmann and Leigh's connection and understanding is by now both cerebral and deeply invested in the physical and sensory possibilities of their combined sound, while retaining a melancholic distance. Within this duo there is fluidity - neither is the anchor - and these recordings sound with as much variety as the sea. At times Sparrow Nights carries the clarity and poeticism of still water and open horizon ("This Word Love"), and at others it contains the elemental and ferocious roar of white water breakers on black rocks ("This Time Around"). On their previous three live albums (Ears Are Filled With Wonder (TROST 147LP, 2016), Sex Tape (TROST 163CD, 2017), and Crowmoon (2018)), the duo have developed an intimate and intense language that manifests here as a focus on power and control, where figures blasted of unnecessary decoration are drawn from the shadows and smoke of collapse. The studio setting also allows Brötzmann to bring a broader range of reeds than in live scenarios: where previously he has played primarily tenor, clarinet and tarogato with Leigh, here he delivers the heat of alto and the low pressure of bass saxophone and clarinet. Brötzmann's duo with Leigh continues to trace a fresh new arc in his trajectory, and this release also falls at a time when Leigh releases Throne (EMEGO 257CD/LP), her most song-based record to date. Here as a studio duo they play a new-old blues for times of complexity, noise and chaos, continuing to redefine and re-sound possibilities for improvised music."--JLA.
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TROST 180LP
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LP version; Comes in a heavy, '60s style tip-on cover. Sparrow Nights is the first studio album from the furious duo of pedal steel player Heather Leigh and saxophone legend Peter Brötzmann. Their collaboration has quickly gained a well-earned reputation for their cutting-edge music and frenetic but sensuous playing. Recorded and mastered in Vienna by Martin Siewert. Features artwork by Brötzmann.
"There is complexity in simplicity, and Sparrow Nights is Brötzmann and Leigh's most enduring record to date. A series of emotionally rich and boldly elucidated tonal and timbral exchanges played like compositions on pedal steel and reeds, the tracks (released as a six-track LP and ten- track CD) are cold-forged minimalist blues motifs dragged from instrumental laments. After three years playing together Brötzmann and Leigh's connection and understanding is by now both cerebral and deeply invested in the physical and sensory possibilities of their combined sound, while retaining a melancholic distance. Within this duo there is fluidity - neither is the anchor - and these recordings sound with as much variety as the sea. At times Sparrow Nights carries the clarity and poeticism of still water and open horizon ("This Word Love"), and at others it contains the elemental and ferocious roar of white water breakers on black rocks ("This Time Around"). On their previous three live albums (Ears Are Filled With Wonder (TROST 147LP, 2016), Sex Tape (TROST 163CD, 2017), and Crowmoon (2018)), the duo have developed an intimate and intense language that manifests here as a focus on power and control, where figures blasted of unnecessary decoration are drawn from the shadows and smoke of collapse. The studio setting also allows Brötzmann to bring a broader range of reeds than in live scenarios: where previously he has played primarily tenor, clarinet and tarogato with Leigh, here he delivers the heat of alto and the low pressure of bass saxophone and clarinet. Brötzmann's duo with Leigh continues to trace a fresh new arc in his trajectory, and this release also falls at a time when Leigh releases Throne (EMEGO 257CD/LP), her most song-based record to date. Here as a studio duo they play a new-old blues for times of complexity, noise and chaos, continuing to redefine and re-sound possibilities for improvised music."--JLA.
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TROST 173LP
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Trost have unearthed another gem from the Japanese jazz maestro Akira Sakata, together with Bill Laswell, Hamid Drake, and Pete Cosey. Fisherman's.com was released originally on CD, Japan-only, by Starlets Records in 2001. This release marks its first time on vinyl and available worldwide. Fisherman's.com is Sakata's ode to folksongs of the sea -- an intense personal statement on the fluidity of tradition. Personnel: Akira Sakata - alto saxophone, vocals, synth; Bill Laswell - bass, synth; Hamid Drake - drums; Pete Cosey - guitar.
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TROST 175CD
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Recorded in 2012, Musik Der 135. Aktion, Kuba captures the controversial performance from Herman Nitsch's Orgien Mysterien Theater ("Orgies Mysteries Theater") as part of the Havana Biennial art exhibition. For more than fifty years Nitsch has been an influential and striking figure of Austrian art ("Vienna Actionism"). In his Orgien Mysterien Theater Nitsch uses actors, blood, animal bodies and entrails, fruits, symbolic crucifixion, music, processions, and ritualistic gestures to enact a new form of Gesamtkunstwerk: pagan ceremonies that aim to a kind of collective catharsis. "Dionysos gegen den Gekreuzigten" ("Dionysus against Christ Crucified") was performed by 150 musicians and 30 actors, including the University's Symphony Orchestra ISA and the artist himself, celebrating Afro-Cuban rituals and ceremonies. Released In cooperation with Nitsch Foundation.
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TROST 170CD
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Great dedicated music by four strong individual players, brought together by Rodrigo Amado -- intense communication with room for outbreaking solo-parts but always held together through a vision of playing together, all the time exiting and interwoven with beautiful melodies. Personnel: Rodrigo Amado - tenor saxophone; Joe McPhee - pocket trumpet, soprano saxophone; Kent Kessler - double bass; Chris Corsano - drums.
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TROST 170LP
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LP version. Great dedicated music by four strong individual players, brought together by Rodrigo Amado -- intense communication with room for outbreaking solo-parts but always held together through a vision of playing together, all the time exiting and interwoven with beautiful melodies. Personnel: Rodrigo Amado - tenor saxophone; Joe McPhee - pocket trumpet, soprano saxophone; Kent Kessler - double bass; Chris Corsano - drums.
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TROST 171LP
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Trost presents the first vinyl edition of How To Raise An Ox by Zu and Mats Gustafsson. Initially released on CD in 2005 by Atavistic. Features new cover artwork. Long-running intense jazz/noise-core band Zu from Italy teams up with Viking-saxophonist extraordinaire Gustafsson (The Thing, Fire!). Mastering by Andy Moor (The Ex) and Colin McLean.
Personnel: Mats Gustafsson - baritone saxophone; Luca Tommaso Mai - baritone saxophone; Massimo Pupillo - bass; Jacopo Battaglia - drums.
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TROST 172CD
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Beautiful, insightful improvisation pieces by two master-musicians full of creativity and musical knowledge. Mastered by Jean-Marc Foussat. Liner notes by Ken Vandermark. Artwork by Lasse Marhaug. Personnel: Elisabeth Harnik - piano; Joëlle Léandre - double bass.
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TROST 161LP
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Massimo Pupillo (heavy bass player of ZU) teams up with the mesmerizing voice of Cindytalk, Gordon Sharp. Recorded live at Cafe Oto, UK at their first meeting -- producing haunting music from another sphere. Dark, atmospheric, wondrous. Personnel: Massimo Pupillo - electric bass; Gordon Sharp - voice, computer.
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TROST 158LP
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LP version. Boneshaker are Mars Williams (reeds, toy instruments), Paal Nilssen-Love (drums & percussion) and Kent Kessler (bass), three prolific powerhouse musicians, carrying among them a Grammy nomination and decades of experience with the top ensembles in the world. Thinking Out Loud is their third album. Personnel: Mars Williams - reeds; Paal Nilssen-Love - drums; Kent Kessler - bass.
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TROST 168LP
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London based saxophonist Colin Webster is quickly establishing himself on the European avant-garde scene. Working with a broad range of collaborators, Webster is known for working from extreme sonic palettes -- from minimal to maximal, constantly pushing boundaries. Webster first worked with Dirk Serries on the landmark Endless Voids performance led by Dead Neanderthals at the 2014 Incubate Festival. Since this initial meeting, the two have worked on different collaborations both live and in the studio, a number of these encounters involving the drummer Andrew Lisle. Also based in London, Andrew Lisle's quick and highly textural playing is making him highly in demand in the fertile improvisation community. In turns both propulsive and abstract, Lisle has worked with a number of key UK-based improvisers including Alex Ward, Daniel Thompson, Seymour Wright, and also plays in the Roland Ramanan Tentet, and punk-improv band Shatner's Bassoon. Dirk Serries is hardly your average improvising musician. Even though the man has a fondness for the classic free jazz of the sixties and seventies and the current updates, his own talents lie elsewhere. As a master of texture, a skill which he's been able to forge and refine for more than 30 years (as Vidna Obmana, Fear Falls Burning, Microphonics, with collaborative projects and, more recently, under his own name), he has always been involved in the more abstract, or sound-oriented wing of experimental music. Serries is now less reliant on his trademark effects and loops. A new "naked" language that veers from gentle strumming to scribbling, pointillism, and occasional outbursts of disjointed howls. Pulling from his great experience in the worlds of ambient and industrial music, as well as from masters like Derek Bailey, Serries's approach is improvisation that relies purely on his relationship with his electric guitar, prepared or not. Personnel: Dirk Serries - electric guitar; Andrew Lisle - drums; Colin Webster - baritone and alto saxophone. Mastering by Dirk Serries. Edition of 300. "Kodian Trio ... blasts through, mashing free improv clicks and clatters with free jazz-inspired hoots and hollers, all wrapped up in a waistcoat of gimlet-eyed punk attitude." --Paul Margree, We Need No Swords
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TROST 164CD
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The new album combines again the trademarks of Made To Break: the soulful and grooving play of Ken Vandermark (one of the key musicians/composers in the current free jazz scene) on reeds with the filigran electronic distortions and loops of Christof Kurzmann, with a solid rhythm layer by the young Dutch bassist lloopp Jasper Stadhouders and drummer Tim Daisy. An unusual "jazz" record, fascinating so much the more. Personnel: Ken Vandermark - reeds; Christof Kurzmann - electronics; lloopp Jasper Stadhouders - bass; Tim Daisy - drums. Recorded, mixed, and mastered by Bob Weston.
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TROST 164LP
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LP version. The new album combines again the trademarks of Made To Break: the soulful and grooving play of Ken Vandermark (one of the key musicians/composers in the current free jazz scene) on reeds with the filigran electronic distortions and loops of Christof Kurzmann, with a solid rhythm layer by the young Dutch bassist lloopp Jasper Stadhouders and drummer Tim Daisy. An unusual "jazz" record, fascinating so much the more. Personnel: Ken Vandermark - reeds; Christof Kurzmann - electronics; lloopp Jasper Stadhouders - bass; Tim Daisy - drums. Recorded, mixed, and mastered by Bob Weston.
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TROST 169CD
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Novaks Kapelle were one of the most legendary bands of the Austrian underground, famous and feared for their wild live performances and strict anti-establishment/music-business/audience/everything attitude. They went from raw psychedelic rock in the late '60s to proto-punk to some kind of weird glam/hard rock at the end. 1978 saw later jazz-star guitarist and Gipsy Love member Harri Stojka joining. Beside some bootlegs available on the internet, many labels tried over the years to release an official complete compilation of their works. After Trost sublabel Cien Fuegos reissued their only full album Naked on vinyl in 2013 (CFX 007LP), Trost finally got an agreement to release this double CD. All Novaks Kapelle related material from Hypodermic Needle 7" (1968), Not Enough Poison/Smile Please 7" (1969), Novakskapellelive (1977), Naked (1978), Brennmaterial Für Die 80er (1979), the compilation WienmusikK (1981), and an unreleased bonus track. Personnel: Walla Mauritz - vocals, saxophone, harmonica (1967-1979); Peter Travnicek - bass (1967-1979); Erwin Novak - drums (1967-1979); Harri Stojka - guitar (1978-1979); Paul Braunsteiner - guitar (1970-1979); Helge Thor - guitar (1967-1970). Comes with extensive 24-page booklet, including many band photos and newspaper-clippings from the '60s and '70s. Liner notes by Al Bird Sputnik (Trash Rock Archives). Remastering by Martin Siewert.
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