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01. Sdem - a
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02. Sdem - b
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03. Sdem - c
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11. Sdem - k
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ARTIST
SDEM
TITLE
At Quadrant Park
FORMAT
CD
LABEL
QUADRANT PARK
CATALOG #
QP K
QP K
GENRE
ELECTRONIC
RELEASE DATE
11/14/2025
Quadrant Park is a new label from the makers of frozen reeds (which will continue in its own stream). It exists to present music that demands to reach a little further, occupying new spaces and a new context. For the inaugural release,
SDEM
delivers a live recording with a twist: this set was recorded in early 2024 in a single take to an audience of one, at a now abandoned empty club space beneath a railway arch in Leeds. Following a series of physical and digital releases culminating with
Vortices
(SKALD 038CD) in 2023, SDEM has focused on continuous upgrades to a mutating live set, sporadically performed, for example, alongside the Autechre and Gescom axes. In the phase documented here, the set draws deeply from turntable-era early hip hop and '80s drum machine architecture, resulting in a landscape of tactile slippage: rhythms gripping and releasing, gestural scrubs and stabs, scratching meets musique concrète. Interlocking parts snap in and out of alignment, before recombining on the fly -- kinetic, raw, and precise. The SDEM approach is marked by
Tom Knapp
's sculptural take on sound design, rhythm and texture -- ranging from dystopic ambient passages to pixelated, sub-heavy beats. A member of the Skam circle of atavistic beat freaks since the late '90s, Knapp's sound is that of hyperattentive electronica buried under soil and left to decay (or ferment). What emerges is somehow both ruthlessly futuristic and redolent of decrepit antique engineering.
At Quadrant Park
is presented in an edition of 500 compact discs with artwork by
Robert Beatty
unique to every individual copy. In a warped reflection of the recording circumstances, each copy forms one distinct frame of a short film never to be viewed in its totality. Liner notes are provided by the sole witness to the recording, long-standing SDEM co-conspirator
Ed Martin
, aka
edv3ctor
, while audio was mastered by the ears that matter, frozen reeds mainstay
Jim O'Rourke
.
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