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PRICE:
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PREORDER
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ARTIST
VILLALOBOS/MOHAMMAD REZA MORTAZAVI, RICARDO
TITLE
Swamp (Ricardo Villalobos Version)
FORMAT
LP
LABEL
LATENCY RECORDINGS
CATALOG #
LTNC 036LP
LTNC 036LP
GENRE
ELECTRONIC
RELEASE DATE
6/12/2026
Ricardo Villalobos
runs wild on
Mohammad Reza Mortazavi
's Persian tombak hand drum actions, expanding a four-minute kernel of inspiration into 24 minutes of mesmerizing polyrhythmic traction. From an original "Swamp" piece that practically recalls Ricardo's style of slinky minimal techno sorcery to begin with, the Chilean-German maverick derives a more driving tract of rough-hewn rhythmic grit bound to hypnotize floors for the duration. Accentuating the undulating bass and dialing up the volume whilst retaining the frictional grind of the original, Villalobos gets right inside the groove with typically obsessive tekkerz, plucking out additional string motifs and tempering the flow with signature, taut but sinuous, loosey goosey flex that cross-pollinates cultures and gets right under the skin of the thing. Ricardo Villalobos (b. 1970, Chile) is a pioneering figure in minimal techno, celebrated for his hypnotic and groovy approach to rhythm. Raised in Germany after his family fled Pinochet's regime, Villalobos was drawn early to percussion -- he began playing congas and bongos at eleven, developing a tactile relationship to rhythm that would later inform his distinctive production style. Immersed in both Latin American folk traditions and the emerging house and techno scenes of late-'80s Europe, he began DJing and producing in the early 1990s, quickly achieving cult status within global club culture. Mohammad Reza Mortazavi (b. 1979, Iran) is a virtuoso percussionist known for his groundbreaking work with the tombak and daf, traditional Persian drums that he has radically redefined through new playing techniques. Mortazavi began playing the tombak at the age of six. By nine, he had already outpaced his teacher and won Iran's national tombak competition -- a distinction he would earn six more times. By his early twenties, he was widely regarded as one of the foremost players of the instruments. Since then, his music has continued to evolve, embracing new forms beyond tradition.
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