Search Result for Genre HIPHOP
viewing 1 To 25 of 770 items
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12"
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RMVL 022EP
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$27.00
PREORDER
RELEASE DATE: 4/12/2024
Limited orange vinyl. King Tee aligns producer DJ Pooh on this Bass EP consisting of tracks recorded in 1987. They're joined by The Compton Posse that includes the late Mixmaster Spade and J-Ro from Tha Alkaholiks. This EP sharpens the skillful wordplay King Tee made famous on his debut album Act A Fool. From song to song, this EP has a superior sheen, a tightness and cohesiveness between rhyme and music.
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2LP
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BEWITH 166LP
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Bahamadia's 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With presents the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible vibe from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true '90s hip-hop fanatics. The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-'90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences. With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia's flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Incredibly, only the European and Japanese CD versions of Kollage were released with the brilliantly breezy "Path To Rhythm," featuring Ursula Rucker. Whilst ostensibly a "bonus track," it's anything but. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level," it's absolutely essential. Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years -- and for far too long -- it was a criminally underrated record, an increasingly hidden gem. This Be With double LP reissue has been mastered for vinyl by Simon Francis, cut by Cicely Balston, and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.
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LP
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GET 51280LP
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$36.00
PREORDER
RELEASE DATE: 3/15/2024
"Big Pun remains on the best rappers ever list to this day. Reasons for this weigh largely on his debut Capital Punishment which was released 25 years ago. His commanding voice and rapid-fire delivery make it clear there will never be another Big Pun. Pun was New York. His confidence on the mic made him stand out among his contemporaries. Similarly, the production -- by a cast of many -- remains ever so New York loyal. The close cousins 'I'm Not a Player' and 'Still Not a Player,' may have been the hits off this album but it is packed with so many more that show Pun's true abilities. 'Beware' and 'Dream Shatterer' are great examples of Big Pun at his best, dark cinematic production with just enough room to let him breathe fire. On 'Twinz (Deep Cover)' Big Pun is trading bars with his mentor Fat Joe over a remake of Dr. Dre's classic beat. Here Pun delivers one of his most quoted verses that contains among others 'Dead in the middle of Little Italy little did we know that we riddled some middlemen who didn't do diddly.' There are numerous guest appearances, the best of which include aforementioned Fat Joe (on several tracks), Black Thought of The Roots on the MC showcase 'Super Lyrical,' Prodigy and Inspectah Deck on 'Tres Leches (Triboro Trilogy),' and an extra-insane Busta Rhymes on 'Parental Discretion.'"
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2LP
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GET 51516LP
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"Cappadonna is one of the original members of Wu-Tang Clan absent from their debut album Enter The Wu-Tang due to being locked up at the time of recording. Three years later he would get his chance to shine on Ghostface's debut Ironman. In 1997, Cappadonna was prominently featured on Wu-Tang's second album Wu-Tang Forever. The following year the spotlight was on Cappadonna for the release of his debut album The Pillage. With production overseen by the RZA and Wu producers True Mathematics, True Master, and Goldfinghaz, The Pillage dropped on March 24th, 1998 and was certified Gold one month later. From the classic opening track 'Slang Editorial' reporting on the streets to the closing track 'Black Boy' where Cappadonna spits lyrics about being a free man and rejoining the Wu, The Pillage is another classic Wu solo debut. To commemorate the 25th Anniversary of The Pillage, Get On Down presents, for the first time on vinyl since it was originally released in 1998, a limited edition pressing on double clear with black swirl colored vinyl in printed inner sleeves with a 25th Anniversary commemorative OBI limited to 2000 numbered copies."
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CD
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LEWIS 11667CD
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"Unlike all DJ Yoda's artist albums, Breakfast Of Champions features the same collaborators on every track effectively putting together a band. The genesis of the project was in Manchester, where the legendary Band On The Wall venue asked him to host an artistic residency. He put a call out for local musicians, did auditions, and selected three rappers. Two were local to Manchester -- Truthos Mufasa and Sparkz. They were local legends making up parts of The Mouse Outfit and LVLZ. And the third was Rex Domino from down south, who was a British MC who Yoda thought would gel well with the other guys. They wrote, rehearsed and recorded intensively in Manchester -- performed a memorable series of live shows (including an epic Glastonbury show), and Yoda put the finishing touches to the album back in London after the fact. 'It was such an enjoyable experience' says Yoda. 'Lifelong friendships were made, and most excitingly two of the band members got together (James Breen, drummer, and Claire Northey, violinist) and had two kids! So there are Breakfast of Champions humans out there too!'"
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LP
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LEWIS 11667LP
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LP version. "Unlike all DJ Yoda's artist albums, Breakfast Of Champions features the same collaborators on every track effectively putting together a band. The genesis of the project was in Manchester, where the legendary Band On The Wall venue asked him to host an artistic residency. He put a call out for local musicians, did auditions, and selected three rappers. Two were local to Manchester -- Truthos Mufasa and Sparkz. They were local legends making up parts of The Mouse Outfit and LVLZ. And the third was Rex Domino from down south, who was a British MC who Yoda thought would gel well with the other guys. They wrote, rehearsed and recorded intensively in Manchester -- performed a memorable series of live shows (including an epic Glastonbury show), and Yoda put the finishing touches to the album back in London after the fact. 'It was such an enjoyable experience' says Yoda. 'Lifelong friendships were made, and most excitingly two of the band members got together (James Breen, drummer, and Claire Northey, violinist) and had two kids! So there are Breakfast of Champions humans out there too!'"
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CD
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LEWIS 092DLX-CD
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"Remastered version of Home Cooking, the album that cemented DJ Yoda as a versatile producer and not just a deejay. It now serves as a snapshot of the jazz and soul scene at the time with artists like Nubya Garcia, Eva Lazarus, and Theon Cross going on to break out. Recorded between his own studio and the world-famous Abbey Road, Home Cooking keeps one foot in the Hip-Hop old school with collaborations and the return from Jungle Brothers and Boston bastion Edo. G. Two key singles have been remixed for a bonus 7". 'Roxbury' featuring Nubya Garcia and Edo. G has been given the golden treatment by the legendary Double Dee & Steinski while 'London Fields' featuring Joel Culpepper is reworked by label mates The Still Brothers."
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LP + 7"
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LEWIS 092DLX-LP
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LP version. "Remastered version of Home Cooking, the album that cemented DJ Yoda as a versatile producer and not just a deejay. It now serves as a snapshot of the jazz and soul scene at the time with artists like Nubya Garcia, Eva Lazarus, and Theon Cross going on to break out. Recorded between his own studio and the world-famous Abbey Road, Home Cooking keeps one foot in the Hip-Hop old school with collaborations and the return from Jungle Brothers and Boston bastion Edo. G. Two key singles have been remixed for a bonus 7". 'Roxbury' featuring Nubya Garcia and Edo. G has been given the golden treatment by the legendary Double Dee & Steinski while 'London Fields' featuring Joel Culpepper is reworked by label mates The Still Brothers."
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2LP
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NMG 5780LP
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$31.00
PREORDER
RELEASE DATE: 3/15/2024
"The contributions of the late Detroit producer James DeWitt Yancey -- better known to the world as J Dilla -- to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (alongside rappers T3 and Baatin) Dilla provided the groups distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz and soul samples. After the success of Slum's 1997 studio debut, Fan-Tas-Tic Vol. 1, the group went to work on their follow up. Though the project was completed in '98, label turmoil kept the project on ice until 2000. By the time Fantastic Volume II hit, Dilla was well on his way to his status as a hip hop legend having produced cuts for Common, Busta Rhymes, Erykah Badu, A Tribe Called Quest, and many more. Later works from Slum Village may have had more of an impact sales-wise (in the immediate) but Fantastic Volume II had fans and many critics saying that Slum Village, and Dilla in particular, may single-handedly save rap music. Perhaps that statement is hyperbole but many consider Fantastic Volume II to be Slum Village's, and J Dilla's, finest work ever. Ne'Astra now presents the complete Dilla instrumentals from this landmark release."
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LP
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RFC 001LP
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"Flying Objects is the new collaborative project from indie heavyweights Smoke DZA and Flying Lotus -- featuring Black Thought (The Roots/Jimmy Fallon), Estelle, Conway The Machine, and more. Smoke DZA is a popular independent rapper from New York City who has worked with Big K.R.I.T., Wiz Khalifa, Action Bronson, and ASAP Rocky among others, and is a founding member of the Smokers Club. His album, Rolling Stoned was awarded the High Times Doobie Award for Hip Hop album of the year for 2011. Other popular album releases include Rugby Thompson (produced by Harry Fraud), Dream.Zone.Achieve (features from Cam'ron, Joey Bada$$, Ab-Soul, Wiz Khalifa, Curren$y), and Don't Smoke Rock (produced by Pete Rock). Flying Lotus is a producer, DJ, filmmaker and rapper from Los Angeles who has worked with Kendrick Lamar, Danny Brown, Mac Miller, Chance The Rapper, Blu, and more. He is also the founder of the record label Brainfeeder. He has released seven studio albums. His debut project 1983 dropped in 2006 on Stones Throw Records and his next six projects all came out on Warp Records -- to critical acclaim."
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2LP
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GET 51338C-LP
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"In the late '90s in hip hop, all eyes were on the South -- and the Down South sound reigned supreme. Few groups were as hot as Memphis' Three 6 Mafia. CrazyNDaLazDayz was a regional scorcher when it dropped in 1999, released under the group name Tear Da Club Up Thugs, but essentially a Three 6 Mafia full-length as core Three 6 members DJ Paul, Juicy J, and Lord Infamous all contribute to the project. The record went on to be certified Gold and Three 6 Mafia went on to win an Academy Award for their contribution to the film Hustle & Flow. CrazyNDaLazDayz continues to have an impact. A cut Juicy J first pulled together while still in high school, 'Slob On My Knob,' was utilized in A$AP Ferg's hit 'Plain Jane.' In addition, the cut is interpolated into G-Eazy's most successful cut to date, 'No Limit.' Get On Down brings you this often overlooked and definitely in need of being revisited portion of Three 6 Mafia's legacy."
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LP
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GET 52739LP
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$28.00
PREORDER
RELEASE DATE: 3/15/2024
"Get On Down announces a vinyl reissue of one of the West Coast's most revered, yet underrated, hip-hop classics and quite possibly one of the best hip-hop albums of all time: The D.O.C.'s No One Can Do It Better. Produced entirely by Dr. Dre and out of print on vinyl in the U.S. for several years, this limited-edition colored LP features original album artwork and thirteen tracks of rap heaven. When his debut album hit in mid-1989, The D.O.C. was in the vortex of the biggest hip-hop happening on the planet: the rise and rule of N.W.A. The group's breakout album Straight Outta Compton had hit one year prior and had created both controversy and worldwide critical acclaim. As rap history buffs and industry insiders know, The D.O.C. was a crucial behind-the-scenes member of the N.W.A. inner circle -- his most important role in the early days of the group was writing many of Eazy-E's rhymes, including his hit 1988 single 'We Want Eazy.' He would go on to write for Efli4zaggin, The Chronic, and Doggystyle. But The D.O.C. wasn't in N.W.A. and never wanted to be -- he was his own man, with his own vision. And after Compton proceeded to blow up the next crew album was No One Can Do It Better. Significantly, it was the first album where Dr. Dre showed his greatness as a solo producer for one MC. Boasting four singles -- 'The D.O.C. & The Doctor,' 'Mind Blowin',' the smash 'It's Funky Enough' and 'The Formula' -- the album is flawless from beginning to end. Of particular note beyond the singles is 'The Grand Finale,' which was the last time that Ice Cube, M.C. Ren and Eazy-E would rhyme on a track together. The D.O.C. showed on this amazing record that he was one of hip-hops most talented MCs. He nearly died in a horrific car crash as the album was catching fire in the late summer of 1989 which damaged his vocal cords, but he survived and continues to make new music and act as a sounding board for Dr. Dre to this day. More recently a documentary covering D.O.C.'s life titled The DOC debuted at the Tribeca Film Festival with fans eagerly awaiting a wider release. This album is a must have for any Hip-Hop fan."
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LP
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SOUK 012LP
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Always timely reissue of Muqata'a's first self-released EP from 2017. After years of fertile digital existence on his own Bandcamp, La Lisana Lah now gets a much-deserved tactile version through Souk, the Discrepant sublabel responsible for the already classic Inkanakuntu. One of the most prominent figures of the Palestinian electronic scene, Muqata'a's trajectory has been one of resistance and urgency, leaving a sonic imprint of his own from pretty much the beginning. Without anything tentative or vestigial about its sonic fictions, La Lisana Lah deploys an arsenal of Muqata'a's traits that would be explored on subsequent releases: the glitchy thick textures verging on noise of "Tib Al Huroof," the narcotic broken beats of "Taqdirahu Anta" and "Zyadet Naqs" or the alluring disruptive harmonic suspension of "Dijla Wal Fada," everything cared for with an essential attention to space and evoking the heritage of Palestinian resistance through his use of samples and scales. A visionary from the get go.
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2LP
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GET 51511LP
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"Pressed on blue swirl and orange swirl colored vinyl, packaged in a gatefold jacket with printed fold out lyrics sheet. Originally released in the fall of 1993, Return of the Boom Bap is KRS-One's first official solo album. The album is pure '90s hip-hop filled with KRS-One's trademark conscious raps and storytelling with boom bap beats from the man himself, DJ Premier, Showbiz, and Kid Capri. The album kicks off with a trademark intro leading into 'Outta Here,' a tale about coming up in the '80s with a message to emcees not staying true to their roots. Throughout the album KRS-One tackles corrupt police, fake emcees, religion and provides some comical relief on 'I Can't Wake Up' where he dreams about being a blunt passed around by a who's who of '90s emcees and Bill Clinton! The album was selected as one of The Source's 100 Best Rap Albums and received a four mics rating in The Source in 1993. Get On Down is presents a limited edition pressing of Return of The Boom Bap to commemorate the 30th Anniversary of the blast master's classic debut solo album. Includes the bonus freestyle track 'Hip-Hop vs Rap' that was on the original 'Sound of Da Police' 12"."
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2LP
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GET 51476GRN-LP
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$36.00
PREORDER
RELEASE DATE: 3/1/2024
"Pressed on green vinyl. Project Pat, the older brother of Three 6 Mafia's Juicy J, is a legend in the Memphis rap scene. He began rapping in the '90s with Killa Klan Kaze and released several independent mixtapes. In 1999 he released his debut album Ghetty Green via Hypnotize Minds/Loud Records. In December of 2000, he released a new single and video 'Chickenhead' which blew up on the charts and led to the release of his second album Mista Don't Play: Everythangs Workin. Mista Don't Play was produced by Three 6 Mafia's DJ Paul and Juicy J was certified Gold a mere two months after its release."
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2LP
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GET 52740LP
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"After breaking out of the Bay Area underground scene in the early '90s with I Wish My Brother George Was Here, Del The Funky Homosapien made a radical turn with his sophomore release, '93's No Need For Alarm. Casting aside the familiar G-funk vibe of his debut, perhaps as No Need was produced without the involvement of his cousin Ice Cube and The Boogiemen, he moved into a jazzier -- some would say more East Coast direction with production by the Hieroglyphics crew of Domino, A-Plus, Casual, and Del himself with contributions from the SD50s. The verbal content on No Need shifted as well, moving away from comic interludes and towards a focus on battle raps. No Need For Alarm is one of the three Hiero Golden Age releases (along with Souls of Mischief's '93 til Infinity and Casual's Fear Itself). Though some critics are harsh on No Need For Alarm and claim it's not as strong an effort as Del's debut, many disagree and see this release as being the first where Del really stood out. Regardless of which side of the fence one falls on that topic, it's without doubt that No Need For Alarm has stood the test of time and remains a challenging and uncompromising follow up from one of the most talented and eccentrically gifted artists to ever emerge from the world of West Coast hip hop. To commemorate the 30th Anniversary, Get On Down is presents a limited edition double colored vinyl pressing with a stamped numbered OBI and fold out poster."
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LP
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PJ 017C-LP
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"When Ruff Draft saw its initial release in 2003, J Dilla possessed production skills on par with anyone in hip-hop -- technically and creatively. 'At the top of his game,' says longtime friend and collaborator, Karriem Riggins. After years of building while modestly deferring to others of both greater and lesser notoriety, Dilla finally completed the first solo endeavor on his own label, entirely on his own terms. The significance of such an autonomous success often gets overlooked, and partly accounts for why Ruff Draft is one of the lesser-referenced entries in Dilla's oeuvre. 'It's a mysterious little project,' says his mother, Maureen Yancey. 'But out of his entire career, that was the happiest time.' Prior to recording the EP, Dilla found himself at a crossroads. Estranged from his label, MCA, and separated from the mother of his youngest daughter, frustration abounded both personally and professionally. Dilla spent parts of 2002 and 2003 working on an album for MCA that featured his rapping over contributions from other producers with whom he had connected and whose music he respected. At the time, he was known primarily for his beats, yet reviled for his MCing by most anyone not from his hometown of Detroit. The project was to be an intentional freak of the industry. The project would go on to spur his collaborative album with Madlib, Jaylib, and would first showcase the template that he would take to his greatest heights with 2006's Donuts. The Stones Throw reissue of Ruff Draft from 2008 featured remixes of the songs from the album, done without Dilla's involvement. This version of the album takes Dilla's mixes of the album and restores his vision for the project. 'Straight from the mothafuckin' cassette,' as he phrased the sound he was going for on the EP's intro."
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2LP
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GET 51508G-LP
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"2023 marked the 25th Anniversary of Big Pun's debut Capital Punishment. Big Pun was truly larger than life and sadly passed away at the age of 28, only two months before the release of his sophomore studio album Yeeeah Baby. Yeeeah Baby was released on April 4, 2000, and was executive produced by Fat Joe and a roster of producers including Just Blaze, L.E.S., Buckwild, Younglord, and Sean C among others. The album, which would be Big Pun's final release was certified Gold after three months off the strength of the first two singles 'It's So Hard' and '100%,' and eventually certified Platinum. Get On Down is presents and honors the legacy of Big Pun with a limited-edition vinyl reissue pressed on double A-Side/B-Side colored vinyl and stamped numbered OBI limited to 2000 copies."
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CD
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NSD 240CD
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"Known for weaving together complex rhymes with style, Elzhi has been rapping circles around the competition for more than two decades. After years as a member of iconic group Slum Village, Elzhi's impressive solo career has included projects produced by acclaimed artists like Black Milk, Georgia Anne Muldrow, Khrysis, and Will Sessions. Now, the Detroit emcee is linking with California beat maestro Oh No for the new collaborative album Heavy Vibrato. A multitalented underground hip-hop luminary, Oh No has built a formidable resume behind the boards, crafting tracks for Mos Def, Freddie Gibbs, MF DOOM, Action Bronson, Talib Kweli, Ab-Soul, Danny Brown, and more. Heavy Vibrato is a thrilling showcase for Elzhi's lyrical wizardry and cinematic storytelling, as Oh No breathes new life into a compelling tapestry of jazz samples, producing the entire collection. 'The only thing you need to absorb this experience is an open mind,' says Elzhi. With guest appearances by Blu and Guilty Simpson, Heavy Vibrato taps into an undeniable frequency."
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LP
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NSD 240LP
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LP version. "Known for weaving together complex rhymes with style, Elzhi has been rapping circles around the competition for more than two decades. After years as a member of iconic group Slum Village, Elzhi's impressive solo career has included projects produced by acclaimed artists like Black Milk, Georgia Anne Muldrow, Khrysis, and Will Sessions. Now, the Detroit emcee is linking with California beat maestro Oh No for the new collaborative album Heavy Vibrato. A multitalented underground hip-hop luminary, Oh No has built a formidable resume behind the boards, crafting tracks for Mos Def, Freddie Gibbs, MF DOOM, Action Bronson, Talib Kweli, Ab-Soul, Danny Brown, and more. Heavy Vibrato is a thrilling showcase for Elzhi's lyrical wizardry and cinematic storytelling, as Oh No breathes new life into a compelling tapestry of jazz samples, producing the entire collection. 'The only thing you need to absorb this experience is an open mind,' says Elzhi. With guest appearances by Blu and Guilty Simpson, Heavy Vibrato taps into an undeniable frequency."
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2LP
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GET 51520LP
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"Consisting of MCs A+, Phesto, Opio, and Tajai (with production by A+, Domino, Del the Funky Homosapien, Jay Biz and Casual), East Oakland's Souls of Mischief burst onto the scene in the early '90s with an impact that few other West Coast artists had at the time. Culminating in the release of their classic debut, they created a bouillabaisse that was most parts West Coast swagger but -- similar to The D.O.C. and Cypress Hill - with a sonic approach that could just as well have stepped off the streets of New York City. Recorded in less than two weeks at San Francisco's Hyde Street Studios, 93 'til Infinity doesn't suffer from a single freshman jitter or misstep. It's a fully-realized effort, packed from start to finish with ridiculous lyricism -- all carried out in impressive four-part, tag-team style -- and backed by a wide range of musical possibilities, from hard boom-bap to '70s CTI-jazz-sprinkled grooves. But without worthy music, the group's high-level lyricism could have fallen by the wayside. Digging deep into crates that other producers had yet to mine, the production crew gave the quartet exactly what they needed, with unpredictable rolling basslines, dusty drums and jazz keyboard and horn stabs and swirls. Get On Down is presents a 30th Anniversary pressing of this west coast hip-hop classic on cloudy blue and cloudy yellow vinyl, packaged in a gatefold jacket with liner notes and a commemorative 30th Anniversary stamped numbered OBI."
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LP
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BYH 015LP
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"Otis Jackson Jr. aka Madlib is one of hip hops most inspirational producer. With self-produced classic releases such as Quasimoto, Madvillain (with MF Doom), PiƱata (with Freddie Gibbs), Jaylib (co-produced with the great J Dilla), and Bad Neighbor (with Blu and MED), he proves he is in his own lane and the best at loop digging. Madlib doesn't disappoint and delivers heavy bangers on his new release Flying High Instrumentals. LMD (LMNO, MED, DECLAIME) provided a solid performance on the vocal version of 'Flying High' with stellar bars throughout the album, so it's only right BYH provides the beats to vibe to from the sensei himself, Madlib the Bad Kid."
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7"
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GET 786EP
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"One of the greatest hip-hop singles to be released in 1993 -- reissued as a limited edition 7" vinyl single. 'Down With The King' featuring Pete Rock and CL Smooth is pressed on red and clear colored vinyl in a picture sleeve with 'Come On Everybody' feat Q-Tip on the B-Side."
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LP
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GET 51509G-LP
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"Thirty years ago on May 4, 1993, Run-DMC made one of the greatest comebacks in hip-hop history with the release of their sixth studio album Down With The King. In 1991, a 12" remix came out for the single 'Back From Hell' featuring Chuck D and Ice Cube and fans took notice. It would be two more years before anyone would hear from Run-DMC again. In March of 1993, a new single and video 'Down With The King' debuted on Yo! MTV Raps featuring the new Hip-Hop Gods Pete Rock and CL Smooth paying homage to The Kings calling back verses from Sucker MCs over a dope signature Pete Rock beat. Fans watched it over and over to catch all the cameos, everyone from Eazy-E to the Native Tongues Family of De La Soul and A Tribe Called Quest. The anticipation was building, but would the album live up to the lead single that knocked it out of the park? On May 4, 1993, the album dropped on CD, cassette, and vinyl. Run-DMC enlisted The Bomb Squad from Public Enemy, Q-Tip, EPMD, Jermaine Dupri, Kay Gee of Naughty By Nature, and Pete Rock to produce the album with a special appearance by Tom Morello rocking out his guitar emulating DJ scratches he made famous with Rage Against The Machine. Their rhyming was as enthusiastic and powerful as they were on their debut album ten years prior. Run-DMC, the self-proclaimed Kings of Rock and original Kings of Hip Hop were indeed back. Get On Down is presents for the first time on vinyl since its original release, a 30 Year Anniversary pressing on double-colored vinyl with numbered OBI in a gatefold jacket."
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LP
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CSKNOE 074LP
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"Gary Davis is the polymath behind Chocolate Star Records, the label he started in Camden, New Jersey. He is one of the first people to record rap music, with NYC maverick Peter Brown and on his own. Before that, he made disco. But he's also steeped in the jazz tradition. Gary made 200 copies of this record for Chocolate Star. It is a funky jazz set he recorded live on October 31, 1976 at New Jersey's Glassboro State College (today's Rowan University). Gary's an inspiration, for still believing in music that comes from and finds its way back to the fringes. 'I want people who are out there struggling to know: Do not depend on other people having control over your destiny. If you wanna do it, do it!' he says, Gary told the Palm Beach New Times many years ago. 'The best part is doing it, so why worry about all this other nonsense? I've always felt that way, but now I have the evidence to back up what I've been telling people all along. It gives me the credibility I deserve.'"
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