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Search Result for Genre HIPHOP
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2LP
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ACRE 070LP
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$22.00
PREORDER
RELEASE DATE: 2/7/2020
2017 release. Rocks FOE returns to Black Acre with the eight-track project Fight The Good? Fight, a dark and conceptual record built around the notion of, according to Rocks himself, "everything being an internal and external battle". A powerful lyricist and complex storyteller, Rocks' sound combines hyper-fierce spitting with his own, abstract beat sketches. Having released his impressive debut EP, Legion, back in 2015 -- a raw, self-produced grime-rap hybrid -- he has since remained dormant to the outside world, bar a quick-fire feature on Commodo's How What Time LP in 2016 (ACRE 007LP). Written over the course of that period and entirely self-produced, Fight The Good? Fight digs deeper than ever before into Rocks' psyche, drawing on both religious elements -- "I was more or less force fed it when I was younger" -- and his own experiences for much of its lyrical inspiration. He talks money, love, confusion, happiness, and ambition to tell the story of his own every day battles. Musically, Fight The Good? Fight also broadens horizons, with Rocks widening his scope to take in sounds from beyond the sprawling urban landscape of his home town of Croydon. On tracks like "Nitty Gritty" and "Into My Own Hands" for example, the two tracks that bookend the record, he flows at trademark lightning speed over crunchy rap beats, but it's on cuts like "Downpour" and the wandering spoken-word of "Red Hand Of Ulster" that he unmasks a new, more vulnerable guise. Toning down his flow to reflect and take stock, it is in these solemn, inward moments that Rocks shines the brightest. Comfortable spitting acapella, off-beat or even in spoken word -- over straight-up rap beats or woozy Commodo instrumentals -- he has long been considered one of the UK's most compelling young lyricists, but on Fight The Good? Fight, Rocks addresses his demons, calls out bullshit, and comes of age proper. "Downpour" features Secaina.
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2LP
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ACRE 007LP
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$20.00
PREORDER
RELEASE DATE: 2/7/2020
Commodo, one of the UK underground's best-regarded producers, returns with How What Time, following his impressive 2015 collaborative double-12" with Kahn and Gantz (Deep Medi Musik). An artist with deep roots in bass music's history and present, Commodo experiments with a variety of underground elements, using components of hip hop, grime, dubstep, and more. On his debut album he pushes his sound further while managing to uphold the basic formula of space and bass. Continuing to add a thoughtful touch to the deeper ends of UK bass music, How What Time sees Commodo create deeply meditative jams that harness a raw energy and sub-bass power. Made in several different places in the UK, Turkey, and Germany, the album sees Commodo fuse the UK's raw and vibrant grime and hip hop scene, as heard in the fierce and murky soundscapes of "Itchin" with an unmistakable vocal from Trim. The album's standout track "Set It Straight" features Croydon's fast-rising rapper and beatmaker Rocks FOE, and like Commodo's 2014 Jme-featuring hit "Shift," is an instant underground anthem. Commodo blends Madlib-style hip hop beats with the fierce spirit of grime, while the addition of Rocks FOE's straight-talking charisma and energetic flow transitions "Set It Straight" into an up-tempo head-banger. Commodo's inherently unique and accomplished production style has earned him recognition right from the outset of his ascendancy, garnering attention from a host of key figures within the electronic community. While making How What Time he sought to "strike a balance between a sample-heavy, rap style sound palette and the energy of the 140bpm based music." From the tough bass weight of his dancefloor-leaning productions to the tonally rich and immersive qualities of the album's more intricate tracks, How What Time maintains a resounding freshness throughout.
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2LP
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TEG 78504LP
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2020 repress. "There are very few albums across any genre that stand the test of time better than 93 'Til Infinity, the classic debut record from the Hieroglyphics crew's very own Souls of Mischief. In an era where gangsta rap and G-Funk dominated the West Coast rap scene, Souls broke ground on a completely unique and thoroughly west coast sound. While the Dr. Dre's and the Snoop Doggs were garnering much of the mainstream attention, Souls were quietly forging a charismatic, critically acclaimed, and cohesively shaped record that when categorized, sounded much closer to A Tribe Called Quest than N.W.A. The sound of their debut is characteristic of the distinct style explored by the collective, including a rhyme scheme based on internal rhyme and beats centered around a live bass and obscure jazz and funk samples."
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LP
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NMG 3202110LP
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$25.00
PREORDER
RELEASE DATE: 1/31/2020
LP version. Volume 2 of a two volume set. Red vinyl.
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2LP
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GET 51311LP
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$31.00
PREORDER
RELEASE DATE: 1/31/2020
2020 repress. "dead prez may have been slightly ahead of their time during their golden years, but that is definitely meant as a compliment. Sermonizing Black Nationalism, Pan-Africanism and the benefits of a healthy and just lifestyle during the height of the Bad Boy / Roc-AFella era of nihilistic excess in the late '90s, they also signed to a major label (Loud / Columbia) despite leaning much more towards the burgeoning indie aesthetics of the day. But this was a good thing -- using major label muscle to wake up righteous hip-hop fans who might have fallen asleep at the wheel. The group itself -- consisting of MCs stic.man and M-1, who produced or co-produced most of the duo's music -- was formed in Tallahassee, Florida in the early 1990s (M-1 originally hailed from Brooklyn). By later that decade, the duo had started making significant waves, having their music heard on the soundtracks to Soul In The Hole and Slam, as well as appearing on albums by Big Pun and The Beatnuts. By 1998, they released their first official single, the serious, stark 'Police State,' on Loud, appropriately brought to the label by Lord Jamar of Brand Nubian. After building a solid rep over the next two years with fiery live performances, in 2000 they unleashed their debut album, Let's Get Free. The album was a welcome return to provocative and often radically political rhetoric that hearkened back to hip-hop forebears including The Coup, Public Enemy and KRS-One (as well as poetic descendants like the Last Poets and Watts Prophets). Let's Get Free was critically acclaimed and benefited from multiple singles, including the infectious, thick analog drive of 'Hip-Hop' (which became the de facto theme song for 'Chappelle's Show'); 'It's Bigger Than Hip-Hop,' with a remix co-produced by a young Kanye West; 'Mind Sex' (with Abiodun Oyewole of the Last Poets); and the poignant 'I'm An African.' But the singles weren't the only worthy songs, as just about every cut here has deeper meaning than most full albums by their early 2000s peers. Highlights: the thought-provoking, anti-drug album opener 'Wolves'; 'We Want Freedom' (co-produced by frequent collaborator Hedrush); 'They Schools' and 'Propaganda' (co-produced by Lord Jamar, one of five songs he assisted on). All in all, this is one of the more underrated and possibly Top 5 fully-realized political hip-hop albums of all time. If you don't agree with the previous sentence, give Let's Get Free another listen... you might be surprised at how well it has held up over the years."
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CD
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NMG 3202028CD
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"Live jazzy orchestral interpretations of the Jay Dee aka J Dilla produced Slum Village classic Fantastic Vol 2! The contributions of the late Detroit producer James DeWitt Yancey -- better known to the world as J Dilla -- to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (alongside rappers T3 and Baatin) Dilla provided the group's distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. Against the backdrop of Dilla's rich production, T3 and Baatin's free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest. All these elements would come together in a truly prodigious fashion in the early '00s, when Dilla and Slum Village would release their second studio album Fan-Tas-Tic Volume 2. The group had already made critically acclaimed waves with Volume 1, but few could have predicted at the time of its release that Dilla's production, which combined portions of alternative, gangsta, and soul hip-hop, meshed with T3 and Baatin's deft lyrical flows, would become such a far-reaching influence. Artists like D'Angelo and Erykah Badu have name-checked Fan-Tas-Tic Volume 2 as a key influences, while The Roots' drummer ?uestlove declared that they hands down '...birthed the neo-soul movement.' Enter the Abstract Orchestra. Helmed by composer and saxophonist Rob Mitchell, this 18-piece ensemble has become renowned for their distinct sound, which reinterprets some of the most famous hip-hop productions of all time (right on down to the sample material) into a unique blend of big band jazz and live hip-hop. The group has toured alongside the likes of John Legend, Amy Winehouse, and Adele among others, and have provided live backup for Mos Def, and many more. They previously have released orchestral versions of revered hip-hop record Madvillian and a tribute to Dilla to critical acclaim as well. On this, the 20th anniversary of Fan-Tas-Tic Volume 2's release, the Abstract Orchestra are proud to pay tribute to this highly innovative hip-hop classic. Across two volumes of vinyl and a 2-CD set of studio recordings, the big band applies their own jazzy spin to Dilla's classic productions, with occasional assistance from the surviving members of Slum Village themselves. The end result is Fantastic 2020, a hybrid blend of smooth, funky brass rhythms with boom-bap sensibilities that is just the kind of tribute that an often unsung, but highly influential group like Slum Village deserves, and is a more than welcome addition to any Dilla completist's library."
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LP
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NMG 3202011LP
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$25.00
PREORDER
RELEASE DATE: 1/31/2020
LP version. Volume 1 of a two volume set. Blue vinyl.
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2LP
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GET 51451LP
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"Few hip-hop artists have achieved the same level of critical acclaim and praise that 90s veteran and Queens native Nasir 'Nas' Jones has. Across his over 25-year career he has been ranked as one of the greatest rap performers and lyricists by MTV, The Source, and Complex, among other publications, all while selling over 30 million records worldwide, and releasing eight consecutive platinum albums. In particular, his 1994 debut Illmatic is hailed as a paragon of underground hip-hop, a turning point in East Coast rap's development, and one of the all-time greatest debut albums in general. Though Nas' artistic legacy is without question, it was not always the case; if Nas had flourished during the mid-90s, he had stumbled clumsily while transitioning into the 00's. After achieving universal praise via Illmatic and commercial success with its' follow-up It Was Written, Nas' next few releases were considered inconsistent and lackluster compared to the critical one-two punch they followed. During this time period he had abandoned the socially-conscious and philosophical topics that made him a critical darling in favor of more commercially viable gangsta rap. Though he maintained a chart presence for much of the late-90s, review scores began to dwindle, and his status among the hip-hop community was thrown into question. This would change in 2001 with the release of Nas' fifth studio full-length, which made the effort to re-establish him as a legitimate artist. Eschewing the pop-friendliness he'd found success with, Nas instead opted to return to the underground style he came up in, with tracks about American politics, ghetto life, and social upheaval. Perhaps sensing this need to return to his roots, he titled the album Stillmatic, a clear and present reference (and sequel of sorts) to Illmatic. The ploy worked perfectly; Stillmatic was hailed by critics as a stunning comeback, and a brilliant return to form, earning rave reviews from rap outlets such as The Source and HipHopDX as well as from more mainstream publications as The Rolling Stone and The Village Voice. Praise was heaped upon the complexity and introspective nature of Nas' lyrical content, the top-tier production from veterans like Large Professor, DJ Premier, L.E.S., and Trackmasters, and hard-hitting guest appearances from AZ, Mary J. Blige, and Amerie. Stillmatic would see release on December 18th of 2001, right as Nas was caught in the middle of a highly publicized feud with fellow New York rapper Jay-Z. As such, the record features one of the feud's most intense apexes in the form of its second track 'Ether', a ruthless Ron Browz-produced diss track. A response to Jay-Z's own diss 'Takeover', 'Ether' savaged the Brooklyn-native, accusing him of brown-nosing to get ahead, of plagiarizing earlier rappers such as Notorious B.I.G. and KRS-One, and dismissing his street cred. To this day 'Ether' is considered one of the best and most potent diss tracks ever recorded, a major turning point in the Nas/Jay-Z feud, a standout among the already critically acclaimed Stillmatic, and is even credited with boosting Jay-Z's career by proxy. "
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LP
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MI 012LP
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Mutual Intentions present Mutual Friends -- their first compilation. The compilation is put to life by Stian Stu from Mutual Intentions and features top notch, jazzy hip-hop beats from producers such as FloFilz, Bluestaeb, Fredfades, Elaquent, Ol' Burger Beats, SRAW, 10.4 ROG, Yogisoul, and many more. Artwork by Boiler Room's own Joe Prytherch. Also features Jake Milliner, ShunGu, Jabar Ligla, Brainorchestra, Ol' Burger Beats, Kristoffer Eikrem, and The Galactic Suite. High quality laquer cut LP pressed at Optimal Media.
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12"
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GET 51314EP
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New lower pricing; previously a Black Friday RSD release. "30 years ago, a booming sound was heard rumbling out of Philadelphia, PA. Starting with a trebled-out but thunderous TR-909 drum pattern and galloping forward with little more than a young man's nasal, arrogant flow, that blast was Schoolly-D's 'P.S.K. What Does It Mean'? Released on his own Schoolly-D Records label in 1985, the song was -- and still is -- too powerful and unique to ignore. It took the rap world by storm that year, presenting a counterpoint to Melle Mel's more socially-conscious 'The Message'; literally inventing 'Gangsta Rap.' Schoolly was a musician, drum-programming wizard and force of nature, and he would go on to shock the world with his in-your-face approach to making music -- as bombastic lyrically as he was musically. He simply gave no f*cks, and listeners were drawn into his street-influenced vortex of 'b-boy rhyme and riddle.' As noted in the liner notes to this special release: 'The demand [for "P.S.K."] was so large that nationwide bootlegging was a major distribution avenue, albeit an unpaid one. "Those bootleggers made me big because, when it came down to it, I didn't have the money to get the records out there," Schoolly says. "The person who helped me figure that sh*t out was Luke [Luther Campbell of 2 Live Crew and Luke Skyywalker Records]. He took me all over Miami and showed me all the different bootlegged versions of my own records. It was crazy."' On the flipside of 'P.S.K.,' Schoolly gave the world another classic: 'Gucci Time.' Flexing brutal brag muscles, it was another gangsta masterpiece, furthering his legend and bringing even more 909 boom to the still expanding rap world. The opening lines are still quoted by scholars of the game today: 'Lookin' at my Gucci / It's about that time.' Get On Down presents this classic for the first time in deluxe form, which is also fully Schoolly-approved: a custom 12-inch sleeve adorned with Schoolly-D's famed artwork; unique split clear & yellow vinyl; a liner notes insert featuring Schoolly's own look back on the year 1985 as told to author Brian Coleman; and a unique sticker sheet with 8 images taken from the artwork on this 12-inch cover (which was first seen on his early 12-inches, as well as his 1985 Schoolly-D EP and 1986's Saturday Night: The Album)."
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2LP
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GET 51306LP
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2020 repress. "Big Pun remains on the best rappers ever list to this day. Reasons for this weigh largely on his debut Capital Punishment. His commanding voice and rapid fire delivery make it clear there will never be another Big Pun. Pun was New York. His confidence on the mic made him stand out among his contemporaries. Similarly, the production -- by a cast of many -- remains ever so New York loyal. The close cousins 'I'm Not a Player' and 'Still Not a Player,' may have been the hits off this album but it is packed with so many more that show Pun's true abilities. 'Beware' and 'Dream Shatterer' are great examples of Big Pun at his best, dark cinematic production with just enough room to let him breathe fire. On 'Twinz (Deep Cover)' Big Pun is trading bars with his mentor Fat Joe over a remake of Dr. Dre's classic beat. Here Pun delivers one of his most quoted verses that contains among others 'Dead in the middle of Little Italy little did we know that we riddled some middlemen who didn't do diddly.' There are numerous guest appearances, the best of which include afore mentioned Fat Joe (on several tracks), the Roots' Black Thought on the MC showcase 'Super Lyrical,' Prodigy and Inspectah Deck on 'Tres Leches (Triboro Trilogy),' and an extra-insane Busta Rhymes on 'Parental Discretion.'"
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12"
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MMS 033EP
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"This exclusive 12-inch release features 'Half Manne Half Cocaine' and 'Palmolive' from Bandana, the critically acclaimed best-seller from Freddie Gibbs and Madlib. In addition to full instrumentals for both selections the set includes the Madlib bonus beats 'Zebras In The Myst' and 'Night Vision' not found anywhere else."
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2CD
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MMS 034CD
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Double-CD issue contains a bonus disc with the Madlib instrumentals. "The Professionals - Beats by Madlib. Raps by Oh No. Real. Rap. Shit. Featuring Adub, Elzhi, Chino XL. Madlib is a highly regarded and influential hip-hop producer and occasional rapper, who has left his distinct and stylized sound on classic tracks and critically beloved albums by the likes of MF DOOM (Madvillain), J Dilla (JayLib), Talib Kweli (Liberation), Georgia Anne Muldrow (Seeds), and more. Madlib's collaborations with rapper Freddie Gibbs (Piñata & 2019's Bandana) are some of the most acclaimed hip-hop records of the past decade, and his various DJ mix compilations (Madlib Medicine Show, Beat Konducta) have earned high praise from a variety of journalistic sources. Oh No is a rapper and producer who has left his mark across a wide swath of releases. His 2006 concept album Exodus Into Unheard Rhythms (which exclusively sampled the works of musical theatre composer Galt MacDermot) was highly acclaimed upon its release, as well as his various crate-digging DJ mix projects (Dr. No's Oxperiment, Dr. No's Ethiopium). He has produced tracks for the likes of Danny Brown, Action Bronson, Aloe Blacc, Talib Kweli, and Prodigy, while contributing guest verses to tracks by Czarface, Apathy, Murs, Little Brother, and more."
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LP
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MMS 034LP
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LP version. Housed in a die-cut, embossed jacket exclusive to the first pressing. The Professionals - Beats by Madlib. Raps by Oh No. Real. Rap. Shit. Featuring Adub, Elzhi, Chino XL. Madlib is a highly regarded and influential hip-hop producer and occasional rapper, who has left his distinct and stylized sound on classic tracks and critically beloved albums by the likes of MF DOOM (Madvillain), J Dilla (JayLib), Talib Kweli (Liberation), Georgia Anne Muldrow (Seeds), and more. Madlib's collaborations with rapper Freddie Gibbs (Piñata & 2019's Bandana) are some of the most acclaimed hip-hop records of the past decade, and his various DJ mix compilations (Madlib Medicine Show, Beat Konducta) have earned high praise from a variety of journalistic sources. Oh No is a rapper and producer who has left his mark across a wide swath of releases. His 2006 concept album Exodus Into Unheard Rhythms (which exclusively sampled the works of musical theatre composer Galt MacDermot) was highly acclaimed upon its release, as well as his various crate-digging DJ mix projects (Dr. No's Oxperiment, Dr. No's Ethiopium). He has produced tracks for the likes of Danny Brown, Action Bronson, Aloe Blacc, Talib Kweli, and Prodigy, while contributing guest verses to tracks by Czarface, Apathy, Murs, Little Brother, and more."
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LP
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GET 52736C-LP
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Deluxe green and orange splatter-colored vinyl "Possessing lyrics heavily focused on political and social justice, inspired heavily by West Coast gang culture and Islam, Da Lench Mob made waves throughout the hip-hop scene when they first appeared on the track 'Rolling With Da Lench Mob', off Ice Cube's famed 1990 solo record AmeriKKKa's Most Wanted. Initially, the titular 'Lench Mob' of the track namesake referred to Ice Cube as well as the other participating rappers, but J-Dee, Shorty, and T-Bone would adopt the name for their own in time. Their standout appearance on the Ice Cube track would earn the trio critical interest, (as well as shout-outs on Ice Cube's 1991 follow-up Death Certificate) and generate palpable anticipation for a studio album of their own. Guerillas In Tha Mist, their 1992 debut record, was recorded in the wake of the Rodney King riots, taking its name from infamous comments made during the riots. The record was uncompromising and confrontational in its depictions of urban decay and an unjust system wreaking havoc on an economically disadvantaged Black population. It was starkly realistic (bordering on abrasive) in the content of tracks like the armed revolution-advocating 'Freedom Got An A.K.', the kill-your-idols style of 'You And Your Heroes', and the anti-pusher anthem 'All On My Nut Sac'. These harsh manifestos were made all the more smooth via Ice Cube's jazzy G-funk and Bomb Squad-influenced production, which sampled heavily from classic songs by Parliament, Kool & The Gang, The Incredible Bongo Band, and even Vangelis. Cube himself would make guest appearances throughout the record, as well as an appearance by B-Real of Cypress Hill on the track 'Ain't Got No Class'. Guerillas In Tha Mist was a Billboard success upon its release, reaching #24 on the Billboard 200, and rendering rap radio hits out of its title track and 'Freedom Got An A.K.', but Da Lench Mob would fall into obscurity over the years, eventually going their separate ways after creative differences, financial rifts, and the life conviction of rapper J-Dee for suspected murder in 1993. Despite their loss of commercial fortunes, Guerillas In Tha Mist would develop a strong reputation as an unheralded gem among hip-hop heads, and would be considered one of the great lesser-known releases of the era among critics (in 2018 Complex would declare the title track as one of the 100 Best L.A. Rap Songs). Decades after its initial release, and in tribute to the memory of Da Lench Mob member Shorty, who passed in 2019, Get On Down now presents an exclusive LP reissue of Guerillas In Tha Mist, which previously was only released officially on wax in Europe. Remastered audio and a painstakingly recreated full color jacket."
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Cassette
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SUC 033CS
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Program 02 includes a selection of Turkish rap from tape-only releases between 1986-1995. German/Turkish band Cartel's self-titled debut album (1995), set the standards for Turkish rap, both in terms of production and lyrical content. This mixtape compiles rap music that came out before Cartel's debut which are mostly studio projects. Lyrically this period is the era of covers and comedy rap. Topics include daily matters, politics, school, urban life, and rapid changes in culture. Previously released as a short online mixtape, now finalized for Sucata Tapes as an hour-long set with more tracks from the era. Mixed and compiled by Grup Ses.
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CD
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LEWIS 007CD
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"While Edan's critically acclaimed debut, Primitive Plus, was a celebration of hip-hop's golden age and a true throwback, his sophomore album, Beauty And The Beat, is a vast musical collage that contains many different influences; hip-hop, rock, pop, dusty breaks, hazy loops, luxurious off-kilter samples and curveball tempo changes that are all crafted into one cohesive piece of art. In 2015, FACT placed it at number 30 on the '100 Best Indie Hip-Hop Records of All Time' list. In 2013 NME placed it at number 392 on the '500 Greatest Albums of All Time' list."
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2LP
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TEG 78503LP
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2019 repress; 2010 reissue. "Camp Lo's first record, which did not disappoint. It struck the perfect balance between club tracks and underground bangers for the mixtape crowd. Critically acclaimed and fan approved, this late '90s album must-have was complimented by the incredible cover art illustrated by legendary NYC graffiti artist Dr. Revolt that paid homage to Marvin Gaye's 1976 classic I Want You. It's hard to believe in the time of Puffy's heyday, Camp Lo had developed and delivered a style of hip hop that was not only fresh and creative, but also straight up dope. Flipping intricate rhyme styles over some of Rap's finer beats, the fact that Camp Lo got main stream radio play and love from big time club DJ's is a testament to the essence of what hip hop was once about: raw talent and originality! Remastered from the original tapes and pressed on loud double vinyl."
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LP
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GET 51304LP
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2019 repress; white vinyl. "In the 4 years after The Clipse dropped their sophomore classic Lord Willin' the duo was able to build a legacy that had fans hungry for new material. After the smoke cleared and they hit the studio the Virginia brothers recorded the confidently mature sophomore effort, Hell Hath No Fury. Best known for their unconventional radio smash 'Grindin',' Clipse are no strangers to taking risks with the boundary-pushing Neptunes, who return as trusted co-pilots for Hell Hath No Fury. As always the duo is right at home over The Neptunes crafted beats which perfectly embrace Pusha's inventive drug-game metaphors and Malice's soul-baring confessionals. Get On Down now proudly issues this Neptunes produced favorite on LP for the first timel."
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CD
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SIL 011CD
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"Czarface, iron clad crime fighter, heroically returns to his lair after two spine-chilling adventures with MF Doom and Ghostface Killah. In his secret hideout, he has whipped up a few uncanny surprises for longtime Czar fans... expect curveball concepts, solo exploits, and noggin nodding neck-snappers alike. The Odd Czar Against Us launches this winter on compact disc and vinyl, and Czarface goes full Voltron, employing every asset in his arsenal, maximizing lyrical efforts from Inspectah Deck & Esoteric and pulse-pounding production from in house beatsmith 7L & Jeremy Page. This album stands to be the group's most ambitious and challenging effort to date. Are the odds against him this time, or are they against the underworld? Tune in to find out!"
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LP
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SIL 013LP
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LP version. "Czarface, iron clad crime fighter, heroically returns to his lair after two spine-chilling adventures with MF Doom and Ghostface Killah. In his secret hideout, he has whipped up a few uncanny surprises for longtime Czar fans... expect curveball concepts, solo exploits, and noggin nodding neck-snappers alike. The Odd Czar Against Us launches this winter on compact disc and vinyl, and Czarface goes full Voltron, employing every asset in his arsenal, maximizing lyrical efforts from Inspectah Deck & Esoteric and pulse-pounding production from in house beatsmith 7L & Jeremy Page. This album stands to be the group's most ambitious and challenging effort to date. Are the odds against him this time, or are they against the underworld? Tune in to find out!"
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LP
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SIL 011LP
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RSD Black Friday 2019 release. "Czarface's all new release debuts on RSD Black Friday in a never to be repeated green vinyl pressing. The variant cover is exclusive for Black Friday and will not be used on any other issue of the release. Czarface, iron clad crime fighter, heroically returns to his lair after two spine-chilling adventures with MF Doom and Ghostface Killah. In his secret hideout, he has whipped up a few uncanny surprises for longtime Czar fans... expect curveball concepts, solo exploits, and noggin nodding neck-snappers alike. The Odd Czar Against Us launches this November for RSD Black Friday on green vinyl, and Czarface goes full Voltron, employing every asset in his arsenal, maximizing lyrical efforts from Inspectah Deck & Esoteric and pulse-pounding production from in house beatsmith 7L & Jeremy Page. This album stands to be the group's most ambitious and challenging effort to date. Are the odds against him this time, or are they against the underworld? Tune in to find out!"
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2LP
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GET 51333LP
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RSD Black Friday 2019 release. "Pressed on silver-colored vinyl! Few hip-hop artists have achieved the same level of critical acclaim and praise that 90s veteran and Queens native Nasir 'Nas' Jones has. Across his over 25-year career he has been ranked as one of the greatest rap performers and lyricists by MTV, The Source, and Complex, among other publications, all while selling over 30 million records worldwide, and releasing eight consecutive platinum albums. In particular, his 1994 debut Illmatic is hailed as a paragon of underground hip-hop, a turning point in East Coast rap's development, and one of the all-time greatest debut albums in general. Though Nas' artistic legacy is without question, it was not always the case; if Nas had flourished during the mid-90s, he had stumbled clumsily while transitioning into the 00's. After achieving universal praise via Illmatic and commercial success with its' follow-up It Was Written, Nas' next few releases were considered inconsistent and lackluster compared to the critical one-two punch they followed. During this time period he had abandoned the socially-conscious and philosophical topics that made him a critical darling in favor of more commercially viable gangsta rap. Though he maintained a chart presence for much of the late-90s, review scores began to dwindle, and his status among the hip-hop community was thrown into question. This would change in 2001 with the release of Nas' fifth studio full-length, which made the effort to re-establish him as a legitimate artist. Eschewing the pop-friendliness he'd found success with, Nas instead opted to return to the underground style he came up in, with tracks about American politics, ghetto life, and social upheaval. Perhaps sensing this need to return to his roots, he titled the album Stillmatic, a clear and present reference (and sequel of sorts) to Illmatic. The ploy worked perfectly; Stillmatic was hailed by critics as a stunning comeback, and a brilliant return to form, earning rave reviews from rap outlets such as The Source and HipHopDX as well as from more mainstream publications as The Rolling Stone and The Village Voice. Praise was heaped upon the complexity and introspective nature of Nas' lyrical content, the top-tier production from veterans like Large Professor, DJ Premier, L.E.S., and Trackmasters, and hard-hitting guest appearances from AZ, Mary J. Blige, and Amerie. Stillmatic would see release on December 18th of 2001, right as Nas was caught in the middle of a highly publicized feud with fellow New York rapper Jay-Z. As such, the record features one of the feud's most intense apexes in the form of its second track 'Ether', a ruthless Ron Browz-produced diss track. A response to Jay-Z's own diss 'Takeover', 'Ether' savaged the Brooklyn-native, accusing him of brown-nosing to get ahead, of plagiarizing earlier rappers such as Notorious B.I.G. and KRS-One, and dismissing his street cred. To this day 'Ether' is considered one of the best and most potent diss tracks ever recorded, a major turning point in the Nas/Jay-Z feud, a standout among the already critically acclaimed Stillmatic, and is even credited with boosting Jay-Z's career by proxy. Now in 2019, decades after the record's release, Get On Down proudly brings you this deluxe LP reissue. Stillmatic has never been repressed on vinyl since its original 2001 release, and is now presented with remastered audio, and pressed on silver-colored wax just in time for Record Store Day Black Friday!"
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LEWIS 103LP
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RSD Black Friday 2019 release. "Available for the first time on vinyl since 2011. While Edan's critically acclaimed debut, Primitive Plus, was a celebration of hip-hop's golden age and a true throwback, his sophomore album, Beauty And The Beat, is a vast musical collage that contains many different influences; hip-hop, rock, pop, dusty breaks, hazy loops, luxurious off-kilter samples and curveball tempo changes that are all crafted into one cohesive piece of art. In 2015, FACT placed it at number 30 on the '100 Best Indie Hip-Hop Records of All Time' list. In 2013 NME placed it at number 392 on the '500 Greatest Albums of All Time' list."
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DTW 055LP
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While jazz and funk are at the core of Michele Manzo's musical foundation, the Italian artist deftly draws upon his inspirations in hip-hop, dub, and Brazilian music as both an instrumentalist and producer. But above genres, inimitable grooves are the key driver of his work, and in his grooves one can hear the vibe of a moment being captured and perpetuated for eternity. With this combination of musical depth and raw feeling, it is no surprise Michele has crossed paths with Darker Than Wax, and the label present his new LP All Rise. All Rise is a genuine reflection of Manzo's art form, which sees so many different styles and influences coming together in the most natural, organic way. Everything was recorded live using bass, synth bass, guitar, old analog keyboards, blended together with modern synths, dub delays and ambient FX -- giving off the familiar warmth of boom bap and progressive stimulation of neo-soul. The pervasive harmonies and clever use of chords give the album a real musical depth, but grounded with an effortless, natural approach to creation. More than just showcasing Michele's musical prowess and mastery of the instrumental, All Rise is also a deeply collaborative effort. The chemistry with heavyweight collaborators like Georgia Anne Muldrow, Dudley Perkins, Nicholas Ryan Gant, and RayClev is incredible -- they complement his instrumental tapestry with poetic ammo, elevating All Rise to a level of virtuous artistry. The five vocal cuts also offer a sober reflection on the turbulent social climate of 2019 America, and the world at large. Police violence, racism, and growing divisions that dominate the current zeitgeist are examined front and center, most prominently by Dudley Perkins on the title track. Yet. despite such a worrying state of affairs, there is an underlying message of positivity triumphing, and a rallying call to destroy evil at its root rather than be consumed by it. All Rise is about people standing up and uniting, being brought together by a common spirit and emotional music. RIYL: Shafiq Husayn, Fatima, Dam-Funk.
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