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viewing 1 To 5 of 5 items
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LP
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ANT 111LP
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$31.50
PREORDER
RELEASE DATE: 11/6/2026
It's not every day you hear about a new Lost Animal album. In fact, it's been ten years between drinks. So what happened, and where's frontman/mastermind Jarrod Quarrell been for the last ten years? Amongst a sea of rock bands, LA is essentially a solo act. Simply put; LA is JQ. But on the other hand, amongst an ocean of solo acts, LA possesses the grandiosity of a full band, punk in spirit, but without being fast, or heavy. Armed with keys and synths, timbres align more with what a toucan might listen to, as opposed to what's heard commonly throughout Melbourne's gig economy. Strings are gently plucked and horns are tenderly blown. These are the colorful brush strokes that decorate the upper frequencies. They're the ticket to a far-away land -- exotic, and potentially very dangerous. The album examines the underbelly of what a ten year journey might rub up against. As one may expect, a lot of that action is below the belt. Rewinding, a few things have happened in the past ten years that are worth illuminating. Shags is no longer commandeering the bass full time. Though he does make an appearance on a couple tracks. The main difference from present day to yesteryear LA is Dan Luscombe (The Drones). Luscombe has jumped into the role of producer (and also part of the live band). One could say he's a producer of the Spector-ilk: playing a hands-on approach and assisting Quarrell's song crafting. He may have suggested to add a chorus or two, but the chord progressions remain distinctly Lost Animal. But the album's defining feature is arguably Quarrell's lyricism. He may not cross-examine where he's been, but his voice does unmask where he is: absolved and reincarnated. The decade-long journey has resulted in him looking inwards and unlocking himself. The album's many mantras suggest that he may be a bird (I'm a Bird Now), or that he is living on another planet. Whatever and wherever he may be, Give Some Get Some invites the listener to reflect on their own journey over the past decade. Because the game's got a price. Also available on pink vinyl (ANT 111PV-LP).
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LP
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ANT 111PV-LP
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$33.00
PREORDER
RELEASE DATE: 11/6/2026
Pink vinyl version. It's not every day you hear about a new Lost Animal album. In fact, it's been ten years between drinks. So what happened, and where's frontman/mastermind Jarrod Quarrell been for the last ten years? Amongst a sea of rock bands, LA is essentially a solo act. Simply put; LA is JQ. But on the other hand, amongst an ocean of solo acts, LA possesses the grandiosity of a full band, punk in spirit, but without being fast, or heavy. Armed with keys and synths, timbres align more with what a toucan might listen to, as opposed to what's heard commonly throughout Melbourne's gig economy. Strings are gently plucked and horns are tenderly blown. These are the colorful brush strokes that decorate the upper frequencies. They're the ticket to a far-away land -- exotic, and potentially very dangerous. The album examines the underbelly of what a ten year journey might rub up against. As one may expect, a lot of that action is below the belt. Rewinding, a few things have happened in the past ten years that are worth illuminating. Shags is no longer commandeering the bass full time. Though he does make an appearance on a couple tracks. The main difference from present day to yesteryear LA is Dan Luscombe (The Drones). Luscombe has jumped into the role of producer (and also part of the live band). One could say he's a producer of the Spector-ilk: playing a hands-on approach and assisting Quarrell's song crafting. He may have suggested to add a chorus or two, but the chord progressions remain distinctly Lost Animal. But the album's defining feature is arguably Quarrell's lyricism. He may not cross-examine where he's been, but his voice does unmask where he is: absolved and reincarnated. The decade-long journey has resulted in him looking inwards and unlocking himself. The album's many mantras suggest that he may be a bird (I'm a Bird Now), or that he is living on another planet. Whatever and wherever he may be, Give Some Get Some invites the listener to reflect on their own journey over the past decade. Because the game's got a price.
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LP
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ANT 109LP
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$27.00
PREORDER
RELEASE DATE: 10/23/2026
Limited black vinyl edition of 400 copies worldwide. in reverse board sleeves with double sided lyric insert and front cover sticker. P.P. Rebel is the harmonium-led, spiritually inspired project of Melbourne artist Paris Rebel Richens (Singer of Parsnip, Hierophants), who has been making all kinds of extraordinary sounds over the past fifteen years and has more recently found a new direction through the spiritual path of Kriya Yoga. Drawing on both Eastern spiritual traditions and Western influences such as The Incredible String Band, The Velvet Underground, Syd Barrett, and Skip Spence, P.P. Rebel has developed a sound distinctly its own: beautiful, calming, spiritually charming songs for the soul. Devotee was produced by Jack Crook at Sound Recordings on Dja Dja Wurrung Country, and mixed and mastered by local hero Mikey Young, resulting in a sound that feels natural and honest -- blending classic textures with Paris' reflective perspective and spiritual focus. The album artwork was created by Paris using pressed flower petals collected from altar arrangements at group meditations -- a process inspired in part by the work of Sally Stang. The central bird form is based on a photograph by Joel Sartore of a Superb Parrot, which Paris reimagined after noticing its resemblance to praying hands when viewed upside down. P.P. Rebel's debut is an album filled with love, joy and optimism, to be welcomed and enjoyed in any household.
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LP
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ANT 092LP
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$31.50
PREORDER
RELEASE DATE: 10/23/2026
Anti Fade Records presents the third pressing of Sydney-based R.M.F.C.'s classic debut LP, Club Hits. For those who read these things without listening first, you might ask: what does this R.M.F.C. sound like? If you could say anything about post punk it means post-Wire, who were past punk before punk had an opportunity to codify and become brilliant and stupid. Few bands manage to sound like all three Wire records, but R.M.F.C. are a Rock Music Fan Club. Anyone paying attention to underground Australian guitar overdose would relate: the R.M.F.C. Club Hits LP has been the culmination of five years of work, patience and discipline. If you've heard these songs live at any of their shows over the past couple of years you'll understand -- the wait is over and the result is exhilarating. Thinking of bands like Royal Headache, Dick Diver, and Eddy Current Suppression Ring, there's even been a fairly recent tradition of expanding styles of rock and roll (let alone the bigger, famous rock-centered acts). The Sydney based R.M.F.C., and the scene (or friend circle) from which it's emerging, is carrying a torch of rock music which has the potential of a wider appeal. Written, recorded and mixed by Buz in Burrill Lake and Sydney between January 2022 and April 2023. Mastered by Mikey Young. Painting by Oscar Sulich. Photos by Michael Vasila. Also available on brown vinyl (ANT 092BV-LP).
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LP
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ANT 092BV-LP
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$33.00
PREORDER
RELEASE DATE: 10/23/2026
Brown color vinyl version. Anti Fade Records presents the third pressing of Sydney-based R.M.F.C.'s classic debut LP, Club Hits. For those who read these things without listening first, you might ask: what does this R.M.F.C. sound like? If you could say anything about post punk it means post-Wire, who were past punk before punk had an opportunity to codify and become brilliant and stupid. Few bands manage to sound like all three Wire records, but R.M.F.C. are a Rock Music Fan Club. Anyone paying attention to underground Australian guitar overdose would relate: the R.M.F.C. Club Hits LP has been the culmination of five years of work, patience and discipline. If you've heard these songs live at any of their shows over the past couple of years you'll understand -- the wait is over and the result is exhilarating. Thinking of bands like Royal Headache, Dick Diver, and Eddy Current Suppression Ring, there's even been a fairly recent tradition of expanding styles of rock and roll (let alone the bigger, famous rock-centered acts). The Sydney based R.M.F.C., and the scene (or friend circle) from which it's emerging, is carrying a torch of rock music which has the potential of a wider appeal. Written, recorded and mixed by Buz in Burrill Lake and Sydney between January 2022 and April 2023. Mastered by Mikey Young. Painting by Oscar Sulich. Photos by Michael Vasila.
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