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viewing 1 To 18 of 18 items
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LP
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BNSD 032LP
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Beacon Sound presents a first-time collaboration between Thomas Meluch (aka Benoit Pioulard) and Sean Curtis Patrick, entitled Avocationals. Over the course of nine songs the two use synthesizers, reel-to-reel tape machines, field recordings, guitar, and processed voice to conjure the ghosts of 20th century Great Lakes shipwrecks. From the muffled thumping of "Stonefax", which might bring to mind the cracking and bowing of a ship on its way to the lake bottom, to the pulsating vocal drone that guides "Sunek", evoking peril and loss, each of these songs brings to mind the final moments of doomed seafarers and their cargo-laden ships, the disintegration of hubris, the fraying of memory. By the time "Cabot" rolls around, like a lonely fog horn crossing the waves on a stormy night, the effect is of watching a decaying film loop that is somehow not only representative of a distant past but also of what perhaps lies ahead. Wintery, yet humming throughout with a narcotic warmth, Avocationals will pull you underwater and submerge you in the murky depths of a lost world. As the artists themselves write, "An avocational is an amateur diver who assists in rescue, investigation and salvage relating to watercraft disasters. Dozens of freighters and small sank during the mid-20th century golden age of shipping on the Great Lakes; this album is about nine of them." Sean Curtis Patrick is a visual artist, photographer, adventurer, and musician. He has created art, design, and music videos for artists like Alessandro Cortini, Benoit Pioulard, Bana Haffar, Richard Devine, Kaitlyn Aurelia Smith, Rafael Anton lrisarri, and many others. ln 2018, Sean directed and sound tracked a documentary about the devastation of the island of Puerto Rico after the hurricanes of 2017. He is an alumnus of the Banff Centre Musicians in Residence program and debuted new solo material on a Japanese tour in late 2018. Sean has released albums on Day Dot, Beacon Sound, and Muzan Editions. He lives in Ann Arbor, Michigan. Benoit Pioulard weaves natural sounds and textures of decay into his vague-pop songs, colored with the lushness and unpredictability of field recordings. His numerous albums for Kranky, Beacon Sound, and Morr Music document an evolving relationship with guitar, voice, and frayed layers of fidelity, alternately melodic, muted, and diffuse. He resides in Seattle, Washington. Mastered by Rafael Anton Irisarri at Black Knoll. Includes download card and insert; Edition of 300.
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BNSD 031LP
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The brand new album from artist and musician Dolphin Midwives (aka Sage Fisher), Liminal Garden is released by Beacon Sound. The album will be preceded by a single, Mirror, including a remix from Pye Corner Audio. Using harp, voice, and electronic processing, Liminal Garden features ten compositions, bringing to mind artists such as Mary Lattimore and Holly Herndon. It is a controlled and dynamic album that blends the organic with the digital, resulting in a body of work that fuses tranquility and rupture. The album was recorded in early 2018 by Jason Powers (The Decemberists, Chromatics, Matthew Dear) at Type Foundary, and mastered by Rafael Anton Irisarri at Black Knoll Studio (Alva Noto, Ryuichi Sakamoto, Benoît Pioulard, Grouper, School of Seven Bells, Tycho). The artwork has been designed by Bijan Berahimi at FISK. Says Fisher, "This album changed as I made it. This album is about change, about finding beauty and acceptance in the fractured, broken and vulnerable places. It's about integration, of all of my selves, of the natural world and technology, of all of the brokenness and imperfection and insecurity and fragility of being femme in a patriarchal society." Cardboard sleeve, printed/manufactured in the USA. Edition of 500, includes download.
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2LP
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BNSD 029LP
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"This work, a masterpiece of restraint, reflects the musical imagination of someone who has spent long periods in the quiet recesses of the mind." --Terry Riley
Beacon Sound present a reissue of Hans Otte's The Book Of Sounds (Das Buch Der Klänge) originally released in 1984. Hans Otte (1926-2007) was a multifaceted artist, poet, pianist, composer, and promoter who synthesized the strands of minimalism, Eastern spirituality, and radical art into his own unique and protean vision. In his younger years he studied under the composer Paul Hindemith and the pianist Walter Gieseking. From 1959 to 1984 he was the director of Radio Bremen and was instrumental in introducing artists such as John Cage, Terry Riley, and Steve Reich to European audiences. Although the compositions and recordings that Otte made over the course of his long career are wideranging, The Book Of Sounds is considered to be his masterwork. A solo piano piece, it was written between 1979 and 1982 after a major survey of his previous artistic output and should be viewed through the prism of his own self-development: both as a return to his roots and as a new beginning. It is a cyclical collection of 12 "chapters" that are inspired partly by John Cage's desire to get to the root of sound itself, to liberate it from the weight of expectation and tradition and to view all sound as a manifestation of nature. In a 1979 interview, Otte answered a question about whether his work had a "common core" by saying, "I would say that behind my artistic work, as an aim or hope, is the need to find myself. In other words: despite all the separating structures, the division of all the work, the ideologies, fixed ideas, systems, despite the state and everything that ceaselessly tries to separate and divide us, I fundamentally want to be complete." It might be tempting to assign The Book Of Sounds to the aesthetic of minimalism; however, it is a deceptively sophisticated collection of pieces that unfolds slowly over repeated listens with shifting harmonics and unusual structural touches that keep it firmly on the side of "avant-garde". Includes booklet with contemporary liner note contributions by Terry Riley, Inga Ahmels, and Dustin O'Halloran as well as a reprint of a 1982 Village Voice live review by Tom Johnson and photos taken by his daughter Silvia. First edition of 500.
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Cassette
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BNSD 030CS
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Cassette Store Day 2018 release. Amsterdam experimental psych-pop group Spill Gold emerged with a heady buzz in 2017, self-releasing a debut fifty-copy cassette EP, Spill Gold that sold out instantly and earned them opening slots for the likes of St. Vincent, Beak, DJ Katapila, and Exploded View. Spill Gold conjure up vivid, spiraling stories with their eerie, persistent songs. From the frenetic steel drum solo on "Mercury", the relentless, post-punk urgency of instrumental "Seven's March", to the snake-charming synths and haunting vocals on "Sirens", you won't be able to get these songs out of your head once you hear them. Propulsive and addictive, this is music meant to be blasted on your car stereo as you drive alone towards an uncertain horizon. Beacon Sound will be releasing an expanded edition of Spill Gold, featuring remixes by members of US Girls and Doomsquad. Spill Gold is the project of Nina de Jong and Rosa Ronsdorf. They worked with American singer Jessica Tucker for Spill Gold, which was recorded and mixed in Ghent by Belgian producer Koen Gisen, and are currently collaborating with multi-instrumentalist Jochem van Tol; expect much more from them in the coming years. Edition of 100 includes download code, insert on recycled paper by Stumptown Printers and Rx Letterpress.
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LP
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BNSD 027LP
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Finnish artist Laura Naukkarinen returns with her fourth album as Lau Nau and her first for Beacon Sound. Poseidon is a suite of delicate, wise songs that exist in a world all their own, treading the line between chamber folk and experimental pop with a distinctly Scandinavian melancholy. Centered around Laura's beautiful voice and piano (with lyrics sung entirely in Finnish), the album also includes a small cast of guest musicians on electronics, cello, bowed lyre, clarinet, harmonium, and more. Each song is a gem of its own, with lustrous melodies spun from the web of seasons, by turns ghostly and earthy. In Laura's own words: "I was playing with my grandmother's piano and shortly realized that I was composing songs are beginning for a new Lau Nau album instead of the film music that I was working on. The songs wanted to be performed on stage by a character called Lau Nau. It's the melancholic, always dreaming part of me that stands on the stage and shares these fragile moments with the audience. The songs on Poseidon are small secular prayers and messages of love, sorrow and care. Poseidon is a god of the sea but also the name of a certain bar... He veils us in the fog when the night falls." RIYL: Múm, El Perro Del Mar, Bjork, Efterklang. Design by Bijan Berahimi and Christine Shen for FISK. Mastered by Rafael Anton Irisarri at Black Knoll. Includes double-sided insert with lyrics in both Finnish and English and download card; Edition of 600.
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LP
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BNSD 023LP
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Lebanese musician, producer, and sound engineer Fadi Tabbal's work consists of guitar pieces ranging from stripped acoustics to ambient and shoegaze-inspired treatments. Tabbal has been central to the thriving Beirut music scene since the late 2000s, running Tunefork Studios and playing in multiple bands, including Under The Carpet and The Bunny Tylers. He has collaborated with Lebanese art ensemble The Feel Collective, Nada Kano's Beirut-based dance company, and numerous film producers. Museum of Disappearing Buildings is his second solo album and the first co-release from Portland-based Beacon Sound and Beirut-based Ruptured. It is an album of ambient guitar drones and grainy electronics that reflects the precarious political and social environment of Beirut while also being inspired by the impossible structures of Russian paper architects Brodsky and Utkin. Limited edition of 300.
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LP
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BNSD 022LP
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After the sold-out cassette release of Stanza / Stanza II on Beacon Sound in 2015 (a co-release with Baro) and 2016's The Benoit Pioulard Listening Matter on Kranky, Seattle's Thomas Meluch returns with a brand new Benoit Pioulard album of ambient bliss. Floating on a plume of pure shoegaze, Lignin Poise conjures nature, specifically the waters and forests of the Cascadia bioregion, as ecstatic reverie. It is a work of deliberate renewal in a time of global tumult. A golden oasis of deep memory open to all seekers; hallucinogenic, like stumbling into one of the verdant. highly-oxygenated upper canyons of the Columbia River Gorge on a late spring morning, soaking in the warm humidity and cool mist. In Tom's own words: "I recorded this album during the fall and winter of last year, and it's thematically meant to trace a path through decay, death, and regeneration over the course of the tracks. My flat/studio is surrounded by deciduous trees (a huge deal for me especially since I live in the heart of the city) so those patterns were right in my face every day while I was recording. Lignin forms the support systems of vascular plants, so the title is intended to convey the posture and temporariness of life in full bloom."
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Cassette
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BNSD 021CS
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Comprised of songs, vignettes, and arrangement experiments, Sketchbook: March 2015 - March 2016 presents selected studio recordings made by drummer Neal Morgan. It is his fourth solo record, and includes, for the first time, music composed using instruments other than drums and voices. Half of the songs were composed as "music intended to score imagined scenes" in response to the story of the Rajneeshpuram settlement near Antelope, Oregon in the mid-1980s. About the scoring work, Neal wrote: "On March 11, 2015, I tagged along with filmmakers Chapman and Maclain Way to see the former Rajneeshpuram site. The brothers told me about much of their research during that visit and showed me some archival footage. Particular visuals stuck with me: the desert landscape; the different hues of the red robes; the shining Rolls Royces out in the desert; the eyes and smile of the guru Bhagwan; red robes with rifles; the formerly homeless men expressing hopes and thanks for community and rebirth. Dreams of acceptance, family, utopia, safety, and then also fear and pain. . . . At its core, drumming, like scoring for moving image and story, is about creating and managing tension. I made many sketches responding to the elements that haunted me -- things that perhaps had happened or been felt or thought of by children or adults there. Situations, colors, visuals. The music in turn created new stories, new sights, and new tensions. It was like making music to score -- and simultaneously to create and direct -- imagined scenes of an imagined film." Morgan is perhaps best known for his work with two of the finest songwriters of his generation, Joanna Newsom and Bill Callahan. He first accompanied Newsom in 2006, when he arranged drums and percussion for the live performance of her classic second album Ys (2006) and began performing as a part of her touring band. He arranged and performed all of the drums and percussion on Newsom's triple album Have One On Me (2010) and on three of the songs from Divers (2015). He began playing with Callahan as a duo in 2009 and arranged and performed drums and percussion on Apocalypse (2011). Screen printed in Portland at The Make House; Hand-painted by Morgan in Berkeley. Includes a fold-out insert designed by the artist and a download code; Edition of 100.
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LP
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BNSD 016LP
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Travelogue is the first album by 26-year-old Portland composer Derek Hunter Wilson. By turns harrowing, poignant, and restrained, it is remarkably accomplished for a debut. Centered around Derek's masterful piano playing, Travelogue also features accompaniment on violin by Peter Broderick (Erased Tapes, Beacon Sound) as well as field recordings, cello, harp, and synthesizers. One of the most interesting musical conversations happening today is in the dynamic meeting ground where modern composition and experimental/ambient music overlap. This collection of songs adds to that conversation, alongside recent work by Julia Kent, Max Richter, and Jóhann Jóhannsson, while retaining its own sense of style and place. Embedded in the rainy ethos of contemporary Cascadia, listening to Travelogue brings to mind watching the cranes work through a water streaked window. Cover painting by Jason Vance Dickason; Design by Bijan Berahimi. Includes two-sided Risograph-print insert and download card; Edition of 500.
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Cassette
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BNSD 013CS
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2015 release. Second edition of Beacon Sound's cassette version of Colleen's 2003 debut album, initially released for Cassette Store Day 2015. Hand-numbered edition of 100. Black cassette shell. Fold-over box manufactured and printed by Stumptown Printers. "One of those rare, truly evocative abstract pieces of art where every observer takes away their own interpretation, and is left feeling a little more special about their experience as a result." --Pitchfork, 2004 (8.4)
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Cassette
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BNSD 014CS
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2016 release. Experimental dub transmissions from Chambers, the duo of Gabriel Saloman and Michael Red in Vancouver. Gabriel was one half of seminal ambient noise group Yellow Swans and has released acclaimed solo and collaborative work on labels such as Miasmah, Shelter Press, and Beacon Sound. Michael Red is a longtime collaborator with Inuit throat singer Tanya Tagaq, is a founding member of Lighta! Sound and curator for the New Forms Festival, and also performs solo as Souns. Together they make, as Tiny Mix Tapes puts it, "skeletal yet riveting experimental dub," that will alternately bliss any listener out and rattle their bones. In their short life as a duo, they have shared stages with The Bug, Shackleton, and Kode 9. As Andrew Ryce of Pitchfork and Resident Advisor writes, "[their songs] are gently driven by heaving rhythms and thundering basslines, sounds which subsist in a gaseous atmosphere somewhere in the hinterlands between ambient and straightforward dub music." Fold-over box packaging by Stumptown Printers using recycled paper; Screen printing by The Make House; Includes download code; Edition of 100.
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LP
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BNSD 011LP
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2015 release. Desert Television is the debut collaborative album by French musician and artist Felicia Atkinson and Peter Broderick as La Nuit. La Nuit could be the story of a friendship, an exchange of gifts, or a kind of pacific oath. A few years of trust turned into one light, but essential, messy bubble of soap. One special day of summer 2014, a music is dreamed, thought, performed, carried like a little astronaut's mission by Peter and Felicia. Or it could be a special kind of chess game, a rendezvous between two knights meeting nobly to discuss the same invisible cause that we call music. Using the instruments (Rhodes, pump organ, synthesizers, nylon guitar, etc.) as their only tools, by the wonderful sea shore of Pacific City, the instruments were like good horses, carrying the vocabulary of the conversation. Imagination drains improvisation, and suddenly, in the middle of the notes, words, appear, you don't know from where, but they appear to shine and turn to little gems made of voices and whispers. "Desert Television's divine sound world of drone-infused ambient soundscapes, dub echoes, mesmeric spoken word passages, and compelling instrumentation (Rhodes, violin, voice, found sounds, percussion) unfolds a beguiling atmosphere and ethereal dimension from the opening ambient pulses of 'Feu Pale', to the gorgeous string arrangements of epic closing track, 'The Sun Is Folded in Eight'. 'Feu Pale''s drifting tones of Rhodes, guitar, harmonies and soft percussion meld wonderfully with the captivating spoken word passages of Atkinson evoking a seascape of forgotten dreams." --Fractured Air. Comes on red vinyl; jackets printed by Stumptown Printers; Design by Bijan Berahimi; Comes with a red-stapled booklet, The Raccoons Of Pacific City, by Atkinson; Cover photo by Felicia; Edition of 300.
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Cassette
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BNSD 019CS
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2016 release. Beirut, Lebanon electronic artist and sound designer Munma's 2016 album Three Voices, originally released on vinyl by Ruptured (RPTD 012LP). "Cadavre Exquis" features Jad Atoui. "Beirut based composer Jawad Nawfal has produced one of this year's best electronic LPs in Three Voices... the titular three voices belong to a group of spoken word artists that Nawfal commissioned specifically for the piece before building sound beds round each recording... he's no stranger to working with the human voice, but he is especially respectful of the spoken word element of these tracks, turning in an impressive collection of stark, minimal, dubbed out frameworks." --The Quietus. Cassette Store Day 2016 release; Housed in a deluxe fold-over package manufactured by Stumptown Printers using recycled paper; Screen printing by The Make House; Updated design by James Casey for FISK based on original artwork by Maya Chami; Edition of 100.
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BNSD 010CS
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2015 release. Tabla II is the debut album by mysterious Portland-by-way-of-Buenos-Aires artist Nummn. Nine songs of minimal and subtly evolving electronic tapestry to lose yourself in. Packaging printed and assembled by the artist himself. Edition of 100.
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10"
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BNSD 009EP
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2016 release. Rauelsson returns with his first release since 2013's critically-acclaimed Vora LP on Sonic Pieces. Ekō is a multimedia project comprised of a photography exhibition, accompanying music, and a website that ties everything together -- all inspired by Raúl Pastor Medall's 2012 and 2014 tours of Japan. This two-song 10" is the companion piece to the photo exhibition and website. Each copy includes two photo inserts (with liner notes and info on the reverse sides), a postcard, and a download card with full 20+ minute versions of the songs. Design by Bijan Berahimi. Edition of 300 (numbered).
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LP
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BNSD 015LP
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2016 release. Shadowland is the sixth album by Vancouver psyche-folk songwriter Ora Cogan. Co-produced by Trish Klein, Shadowland is a collection of haunting songs centered around Ora's voice and guitar that somehow manage to be both melancholic and radiant. The ensemble of some of Vancouver's finest musicians who support her on this album bring power, grace, and subtlety to the music without ever imposing. Far away yet close, warm yet cool, world-weary yet innocent, this is a collection of beguiling songs that will get under your skin and spin around in your head long after the stereo has been turned off. "Cogan's songs are beguiling enough to support a bare bones guitar and vocal approach, but here she has surrounded herself with a small group of sympathetic musicians. The full ensemble performances are inspired... Cogan's drawl evokes the tone of Karen Dalton and the technique of John Martyn." --The Wire Magazine. A special co-release with Vancouver's Hidden City Records. Edition of 500.
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LP
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BNSD 004LP
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2014 release. This first-time collaboration between Peter Broderick and Gabriel Saloman was commissioned by Beacon Sound in 2013. Each artist took the basic tracks they recorded together in Portland at Type Foundry Studio, and transformed them into their own songs according to their unique vision. Lucky fans in Portland and Berlin who have seen the duo perform live can attest to the combustible energy these two conjure together. Design by Bijan Berahimi; Cover painting by Jason Vance Dickason. Comes in a full-color inner sleeve; Edition of 350 (hand-numbered).
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LP
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BNSD 018LP
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Repressed. Beacon Sound present a reissue of Terry Riley's Songs For The Ten Voices Of The Two Prophets, originally released in 1983. Recorded live in Munich in 1982 using two Prophet synthesizers and voice, this album is a reflection of Riley's ongoing interest in melding improvisation, electronic music, and the raga vocal stylings of his mentor, Pandit Pran Nath. Terry Riley turned the music world upside down with his 1964 work In C, a revolutionary concept based on 53 modules that can be improvised upon by any number of musicians for an indeterminate amount of time over a pulsing C note typically played on piano or mallet. Performed live for the first time by Steve Reich, Pauline Oliveros, Morton Subotnik, and Jon Gibson, it has since been performed by everyone from the Shanghai Film Orchestra, Adrian Utley of Portishead, and the Malian musicians of Africa Express (featuring contributions by Brian Eno and Damon Albarn). Though referred to as the "father of minimalism", the 81-year-old Riley has ranged widely in the intervening decades, deeply influenced by jazz, North Indian classical music, and a distinctly West Coast strain of radical spirituality - and in turn influencing practically everyone: The Who ("Baba O'Riley"), The Velvet Underground, collaborators The Kronos Quartet, as well as the legions of cutting-edge electronic musicians and contemporary composers making genre-defying music today. A resident of Grass Valley, CA, Riley is still touring the world. Remastered by Raphael Anton Irisarri. Includes original insert; Edition of 300. "His voice twists and curves in complicated arabesques, recalling Indian music, and especially the singing of Mr. Riley's colleague and teacher, Pandit Pran Nath, who is also associated with Mr. Riley's long-time friend LaMonte Young. The synthesizers create a hushed, meditative counterpoint of slowly unwinding melodies and cross-rhythms... the Prophet 5, a polyphonic synthesizer that is capable of rich viola-like sounds, is a winning instrument for Mr. Riley's improvisations. After years of playing a Yamaha electric organ, he has turned to the synthesizer, which theoretically offers an infinite assortment of sounds. Rather than take advantage of the instrument's ability to mimic vocal sounds and timbres, as composers like Jon Hassel and Brian Eno have done, Mr. Riley plays the synthesizer as a keyboard instrument, with a luminous sound and the ability to bend or inflect notes." --New York Times, Feb 1984
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