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viewing 1 To 9 of 9 items
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LP
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BONER 001LP
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2023 repress. "The classic 1983 hardcore scuzz rock debut from Berkeley, CA's Fang, Landshark! is a unique mix of erratic thrashers and slow Sabbath-oid noise riffs. Its best-known tune is without a doubt the rumbling and stumbling opening track "The Money Will Roll Right In," which has been covered by Nirvana, Metallica, Mudhoney, The Butthole Surfers and God knows who else. The record also includes cheerful odes to the disabled ('Destroy the Handicapped'), the follicle-y challenged ('Skinheads Smoke Dope'), and assorted werewolves, delinquents and drug users. Fang continues to unload their brand of sludge-punk on audiences to this day, with recent tours taking them around the US, Europe and Brazil. This reissue is remastered and back in print on vinyl for the first time in 20 years, with additional vintage artwork inside. The digital download included with the disc also features their entire Where the Wild Things Are release, plus more."
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BONER 025LP
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2023 repress. 1991 release. "Available again with updated artwork and a new gatefold sleeve! Melvins' follow-up to 1989's Ozma was 1991's groundbreaking Bullhead. The songs are longer, the mood is calmer, yet more menacing. 'Boris' (which gave the Japanese group their name) is a long, slow, low death march of addiction and self-abuse. 'Zodiac' is a frantic punk rock machine gun blasting away at Buzz's demons (both inner and outer). 'Cow' is a happy baboon bashing away at the best drum solo of his life. 'It's Shoved' is a groovy beat for the cast of Shindig to bop along to, until their carefree performances of The Pony, The Mashed Potato, and The Watusi are horribly interrupted by the soundstage tilting up and sliding them all into a mangled heap of screaming dancers, broken cameras and flaming electronic equipment at the bottom."
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BONER 016LP
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2023 repress, black vinyl. "Ozma was recorded soon after Melvins made the move from Washington to San Francisco, and was their first release to include the diminutive yet mighty Lorax (Lori Temple Black) on bass. In fact, the first sound one hears at the album's opening is Lori standing on her tiptoes to switch on her amp, thereby warning the listener of the onslaught to come. Distorted, down-tuned doom riffs start, stop, lurch sideways with no warning, and seem to end before they start. Buzz Osborne adds extraneous guitar static and vocal squeals. Drummer Dale Crover plays as if he's inside a barrel going over Niagara Falls; the long, slow fall allows the space between beats to grow and grow until he crashes into the water with the vessel blasting apart in an explosion of drum rolls. The classic Melvins heavy grind is set up and broken up by assorted odd sidetracks: 'Revulsion / We Reach' flows forward slower and slower until it eventually melts into a gooey feedback drone. 'Raise a Paw' is a superball paddled against one's head by a grinning village idiot. 'Love Thing' enlists in the Kiss Army before getting dishonorably discharged."
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BONER 028LP
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2023 repress, black vinyl. "Originally released as a 10-inch in 1991, Eggnog is a wild ride into the outer limits of Melvins-dom. The first side cuts loose with three quick blasts. 'Wispy' has the Lorax (Lori Temple Black) on bass and Dale Crover on drums, pounding one note in unison while Buzz Osborne bellows and whispers and turns his guitar on and off. 'Antitoxidote' is a rabid horse galloping off into the desert, with yet more stops and starts and feedback detonations. 'Hog Leg' sounds like a syphillitic Jimmy Swaggert trying to mimic Dio while being backed by a drunken ZZ Top cover band. Side Two features the side-long epic 'Charmicarmicat,' with seasick waves of guitar and slow-motion madness bringing communicable disease and poisonous jellyfish ashore, stinging and infecting the unsuspecting sunbathers before gently washing out to sea again."
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BONER 035LP
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2023 repress, black vinyl. "Lice-All, from 1992, previously known as self-titled, and also previously known as something else we're all not gonna talk about, thank you very much. This was the Melvins last release before signing their Atlantic deal, and features the introduction of new bass player Joe Preston (previously of Earth, currently of Thrones). It's one long, slow, loud blob of drones, moans and fuzztones. The opening endless power chord shimmer influenced Sleep, Sunn O))), and countless other sludge metal drone freaks for years to come."
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BONER 033LP
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2022 repress. "In 1992 the Melvins' fascination/adoration/denigration of the mighty KISS rock and roll universe compelled them to excrete out three solo masterworks inspired by the KISS solo LPs. The first in the series is King Buzzo, from the Melvins' giggling guitar grumpus. Four songs of atmospheric clanging and rockin' banging. Also features the many talents, drumming and otherwise, of a famous Grunge superstar, whose name sort of rhymes with New Wave Asshole. The second in the series is Dale Crover, from the Melvins' sleepy drum caveman. Four songs of gloomy heaviness, with Dale doin' the drummin', singin', guitarin', and dancin'. The third in the series is Joe Preston, from the Melvins' electronic beard warlord. Three songs of fuzz bass computer drone temper tantrum. All three 12-inches reissued on vinyl after 100,000 years out of print."
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BONER 034LP
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2021 repress. "In 1992 the Melvins' fascination/adoration/denigration of the mighty KISS rock and roll universe compelled them to excrete out three solo masterworks inspired by the KISS solo LPs. The first in the series is King Buzzo, from the Melvins' giggling guitar grumpus. Four songs of atmospheric clanging and rockin' banging. Also features the many talents, drumming and otherwise, of a famous Grunge superstar, whose name sort of rhymes with New Wave Asshole. The second in the series is Dale Crover, from the Melvins' sleepy drum caveman. Four songs of gloomy heaviness, with Dale doin' the drummin', singin', guitarin', and dancin'. The third in the series is Joe Preston, from the Melvins' electronic beard warlord. Three songs of fuzz bass computer drone temper tantrum. All three 12-inches reissued on vinyl after 100,000 years out of print."
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BONER 032LP
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2023 repress. "In 1992 the Melvins' fascination/adoration/denigration of the mighty KISS rock and roll universe compelled them to excrete out three solo masterworks inspired by the KISS solo LPs. The first in the series is King Buzzo, from the Melvins' giggling guitar grumpus. Four songs of atmospheric clanging and rockin' banging. Also features the many talents, drumming and otherwise, of a famous Grunge superstar, whose name sort of rhymes with New Wave Asshole. The second in the series is Dale Crover, from the Melvins' sleepy drum caveman. Four songs of gloomy heaviness, with Dale doin' the drummin', singin', guitarin', and dancin'. The third in the series is Joe Preston, from the Melvins' electronic beard warlord. Three songs of fuzz bass computer drone temper tantrum. All three 12-inches reissued on vinyl after 100,000 years out of print."
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2LP
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BONER 046LP
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2019 repress. "This double-LP package combines two of the earliest releases from the often imitated but never duplicated Melvins. Formed in the early-'80s in the scenic wonderland known as Aberdeen, WA, the band took inspiration from Black Flag, Black Sabbath, Venom, Flipper, Stooges and other floggers of high-energy, low-velocity plod. Today, more than 30 years later, they might be more popular than ever. Slow and steady wins the race. Disc one is Eggnog, from 1991. Originally released as a 10-inch, Eggnog is a wild ride into the outer limits of Melvins-dom. The first side cuts loose with three quick blasts. 'Wispy' has the Lorax (Lori Temple Black) on bass and Dale Crover on drums, pounding one note in unison while Buzz Osborne bellows and whispers and turns his guitar on and off. 'Antitoxidote' is a rabid horse galloping off into the desert, with yet more stops and starts and feedback detonations. 'Hog Leg' sounds like a syphillitic Jimmy Swaggert trying to mimic Dio while being backed by a drunken ZZ Top cover band. Side Two features the side-long epic 'Charmicarmicat,' with seasick waves of guitar and slow-motion madness bringing communicable disease and poisonous jellyfish ashore, stinging and infecting the unsuspecting sunbathers before gently washing out to sea again. Disc two is Lice-All, from 1992, previously known as self-titled, and also previously known as something else we're all not gonna talk about, thank you very much. This was their last release before signing their Atlantic deal, and features the introduction of new bass player Joe Preston (previously of Earth, currently of Thrones). It's one long, slow, loud blob of drones, moans and fuzztones. The opening endless power chord shimmer influenced Sleep, Sunn O))), and countless other sludge metal drone freaks for years to come. The LPs have been remastered and are back in print on vinyl for the first time in 15 years. The new gatefold packaging includes never-before-seen vintage photos, as well as the original artwork and insert, all tidied up and ready to meet Mom and Dad. Free download is included."
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