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viewing 1 To 9 of 9 items
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CLV 009CD
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A new artist on the Clivage Music roster, Vhinz is a musician based in Brussels. After taking his time to break onto the electronic scene, he's now ready to share Belvédère, his debut, dreamlike album, confidently intense, sweeping between cinematic songs and soaring, epic electronic sounds. Vincent Honca is Belgian, with Armenian roots and a love of keyboards: the mini synth he used to play as a child, the classical piano of his years of training at the Académie de Musique, the Yamaha synth of his teenage years... During the noughties of his adolescence, electronic music was omnipresent in his life as he listened to and admired Daft Punk, Moby, Vitalic, Air, and The Chemical Brothers. Vincent went on to become a computer programmer and decided to make music in as much of his spare time as possible. His first productions came out in 2015, including "Drastical", one of three deep house dancefloor-orientated tracks recorded with none other than Kris Menace. Vincent worked on two independent Belgian films by director Christophe Karabache, UltravoKal (2018) and Vortex (2019), both collaborations with Michel Duprez. Now, Vincent has chosen the name Vhinz, bringing together his expertise with machines and computers, his passion and enthusiasm for the electronic sounds of his adolescence and his adoration of cinema's powerful, impactful soundtracks. Vhinz's first track is thus called "Aether", a track brimming with character and confidence, with sung-spoken vocals that sweeps the listener up in bewitching synthetic themes and drums like an off- kilter heartbeat. The track perfectly encapsulates the Vhinz sound, and Citizen Records immediately loved it. "Then Covid and the lockdown happened, and everything came to a complete halt," remembers Vhinz. During those long two years without anything being released, the project continued its gestation and has now grown in a mini-album of eight coherent, fascinating tracks. "I really wanted a strong concept for everything, and so was born this album that I've called Belvédère. I imagined myself on a belvedere with a panoramic view of the world, channeling all the emotions it elicited in me into music." Belvédère is a dreamlike debut album, confidently intense, sweeping between cinematic songs and soaring, epic electronic sounds. It's a place for Vhinz to showcase his dreams, talk, sing and invite others too: Margot Ferro sings on "Le Passage" and "Envole-moi", and Michael Meers (MieK) lends his vocals to "Evolution". Musically, the album falls somewhere between Moby, Vitalic, Air, and Serge Gainsbourg, with a density and atmosphere that are completely Vhinz.
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CLV 009LP
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LP version. A new artist on the Clivage Music roster, Vhinz is a musician based in Brussels. After taking his time to break onto the electronic scene, he's now ready to share Belvédère, his debut, dreamlike album, confidently intense, sweeping between cinematic songs and soaring, epic electronic sounds. Vincent Honca is Belgian, with Armenian roots and a love of keyboards: the mini synth he used to play as a child, the classical piano of his years of training at the Académie de Musique, the Yamaha synth of his teenage years... During the noughties of his adolescence, electronic music was omnipresent in his life as he listened to and admired Daft Punk, Moby, Vitalic, Air, and The Chemical Brothers. Vincent went on to become a computer programmer and decided to make music in as much of his spare time as possible. His first productions came out in 2015, including "Drastical", one of three deep house dancefloor-orientated tracks recorded with none other than Kris Menace. Vincent worked on two independent Belgian films by director Christophe Karabache, UltravoKal (2018) and Vortex (2019), both collaborations with Michel Duprez. Now, Vincent has chosen the name Vhinz, bringing together his expertise with machines and computers, his passion and enthusiasm for the electronic sounds of his adolescence and his adoration of cinema's powerful, impactful soundtracks. Vhinz's first track is thus called "Aether", a track brimming with character and confidence, with sung-spoken vocals that sweeps the listener up in bewitching synthetic themes and drums like an off- kilter heartbeat. The track perfectly encapsulates the Vhinz sound, and Citizen Records immediately loved it. "Then Covid and the lockdown happened, and everything came to a complete halt," remembers Vhinz. During those long two years without anything being released, the project continued its gestation and has now grown in a mini-album of eight coherent, fascinating tracks. "I really wanted a strong concept for everything, and so was born this album that I've called Belvédère. I imagined myself on a belvedere with a panoramic view of the world, channeling all the emotions it elicited in me into music." Belvédère is a dreamlike debut album, confidently intense, sweeping between cinematic songs and soaring, epic electronic sounds. It's a place for Vhinz to showcase his dreams, talk, sing and invite others too: Margot Ferro sings on "Le Passage" and "Envole-moi", and Michael Meers (MieK) lends his vocals to "Evolution". Musically, the album falls somewhere between Moby, Vitalic, Air, and Serge Gainsbourg, with a density and atmosphere that are completely Vhinz.
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CLV 007CD
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Poltergeist has that strange power of attraction that these personalities with their icy, mysterious aura hold. As soon as Ari Girard (aka Poltergeist) appears, something happens, he catches the light and strikes the spirits. Kämpfer is a ghost story where Poltergeist invites Joy Division, New Order, Talking Heads, The Cure, Can, Kraftwerk, Nine Inch Nails, or Jeff Mills for its first album. At the Poltergeist banquet, the crows of cold wave and the barbarians of krautrock, the metallers of indus rock and the freaks of techno meet. The epicenter is Berlin, the Wall, Lou Reed's Gotham, the Bowie/Eno trilogy and the toxic nights of underground clubs... Kämpfer, Poltergeist's first album, reveals its dark and disturbing universe. Marked by a heavy, deep and majestic atmosphere, this project evokes, without ever saying it openly, the climatic urgency, the ineluctable destiny, the human obsession to be first, to leave a trace of its passage and the nightmares which agitate the nocturnal spirits. Between frenetic synths, bewitching waves and marked foot, this implacable album marks the beginning of the Poltergeist era. Scratching synths, a dark and heavy universe: we can understand Vitalic's crush, who decided to sign the project at the first listening on his label Clivage Music. Poster included.
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CLV 007LP
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LP version. Poltergeist has that strange power of attraction that these personalities with their icy, mysterious aura hold. As soon as Ari Girard (aka Poltergeist) appears, something happens, he catches the light and strikes the spirits. Kämpfer is a ghost story where Poltergeist invites Joy Division, New Order, Talking Heads, The Cure, Can, Kraftwerk, Nine Inch Nails, or Jeff Mills for its first album. At the Poltergeist banquet, the crows of cold wave and the barbarians of krautrock, the metallers of indus rock and the freaks of techno meet. The epicenter is Berlin, the Wall, Lou Reed's Gotham, the Bowie/Eno trilogy and the toxic nights of underground clubs... Kämpfer, Poltergeist's first album, reveals its dark and disturbing universe. Marked by a heavy, deep and majestic atmosphere, this project evokes, without ever saying it openly, the climatic urgency, the ineluctable destiny, the human obsession to be first, to leave a trace of its passage and the nightmares which agitate the nocturnal spirits. Between frenetic synths, bewitching waves and marked foot, this implacable album marks the beginning of the Poltergeist era. Scratching synths, a dark and heavy universe: we can understand Vitalic's crush, who decided to sign the project at the first listening on his label Clivage Music. Poster included.
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CLV 005LP
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After the release of Dissidænce (Episode 1) (CLV 004CD/LP), warmly met with both critical and popular success, Vitalic keeps his promise and returns with a second instalment, darker and more techno than the first, and this time with a marked industrial aesthetic -- cold and minimal. The composition and production style have a post-cold wave heritage, something that has always been part of the artist's DNA but is now brandished with renewed pride. Dissidænce (Episode 2) opens with "Sirens", a towering tornado of synths and sweat, followed by "Dancing in the Street", "The Void", and "The Light is a Train", sparse techno boiled down to its essence -- mechanical, cold, and alarming. Tempering this hostility are moments of grace and poetry like "Marching", "Friends & Foes", and "Winter is Coming", both melodic and melancholic. A two-pronged project masterfully orchestrated by Vitalic, a strange cosmic voyage of implacable energy. 180 gram vinyl; includes download code.
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CLV 004CD
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Vitalic returns with a fifth album, which will be released in two volumes. Dissidænce, the title of which is a whole story in itself, is an album that the producer describes as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. The first volume of Dissidænce is a sort of concentrated resume of his strengths from the past twenty years, whether it's filthy, head-spinning tornado tracks or synth-laden love songs for a summer's day. With Dissidænce (Episode 1), whose powerful beats and galloping sequencers translate the social and political anger of the global pandemic, Vitalic looks into his past and channels his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats dripping with sex and sweat, but above all his obsessional passion for dance music. Dissidænce should be taken as a celebration of celebration, time-travel to an era that may not exist right now, but which will -- and this album is the dazzling proof -- be reborn from its ashes to burn bright once more, in all its raging glory. "Rave Against the System" features Kiddy Smile.
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CLV 004LP
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LP version. 180 gram white vinyl; includes download card. Vitalic returns with a fifth album, which will be released in two volumes. Dissidænce, the title of which is a whole story in itself, is an album that the producer describes as a return to the roots of his sonic identity, a kind of reinterpretation of the rock energy of his early albums. The first volume of Dissidænce is a sort of concentrated resume of his strengths from the past twenty years, whether it's filthy, head-spinning tornado tracks or synth-laden love songs for a summer's day. With Dissidænce (Episode 1), whose powerful beats and galloping sequencers translate the social and political anger of the global pandemic, Vitalic looks into his past and channels his love for off-kilter synth sounds, skew-whiff pads, heady refrains, distorted vocals and heavy beats dripping with sex and sweat, but above all his obsessional passion for dance music. Dissidænce should be taken as a celebration of celebration, time-travel to an era that may not exist right now, but which will -- and this album is the dazzling proof -- be reborn from its ashes to burn bright once more, in all its raging glory. "Rave Against the System" features Kiddy Smile.
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CLV 003CD
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KOMPROMAT is a new band formed by Vitalic and Rebeka Warrior. Inspired by old Berliner techno, its music fits somewhere between Einstürzende Neubauten and Crash Course In Science. Punk, rock, dark, and sweet, KOMPROMAT smells like a battle cry and a call to prayer. It makes you wanna lift your arms in the air and dance while crying.
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CLV 003LP
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LP version. Includes printed inner sleeve and download code. KOMPROMAT is a new band formed by Vitalic and Rebeka Warrior. Inspired by old Berliner techno, its music fits somewhere between Einstürzende Neubauten and Crash Course In Science. Punk, rock, dark, and sweet, KOMPROMAT smells like a battle cry and a call to prayer. It makes you wanna lift your arms in the air and dance while crying.
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