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viewing 1 To 25 of 171 items
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BOOK/7"
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DAMBOOK 005BK
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"Hardback in slipcase with 7" vinyl. Out of print since its initial 2012 very limited first edition run. Contains exclusive 7" featuring previously unreleased 1983 interview with Barney Sumner conducted by the author. Over 400 unique-to-this-publication photos of the band and 200 plus images of rare memorabilia. No one has ever documented the early live career of a truly iconic band in such detail. Dec Hickey saw every New Order UK gig between Feb '81 and June '84 -- some fifty plus nights! Forewords by Peter Hook and Stephen Morris. Introductions by Moby and . Paul Morley. Moby: 'Up until about 10 minutes ago I thought that the depths of my Joy Division/New Order obsession were untouched/unmatched. Then I looked through this book. Ah boy, I'm beaten. And in awe.' Paul Morley: 'I can very much understand someone having an obsession with New Order. It was inevitable that a fan, a loyal, attentive follower, of such a group on such a meticulous label releasing records packaged with such scrupulous suggestive care would themselves be particularly obsessive. The fan(atic) symbolizes the idea that without obsession, life is nothing. For the fan, New Order are an ideal object of desire, the perfect pop group -- in the form of a perfect puzzle, an actual sign of fluid intelligence -- to obsess over, to collect, analyze, interpret, treasure, and ultimately possess.'"
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2LP
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DAMGOOD 621LP
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"From the ashes of the thriving underground punk scene in Brighton in 1979, a band of songwriters called The Smartees emerged. They never made any records but after their demise one of the guitarists, Carl Evans, approached bass player Helen McCookerybook to ask her if she'd like to write some songs with him. He'd already set one of her poems, 'Food,' to music, and they played their first gig with just three songs, each of which lasted just over two minutes: you can hear 'Food,' 'Sweetie,' and 'Boasting' on this compilation. The Chefs original drummer, Rod Bloor, contributed the seeds of the song 'Records and Tea' before returning to his native Manchester. Soon, augmented by James McCallum on additional guitar and Russell Greenwood on drums, the songwriting duo started recording for local label Attrix records, firstly two tracks on their Vaultage 79 album, followed by the Sweetie EP and then 24 Hours which was championed by BBC Radio 1's John Peel, who invited them to do a session. A residency at The Moonlight Club in West Hampstead, London, tempted them all to relocate to the big city, and a move to Graduate Records saw the re-release of 24 Hours. Graduate also commissioned the album tracks included here, which were languishing in the band attic and have not been released until now. The band split up in 1982, heading in different musical directions: Helen switched to guitar and formed Helen and the Horns, Carl formed Yip Yip Coyote, Russell joined John Hegley's Popticians, and James left the music industry."
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DAMGOOD 625LP
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"Indignation Meeting are punky rail fans from Leeds. 15-year-old Peter is the driver -- he's the drummer and lead singer, writes most of the songs, and also plays bass and trumpet on the album. The rest of the crew is his dad Michael on guitar, Hugo on bass, and with Keith, Heather, and Sally often along for the ride when they play out. DGHQ loved listening to their self-released debut album Trouble In The Shed, and they now have a second album, A Model World."
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LP
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DAMGOOD 622LP
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"A rock'n'roll sensation from the word go, Danish-Brazilian The Courettes are back with their fourth and best album to date -- The Soul Of? The Fabulous Courettes. And this time, they're bigger, wider and deeper than ever before as they add more to the blistering ramalama that's seen them cause pandemonium across the venues, festivals and airwaves of the UK, Europe, USA and Japan. Hitting the sweet spot that straddles garage rock, girl groups, doo-wop harmonies, heartache and all points in between, here The Courettes build on the momentum of predecessor Back In Mono with a collection of songs that opens up their sonic scope while confronting dark, emotional matter to reveal The Soul Of? The Fabulous Courettes. 'We didn't want to do Back In Mono 2,' stresses drummer Martin Couri. 'We always try to put ourselves into a zone of discomfort, which I think is where exciting things happen rather than just doing the same thing over again,' agrees singer, guitarist and multi-instrumentalist Flavia Couri. 'I mean, I know some bands can do that but we don't see ourselves making the same album for the next 20 years. We thought Back In Mono was our best album until this one!' She's not wrong. Having evolved with each album release, The Soul Of? The Fabulous Courettes draws inspiration from many of the duo's numerous idols that have only previously been hinted at. 'We wanted to show our love of the Spector Wall Of Sound and Motown,' reveals Flavia. 'It was a clear mission and we've absolutely nailed it.'"
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2LP
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DAMGOOD 611LP
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"A compilation of Billy Childish-related groups to celebrate the release of the brand-new book - To Ease My Troubled Mind: The Authorised Unauthorised History of Billy Childish, written by Ted Kessler."
"My name is William Ivy Loveday, aka Steve Hamper, aka Guy Hamper, aka Jack Ketch, aka Billy Childish. I was born on the Medway, Kent, where I still live. I left school in 1976 when I was 16. Because I have no qualifications I was turned down by art school so went to work in Chatham dockyard as an apprentice stonemason. I later managed to get onto a painting course at St. Martin's School of Art on the basis of my paintings. Me, Bruce, big Russ, and little Russ formed The Pop Rivets in 1977 and made our first recordings. Our inspiration was punk rock, TV21 and The Swinging Blue Jeans. I learned to play guitar then in 1979 I worked for four weeks at Oakwood Mental Hospital as a ward porter, then me, Mick and Bertie formed The Milkshakes. Our inspiration was Link Wray, the Beatles Live at the Star Club LP, the track 'Gotta Get the First Plane Home' by The Kinks and our hatred of new romanticism. Then I was expelled from St. Martin's School of Art for writing what was described as 'the worst type of toilet wall humor.' I beat my father up on his release from prison for drug smuggling. We never paid ourselves in The Milkshakes and put all the money back into making our own records. I kept the money in a bank account under the name of Kurt Schwitters. I lived on the dole for 12 years." --Billy Childish
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CD
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DAMGOOD 622CD
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"A rock'n'roll sensation from the word go, Danish-Brazilian The Courettes are back with their fourth and best album to date: The Soul Of? The Fabulous Courettes. And this time, they're bigger, wider and deeper than ever before as they add more to the blistering ramalama that's seen them cause pandemonium across the venues, festivals and airwaves of the UK, Europe, USA and Japan. Hitting the sweet spot that straddles garage rock, girl groups, doo-wop harmonies, heartache and all points in between, here The Courettes build on the momentum of predecessor Back In Mono with a collection of songs that opens up their sonic scope while confronting dark, emotional matter to reveal 'The Soul Of The Fabulous Courettes'. 'We didn't want to do Back In Mono 2',' stresses drummer Martin Couri. 'We always try to put ourselves into a zone of discomfort, which I think is where exciting things happen rather than just doing the same thing over again,' agrees singer, guitarist and multi-instrumentalist Flavia Couri. 'I mean, I know some bands can do that but we don't see ourselves making the same album for the next 20 years. We thought Back In Mono was our best album until this one!' She's not wrong. Having evolved with each album release, The Soul Of... The Fabulous Courettes draws inspiration from many of the duo's numerous idols that have only previously been hinted at. 'We wanted to show our love of the Spector Wall Of Sound and Motown,' reveals Flavia. 'It was a clear mission and we've absolutely nailed it.'"
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DAMGOOD 619LP
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"A new album by Medway's premier alt-folk outfit The Singing Loins! Yes indeed. Damaged Goods caught up with Rob Shepherd to find out more about their brilliant new LP Twelve. The album has features newly recorded versions of several Loins classics. Was it a difficult decision deciding which back catalogue songs to record? 'No, pretty easy -- it's basically the 12 songs we enjoy playing the most with the current lineup. Saying that, it's been a bit of a meandering road getting to this point. Since Brod passed away, Arf and me have done few nights of Loins songs -- and it's felt good -- celebrating the songs we all wrote together -- so that started the selection process. Oli, Arf's lad, joined us on percussion and then Rich, who Billy had introduced to us, joined on violin -- then Chris came along to play the drums, so Oli switched to guitar -- and through all that we were refining the set of songs, and we got a point where we felt that, yeah, we've sort of worked out how to do this (you know, respecting and celebrating our past, without coming on like a tribute band to ourselves), so it made sense to make the album -- just to reflect where we'd arrived at. So we went into Jim's Ranscombe Studios and bashed them all out live in a couple of hours. No overdubs, no fussing over mistakes, just sing and play the songs as if it was a gig.'"
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2CD
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DAMGOOD 611CD
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"A compilation of Billy Childish related groups to celebrate the release of the brand-new book - To Ease My Troubled Mind: The Authorised Unauthorised History of Billy Childish, written by Ted Kessler.
'My name is William Ivy Loveday, aka Steve Hamper, aka Guy Hamper, aka Jack Ketch, aka Billy Childish. I was born on the Medway, Kent, where I still live. I left school in 1976 when I was 16. Because I have no qualifications, I was turned down by art school so went to work in Chatham dockyard as an apprentice stonemason. I later managed to get onto a painting course at St. Martin's School of Art on the basis of my paintings. Me, Bruce, Big Russ, and little Russ formed The Pop Rivets in 1977 and made our first recordings. Our inspiration was punk rock, TV21 and The Swinging Blue Jeans. I learned to play guitar then in 1979 I worked for four weeks at Oakwood Mental Hospital as a ward porter, then me, Mick and Bertie formed The Milkshakes. Our inspiration was Link Wray, the Beatles' Live at the Star Club LP, the track 'Gotta Get the First Plane Home' by The Kinks and our hatred of new romanticism. Then I was expelled from St. Martin's School of Art for writing what was described as 'the worst type of toilet wall humor.' I beat my father up on his release from prison for drug smuggling. We never paid ourselves in The Milkshakes and put all the money back into making our own records. I kept the money in a bank account under the name of Kurt Schwitters. I lived on the dole for 12 years.' --Billy Childish"
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LP
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DAMGOOD 613LP
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"Who said rock and roll is dead?! Maybe Dr Frankenstein's made a rock and roll monster cuz it sure seems alive to me. Damaged Goods introduces to you the debut LP of Martin Savage And The Jiggerz! Recorded by Ed Deegan at the esteemed Gizzard Recording Studio up in Fish Island, East London, on magnetic tape it delivers 12 solid senders of pure heart-on-the-sleeve rock 'n' roll action! From the blastin' drumroll of opener 'Between the Lines', a staple in the band's live set, via punk ballad anthem 'Down the Line' leading up to another live favorite called 'Boomerang'. There are covers of should-have-been-legends with bad-ass names like the Backstabbers or the Stripes. There are songs about shitty jobs, troublesome relationships, life on the high and life on the low. It's got everything you need really. Whether ya dig Boston 1976, Medway 1986 or Memphis 1996 there's something for you here."
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DAMGOOD 609LP
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"Brand new album by Medway garage-psych outfit. Led by Allan Crockford (Prosoners/Solar Flares etc.) Since the early '80s Allan Crockford has been a major figure in Medway's garage rock scene, including playing for The Prisoners, Billy Childish's Thee Headcoats, the original line-up of the James Taylor Quartet, The Solarflares and many more. SInce 2010 he has fronted his own band, The Galileo 7, as writer, guitarist, and lead vocalist. Their unique blend of powerful '60s garage rock'n'roll, psychedelic vocal harmonies and quality songwriting has now featured on no less than eight albums, including two on Damaged Goods. Their third, You, Me and Reality is out soon."
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CD
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DAMGOOD 602CD
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"Reissue of classic album originally released by Sub Pop records in 1990! Now with new artwork and extra two tracks ('Girl From '62' was originally released as the A-side of a single on Regal Select Records, while 'Troubled Times' was the B-side of a single on Dog Meat Records).
'What's the story behind the album title? 'Heavens to Murgatroyd, even!' is a term of surprise by Snagglepuss, a bright pink lion, who starred in his very own Hanna-Barbera cartoon. The term was famously employed by The Downliners Sect on the intro to their top tune 'Leader of The Sect.' This album originally came out on Sub Pop Records in 1990. The label was known for US grunge at the time, how come they ended up working with a Medway garage and racket group? We prefer the term 'Maximum Drums and Racket.' It all came about because a young Steve Turner, of Mudhoney fame, when a young lad visiting England with his father, happened across Thee Mighty Caesars playing at The Cricketers Public House at the Oval. Fast forward five years and he is telling the Seattle grunge mob all about how great we are. We were then invited to play with Mudhoney on their first Sub Pop jaunt in the UK. Bruce Pavitt, the Sub Pop visionary, saw our mass appeal and asked if we'd knock out an LP for Sub Pop. He also asked me to sign a contract. I replied -- 'What's a contract, can you eat it?' By this good chance we still owned the LP.' ? Q&A with Billy Childish (September, 2023)"
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LP
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DAMGOOD 602LP
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"Reissue of classic album originally released by Sub Pop records in 1990! Now with new artwork and extra two tracks ('Girl From '62' was originally released as the A-side of a single on Regal Select Records, while 'Troubled Times' was the B-side of a single on Dog Meat Records).
'What's the story behind the album title? 'Heavens to Murgatroyd, even!' is a term of surprise by Snagglepuss, a bright pink lion, who starred in his very own Hanna-Barbera cartoon. The term was famously employed by The Downliners Sect on the intro to their top tune 'Leader of The Sect.' This album originally came out on Sub Pop Records in 1990. The label was known for US grunge at the time, how come they ended up working with a Medway garage and racket group? We prefer the term 'Maximum Drums and Racket.' It all came about because a young Steve Turner, of Mudhoney fame, when a young lad visiting England with his father, happened across Thee Mighty Caesars playing at The Cricketers Public House at the Oval. Fast forward five years and he is telling the Seattle grunge mob all about how great we are. We were then invited to play with Mudhoney on their first Sub Pop jaunt in the UK. Bruce Pavitt, the Sub Pop visionary, saw our mass appeal and asked if we'd knock out an LP for Sub Pop. He also asked me to sign a contract. I replied -- 'What's a contract, can you eat it?' By this good chance we still owned the LP.' --Q&A with Billy Childish (September, 2023)"
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LP
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DAMGOOD 604LP
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"A live recording from 1977! First time on vinyl! Previously only available on CD as part of the Past & Future Landslide 3CD box set! 'It was 1977 and things were progressing extremely well. We had signed to Beggars Banquet and our first single Shadow c/w Love Story had been released. John Peel had been playing both sides of the single most nights on his radio show, so we were getting heard by a lot of people. But we didn't yet have a 'proper' tour bus, so we all piled into a transit for the trip down to Margate with our tour manager Mike Stone in the driving seat. The Queens Hotel turned out to be a pretty good venue. There was a nice high stage which we much preferred over the low-slung platforms of some of the places we played. It meant that the crowd wasn't totally swamping us the whole time, although there would still be a constant stream of people jumping on and off stage, bumping us, knocking equipment over and so forth. We weren't sure if many people would turn up on a cold and windy night so close to Christmas, but it was a good turnout, and they were out for a good time too. There was none of the aggro stuff which would become a problem later on at our shows. The actual gig was typical of a Lurkers show at that time, being fairly chaotic with a lot of crowd 'interaction.' There is a recklessly fast version of 'Pills' on the recording, and I think we were playing 'It's Quiet Here' for the first time live. Howard was on good form too; it would be his birthday on Christmas Day. My favourite quip from him is towards the end of the show when he says 'eat your heart out Hank Marvin' after one of my more eccentric Shadows guitar intros.' --Pete Stride, 2022"
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LP
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DAMGOOD 595LP
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"25th Anniversary re-isssue of Kyra's classic solo LP! On peach colored vinyl! 25th Anniversary issue with five bonus tracks! Krya from The Headcoatees with backing by Thee Headcoats! Originally released on Vinyl Japan (ASKLP71) in 1998, this new expanded version with five bonus tracks including her 7" with the legendary 'Armitage Shanks' is also available on colored vinyl for the first time. Kyra Rubella was best known as a member of Thee Headcoatees and was also in The A-Lines and The Shall-I-Say-Quois."
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3CD BOX
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DAMGOOD 594CD
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"Three CD box set by original '77 punk band The Lukers. Features two albums never before on CD (Chemical Landslide / The Future's Calling) plus a previously unreleased live recording from 1977."
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DAMGOOD 577LP
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"Third studio album by Graham Day & The Gaolers! Their first in 14 years! It's been a good time recently to be a fan of Graham Day. Last year saw the release of A Little More Time With, a 10" mini-LP by The Senior Service, as well as his recent debut solo album, The Master Of None, (released on Acid Jazz). There's also been a string of hometown reformation gigs with the Prisoners, and a US tour with the Woggles, And now this! We're extremely proud to be releasing Reflections in the Glass, a brand new album by Graham Day & The Gaolers. We asked Graham a few questions the new Gaolers album, his writing, playing style, and those recent Prisoners gigs..." "This is the third Graham Day & The Gaolers album. It's been 14 years since the last one, why the long gap? Blimey, is it that long? We never 'finished' the band, but with Dan living in the USA it's always been difficult to get together, and we've had to rely on touring to make it worthwhile flying him over. I think we were all feeling a bit tired of touring, my 'day' job got increasingly intense, and we sort of put it on hold for a while. We were set to record the album in March 2020, but then Covid hit so we lost a couple of years. How did you first hook up with Dan Electro from the Woggles? I met Dan in 2000, his band the Woggles were supporting the SolarFlares on two nights of a German tour. The first night they blew me away, and we went on first the following night, no way I was going to follow that again! We stayed in touch, became great friends. Dan was over in London 2006-ish, I'd just finished playing bass in the Buff Medways, and Dan suggested we start a band together with Buzz the Woggles bass player. I had an album's worth of material and they flew over and we recorded the first Gaolers' album in 2007."
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3CD BOX
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DAMGOOD 590CD
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"CD Box set containing three albums by The Buff Medways -- (Steady The Buffs, 1914, Medway Wheelers) -- Three brilliant albums by the Buff Medways, neatly contained in one box, complete with booklet! The albums are Steady The Buffs, 1914, and Medway Wheelers. Buffs leader Billy Childish kindly answered a few questions about the band... The Buff Medways were formed quickly after Thee Headcoats split. What was it like working with a new rhythm section? We were in the studio recording the last Headcoats pieces then swapped rhythm section halfway through and the Buffs recorded their first 45. So, a very quick change over, five minutes. What bands would you say were the biggest influence on the Buffs' sound? The rhythm section really, wolf and Johnny (Barker) liked the Who, so I tried to write to suite them. (They had played in The Daggermen and I produced their first 45 along with Big Russ, so I'd been a fan of The Daggermen, who were fans of the Milkshakes. Johnny and Wolf are good few years younger than me.) Graham Day was previously in the Prisoners; can you remember the first time you met him? I met Graham through Bruce -- he brought him and Allan round to a Milkshakes rehearsal. They had been fans of the Pop Rivets when they were kids. Graham joined the Buffs on bass when Johnny left. Graham also played drums for Thee Mighty Caesars when Bruce left that group. Who had the idea of wearing military uniforms? Did you have a favorite one? That was also based on The Daggermen, via Jimi Hendrix (thou I did wear an old artillery jacket in Thee Headcoats at times). I quite like our summer kit (loosely Australian great war period). Though technically that was The Musicians of the British Empire. We changed the name when Graham couldn't make it to Australia and Julie had to learn the bass overnight."
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DAMGOOD 600LP
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"Compilation album released to coincide with the band's first US tour -- on orange vinyl exclusively for the US! Described as 'The Ronettes meet The Ramones at a wild party at Gold Star Studios echo chamber', The Courettes have released four fantastic albums on the legendary label Damaged Goods Records, each one praised by magazines such as MOJO and Shindig!, most notably the Back In Mono album in 2021, a true milestone in their career. This new compilation, Boom! Dynamite, released exclusively for the US market, guides you through their albums from the very beginning, from the early raw power garage rock onto their present Spector/Levine Wall of Sound Gold Star sound, made using complex recording techniques at StarrSound Studios in Denmark with top producer Søren Christensen and mixing genius Seiki Sato from Japan. From Here Are The Courettes, their debut album from 2015, you´ll find 'I've Been Walking', 'Push it Too Hard' (a duet with Kim Kix of Powersolo), both raw and rocking, along with a 2021 re-recording of 'The Boy I Love', which heads deep down the '60s Girl Group alley. On We Are The Courettes, their second album, the duo began using overdubs in the studio. You can hear Flavia singing harmonies and playing piano and organ on the swinging tracks 'Time is Ticking' and 'Strawberry Boy'. The album also contained the garage nerve of 'Hoodoo Hop' and 'Voodoo Doll', featuring legendary Brazilian Horror icon Coffin Joe on spells. The brilliant Back in Mono album found The Courettes on top songwriting form and was made using the Wall of Sound technique of their own StarrSound Studios. Back In Mono is represented on the compilation by 'Hop The Twig', 'Want You! Like a Cigarette', 'Night Time (The Boy of Mine)', 'R.I.N.G.O' and 'Misfits & Freaks'. 'Only Happy When You're Gone' is a hidden gem from Back in Mono (B-Sides & Outtakes), and the fantastic single 'Christmas (I Can Hardly Wait)' is for the first time included on an album by The Courettes."
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CD
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DAMGOOD 587CD
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"It's been 22 years since the last Headcoats album, but now Billy, Bruce, and Johnny return with a brand-new studio album. The undisputed kings of garage rock are back! It's been 22 years since the last Headcoats album, but now Billy, Bruce, and Johnny return with a brand-new studio album! Recorded last year at Ranscombe Studios in Rochester. Billy, Bruce, and Johnny kindly answered some pertinent questions... You got back together recently as Thee Headcoats Sect to make the 'Tribute to Don Craine' EP. What was it like working with each other again after all this time? BILLY: It was 'fab' and 'gear.' BRUCE: The weirdest thing for me was how weird it wasn't. It was like time compressed, but to the 'good old days', early on. I was wary that it 'wouldn't be like Thee Headcoats', but it was. JOHNNY: I'm with Bruce and Billy on that one. I think we were all surprised how it all just worked. If I remember correctly, we kicked off role playing like we detested each other. Then we got started and well, you can hear the result. You've also paid tribute to Don with a track on the Irregularis album -- Oh Leader We Do Dig Thee. He was, along with the other members of Downliners Sect, a big inspiration to Thee Headcoats. When did you first become aware of his music and what was he like to work with? BRUCE: We were given (or possibly lent) a reissue of the Sect's first LP around 1977, marketed as Punk From The Vaults, which certainly floated our boats and definitely popped our corks, due to the somewhat aggressive yet carefree nature of the tunes and sound in general. Ollie, our old bassist, found an ad in a trade magazine for them with a contact number for a Michael O'Donnell, which I excitedly called almost immediately. T'was none other than Don his'self and we managed to convince him into venturing down to Rochester to record some tunes with us which became the first Headcoat Sect EP. We were fairly starstruck and presented him with a brand new 'dearstalker' (or 'Headcoat', as they were now known)."
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DAMGOOD 587LP
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DAMGOOD 588CD
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"New studio album by Billy and CTMF! Featuring Billy at his song writing best! Includes covers of Richard Hell and Jimi Hendrix songs, along with a newly recorded version of 'Bob Dylan's Got a Lot to Answer For'! We asked Billy a few questions about this mighty fine album... Great album title! It will seem counter-intuitive to some but why do you favor failure over success? If the Pop Rivets (the first group I was in in 1977) had been 'successful' in the formal sense, then it would have been a disaster -- no learning about sound, growth, and independence. Luckily, we considered ourselves successful from the outset by doing what we wanted the way we wanted. We believed the hype of punk rock -- do-it-yourself and lived it, unlike the 'successful' leaders of the movement. I've always wanted small gigs where your open and exposed. The same with recording -- excitement, mistakes, humor, and hopefully joy. The reason to become 'successful' is to cut yourself from your origin and roots. In short, we'll decide what success is, not a critic, the world, or public opinion. The album opens with a cracking cover of Richard Hell's 'Love Comes in Spurts'. You've previously recorded this with Thee Headcoats on Brother Is Dead... But Fly Is Gone! from 1998. What made you want to revisit the song? Has Richard heard it? If so, what did he think? I forgot that we did it with Thee Headcoats. If I had that LP, I'd give it a listen. I do remember covering it live with The Pop Rivets in 1978. Richard said he liked it a lot and told his girlfriend he only wants my tunes at his funeral. I said, 'not too soon I hope.' He assured me he's well."
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DAMGOOD 588LP
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LP version. "New studio album by Billy and CTMF! Featuring Billy at his song writing best! Includes covers of Richard Hell and Jimi Hendrix songs, along with a newly recorded version of 'Bob Dylan's Got a Lot to Answer For'! We asked Billy a few questions about this mighty fine album... Great album title! It will seem counter-intuitive to some but why do you favor failure over success? If the Pop Rivets (the first group I was in in 1977) had been 'successful' in the formal sense, then it would have been a disaster -- no learning about sound, growth, and independence. Luckily, we considered ourselves successful from the outset by doing what we wanted the way we wanted. We believed the hype of punk rock -- do-it-yourself and lived it, unlike the 'successful' leaders of the movement. I've always wanted small gigs where your open and exposed. The same with recording -- excitement, mistakes, humor, and hopefully joy. The reason to become 'successful' is to cut yourself from your origin and roots. In short, we'll decide what success is, not a critic, the world, or public opinion. The album opens with a cracking cover of Richard Hell's 'Love Comes in Spurts'. You've previously recorded this with Thee Headcoats on Brother Is Dead... But Fly Is Gone! from 1998. What made you want to revisit the song? Has Richard heard it? If so, what did he think? I forgot that we did it with Thee Headcoats. If I had that LP, I'd give it a listen. I do remember covering it live with The Pop Rivets in 1978. Richard said he liked it a lot and told his girlfriend he only wants my tunes at his funeral. I said, 'not too soon I hope.' He assured me he's well."
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DAMGOOD 022LP
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"In Memory of Chris Broderick of the Singing Loins, who passed away earlier this year. We proudly present a vinyl reissue of this Medway folk classic! A re-issue of one of our favorite early releases and a rather overlooked classic album, a one-off collaboration between Billy Childish and legendary Medway folkies The Singing Loins. This was recorded in 1993 when Billy was in Thee Headcoats and The Singing Loins were in their first incarnation. The Singing Loins formed in late 1990, a two-piece band playing 'Authentic raw folk from the Medway Delta'. They were Chris Broderick on vocals/stick and Chris 'Arfur' Allen on guitar. They had recorded two classic albums before this both of which were released on Billy's own Hangman records. The album features a few Childish classics reworked including 'You Make Me Die' and 'Every Bit Of Me' as well as four tracks written by Billy & The Loins especially for this album."
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DAMGOOD 286LP
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"White vinyl reissue of Fabienne's second solo album. Over three years in the making, Between You And Me is full of swinging '60s ye-ye pop charm including a few French language songs and the single 'I'm Gonna Catch Me A Rat'. It's the usual mix of cover and new songs written by George Miller, Peder Bernhardt and fellow Damaged Goods artist Pete Molinari (who also guests on one track)."
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DAMGOOD 575LP
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"Long-awaited vinyl reissue of a Medway classic!" "The Daggermen all went to Rede Secondary School In Medway, Kent. It was a school for those that failed their 11 plus, or who passed it but decided to go there anyway (as Jon pretends). Being in some of the same classes we became friends and found we liked the same music; The Who, The Small Faces, The Kinks, The Beatles and The Jimi Hendrix Experience. We started going to Carnaby Street, wearing Beatle boots and generally being a bit Moddy. Dave's older brother, James Taylor, played organ in The Prisoners and we'd listen to cassette tapes of them along with other local band, The Milkshakes as we bounced on the trampoline during P.E. After watching both bands play live in local venues such as the M.I.C. club in Chatham we formed The Daggermen, working out who was going to play which instrument as we stood next to the now demolished school sports hall. No one can quite remember who thought of the name, The Daggermen (it was me) or how comes Jon was playing bass on a guitar in the band at the very start and then Terry took over when we started gigging (it was because he had a real bass guitar and a car). But the next thing was that we were supporting The Prisoners both in Medway and places such as the 100 Club in Oxford Street. Then, one sunny day at around the age of 17, I bumped into Billy Childish walking across a field. I formally introduced myself and told him that he should definitely come and see our band that night because we were 'fucking brilliant'. He did turn up and bought us a tray of whiskies whilst we were on stage, a sure sign that he had liked it. This led to him and Russ Wilkins, bass player in The Milkshakes alongside Billy, asking us if we wanted to record an E.P. for Russ's label, Empire Records. This was our first ever recording called Introducing The Daggerman which was made in a brick arch under Rochester bridge that we rented for £2 a week to rehearse in and lovingly referred to as 'The Hole'." --Wolf Howard, Cafe Mozart, Chatham
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