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12"
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DRONE 028EP
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Death in Vegas returns with a new 12" featuring two live tracks, both recorded at EartH Theatre in London. On the A side is "COUM," a laconic, sexy, dark wave track born out of a recording session for Black Acid, Richard Fearless' New York psyche project, at Keyclub recording studio in Michigan. On the reverse, Death in Vegas summon the dead with a stunning ambient version of "Lightning Bolt," another song off Trans-Love Energies, and one that catches Death in Vegas at their most fragile.
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CD
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DRONE 001CD
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This the first CD released by drøne (Mark Van Hoen and Mike Harding), after two vinyl albums released by Anna von Hausswolff's Pomperipossa label. Presented in a 5-inch jacket with artwork and font by Nico (who also provided the hand-written text for the vinyl artwork of the duo's first two releases), Mappa Mundi traces and describes audio surrounding and occupying the planet Earth. Workers toil in smithies, call signs and chants-at-prayer reveal attempts to order the chaos, which always remains one step ahead. Post-lapsarian for sure, but smoke signals and drums have morphed into the "bing-bong"' of the attention-grabbing, mind-polluting PA system. The coded simplicity of the whistle ("Start!") has evolved into a more deliberate attempt to control rather than inform by explicit, structured language. Announcements have become commands; signs bark orders. Thus "no" becomes a powerful rejection, rather than merely an inclination; and no-ers are more easily to spot . . . "You're going the wrong way"! (To which the only sensitive and mature response is: "Indeed!") Organic and man-made call signs, IDs, audio sigils, and signatures all combine to describe a polluted, confusing atmosphere that threatens to leave us powerless and bewildered. "Decipher the sounds and you win the game! First prize is, guess what? You get to take the audio poison! Congratulations! You've lost!" A dynamic and involving result ensures a challenging but no less enjoyable listen. The first drøne album, 2016's Reversing into the Future (PR 002LP), drew this response from Lend Me Your Ears: "This thrilling piece -- surely the most kinetic non-dancefloor record in an age." Anna von Hausswolff herself wrote of the follow-up record, 2017's A Perfect Blind (PR 003LP), "I love everything about this release. Such a great presentation and exciting project! And most important: the music is sublime." The Quietus wrote: "Last year's distinctive debut from Drøne was likened to a hurtling journey. It's combination of field recordings, shortwave radio and modular synths possessed an excited, driving energy whose route was hitherto unexplored and destination unknowable. But with an expanded sound pool boasting instruments across the ages - from guitar, through pipe organ and strings to dulcimer and psaltery -- its follow-up takes a sideways step into more cognizant, reflective pastures."
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