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12"
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FEUILLET 008EP
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The second solo EP by Bielefeld's finest RR on Feuilleton is bringing jazzy and classic house music feels together with a fresh and futuristic twist on five cuts -- dedicated to the fine stereo systems and sophisticated dancefloors on the planet. Written and produced by René Raabe, mixdown by Tim Eder, mastering by Sven Weisemann, lacquer cut by Stefan Betke at Scape Mastering, and photography by Paula Theiss.
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2x12"
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FEUILLET 001LP
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Stólar label boss Philipp Priebe delivers his new album Apparent Calm Palms, joining the roster of Mainz/Hamburg, Germany's Feuilleton. Berlin-based artist Philipp Priebe has been steadily making his mark on the contemporary deep hazy house and leftfield electronica scene over the past few years with a series of releases on his own Stólar imprint. Here though you see him deliver his second album following his debut LP, The Being Of The Beautiful, released on Japan's IL Y A Records back in 2014. Feuilleton is the brainchild of Chris Gruber (Fossar) and Tim Eder and since 2018 has unveiled material from the duo themselves, RR (René Raabe), Snad, Gari Romalis, Melina, Jakob Seidensticker, and more. Throughout the Apparent Calm Palms LP, Priebe delivers a concoction of styles and sounds cohesively fused together to form the bigger concept which is he says is "an album about small towns and villages and the needs and desires that brings one night out in clubs. The transport/travel, the preparty, all the things that you had to do, when you are not directly living in the big party places, but still want to have a decent night out, away from your usual suspects." Throughout the ten-track LP Philipp delivers ethereal deep house with opening track "Desires", the succeeding "Interborough" and "Chimera", murky dub house leaning cuts like "Quiet Decay", "Slalom", "Unfold", and "Conclusions" while "Transfiguration" showcases a more classic Chicago house influence. Title track "Apparent Calm Palms" and the interlude "Behind Their House" then see Priebe offer a foray into textural ambient sounds, once again showcasing his unique ability to craft raw, understated and emotion-fueled material across a variety of genres. Mastering by Sven Weisemann and lacquer cut by Stefan Betke.
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