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viewing 1 To 23 of 23 items
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12"
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FILM 013EP
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Brainwaltzera gets the remix treatment from stalwart of UK underground music, Peshay, alongside alternate versions of original material. Taking on "Medal Headz [ G.B. D. F.]," lifted from the recent Brainwaltzera LP Itsame, British drum and bass producer Peshay turns in a driving remix in a classic UK style. Rolling breaks meet a heady reese bass line and wide-angle atmospherics, put together with all the aplomb of a skilled craftsman doing what he does best. It's music made for the dancefloor, delivered in a timeless style by one of the heads of the early Good Looking Records and Metalheadz years. On the B1, Brainwaltzera takes the reigns with an extended version of the original album piece -- a valuable reminder of the impressive source material, reimagined in a new context. For the B2, the artist offers a previously interconnected phase of "Medal Headz [G. B.D.F.]" up as a track in its own right. A spellbinding IDM reduction, it's wrought with all manner of synth flourishes, elegant drum machine rhythms, and warping synths -- a neat closer that offers a new and intriguing approach to an LP highlight.
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2LP
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FILM 007LP
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Double LP version. Gatefold sleeve. On his sophomore album ITSAME on FILM, Brainwaltzera navigates the turbulent waters of personal crossroads with cautious optimism for an uncertain future. Drawing comparisons with his debut full-length Poly-Ana (FILM 003CD/LP, 2017), an equally introspective album that explores broader conceptual themes, the artist hesitantly describes the new record as a very personal affair. Acting as a kind of "journal" of the last four years of his life, each of the 17 tracks directly relate to events and experiences that transpired during their composition.
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CD
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FILM 007CD
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On his sophomore album ITSAME on FILM, Brainwaltzera navigates the turbulent waters of personal crossroads with cautious optimism for an uncertain future. Drawing comparisons with his debut full-length Poly-Ana (FILM 003CD/LP, 2017), an equally introspective album that explores broader conceptual themes, the artist hesitantly describes the new record as a very personal affair. Acting as a kind of "journal" of the last four years of his life, each of the 17 tracks directly relate to events and experiences that transpired during their composition.
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2LP
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FILM 005LP
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FILM release the debut LP from Denial Of Service. The album follows up EPs Sensou (FILM 003EP, 2015), and more recently Contour & Shape (FILM 007EP, 2017) -- but marks the producer's most expansive release on the label thus far by some margin. Clocking in at 15 tracks, the lengthy opus draws from the same palette found on previous work -- drum machine driven, heavily mutated electro and IDM sit alongside low-slung techno cuts and arpeggiated EBM references. As ever, the production is stunning -- crisp and plosive, as much a record for the club as it is a tempered headphone experience; whilst the mood channels that same dank, claustrophobic energy found on previous missives. As a body of work, the LP displays the distinctive touch of a production veteran. The transformative shifts in structure on "A Fine, New Mother Now" belie a kind of boldness found less often across the contemporary electronic music landscape; and the drum programming on IDM-leaning explorations "Autoimmune" abd "SuperCell" bear the hallmarks of a perfectionist with time on his hands and in full control of his art. Space and the placement of sonic components plays a huge role in the artist's work and "The 3 Stigmata of Palmer Eldritch" displays this canny knack for generating both textural, wide angle soundscapes whilst maintaining that wrought-iron edge to drums and percussive elements -- even more fervent, noisy compositions like "Dr Manahattan" manage to keep hold of this remarkable balance. It's impressive stuff, a fine and well worked meeting point between artistic vision and engineering prowess. An elongated discussion, no doubt -- but worth hearing every word. Each twist and bend, however sharp, remains carefully placed and beautifully recorded. Dryer works "Slither" and "Junkie Foxtrot" offer a less introspective, more hard-hitting angle to the work, and by the time the listener arrives at dual closer "The Daisy Chain - Adults" -- they're ready for its heady catharsis. The debut album from Denial of Service is a trip, and the line between club space and home listening environment is decidedly blurred -- an emotive exploration of true psychedelic electronica, delivered direct from the source.
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LP
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FILM 004LP
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Repressed; LP version. Eight early songs written and produced by Tase, recorded on 16-track tape machine. Neues Deutschland Studio 2010-2011. Tase is producer Sven Rieger. Co-founder of SUED, Rieger records under aliases SVN and Ixus and in groups such as AU, Département d'Éducation Psychique, Dreesvn, and S.P. Posse.
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12"
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FILM 012EP
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Brainwaltzera returns to FILM. The shrouded producer continues to demonstrate a breadth of skill as both a musician and engineer, with another collection of deep and textured recordings for the FILM label, intended as an Epi-Log to the artist's debut album Poly-Ana (FILM 003CD/LP, 2017). Continuing the exploration of crystalline IDM, proto-electro, ambient, and other curious strains of left-field music, Brainwaltzera looks out across a colorful and varied sonic landscape, drawing on a wealth of classic influences all the while maintaining that unique and instantly recognizable finish. Heavy on atmosphere, rich in inherent musicality, and beautifully executed -- the Brainwaltzera journey continues with another solid offering on the FILM label.
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12"
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FILM 011LP
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Utopia Cloak arrives on FILM with Marina Gardens. Utilizing both electronic and acoustic components, the British producer crafts hazy, dynamic electronica with a decidedly emotive bent. The music explores a curious production aesthetic -- at once half-sunk and at the same time gloriously crisp and direct. Caustic drum machine hits underpin the majority of the work, compete with polyrhythmic rolls and glitches, while softly warping synth lines occupy the majority of the remaining sonic space. Rather than working explicitly with nostalgia, Utopia Cloak makes more subtle references to the classic sounds of yore -- riffing on Downtempo and IDM with gentle and considered nuance, eking out arcane hooks and rich melodies with a pleasing focus on compositional structure and songcraft. Contrast is the key here, though; Utopia Cloak works hard to find the balance between metallic percussion strikes and wide-angle instrumental elements, avoiding chaos in favor of a lush, rewarding listening experience.
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LP
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FILM 010LP
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Focusing on low-slung IDM, acid, and atmospheric electro with nods to krautrock and ambient sounds, Steve Hyland's Attraktta project gets an extended outing on the Film label. Across eight beautifully produced tracks, Hyland -- one of the founding members of AI Records and subsequently Concrete Plastic -- explores vibrant synthesis and intricate drum programming, with the music arriving at a sweet spot between home listening material and club-ready workouts for more intelligent dancefloors. Eschewing straightforward synth sequences in favor of blissed-out, almost disharmonious sonics, Hyland transmits a curious psychedelia on Echo Principle, his debut LP. Sounds pitch and warp organically, buoyed up by saturated low-end and punchy drum machine percussion. There remains a decidedly accomplished precision to the work, though -- with the music bearing all the hallmarks of an artist of some considerable experience -- testament to the British producer and label head's 19 years working in the industry. A colorful, exquisitely composed LP that riffs on a timeless production aesthetic with considerable style, Echo Principle is a fantastic entry into the Film discography. 140 gram vinyl; Matte UV varnish; Includes download code with bonus track.
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12"
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FILM 009EP
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The Indian producer Keshavara arrives on the Berlin-based label with Creators Of Rain EP. Featuring vocalist Gío, live instrumentation provides the backbone of the work -- dusty drums drive the music forward, complemented by shifting dub-guitar leads, off-kilter bassline licks, and delayed drum machine breaks. Danny Wolfers turns in a transcendental remix under his Legowelt alias. On his remix, legendary synthesizer enthusiast Legowelt draws for a characteristically sci-Fi finish. Maintaining the tempo of the original piece but augmenting the work with a growling Reece bassline and hazy lead synths, the Dutch producer carefully shifts Keshvara's recording up a gear.
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12"
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FILM 008EP
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The Brainwaltzera Remix EP features Luke Vibert, Eva Geist, Philipp Otterbach, Guavid, and Ignazz. Andrea Noce, aka Eva Geist, takes on "Kurzweil Dame", lifted from the Poly-Ana album (FILM 003CD/LP, 2017), and gently shifts the work from 4/4 to a decidedly eccentric half-time dub pulse. Newcomer Ignazz flips "Marzipan Leftovers", transforming the original from blissed out IDM into a classic electro cut. Luke Vibert and newcomer Guavid turn to Brainwaltzera's Aescoba EP (FILM 006EP) for their picks, both choosing to "10 muddy_puddle Trot". Philipp Otterbach closes proceedings with a blissed out proto-ambient rework of "triangulate Dither".
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2x12"
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FILM 003LP
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Repressed; 2x12" version. Scented gatefold sleeve, relief varnish; 140 gram vinyl. Brainwaltzera's debut album Poly-Ana follows quickly on the heels of the producer's Aescoba EP (FILM 006EP, 2017). Across thirteen tracks of both previously released material and fresh excursions into the artist's world, Brainwaltzera explores sounds ranging from luscious, downtempo grooves and expertly reduced brain-dance cuts with nods to early '90s experimental IDM to harder, more caustic outings, all bound together by a recurring theme of otherworldly ambience. Taking its name from a variety of sources dear to the artist, including polyphonic analog synthesizers and the Pollyanna principle itself -- a theory that suggests individuals recall pleasurable experience more acutely than displeasing ones -- the title represents a meeting point in the artistic process between creative method and conceptual choices. Production techniques range from more traditional hardware synthesis to the incorporation of a modified dot matrix printer acting as a modulation source for MIDI parameters. Sample sources include VHS material from the producer's own childhood and ambient Bullet Train samples from a production session traveling from Tokyo to Kyoto. According to the enigmatic producer, memory and its fundamental role in the human experience is one of the central themes of the record. While the artist's own experiences shaped the sound of the record, there is no attempt to impose them on the listener through blatant exposition. A particular stimulus, such as sound or scent, can transport an individual back to a particular point in their life. Scent has long been identified as the most efficient agent for this phenomenon, providing perhaps the most visceral form of "brain travel". With this in mind, a unique fragrance was engineered by creative director Mario Lombardo's Atelier Oblique brand, exclusively for the album's physical release. This was designed to act as a vehicle to assist the listener in retaining the first experience of hearing the record and to act as a future trigger, transporting the individual back to that moment. Brainwaltzera's work has quickly found plaudits amongst a host of industry tastemakers and artists alike -- not least Aphex Twin himself, who has appeared sporadically online with comments praising the music via his now infamous user18081971 SoundCloud account. Mature and wonderfully executed, Poly-Ana represents some of the finest recent work within the genre, and yet another noteworthy addition to the FILM discography.
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CD
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FILM 003CD
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Brainwaltzera's debut album Poly-Ana follows quickly on the heels of the producer's Aescoba EP (FILM 006EP, 2017). Across thirteen tracks of both previously released material and fresh excursions into the artist's world, Brainwaltzera explores sounds ranging from luscious, downtempo grooves and expertly reduced brain-dance cuts with nods to early '90s experimental IDM to harder, more caustic outings, all bound together by a recurring theme of otherworldly ambience. Taking its name from a variety of sources dear to the artist, including polyphonic analog synthesizers and the Pollyanna principle itself -- a theory that suggests individuals recall pleasurable experience more acutely than displeasing ones -- the title represents a meeting point in the artistic process between creative method and conceptual choices. Production techniques range from more traditional hardware synthesis to the incorporation of a modified dot matrix printer acting as a modulation source for MIDI parameters. Sample sources include VHS material from the producer's own childhood and ambient Bullet Train samples from a production session traveling from Tokyo to Kyoto. According to the enigmatic producer, memory and its fundamental role in the human experience is one of the central themes of the record. While the artist's own experiences shaped the sound of the record, there is no attempt to impose them on the listener through blatant exposition. A particular stimulus, such as sound or scent, can transport an individual back to a particular point in their life. Scent has long been identified as the most efficient agent for this phenomenon, providing perhaps the most visceral form of "brain travel". With this in mind, a unique fragrance was engineered by creative director Mario Lombardo's Atelier Oblique brand, exclusively for the album's physical release. This was designed to act as a vehicle to assist the listener in retaining the first experience of hearing the record and to act as a future trigger, transporting the individual back to that moment. Brainwaltzera's work has quickly found plaudits amongst a host of industry tastemakers and artists alike -- not least Aphex Twin himself, who has appeared sporadically online with comments praising the music via his now infamous user18081971 SoundCloud account. Mature and wonderfully executed, Poly-Ana represents some of the finest recent work within the genre, and yet another noteworthy addition to the FILM discography. CD version comes in a digipack.
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12"
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FILM 007EP
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Denial.of.Service returns to FILM for an extended EP of wrought iron electronics, channeling the spirit of classic electro, industrial, and noise. If 2015's Sensou EP (FILM 003EP) communicated a more brooding, emotive side to Denial.of.Service -- then Contour & Shape works in stark contrast. The palette remains relatively unchanged, with the 808 providing the back-bone for most of the compositions -- but this time around the production aesthetic is harsh and abrasive and there's a powerful, burning immediacy to the work. Contour & Shape is a thunderous, high-energy salvo from a true creative with a rich electronic music heritage.
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12"
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FILM 006EP
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2018 repress. Brainwaltzera debuts on FILM. The anonymous producer, whose work has already received online approval from legendary British IDM auteur Aphex Twin, offers up an extended EP for the Berlin based imprint. The compositions on Aescoba EP are of similarly high caliber. Varied in approach and marrying both electronic and acoustic elements with ease, the six tracks that comprise the record range from yearning ambient segues and dreamy down tempo grooves to otherworldly krautrock and more direct, dancefloor fare -- but remain bound tight as a cohesive and functional body of work by a glorious, arcane musicality.
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12"
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FILM 005EP
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Marvin Horsch debuts on Berlin's Film with an EP of exquisitely produced, cinematic electronica. The Cologne based producer develops a colorful house with three playful compositions that draw as much on jazz and krautrock as more contemporary strains of alternative electronic music. "Omnisession#1" marries a beautifully shifting organ with live drum work before segueing into the glorious softness of "Sun After Rain", a rich synth solo drenched in tape hiss. Closer "Negobebo#2" wraps up the EP - an energetic, looping recording replete with staccato drum-machine strikes and warm, wet verbs carrying a spirited lead across its six minute duration.
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LP
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FILM 002LP
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2024 restock; LP version. Includes download code. After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of Grandbrothers), Daniel Brandt and Paul Frick (both of Brandt Brauer Frick) and John Kameel Farah release their interpretation of Steve Reich's "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it. The basic idea came up at the beginning of the '70s at the Baldwin Piano & Organ Company in New York. During a rehearsal phase, which Steve Reich spent in this very piano store, the idea emerged of writing a composition for all the grand pianos available to him at the company. By the time of the finished piece, the actual number of pianos had settled down to six, where "Six Pianos" developed in 1973. On the occasion of his 80th birthday, the six pianists declare their love to Steve Reich with this release. Shaped by electronic club music as well as their classical education, they form "Six Pianos" in dignified modernity and top it off with today's sound aesthetics and technical recording possibilities. Presented here is not the recording from the Kölner Philharmonie (Cologne Philharmonics), but the ensemble playing six different grand pianos in six different locations throughout Germany. Each pianist performed his part on his piano using his typical studio equipment and passed the recording over to the next one. Thus the six characteristic and individual timbres of the performers overlay to create the overall picture - "Six Pianos" the way it should be looked at in 2016. Jan Brauer mixed "Six Pianos" in the studio while Lukas Vogel provided delays for the "Keyboard Study #1". "Keyboard Study #1" by Terry Riley is a worthy companion for Reich's composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach's assumption: "Terry Riley's and Steve Reich's music are open doors for pianists socialized by pop music and their audience."
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12"
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FILM 004EP
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The Berlin based imprint deliver a remix package of Grandbrothers's Dilation (FILM 001CD/LP, 2015). Erol Sarp and Lukas Vogel craft dense, rousing music with nods to IDM, ambient and techno, from the sounds of the grand piano and a set of 20 self-built hammers hitting the piano on different parts. NYC native FaltyDL takes on "Newtons Cradle", turning in a psychedelic slice of half time proto-footwork while both Phillip Otterbach (as Grand Optimist) and Djrum offer their own tripping, ambient reinterpretations. Portable Sunsets reimagines "Neon" as fuzzy beach house jam, with driven drum machine hits and a soothing Vox line.
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CD
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FILM 002CD
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After the widely noticed performance at the "Acht Brücken Festival 2016" at Cologne's Philharmonic Hall, Gregor Schwellenbach, Hauschka, Erol Sarp (of Grandbrothers), Daniel Brandt and Paul Frick (both of Brandt Brauer Frick) and John Kameel Farah release their interpretation of Steve Reich's "Six Pianos" as a studio recording via FILM. The re-recording of this piece is an interpretation of Reich's composition but still far more than just that - it is a modern approach to his idea behind it. The basic idea came up at the beginning of the '70s at the Baldwin Piano & Organ Company in New York. During a rehearsal phase, which Steve Reich spent in this very piano store, the idea emerged of writing a composition for all the grand pianos available to him at the company. By the time of the finished piece, the actual number of pianos had settled down to six, where "Six Pianos" developed in 1973. On the occasion of his 80th birthday, the six pianists declare their love to Steve Reich with this release. Shaped by electronic club music as well as their classical education, they form "Six Pianos" in dignified modernity and top it off with today's sound aesthetics and technical recording possibilities. Presented here is not the recording from the Kölner Philharmonie (Cologne Philharmonics), but the ensemble playing six different grand pianos in six different locations throughout Germany. Each pianist performed his part on his piano using his typical studio equipment and passed the recording over to the next one. Thus the six characteristic and individual timbres of the performers overlay to create the overall picture - "Six Pianos" the way it should be looked at in 2016. Jan Brauer mixed "Six Pianos" in the studio while Lukas Vogel provided delays for the "Keyboard Study #1". "Keyboard Study #1" by Terry Riley is a worthy companion for Reich's composition. The piece is kind of a building set of ever lengthening, repetitive patterns played against each other with the right and left hand displaced. The composition proposes various possible combinations for the performer to choose from and repeat at will. And what the performers have chosen proves Gregor Schwellenbach's assumption: "Terry Riley's and Steve Reich's music are open doors for pianists socialized by pop music and their audience."
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12"
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FILM 003EP
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180-gram vinyl. Glow-in-the-dark cover. The Film label stumbled upon Denial.of.Service while doing research for a music video; they didn't discover a video director, but they did find an artist working with music, video, and performance art. Active since the early '80s, Denial.of.Service was involved in numerous projects doing productions, remixes, and videos for and with artists like David Bowie, Attrition Extrawelt, and D.A.F. A closer look on his artistic activity since the early '80s reveals a universe to uncover.
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2LP
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FILM 001LP
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180-gram double LP version in high-gloss gatefold sleeve; includes WAV & MP3 download code. Following their debut Ezra EP (FILM 001EP) and support from the likes of Gilles Peterson, Grandbrothers present their debut album Dilation. Twelve modern experimental ambient piano pieces, with sounds generated completely from a grand piano using small electromagnetic hammers. Grandbrothers are Erol Sarp and Lukas Vogel. After meeting at university in Dusseldorf, Sarp and Vogel formed Grandbrothers to tie together their respective musical backgrounds and disciplines: Sarp is a trained jazz pianist, while Vogel constructs synthesizers at Access Music by day. Together, they create a sound that combines classical composition with modern, experimental production and sound design. The product of two years' work, Dilation builds on some of the ideas established on Ezra while exploring further elements of minimalism, ambient music, IDM, and techno. Tracks start as repeated two- or three-note patterns, which gradually develop into sweeping, cinematic soundscapes, recalling the structural and rhythmic qualities of club music as much as they do the work of a composer like Steve Reich, as well as Ryuichi Sakamoto's collaborations with Alva Noto. Surprisingly, there are no synthetic sounds on Dilation: Sarp and Vogel deliberately restrict themselves to the sounds of the grand piano across the album. "We wanted to make modern-sounding music using classical instruments," Vogel explains. "Instruments with a lot of history." To achieve this modern sound, Vogel developed an unusual system for playing the piano. Drawing on his technical background, he created a series of electromagnetic hammers that could be controlled via laptop (on software that he designed himself, no less) to play the piano. This process allowed the duo to discover new, previously unknown sounds -- sounds that couldn't be achieved through conventional playing -- which give the record its unique sonic qualities. "Dilation is a physical term for expansion and widening," Sarp says. "We see the project as an experiment: how far you can go with a piano? How much you can get out of it, sound-wise?" With further manipulation using loops, effects, and amplification, Dilation is an album that covers an extraordinary range of sounds despite coming from such a small, unorthodox setup. Classical, yet forward-thinking; expressive and emotional, yet with one foot on the dancefloor.
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FILM 001CD
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Following their debut Ezra EP (FILM 001EP) and support from the likes of Gilles Peterson, Grandbrothers present their debut album Dilation. Twelve modern experimental ambient piano pieces, with sounds generated completely from a grand piano using small electromagnetic hammers. Grandbrothers are Erol Sarp and Lukas Vogel. After meeting at university in Dusseldorf, Sarp and Vogel formed Grandbrothers to tie together their respective musical backgrounds and disciplines: Sarp is a trained jazz pianist, while Vogel constructs synthesizers at Access Music by day. Together, they create a sound that combines classical composition with modern, experimental production and sound design. The product of two years' work, Dilation builds on some of the ideas established on Ezra while exploring further elements of minimalism, ambient music, IDM, and techno. Tracks start as repeated two- or three-note patterns, which gradually develop into sweeping, cinematic soundscapes, recalling the structural and rhythmic qualities of club music as much as they do the work of a composer like Steve Reich, as well as Ryuichi Sakamoto's collaborations with Alva Noto. Surprisingly, there are no synthetic sounds on Dilation: Sarp and Vogel deliberately restrict themselves to the sounds of the grand piano across the album. "We wanted to make modern-sounding music using classical instruments," Vogel explains. "Instruments with a lot of history." To achieve this modern sound, Vogel developed an unusual system for playing the piano. Drawing on his technical background, he created a series of electromagnetic hammers that could be controlled via laptop (on software that he designed himself, no less) to play the piano. This process allowed the duo to discover new, previously unknown sounds -- sounds that couldn't be achieved through conventional playing -- which give the record its unique sonic qualities. "Dilation is a physical term for expansion and widening," Sarp says. "We see the project as an experiment: how far you can go with a piano? How much you can get out of it, sound-wise?" With further manipulation using loops, effects, and amplification, Dilation is an album that covers an extraordinary range of sounds despite coming from such a small, unorthodox setup. Classical, yet forward-thinking; expressive and emotional, yet with one foot on the dancefloor. CD presented in Digipack with high-gloss print.
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12"
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FILM 002EP
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The second installment from the freshly-launched FILM label comes from The Rhythm Odyssey And Knights Of Olde also known as Stevie Kotey and Dean Meredith. Together they created the powerful and bass heavy original "Intro Theme." Hotflush artist South London Ordnance delivers a darker approach to the track, while MUSK takes the track into the peak-time. Last but not least Uncanny Valley's Lounge 44 comes up with a decent deep house remix. 12" with printed deluxe sleeve and hologram artwork.
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12"
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FILM 001EP
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Erol Sarp and Lukas Vogel are Grandbrothers and all of their music is based on the grand piano. Erol plays the keys while Lukas creates the beats by using little self-made programmed hammers that hit the grand piano. He captures the sounds on his computer, manipulating them and looping them, and creating highly analog soundscapes made for the dancefloor. "Ezra Was Right" has been played a lot by Gilles Peterson in his DJ sets and on his radio show. The track is also remixed by Greg Wilson & Derek Kaye and Kim Brown.
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