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12"
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GESTELL 004EP
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Sote, the moniker of Tehran-based producer Ata Ebtekar, presents Hyper-urban 20 30. The EP aligns hardcore techno with computer music tropes, displacing form and convention while reimagining the in-between spaces between East and West, present and future. His pieces in Hyper-urban 20 30 are sonic tales which synchronously decode and regenerate customary patterns of thought - electroacoustic designs of crisis and harmony orchestrating an artificial saga. For Hyper-urban 20 30. Mastered and cut by Rashad Becker at D&M, Berlin. 150 gram vinyl. Comes in full color jacket with gloss varnish finish designed by Joe Gilmore and Cameron Shafii.
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12"
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GESTELL 005EP
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The final track on CoH's release, Music VOL. (EMEGO 222CD) is titled "Return to Mechanics", connecting the two. This EP contains a set of bouncy, slouchy robotic grooves, full of tweeps and pneumatic, rubberized squelches that were too energetic to be on Music VOL. Return to Mechanics also includes a reimagining of Donna Summer's classic track "I Feel Love". Each track on the EP is a free-time computer based composition. Mastered and cut by Rashad Becker. 150g vinyl in full color. Direct-to-board jacket with gloss varnish finish - designed by Joe Gilmore and Cameron Shafii.
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12"
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GESTELL 001EP
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Chris Douglas' Dalglish is very personal and his Ge-stell debut Dorcha Aigeann carries a range of meaning and complication. His compositions render bright, brittle passages, allowing for exploration of fatigue and fracture in digital signal processing techniques. These tracks are entangled into a web of splintering percussive patterns, arrhythmic textures and amorphous forms, titled in an asymmetrical variant of Scots Gaelic. Each track on the EP is a free-time computer based composition; mastered and cut by Rashad Becker at D&M, Berlin.
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12"
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GESTELL 002EP
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Brandon Nickell's Ge-stell debut Skyline is inflected by generative and hyper-concatenated rhythms, placing angular, yet ambient-tipped synthetic textures against deft beat programming. His productions oscillate between propulsive and percussive arrangements, through events that do not link conclusively, but instead through diverse dynamic vectors. His productions manifest as if continuous functions of open source programming situated at an acid-tinged, hip-hop indebted framework, woven with warps and fractures. These tracks make discreet entries and exits at the center and periphery, seamlessly placing cadences and cascades in the spaces in between.
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GESTELL 003EP
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150-gram 12" in full-color direct-to-board jacket with gloss varnish finish; designed by Joe Gilmore and Cameron Shafii. Limited edition of 222. Tom Knapp has been active in the UK underground since the late 1990s, as a DJ, musician, label owner, and promoter for the Leeds-based electronic music night Vector; Knapp ran the Icasea label and was in Mortal & Chemist (Skam Records). Knapp's Ge-stell debut unfurls through hard-edit juxtapositions and morphological destabilizations, with recurring digital malformations and asymmetrical percussive patterns alongside crunchy digital signal processing. Each track is a free-time computer-based composition. Mastered and cut by Rashad Becker at D&M, Berlin.
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