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viewing 1 To 10 of 10 items
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CD
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INTR 030CD
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Interference present 999's Live & Loud, originally released in 1995 as a split live compilation with Sham 69. 999 kicked off 1977 with I'm Alive and Nasty, Nasty, two notoriously riotous singles that would establish them, alongside a handful of others, in the shadow of the Pistols, Clash, and The Damned. Nick Cash and Guy Days had unknowingly already made it into the history books, but there was much more to come in Homicide (1978), Me And My Desire (1978), Emergency (1978), and The Biggest Prize In Sport (1979). The live recordings within are assured reminders of a vitally important British punk band in their early prime with explosive versions of tracks from their first three albums from 1978-1979. Singles such as Feelin' Alright With The Crew (1978) and Hollywood (1980) clash perfectly with selected album tracks that collectively recall a halcyon period for British youth culture and its soundtrack.
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CD
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INTR 031CD
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Interference present Slaughter & The Dogs' Cranked Up Really High, a compilation featuring some of the band's earlier material, originally released in 1995. Presented here for the first time on vinyl. Slaughter & The Dogs were one of the first punk rock bands on the English scene in 1976, hailing from the notoriously tough Manchester suburb of Wythenshawe (once the skinhead capital of the North). Although never fully embraced by the punk fashionistas down in London, The Dogs embodied the British sound more than anyone knew it. Hauled around London by Malcolm McLaren, they personified the true urban instincts of rock 'n' roll with a homage to Mick Ronson, The Sweet, New York Dolls, and Lou Reed in venues such as The Roxy, Nashville and The Vortex. Interference present the cutting edge of British punk with what is arguably, the first ever punk rock recordings made in England in 1976. Coupled with outtakes, demos, live tracks, and their rare 1977 debut single, this edition also boasts rare interviews and background liners.
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INTR 030LP
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RSD 2017 release. Interference present 999's Live & Loud, originally released in 1995 as a split live compilation with Sham 69. Presented here for the first time on vinyl. 999 kicked off 1977 with I'm Alive and Nasty, Nasty, two notoriously riotous singles that would establish them, alongside a handful of others, in the shadow of the Pistols, Clash, and The Damned. Nick Cash and Guy Days had unknowingly already made it into the history books, but there was much more to come in Homicide (1978), Me And My Desire (1978), Emergency (1978), and The Biggest Prize In Sport (1979). The live recordings within are assured reminders of a vitally important British punk band in their early prime with explosive versions of tracks from their first three albums from 1978-1979. Singles such as Feelin' Alright With The Crew (1978) and Hollywood (1980) clash perfectly with selected album tracks that collectively recall a halcyon period for British youth culture and its soundtrack. Comes on 180 gram yellow colored vinyl; Comes in hand-numbered sleeve with an insert; Limited edition of 1000.
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LP+CD
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INTR 028LP
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RSD 2017 release. Interference present Alien Sex Fiend's Edit / Overdose!, a compilation featuring live recordings and rare, promotional tracks, originally released on DVD in 2003. Presented here for the first time on vinyl. Created from the rotting corpse of glam, punk, and psychedelic rock, London's Alien Sex Fiend emerged bleeding and screaming onto the British underground music scene in 1982 to pulverize the prevailing scene's sensibilities into submission. Demonic sounds and contorted hysterics combine invitingly in the flesh and ultimately establish them as the iconic industrial Goth band. Edit features live recordings from their appearances in Glasgow, Birmingham, and Liverpool during their 1986 tour with rare, promotional tracks spanning the years 1982 to 1988 on the bonus CD titled Overdose!. Both were originally released in 2003. Professionally remastered original sound recordings with background liners and rare archival photos. Comes on 180 gram white colored vinyl; Includes hand-numbered sleeve with an insert; Limited edition of 1000.
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INTR 032LP
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RSD 2017 release. Interference present Chelsea's Live At The Bier Keller, a live set from Blackpool on December 8th, 1983 originally released on VHS in 1983. Presented here for the first time on vinyl. Chelsea were an integral part of the punk fabric in London in 1976/77. With Tony James, John Towe, and Billy Idol leaving to form Generation X, charismatic skipper Gene October eventually put together the classic line-up that would produce punk anthems such as "Right To Work", "Urban Kids", and "Evacuate". Missing out on the major label backing of their more famous counterparts, Chelsea continued to bring an explosive live set to iconic venues such as Blackpool's notorious Bier Keller where their undiminished, raw power was dished out with little regard for anyone standing in the way. A prime chunk of British punk with the complete live performance from London's original punk stalwarts Chelsea, live from the Bier Keller in Blackpool in 1983. Professionally remastered original sound recording with expansive liners, interviews, and rare archival photos. Comes on 180 gram light green colored vinyl; Comes in hand-numbered sleeve with an insert; Limited edition of 1000.
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INTR 031LP
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RSD 2017 release. Interference present Slaughter & The Dogs' Cranked Up Really High, a compilation featuring some of the band's earlier material, originally released in 1995. Presented here for the first time on vinyl. Slaughter & The Dogs were one of the first punk rock bands on the English scene in 1976, hailing from the notoriously tough Manchester suburb of Wythenshawe (once the skinhead capital of the North). Although never fully embraced by the punk fashionistas down in London, The Dogs embodied the British sound more than anyone knew it. Hauled around London by Malcolm McLaren, they personified the true urban instincts of rock 'n' roll with a homage to Mick Ronson, The Sweet, New York Dolls, and Lou Reed in venues such as The Roxy, Nashville and The Vortex. Interference present the cutting edge of British punk with what is arguably, the first ever punk rock recordings made in England in 1976. Coupled with outtakes, demos, live tracks, and their rare 1977 debut single, this edition also boasts rare interviews and background liners. Comes on 180 gram blue colored vinyl; Comes in hand-numbered sleeve with an insert; Limited edition of 1000.
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INTR 029LP
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RSD 2017 release. Interference present the U.K. Subs live, loud, and in your face from Paris, originally released as Greatest Hits Live In Paris in 1990. Presented here for the first time on vinyl. While U.K. Subs were perhaps regarded by some to be in the shadow of The Clash, The Damned, and other global brands, there was never any doubting their onstage power and the formidable presence of vocalist Charlie Harper in full flight. They remain one of Britain's best-loved punk bands among ordinary fans and have long outlasted most of their punk peers. In 2010, they won 6Music's audience-voted "punk rock FA Cup", comfortably seeing off the Sex Pistols, The Clash, The Buzzcocks, The Ramones, and The Damned. The filth and the fury is all theirs. Fully remastered original sound recordings with expansive liners, rare interviews, and photos. Comes on 180 gram red colored vinyl; Comes in hand-numbered sleeve with an insert; Limited edition of 1000.
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CD
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INTR 022CD
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Queen Ida And The Bon Temps Zydeco Band live from The Old Waldorf, San Francisco on September, 7th 1980. Ida Guillory is a jewel in the history of roots music who wears her own crown. Her passionate grasp of Creole roots lay charged behind the accordion, having offered compelling results since the 1970s. Countless appearances alongside her brother Al Rapone in the Bon Temps Zydeco Band have given widespread joy to more than just a roots audience. While San Francisco's famed venue was perhaps more familiar to contemporary rock acts, Queen Ida was always going to be "at home" wherever she played, an attitude that is felt throughout this prized set here. Professionally re-mastered original KALX-FM broadcast with background liners and rare archival photos.
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INTR 005LP
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Interference presents the entire KFAT-FM broadcast of this legendary early performance by The Cramps live at Keystone's Palo Alto from February 1979. This performance captures them in their grizzly, diabolical prime and before the release of their debut Songs The Lord Taught Us (1980). The Cramps quickly became one of America's finest subculture manifestations, bred from the madness of '50s and '60s B-movie trash at the turn of punk, Lux Interior and his motley crew of proto-gothic punks shred the walls of Keystone's Palo Alto with a toxic stew of sexed up rock 'n' roll. They were an exotic cabaret of B-movie histrionics and debonair, pursuing lurid and sexual gratification. Lux Interior personified, and externalized what lurked behind the snarl of every rockabilly hero and even in death, wears it well. In Elvis' strut, in James Dean's wince, somewhere in the back of Little Richard's throat were the Cramps - drooling all over your face and walking away with your soul. Professionally remastered. Includes background liners and rare archival photos. 180 gram colored vinyl. Edition of 500 (numbered).
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LP
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INTR 013LP
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The Cramps live at New York's Club 57 on August 18th, 1979. These larger than life figures graced the stage of New York's legendary Club 57, standing on the brink of a wider stage, namely the world. The Cramps quickly became one of America's finest subculture manifestations, bred from the madness of '50s and '60s B-movie trash at the turn of punk, Lux Interior and his motley crew of proto-gothic punks tear off heads with a slew of Dick Dale and Sonics salutes amidst sordid contortions. Above all, The Cramps were a live band, a cabaret of B-movie histrionics and debonair, pursuing a lurid sexual gratification. Lux Interior in particular, personified, and externalized what lurked behind the snarl of every rockabilly hero. Interference presents the entire WPIX-FM broadcast of a legendary early performance by The Cramps at New York's Club 57 in the Irving Plaza from August 18th, 1979. Captured in their ultimate prime and before the release of their debut Songs The Lord Taught Us (1980). Professionally remastered. Includes background liners and superb rare archival photos. Hand-numbered and pressed on green, 180 gram vinyl.
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