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viewing 1 To 12 of 12 items
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LP
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INV 113LP
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LP version. On blue vinyl.
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7"
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INV 118EP
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"'Tangled Hair' has already received plays on Zane Lowe as his 'Next Hype' record. Roa"'Tangled Hair' has already received plays on Zane Lowe as his 'Next Hype' record. Rob Da Bank, Phil & Alice, and Huw Stevens (Radio 1) have also played the track, as has Jon Kennedy (XFM). It has been featured on the This Is Fake DIY and The Line of Best Fit. 'Sweet Sixteen' was The Fly's 'Track Of The Day.' Wild Smiles make the sort of fuzzy, fucked-up yet super-melodic rock that can trace its roots through alt legends J Mascis and Bob Mould, the immaculate power-pop of Teenage Fanclub and Big Star, all way back to The Velvet Underground and The Beach Boys."b Da Bank, Phil & Alice, and Huw Stevens (Radio 1) have also played the track, as has Jon Kennedy (XFM). It has been featured on the This Is Fake DIY and The Line of Best Fit. 'Sweet Sixteen' was The Fly's 'Track Of The Day.' Wild Smiles make the sort of fuzzy, fucked-up yet super-melodic rock that can trace its roots through alt legends J Mascis and Bob Mould, the immaculate power-pop of Teenage Fanclub and Big Star, all way back to The Velvet Underground and The Beach Boys. An early fan is Portishead's Geoff Barrow, who is putting out this debut single on his hugely respected Invada Record label."
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LP
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INV 109LP
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"5 years to the day of their first encounter, Invada are proud to present this collaboration available only on a heavy vinyl pressing. Boris are well known for spanning multiple genres of music throughout their 20 year history. Supremely heavy. Always unexpected. Joe Volk's use of silence and hypnotic rhythms mark this out as something entirely different. This split album is a juxtaposition of styles from the same mindset. One story told two ways."
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CD
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INV 105CD
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"DROKK was written in a six month period between Barrow's Portishead world tour and Salisbury's composing jobs for the BBC. Even though it is a sound-track of sorts, Barrow and Salisbury instinctively felt that music for MC1 should steer clear of the rich orchestration common to many contemporary film scores. Even for electronica the music is often purposefully stark and spare, with the majority of tracks created exclusively on the Oberhiem 2 Voice Synthe-sizer (a 1975 classic keyboard), and its onboard sequencer used to create rhythm and drums sounds. The only exceptions are a handful of tracks which combine the synth with digitally manipulated and time-stretched performances of acoustic instruments (such as piano, violin, mandolin, ukelele, voice and hammered dulcimer)."
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CD
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INV 105CD-LTD
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Special edition CD version.
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CD
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INV 085CD
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"Spades & Hoes & Plows is the third solo album by Welsh producer, pianist and song-writer David Wrench. The album presents four traditional folk themes from the British Isles, all performed in an eerily upfront and cadaverous manner, reminiscent of such late black metal as Furze, or perhaps a radical hybrid of Andrew King and an acoustic Khanate."
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CD
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INV 083CD
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"Peesseye and Talibam! are two of the most independent and unique bands to emerge in the past decade. As such, they also happen to share a common history. Each group coalesced in the experimental improv scene of New York City in 2002-2003 and has gone on to create their own highly individual identities, retaining the exploratory ideals of improvisation, dispensing with what they perceived to be the rigidity of avant-type casting, and exploding categories by combining seemingly disparate and contradictory modes of music making and performance. At a time when most culture sticks to conservative niche opportunities, Peeesseye's gothic junk-folk expressionism and Talibam!'s Sun Ra-meets-the Stooges energy music both betray their shared interest in expansion, exploration, and sheer unpredictability."
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CD+DVD
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INV 080CD
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"Invada Records are very proud to announce the relase of Team Brick's debut album Alogon. Team Brick is vocalist / multi instrumentalist Matt Williams who has over the past couple of years been quietly making a name for himself in the Bristol music scene, not least his involvement on Portishead's '3rd' album. Along with Geoff Barrow and Billy Fuller, Williams is also a member of Beak. The initial 'limited' pressing includes a bonus DVD of TB supporting Julian Cope on tour a few years ago. If you haven't heard or seen this man play out or heard any of his music, this is a good a place as any to check him out. The man can't be compared to anybody or anything, but if you're a fan of the following artists... John Zorn, Merzbow, Mr Bungle, Secret Chiefs 3, Steve Reich, Dalek, Cardiacs etc. etc. you may wish to explore what he has to offer with this album."
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2LP
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INV 069LP
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CD
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INVBB 001CD
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"Ready for something different? No, really different. Then prepare to meet the B-boy Syd Barrett. His name's Malakai, and his debut album, Ugly Side Of Love, is going to fry your brain and serve it up in a full English. His name is Hebrew for 'angel', but he might equally be named after the ginger bloke from Children Of The Corn. We're not sure, and neither's he. Strictly speaking though, Malakai's a duo. There's a mysterious figure lurking in the background supplying beats and tunes. But he's a shy sort, preferring the music do the talking, happy to let Gee, the outspoken front person take the limelight. Malakai's from Bristol, and the kind of artist that only comes from Bristol. Dubstep running through their bones. Hip hop in the fingers. '60s psychedelia in the heart. Only right, then, that Portishead mastermind Geoff Barrow has a thumb in this project. Barrow's a kind of a mentor for Malakai, and is releasing the album on his own Invada label. 'There's no Bristol 'scene' as such but there's a lot of people making music here so heads know to produce something unique,' says Malakai. 'In this industry, you're supposed to choose your weapon and keep in your lane, but the last thing I want to do is repeat myself.' There's certainly no repetition here. At times, the album sounds like a Jamaican garage rock band. Elsewhere it sounds like Merseybeat if the beats were supplied by the RZA. Or Dick Dale surfing the River Severn. Malakai loves psychedelic music too, 'the colour, the innocence and optimism of it all,' but he's 'more of a two minute and out man.' That's why some of it sounds like an ADHD kid flicking through the Nuggets box set. At other times, Malakai's music sounds like the apocalypse itself. One track, 'Fading World,' was written after watching a news report on Hurricane Katrina. 'I suppose I was taken aback by just how much at the mercy of the elements we are, but mostly at the plums who run things and where their priorities lay,' says Malakai. You can hear that track and three more on Film Four sci-fi flick Franklyn (starring Sam Riley and directed by Gerald McMorrow) -- a suitably apocalyptic usage. Malakai are film buffs themselves. One track heavily samples cult movie The Warriors. It's called 'Warriors.' Obvious really. 'That film has everything you need: afros, flares, subway trains and spraycans,' Gee says. Malakai's also closely connected to the Bristol art scene and (whisper it) knows Banksy. They've commissioned lots of their buddies to produce the artwork for the album, including the more than up-and-coming Nick Walker, Paris, Marc Bessant, Johnny O, 2Keen, FLX, Eko, K148, Dave Stansbie, Milk, Acer, Naomi Sisson, Mr. Jago and Andy Council. The album's closing track, 'Simple Song,' namechecks an odd cast of characters, including Judy Finnigan, Bella Emberg, Cheryl Tweedy and Lord Charles. 'I just put 'em all together like sticklebricks,' says Malakai, whose British cultural touchpoints fit his wider feelings about Blighty. If the image of Gee posing with the cross of St. George in his press shots is provocative, it's meant to be -- but not in that way. The pictures are a direct reference to famous shots of cult Frank Zappa associate Larry 'Wildman' Fischer, 'one of the most natural and incredible talents ever,' according to Malakai. 'My generation grew up under a flag that had been hijacked by all the wrong people, but during my lifetime I've seen much to be proud of and it needs to be reclaimed,' says Malakai. 'England is The Beatles, The Kinks, Del boy and roast dinners but it's also The Specials, Asian Dub Foundation, Desmonds, The Kumars and chicken tikka masala.' A spin of the album tells you all you need to know. Malakai's thrown the rule book away. 'It excites me to think where I'll go musically, as you'll hear I draw influence from all over,' says Malakai. 'It's not about cherrypicking, it's more about how 'it' fits into me rather than how I fit into 'it'.""
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LP
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INV 040LP
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LP version, deluxe gatefold version.
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