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CD
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INVMUS 1014CD
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$16.00
PREORDER
RELEASE DATE: 4/17/2026
Vibraphonist, percussionist, drummer, composer, and teacher, Jean-Michel Davis has cultivated a career at the crossroads of jazz, popular music, and contemporary composition for several decades. His playing, combining freedom of phrasing with a taste for diverse timbres, makes him a unique voice in the French musical landscape. Born in Paris in 1956, he studied drums with Dante Agostini, then in 1971 crossed paths with Christian Vander (Magma), with whom he furthered his studies. In 1975, he went to Berklee College of Music in Boston, where Ed Saindon introduced him to the world of jazz vibraphone. From 1980 to 1984, he lived in New York and San Francisco, immersed in the American music scene, and then studied classical percussion with Guy-Joël Cipriani of the Paris Opera at the Montreuil Conservatory. In the 1990s, he joined Les Primitifs du Futur, while simultaneously developing his own projects (Novelty Fox, Ethereal Vibes, etc.). In 2022, he founded his quintet with Frédéric Loiseau (guitar), Patrick Villanueva (piano, accordion), Raphaël Schwab (double bass), and Julien Charlet (drums), and recorded the album This n'That (Frémeaux & Associés) with them. Too Blue was built like a chorus: unexpected encounters, detours, and improvisations, captured in the moment. During the quintet's concert at the Salle du Citoyen in Lognes (Printemps du Jazz, March 18, 2023), sound engineer Simon Auffret spontaneously offered to record the performance. A few months later, he recorded them again during the concert at the Espace Michel-Simon in Noisy-le-Grand (December 7, 2023). Brought together after the fact, these two recordings constitute Jean-Michel Davis's first live album as lead. Hilary Kliros's artwork provides the key: Humpty Dumpty, broken and then reassembled, perfectly illustrates this album and how a group's repertoire takes shape before a series of concerts. The program includes two pieces by Victor Feldman, three original compositions, and a piece by pianist Patrick Villanueva: contrasting worlds, brought together without seeking artificial unity. This is the quintet's signature sound: the timbre of the vibraphone, the marimba, and the other instruments, combined with the musicians' energy, weaves the connection and gives form to this ensemble, which is both composite and coherent.
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INVMUS 1007LP
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LP version. French composer, producer and multi-instrumentalist Adrien Durand's third album. An instrumental odyssey with an ensemble of 13 musicians. Adrien Durand: "Our last album, La Course was released in 2020 during the lockdown. Inspired by the feedback from listeners, who received the music with special attention, the idea and need for (Loin Des) Rivages was born." Bon Voyage Organisation is the story of the construction of an ensemble, the quest for harmony, through music, between beings. This story has been the central leitmotif in Adrien Durand's composition and production work for almost ten years. Adrien Durand is a renowned Parisian bass keyboard player, composer, producer, and mixing engineer having worked with noteworthy projects such as Amadou & Mariam and Papooz, among others. Known for his knowledge of ensemble recording and arrangement techniques, BVO is his attempt at meticulously creating a musical dialogue around his compositions with a distinguished cast of musicians from different backgrounds without the pressure associated with pop music recordings reminiscent of the musical ensembles of the '70s, such as Carla Bley, Soft Machine, or Irakere. (Loin Des) Rivages was recorded over five days in June 2020 at Studio Atlas, the studio of Air's Jean-Benoit Dunckel and mixed the following summer by Adrien Durand in his Parisian studio, Bureau 12. It was an orchestrated performance considering that all ten tracks of the album were played live, gathering up to thirteen musicians in the same room. The album follows what was initiated with BVO's previous album La Course, an entirely instrumental sound free from any constraints. The close collaboration between Adrien Durand and the members of the ensemble allowed for an exquisite completion. Together, they deliver the incredible energy of "Le Sentier Des Orpailleurs", the depth of melancholy of "Apacheta", and the originality of "Et S'éveillent"... Inspired by the great explorers of the soul: Sun Ra, Moondog, and Coltrane (a cover of Coltrane's "Naïma" actually opens the album), Durand mixes humanity's first instruments (percussion and the wind) with its latest ones (mixing desks and synthesizers). Thus, he continues the most interesting yet rewarding artistic journey: the journey inward, far from the standards of civilization, in the heart of what some can take for madness, reaching into a jungle of the soul so marvelously represented in Clément Vuillet's artwork. This is not an intellectual record but rather a spiritual effort, because, as Adrien Durand likes to repeat in his concerts: "Let us step into music as we step into a sanctuary."
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INVMUS 1001CD
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La Course is the second album from Adrien Durand's multifaceted, neo-disco instrumental band, Bon Voyage Organisation (BVO), released in 2020. On this record, the band takes a jazz turn while keeping the neo-disco grace that is their trademark. A real kaleidoscope of influences, from the spiritual jazz of Pharoah Sanders to the ambient fourth world of Ryuichi Sakamoto, La Course resembles above all those exotica theme albums of the 1950s and 1960s: it offers a variety of atmospheres and borrows from different musical languages, without necessarily trying to expose one more than another. In addition to BVO, Adrien Durand has, in recent years, produced records for others (Amadou et Mariam, Bagarre, Papooz). What stays in one's mind as one listens is less a name than a very French type of artists who, from Pierre Barouh to Michel Colombier and Hector Zazou, have made their art a way of talking about the world around them or of which they dreamed. A jazz turn showcasing a range of influences, from spiritual jazz to ambient and exotica.
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INVMUS 1001LP
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LP version. La Course is the second album from Adrien Durand's multifaceted, neo-disco instrumental band, Bon Voyage Organisation (BVO), released in 2020. On this record, the band takes a jazz turn while keeping the neo-disco grace that is their trademark. A real kaleidoscope of influences, from the spiritual jazz of Pharoah Sanders to the ambient fourth world of Ryuichi Sakamoto, La Course resembles above all those exotica theme albums of the 1950s and 1960s: it offers a variety of atmospheres and borrows from different musical languages, without necessarily trying to expose one more than another. In addition to BVO, Adrien Durand has, in recent years, produced records for others (Amadou et Mariam, Bagarre, Papooz). What stays in one's mind as one listens is less a name than a very French type of artists who, from Pierre Barouh to Michel Colombier and Hector Zazou, have made their art a way of talking about the world around them or of which they dreamed. A jazz turn showcasing a range of influences, from spiritual jazz to ambient and exotica.
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CD
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INVMUS 1007CD
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French composer, producer and multi-instrumentalist Adrien Durand's third album. An instrumental odyssey with an ensemble of 13 musicians. Adrien Durand: "Our last album, La Course was released in 2020 during the lockdown. Inspired by the feedback from listeners, who received the music with special attention, the idea and need for (Loin Des) Rivages was born." Bon Voyage Organisation is the story of the construction of an ensemble, the quest for harmony, through music, between beings. This story has been the central leitmotif in Adrien Durand's composition and production work for almost ten years. Adrien Durand is a renowned Parisian bass keyboard player, composer, producer, and mixing engineer having worked with noteworthy projects such as Amadou & Mariam and Papooz, among others. Known for his knowledge of ensemble recording and arrangement techniques, BVO is his attempt at meticulously creating a musical dialogue around his compositions with a distinguished cast of musicians from different backgrounds without the pressure associated with pop music recordings reminiscent of the musical ensembles of the '70s, such as Carla Bley, Soft Machine, or Irakere. (Loin Des) Rivages was recorded over five days in June 2020 at Studio Atlas, the studio of Air's Jean-Benoit Dunckel and mixed the following summer by Adrien Durand in his Parisian studio, Bureau 12. It was an orchestrated performance considering that all ten tracks of the album were played live, gathering up to thirteen musicians in the same room. The album follows what was initiated with BVO's previous album La Course, an entirely instrumental sound free from any constraints. The close collaboration between Adrien Durand and the members of the ensemble allowed for an exquisite completion. Together, they deliver the incredible energy of "Le Sentier Des Orpailleurs", the depth of melancholy of "Apacheta", and the originality of "Et S'éveillent"... Inspired by the great explorers of the soul: Sun Ra, Moondog, and Coltrane (a cover of Coltrane's "Naïma" actually opens the album), Durand mixes humanity's first instruments (percussion and the wind) with its latest ones (mixing desks and synthesizers). Thus, he continues the most interesting yet rewarding artistic journey: the journey inward, far from the standards of civilization, in the heart of what some can take for madness, reaching into a jungle of the soul so marvelously represented in Clément Vuillet's artwork. This is not an intellectual record but rather a spiritual effort, because, as Adrien Durand likes to repeat in his concerts: "Let us step into music as we step into a sanctuary."
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