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viewing 1 To 10 of 10 items
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MEDICAL 048LP
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"Selection of works from Austin, Texas's undiscovered and never before released electronic/ambient artist Kitty from the early 1990s. This band should have had a proper release in the '90s, so for a lot of people, this is a long overdue accomplishment. Formed in 1994 by guitarists Dain Luscombe and Brandon Loe, the band eventually became a trio with the inclusion of drummer Clint Thorman. Over a handful of four-track cassettes, CDRs, and one unreleased EP, Kitty developed a sound unique even in the burgeoning psychedelic and electronic music scene that occurred along the I-35 corridor from Austin, Texas, north to Denton as well as a rabid cult following. From their earliest performances as a three-piece, it was apparent that Kitty's music put them in a peerage of electronic and experimental acts coming out of the UK like Seefeel and Insides rather than another Texan 13th Floor Elevators style psych band. Fans of acts such as the aforementioned Seefeel, Insides, as well as other pioneering works by Flying Saucer Attack and A.R. Kane will adore this collection. Mastered by Martin Bowes at the Cage Studios, UK. Presented on high-quality 180-gram heavyweight blue vinyl."
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MEDICAL 047LP
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"Medical Records returns to France (by way of Berlin) to present the first full length vinyl LP by contemporary artist Peine Perdue. Peine Perdue was born in 2010 from the meeting of Berlin-based artist and musician Stephane Argillet and Coco Gallo. Peine Perdue finds its inspiration in a certain geometry, poetry, and clearness in music and art such displayed by the cold abstractions of XVIIIth century harpsichordists (Couperin, Pancrace Royer, etc.) to the graceful minimalism of Erik Satie, the sugar uncluttered pop of the '60s yéyé and finally to the arithmetic synthpop of the early 80's. Among the artists and personalities that emulate their creativity are, among others, Delphine Seyrig, ESG, Elli & Jacno, Anna Akhmatova, William Onyeabor, Luisa Casati, André Cadere, Rainer Fassbinder, or Robert Bresson. Construction, vertigo, and symmetry with sensitivity but without sentimentality. Integrating the above references into a delicate mix with very personal and cinematic sensibility led by the obsessive sensuality of Coco's voice."
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MEDICAL 042LP
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"Medical Records presents the debut full-length release of Le Cliché, entitled Consumer Behavior. The album consists of 11 songs influenced largely by European synth pop of the late 1970s and early 1980s (The Human League, John Foxx, OMD, early Depeche Mode, Japan, Gary Numan, Propaganda, and Kraftwerk). More recent influences include the first album by Miss Kittin & the Hacker, Tiga, Benny Benassi, Erlend Øye, and Ladytron. The music might be best described as minimal synth, synth pop, postmodernist, cold assembly line with neo-consumerist themes, based on the use of synth sequences and virtual voices. The inspiration for the subject matter of the songs comes from the many inconsistencies and ironies of the current consumer- and consumption-centered society in which we live. Le Cliché is the synth project of Gerard Ryan, native of Limerick (Ireland), Associate Professor of Marketing and Consumer Behavior at the Rovira I Virgili University in Spain and a Visiting Fellow at Cornell University, New York. Le Cliché was initially established in 1984 when Ryan was a teenager, but later the project was put on hiatus in favor of a career in academia. Le Cliché was re-ignited in 2012, motivated by the appearance of new music from the 1980s that was being rediscovered and released by a host of relatively small but hugely motivated new record labels including Medical Records and the like (and groups such as Dark Day, Mathematiques Modernes, Bal Paré, Ceramic Hello, and Experimental Products). When, in 2012, the track 'Waiting on the Internet' emerged as a reflection of Ryan's doctoral research on the frustrations and anxieties experienced by consumers when interacting with computer technology in the use of the Internet, the Le Cliché project was revived. Since then the main source of inspiration has come from Ryan's work as an academic, taking a critical view of the inconsistencies of the marketing centered approach to business and the all-pervasive reach of marketing activities in our daily lives as consumers (rather than citizens). All of the tracks on the album are from the 2012-2014 period except for 'I Woke Up This Morning (Like I Always Do),' which is a reimagining of a 1984 demo of the track entitled 'I Dreamt I Was Dead.' Two tracks on the album reflect on the everyday mundane, often drab, act of waiting in line, whether in situ, on the phone, or on the internet ('Thank You For Holding' and 'Waiting on the Internet'). 'Production Line' is the mostly instrumental opening track to the album, and it clearly displays its Kraftwerkian influences. 'Production Line' reflects on the so-called sweatshops that produce many of our most beloved brands but often fail to adequately compensate workers for their labor or protect basic worker rights. It contemplates the fact that that most of these workers will never be able to afford the designer brands they churn out day after day in overcrowded factories and often-deplorable conditions. Other tracks deal with topics which are more personal and intimate such as aquaphobia and Ventolin, thus giving some indication of the personality behind the music. The album was written and recorded in Catalonia, Spain in 2012 and '13, and during the harsh winter of 2013 and '14 in frozen upstate New York, U.S.A. The Le Cliché sound is attained by combining a mix of old and new technologies. In this sense, both analogue and virtual instruments are employed thus obtaining a unique mix of old and new technologies. The LP is presented on high-quality 180-gram heavyweight colored white vinyl and features a bonus LP insert. Mastered by Martin Bowes at the Cage, UK."
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MEDICAL 041LP
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"Medical Records, in partnership with Crispy Nuggets Blog, presents the unreleased recordings of England's Mixed Feelings. Mixed Feelings grew up in Basildon, which was also the home of Depeche Mode (in fact, they went to the same school). In 1981, Sean Cooper met Martin Gore on holiday (around the time of 'New Life'), and they instantly hit it off discussing synthesizers, school, teachers, etc. Martin inspired Sean to follow his dream of making music. After a few bands, Sean started a band with longtime friend Geoff with influences like old disco (Chic, etc) and a bit of Bauhaus, PiL, etc. for good measure. The first incarnation was called Polyphonic Movements but changed to Mixed Feelings after their friends Mark, Alan, and Pete joined the band. They played shows at school and various locations until 1982 when they first entered a studio and recorded 'Final Demand,' 'Because of You,' and 'Ice Machine.' These tracks received some local airplay, and they continued to play more gigs. A year later, they entered the studio again to record a few more tracks (one of which was 'Another Place' which ended up on the 101 Record Compilation). Sadly, after a few more cheap recording sessions, the band split up in 1984. Sean later worked in the '90s as a soundman for The Prodigy until 1993 until he relocated to New Zealand, and he continues to write music. This LP is a collection of known recordings by Mixed Feelings. It is a brilliant snapshot into the minds and talent of a group of young musicians on a mission. The opening track 'Another Place (Like Home)' sets the mood with melodic synth lines and punchy electronic accents. Excellent songwriting and moody atmospheres prevail on this record. Eleven tracks in total (including one cover and homage to their early inspiration). Other notable tracks include 'Because of You,' 'They Told You So,' and 'The Captain.' Highly influenced by early Depeche Mode, Human League, and Soft Cell, this collection of tracks will certainly appeal to fans of the mentioned acts as well as classic new wave acts such as Gary Numan, Ultravox, and Thompson Twins. Original tracks have been restored by Sean Cooper with remastering by Martin Bowes at the Cage Studios, UK. Presented on high-quality 180-gram heavyweight vinyl. Limited Edition."
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MEDICAL 039LP
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"Null And Void recorded 3 albums (1980's Happiness and Contempt, 1982's Montage Morte and a 3rd in 2012). Both of the 1980s LPs have relatively short playtimes, so we have decided to reissue both in their entirety on each side of this reissue. Hailing from a very diverse musical scene, Null And Void forged their own sound fusing elements of new wave, post-punk, cabaret and less characterized roots. Both of the LPs have gone long out of print and have become collectible with the resurgence and interest in post-punk and new wave. Different from the often colder synth and wave scene, Null And Void headed into a more punk sound with heavier overtones and quirky hooks. The opening track 'All the Old Humans' displays poignant synth lines before the track takes off into a total rock anthem. 'Un Sedatif Ce Soir' is a standout track on the 1st album with twists and turns chock full of smoldering synth lines, jerking rhythms, and other surprises. The 2nd album (or other 'A' side if you will) Montage Morte displays the evolution of the band just 2 years later after the debut. A slightly different mood overall, it has a more DIY home recorded feel. The opener 'Motorcycle Song' is very catchy and tends to keep the listener humming it their mind for days to come. 'Japanese Forest' is a gorgeous simple number with atmospheric soundscapes coated in melancholy vocals and texture. This LP will appeal to fans of early post-punk / wave hybrids and other unclassifiable early 80s acts that defined this wonderful 'scene'. Remastered by Martin Bowes at the Cage, London, UK. Contains bonus insert with multiple writings and reflections by band members, friends, and the like. Presented on high quality 180gram blue vinyl."
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MEDICAL 029LP
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"Medical Records presents a reissue of one of Germany's most interesting records. The German duo Aloa only made one album in 1982, but it is one of the most peculiar and innovative records of the Neue Deutsche Welle movement. Long out of print, somewhat obscure, and very expensive, this record is due for an official reissue. The duo consisting of Al Kanz and Matthias Brendel both grew up in Kassel, Germany. Though both had different tastes of music, they fused influences and injected them into their own unique blend when they purchased Roland 606 and 808 drum machines plus a Sequential Circuits Prophet 5. After much development and evolution, the Aloa project came to life. The album explores a whole spectrum of textures, moods, and atmospheres. Ranging from dark complex synthed-out tracks to diverse instrumentation-laced almost Krautrock motifs, this album is definitely one of a kind. From the commanding first track 'Weisser Wal' with it's almost Bryan Ferry style vocals to the atmospheric 'Banane Zitrone', the twists and turns are endless. This is a very sultry record as well evidenced by the band's constant obsession with sexy women who occupied their time. Definitely will appeal to fans of The Residents, Neue Deutsche Welle, and anything and everything that lives in the outer reaches of synth territory. Sadly the record was overlooked and misunderstood by the press and radio stations alike likely due to it's obvious unorthodox and experimental interpretation of synthpop. Restored and mastered from the original master tapes by Klearlight Studios in Dallas, TX. Presented on high-quality 180 gram heavyweight green vinyl. Features bonus LP insert with liner notes and interview by Dave Segal. Limited edition."
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MEDICAL 027LP
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"Medical Records presents the release of its first contemporary artist with the Paris-based Illustration Sonore (I/S). The duo, consisting of Dasz (also in Dolina and Ame De Boue) and Christina (aka Froe Char), expertly craft dark and atmospheric songs laced with unbridled passion in the context of synth-laden melodies, dominant percussion and pensive vocals. I/S started in 2010 and have played many concerts in Belgium, France, Germany, and Italy. I/S uses variations of electricity to control oscillators and frequency modulations. Best described as synth-gaze, dark-wave, or no-future pop, I/S recorded this full length LP in 2013. The opening track 'Ulysses,' sets the mood with uncompromising intensity and passion with serious low frequency tones and catchy synth drenched hooks. The dreamy and brooding 'Our Bodies' starts the B side and is a definite standout tracks. The wonderful and melancholy pop track 'Flying Lights' is also included on the LP and was previously featured on the lovely compilation Circuit D'Actes 3 on the French La Forme Lente imprint earlier this year. The relentlessly apocalyptic 'Cannibals' is yet another magnificent track worth mentioning here. For fans of EBM/synth-heavy industrial crossover, lovers of Cabaret Voltaire, Chris and Cosey, modern synth-wave and the like, these tracks will not disappoint. I/S has no fetishism for the old nor obsessions for the new, and they draw their inspiration in synth pop and surrealism. Presented on high-quality 180 gram ultra-clear heavyweight vinyl."
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MEDICAL 024LP
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"Vortex was released in 1981 on Paul Nelson's own Optiman Systems Inc imprint. Nelson grew up around Portland and had a strong background in music and music theory. He built a PAIA synthesizer when he was in junior high and developed a keen intuition for analog synthesis. Eventually he purchased a MiniMoog and was very influenced by Alan Parsons, ELP, and ENO. Armed with more gear as time went on (Sequential Circuits 600 sequencer, Oberheim DS-2, etc), Paul was offered an opportunity to record his own album which led to the Recording Associates sessions during which Vortex was born. The LP was also half-speed mastered at JVC Studios in CA. 1000 copies were originally pressed and self-distributed by Paul. The opening track 'Automated Man,' which also happens to be the only track with vocals, is a slab of genuine electro greatness with its sharp synth hooks and vocoded vocals. The LP takes many twists and turns with many tracks of sequenced pulsations, electronic drums, and rhythms reminiscent of the sci-fi soundtracks mixed with a healthy dose of almost proggy space/cosmic disco crossed with later-age Tangerine Dream. 'Vortex 2' is a perfect example of the above description with imagery of a Blade Runner-esque chase scene meets Carpenter at his most upbeat. 'Labyrinth' takes more a more relaxed synth odyssey approach with slower percussion and a spacier vibe overall. The rest of side 2 'Vortex 3-4-5' is a magnificent build up of ambient soundscapes that morph into a slow cosmic burner and fades out again into the darkness to close the LP. All tracks have been restored and remastered by Paul Nelson for this release. For many years this LP could be found in the PNW in record bins but over the last decade, it has been become quite rare which has led to it fetching rather high prices on the collector's market. Medical Records is thrilled to introduce the world to this work of art again. For fans of library synth, sci-fi soundtracks, and other more sequenced electronic acts such as Tangerine Dream, Axxess, and minimal synth. This reissue is presented on high-quality 180 gram splatter paint on opaque white vinyl. Features exact reproduction of the front and infamous back covers."
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MEDICAL 023LP
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"Body 11 is/was the one-man project of Tim Stickelbrucks. Inspired by the late '70s/early '80s icons such as OMD, Human League, and Cabaret Voltaire, Tim wrote and recorded four songs in 1987 in his apartment and self-released the Mind 7" EP in 1988. Rather obscure at the time, the 7" gained cult status later in the 90s when collectors and word of mouth fans began seeking out copies of the record. Soon thereafter, the cost of obtaining an original skyrocketed on the collector's market. Medical Records is proud to reissue the Mind EP: four songs along with unreleased recordings created at the same time. The unreleased tracks were songs that were distributed only on cassette (to friends, etc) at the time. The tracks have been transferred from cassette and have been remastered by Jacob Jacobsen for this reissue. The LP embodies the essence of the EBM (electronic body music) subgenre that was prevalent in the late '80s. Though retaining a DIY/demo feel, the tracks have a warm synth/beat laced mood that will surprise and delight fans of this era who are not knowledgeable of Body 11. The opener 'Wasteland' definitely evokes a rougher/distorted vocal style over a sequenced Front 242 style rhythm with treated guitar highlights. 'Attack' is a dance floor cutter with industrial percussion and carefully accented synth leads and samples. The more hypnotic (but no less catchy) 'Hearts' is a slightly more emotional vocal style over popping synths and drum machine rhythms. The unreleased tracks seems to interface with the Mind EP songs seamlessly. Fans of early Nitzer Ebb, Front 242, late '80s industrial (Wax Trax, Nettwerk) and even early Skinny Puppy will find this collection essential. This is long overdue for reissue and presentation to the world. This reissue/collection is presented on high-quality 180 gram 'milky clear' vinyl. The jacket art was envisioned by Tim Stickelbrucks with inspiration from the original Mind EP front cover art. Features bonus insert with liner notes by Kurt B. Reighley. Limited edition."
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MEDICAL 014EP
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"The next installment in the Medical Records journey takes us to West Berlin. In 1979, armed with a Korg MS-10 synthesier and a very simple rhythm box, Christof Glowalla began experimenting with a tape recorder and a few DIY sound generators. Influenced by outfits such as Throbbing Gristle, Cabaret Voltaire, and Fad Gadget, Glowalla eventually put his creation to tape at the West Berlin 'Musiclab,' which was a small 8-track studio in the Kreuzberg district. What resulted in 1980 was the self-released now excruciatingly rare Erde 80 7-inch single. Glowalla also collaborated in a band called Exobit in 1981 with Ingolf Kurkowski and Frank Landgraf, but it was a brief existence. Also in 1981, Glowalla recorded three more tracks with Kurkowski which were presented to various record labels, but they unfortunately were never released at the time. Though relatively obscure in the early 1980s, the Erde 80 7-inch release slowly became an underground hit with collectors with subsequently rising prices that continue to rise today. Medical Records is proud to compile for the first time the two tracks from Erde 80 plus the three tracks recorded in 1981. The tracks are culled from the carefully digitized now lost master tapes. For lovers of cold, synth-heavy pop with a darker feel. Presented as Medical Records' first 10-inch release, this collection is released on high-quality 10-inch opaque mustard colored vinyl in a limited edition of 600 hand-numbered copies."
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