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MEDICAL 048LP
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"Selection of works from Austin, Texas's undiscovered and never before released electronic/ambient artist Kitty from the early 1990s. This band should have had a proper release in the '90s, so for a lot of people, this is a long overdue accomplishment. Formed in 1994 by guitarists Dain Luscombe and Brandon Loe, the band eventually became a trio with the inclusion of drummer Clint Thorman. Over a handful of four-track cassettes, CDRs, and one unreleased EP, Kitty developed a sound unique even in the burgeoning psychedelic and electronic music scene that occurred along the I-35 corridor from Austin, Texas, north to Denton as well as a rabid cult following. From their earliest performances as a three-piece, it was apparent that Kitty's music put them in a peerage of electronic and experimental acts coming out of the UK like Seefeel and Insides rather than another Texan 13th Floor Elevators style psych band. Fans of acts such as the aforementioned Seefeel, Insides, as well as other pioneering works by Flying Saucer Attack and A.R. Kane will adore this collection. Mastered by Martin Bowes at the Cage Studios, UK. Presented on high-quality 180-gram heavyweight blue vinyl."
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MEDICAL 047LP
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"Medical Records returns to France (by way of Berlin) to present the first full length vinyl LP by contemporary artist Peine Perdue. Peine Perdue was born in 2010 from the meeting of Berlin-based artist and musician Stephane Argillet and Coco Gallo. Peine Perdue finds its inspiration in a certain geometry, poetry, and clearness in music and art such displayed by the cold abstractions of XVIIIth century harpsichordists (Couperin, Pancrace Royer, etc.) to the graceful minimalism of Erik Satie, the sugar uncluttered pop of the '60s yéyé and finally to the arithmetic synthpop of the early 80's. Among the artists and personalities that emulate their creativity are, among others, Delphine Seyrig, ESG, Elli & Jacno, Anna Akhmatova, William Onyeabor, Luisa Casati, André Cadere, Rainer Fassbinder, or Robert Bresson. Construction, vertigo, and symmetry with sensitivity but without sentimentality. Integrating the above references into a delicate mix with very personal and cinematic sensibility led by the obsessive sensuality of Coco's voice."
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MEDICAL 040LP
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"Medical Records presents a hand-picked selection of the early recordings of Germany's Bal Paré. The band started as Jeanette und das Land Z in 1981 with a 7' on Konkurrenz, which included two covers: 'Raumpatrouille' (soundtrack from a weird science fiction TV series) and '60s Eurovision Grand Prix number one hit, 'Poupe de cire, poupe de son' by France Gall. The 7' became an underground hit. Members were Kirsten Klemm (vocals), Jan T. Krahn (synthesizer) and Matthias Schuster (synthesizer, beatbox). The band changed their name to Bal Paré and begin recording independently. In addition, drummer Jürgen Weiss joined the band. The band name was based on the song 'Es war beim Bal Pare' from the German chansonette Hildegard Knef, who was a musical influence along with bands like Kraftwerk, Depeche Mode, Erasure, Yazoo, etc. The first Bal Paré LP, Hamburg-Paris-Catania was released in 1982 on Konkurrenz. The members performed under witty pseudonyms for that record. Since they had a large fan base in Sweden, the second release (Metamorphose) came out in Stockholm on the Krautrock label. Around this time, a new member, Manfred Asmus, joined on keyboards and programming and Jan T. Krahn and Jürgen Weiss left the band. There were many tracks produced during this time that ended up unreleased. Much of the material from this selection of tracks was culled from unreleased sessions from the '80s with Manfred Asmus (and subsequently also collected on the Best Of CD-only release in 1996 on Tatra Records). Due recent demand, Matthias Schuster has reformed Bal Paré and has released several new records with much success. The original two LPs are long out of print and demand very high prices on the collectors market. This is the first time this collection has been reissued on vinyl. The opening track 'Rien' is a perfect display of what synth pop is modeled after. Rich lead synth textures, male/female interplayed vocals, and electronic percussion. Though the entire record flows with ease and captivates the listener from beginning to end, other standout tracks include 'Palais d'Amour,' 'Die Idioten,' and 'Meilleur Du Monde.' This collection is absolutely crucial for fans of early new wave such as Deux, Moderne, Performance and other similar acts of the genre. The tracks have been lovingly restored by Matthias Schuster. Presented on high-quality 180-gram heavyweight vinyl."
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MEDICAL 042LP
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"Medical Records presents the debut full-length release of Le Cliché, entitled Consumer Behavior. The album consists of 11 songs influenced largely by European synth pop of the late 1970s and early 1980s (The Human League, John Foxx, OMD, early Depeche Mode, Japan, Gary Numan, Propaganda, and Kraftwerk). More recent influences include the first album by Miss Kittin & the Hacker, Tiga, Benny Benassi, Erlend Øye, and Ladytron. The music might be best described as minimal synth, synth pop, postmodernist, cold assembly line with neo-consumerist themes, based on the use of synth sequences and virtual voices. The inspiration for the subject matter of the songs comes from the many inconsistencies and ironies of the current consumer- and consumption-centered society in which we live. Le Cliché is the synth project of Gerard Ryan, native of Limerick (Ireland), Associate Professor of Marketing and Consumer Behavior at the Rovira I Virgili University in Spain and a Visiting Fellow at Cornell University, New York. Le Cliché was initially established in 1984 when Ryan was a teenager, but later the project was put on hiatus in favor of a career in academia. Le Cliché was re-ignited in 2012, motivated by the appearance of new music from the 1980s that was being rediscovered and released by a host of relatively small but hugely motivated new record labels including Medical Records and the like (and groups such as Dark Day, Mathematiques Modernes, Bal Paré, Ceramic Hello, and Experimental Products). When, in 2012, the track 'Waiting on the Internet' emerged as a reflection of Ryan's doctoral research on the frustrations and anxieties experienced by consumers when interacting with computer technology in the use of the Internet, the Le Cliché project was revived. Since then the main source of inspiration has come from Ryan's work as an academic, taking a critical view of the inconsistencies of the marketing centered approach to business and the all-pervasive reach of marketing activities in our daily lives as consumers (rather than citizens). All of the tracks on the album are from the 2012-2014 period except for 'I Woke Up This Morning (Like I Always Do),' which is a reimagining of a 1984 demo of the track entitled 'I Dreamt I Was Dead.' Two tracks on the album reflect on the everyday mundane, often drab, act of waiting in line, whether in situ, on the phone, or on the internet ('Thank You For Holding' and 'Waiting on the Internet'). 'Production Line' is the mostly instrumental opening track to the album, and it clearly displays its Kraftwerkian influences. 'Production Line' reflects on the so-called sweatshops that produce many of our most beloved brands but often fail to adequately compensate workers for their labor or protect basic worker rights. It contemplates the fact that that most of these workers will never be able to afford the designer brands they churn out day after day in overcrowded factories and often-deplorable conditions. Other tracks deal with topics which are more personal and intimate such as aquaphobia and Ventolin, thus giving some indication of the personality behind the music. The album was written and recorded in Catalonia, Spain in 2012 and '13, and during the harsh winter of 2013 and '14 in frozen upstate New York, U.S.A. The Le Cliché sound is attained by combining a mix of old and new technologies. In this sense, both analogue and virtual instruments are employed thus obtaining a unique mix of old and new technologies. The LP is presented on high-quality 180-gram heavyweight colored white vinyl and features a bonus LP insert. Mastered by Martin Bowes at the Cage, UK."
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MEDICAL 041LP
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"Medical Records, in partnership with Crispy Nuggets Blog, presents the unreleased recordings of England's Mixed Feelings. Mixed Feelings grew up in Basildon, which was also the home of Depeche Mode (in fact, they went to the same school). In 1981, Sean Cooper met Martin Gore on holiday (around the time of 'New Life'), and they instantly hit it off discussing synthesizers, school, teachers, etc. Martin inspired Sean to follow his dream of making music. After a few bands, Sean started a band with longtime friend Geoff with influences like old disco (Chic, etc) and a bit of Bauhaus, PiL, etc. for good measure. The first incarnation was called Polyphonic Movements but changed to Mixed Feelings after their friends Mark, Alan, and Pete joined the band. They played shows at school and various locations until 1982 when they first entered a studio and recorded 'Final Demand,' 'Because of You,' and 'Ice Machine.' These tracks received some local airplay, and they continued to play more gigs. A year later, they entered the studio again to record a few more tracks (one of which was 'Another Place' which ended up on the 101 Record Compilation). Sadly, after a few more cheap recording sessions, the band split up in 1984. Sean later worked in the '90s as a soundman for The Prodigy until 1993 until he relocated to New Zealand, and he continues to write music. This LP is a collection of known recordings by Mixed Feelings. It is a brilliant snapshot into the minds and talent of a group of young musicians on a mission. The opening track 'Another Place (Like Home)' sets the mood with melodic synth lines and punchy electronic accents. Excellent songwriting and moody atmospheres prevail on this record. Eleven tracks in total (including one cover and homage to their early inspiration). Other notable tracks include 'Because of You,' 'They Told You So,' and 'The Captain.' Highly influenced by early Depeche Mode, Human League, and Soft Cell, this collection of tracks will certainly appeal to fans of the mentioned acts as well as classic new wave acts such as Gary Numan, Ultravox, and Thompson Twins. Original tracks have been restored by Sean Cooper with remastering by Martin Bowes at the Cage Studios, UK. Presented on high-quality 180-gram heavyweight vinyl. Limited Edition."
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MEDICAL 038LP
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"The first official reintroduction and reissue of the iconic IKO '83 LP. This coveted album by minimal synth aficionados around the globe has been out of print and very rare since its original release in 1982. Hailing from Montreal, Canada, IKO has always been shrouded in mystery. All 3 members come from an academic background (electroacoustic composition, etc), and they met at the University of Montreal in the music department. Taking from their collective influences of 60's pop, prog and minimalist composers as well as early industrial, they played in a few early bands before solidifying the all-synth incarnation of IKO in its definitive lineup. The LP was originally released on Manhattan Formula. Other than Rational Youth, the Montreal synth scene was small, and the band broke up not too long after its release. Over the years, it has slowly achieved cult status of the highest order and now fetches inflated collector's prices on the open market. It even prompted an unauthorized bootleg LP a few years ago (of much inferior sound quality). The master for this very special reissue is transferred and EQ'ed from the master analog tapes. The opening track 'Approach on Tokyo' sets the mood with its electro hooks and almost 'Trans-Europe Express' synth parts. 'Gonadotropic Synthesis' is an amazing slow and beautiful synthy melodic number which blurs the lines between love song and a lecture on hormonal interplay out of a medical textbook. 'Digital Delight' is a fast paced dance floor favorite with cyborg lyrics and catchy hooks. The LP contains one never before heard bonus track 'Jungle City' which is a bit of a more ominous and dark track as compared to the other album tracks. This LP will appeal to the legions of people who have been patiently waiting for an official reissue as well as the un-initiated fans of classic synth pop, Kraftwerk, early Human League and the like. Features a bonus insert with interview and retrospective by Dave Segal. Additional remastering by Martin Bowes at the Cage, London. Presented on high-quality 180gram heavyweight half and half yellow and black vinyl."
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MEDICAL 039LP
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"Null And Void recorded 3 albums (1980's Happiness and Contempt, 1982's Montage Morte and a 3rd in 2012). Both of the 1980s LPs have relatively short playtimes, so we have decided to reissue both in their entirety on each side of this reissue. Hailing from a very diverse musical scene, Null And Void forged their own sound fusing elements of new wave, post-punk, cabaret and less characterized roots. Both of the LPs have gone long out of print and have become collectible with the resurgence and interest in post-punk and new wave. Different from the often colder synth and wave scene, Null And Void headed into a more punk sound with heavier overtones and quirky hooks. The opening track 'All the Old Humans' displays poignant synth lines before the track takes off into a total rock anthem. 'Un Sedatif Ce Soir' is a standout track on the 1st album with twists and turns chock full of smoldering synth lines, jerking rhythms, and other surprises. The 2nd album (or other 'A' side if you will) Montage Morte displays the evolution of the band just 2 years later after the debut. A slightly different mood overall, it has a more DIY home recorded feel. The opener 'Motorcycle Song' is very catchy and tends to keep the listener humming it their mind for days to come. 'Japanese Forest' is a gorgeous simple number with atmospheric soundscapes coated in melancholy vocals and texture. This LP will appeal to fans of early post-punk / wave hybrids and other unclassifiable early 80s acts that defined this wonderful 'scene'. Remastered by Martin Bowes at the Cage, London, UK. Contains bonus insert with multiple writings and reflections by band members, friends, and the like. Presented on high quality 180gram blue vinyl."
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MEDICAL 030EP
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"Split 7" showcasing 1 new track each by ((PRESSURES)) and Roladex. ((PRESSURES)) hails from New Orleans, LA. They craft their unique futuristic icy tracks on a museum's worth of analog synths and drum machines. This release follows their first LP on Disko Obscura entitled Casting Shadows. Their contribution 'The Voices' is a propulsive and dripping with synth textures track featuring vocoded vocals. Roladex (a veteran of Medical Records already with their Anthems For the Micro-Age LP) hails from Seattle by way of Texas. Blending girl/boy vocals with catchy pop hooks drenched in a seductive melancholy, Roladex also uses a plethora of vintage gear. 'Glass Statuette' is their new track for this 7" and features their signature sound with a bit of an evolution into Moroder-esque cascading arpeggios. Fans of both artists will surely want this in their collection. Features original artwork for the 'double A side' on foldover insert style by both artwork that nicely complements the music contained therein. Pressed on high quality transparent yellow vinyl."
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MEDICAL 037LP
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"The seminal 1993 debut LP released by Rollerskate Skinny. Originally released on Placebo Records, (a subsidiary of Beggars Banquet), it has been long out of print and rare to find on vinyl format. Rollerskate Skinny, formed in Dublin by Ken Griffin, Jimi Shields, Ger Griffin and Stephen Murray in early 1992, released two 10" vinyl only EP's, Novice and Trophy, prior to the release of Shoulder Voices. Hard to characterize, Shoulder Voices is a true masterpiece, featuring elements of severely catchy pop, heavily distorted guitar and keyboard sounds, weird experimental passages and other unclassifiable styles. Over the years, and with revived interest in the early 90's sound, this record is becoming increasingly popular with a new cult following, joining the legions of fans who were obsessed with it the first time round. The opening track 'Miss Leader' is typical of the journey the record takes; it starts off with a jangly pop sensibility before a wall of guitars tears the sweet mood apart. 'Violence To Violence', one of the albums most striking tracks, explodes with jagged guitar hooks while alternating noisy and ethereal passages share space, evenly, with super catchy melodies and lyrics. This reissue will certainly appeal to fans of the experimental pop era that was the early 90s. Features a bonus insert containing interview with Jimi Shields and Rollerskate Skinny retrospective written by Sean Kirkpatrick. Presented on high-quality 180gram heavyweight red vinyl."
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MEDICAL 036LP
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"Medical Records presents the debut full length release of Kline Coma Xero. A self-titled LP influenced largely by the sterile and isolated iconography of authors such as Philip K. Dick, William Gibson and JG Ballard (from whence the band's name is derived). Formed in 2012, Kline Coma Xero is a group whose work embraces elements of early minimal synth wave with distinctively thoughtful lyrics and evocative melodies. Kline Coma Xero's Tony Williams has had his roots planted in various projects in the past, spanning a realm of styles from experimental noise, tape loops and early industrial. Using a writing style that employs the use of hardware sequencers driving analog instruments rather than computers, Kline Coma Xero produces a uniquely oblique interpretation of past-meets-present in modern electronic music. Kline Coma Xero debuted in 2013 with the track 'Left Behind,' which was included on the Circuit D'Actes 3 La Forme Lente label compilation and is the opening track for this LP. The second track, 'Rewind,' is amazingly catchy and reminiscent of the best hybrid of analog synth pop overlaid with Front 242 style vocals. Other standout tracks are the second side opener 'Mannequins' with its razor sharp lead synths as well as the dark and brooding 'Casualty Ward.' Kline Coma Xero will certainly appeal to fans of analog minimal synth, EBM, and the more melodic side of industrial as well as specific acts such as Fad Gadget, Suicide, John Foxx, or Martial Canterel. Presented on high-quality 180 gram heavyweight colored splatter on opaque white vinyl and features a bonus LP insert."
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MEDICAL 035LP
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"Medical Records presents two of the most striking and iconic reissues in its catalog. Second up of the two Severed Heads reissues is 1985's City Slab Horror. Severed Heads are one of the most diverse and expert sound palette engineers and are also repeatedly overlooked and far underrated. Hailing from Sydney, Australia, they formed in 1979. The band was composed of many different members though it's existence but Tom Ellard has always been the constant since 1979 when he joined the band. The group's early recordings were characterized by manipulated tape loop experiments, cleverly modulated noise elements and repetition. This period is very well suited to the early industrial period. Over time, the sounds morphed into more melodic leanings with pop elements and more prominent synth leads and backbone. City Slab Horror was released in 1985 on UK-based Ink records. The LP, though coming two years after Since the Accident, continues to carry the torch illustrating the evolving transition between experimental structure and loops into the catchy pop hooks that would later define such releases as Rotund for Success. This LP seems to move slightly into darker territory in general with its synth textures and slower tempo tracks but overall has a nice 'continuation' feel from Since the Accident yet with obvious technological evolutions. The opening track 'Spasm' drags the listener down the Sev Head mental rabbit hole instantly with its heady samples and eloquent drum machine rhythm. 'Spitoon Thud' is a rambunctious affair with it's cacophony of samples and percussion. '4.W.D.' is a great sneak peek into the sound of the Sev Heads LPs to come with its treated vocals and pop hooks (perfected on later records such as The Big Bigot). Next to last is the amazing 'Goodbye Tonsils' track which is unstoppably catchy and features more of the creative use of samples which made this group so interesting. Though signed to '80s industrial label icon Nettwerk in North America and often classified in the same vein, these records are not easily definable and actually have a life of their own. Though commonly misclassified with a lot of the late '80s industrial/goth scene (as well as touring with Skinny Puppy at one point), Severed Heads would be more accurately in good company with acts such as Cabaret Voltaire, early Coil, Chris & Cosey (and CTI), and the like. Long out of print and a rarity on the collector's market, it is presented with original repro jacket. Remastered by Tom Ellard from the original source masters. Presented on high-quality 180 gram heavyweight bone white vinyl."
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MEDICAL 034LP
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"Medical Records presents two of the most striking and iconic reissues in its catalog. The first of the two Severed Heads reissues is 1983's Since the Accident. Severed Heads are one of the most diverse and expert sound palette engineers and are also repeatedly overlooked and far underrated. Hailing from Sydney, Australia, they formed in 1979. The band was composed of many different members though it's existence but Tom Ellard has always been the constant since 1979 when he joined the band. The group's early recordings were characterized by manipulated tape loop experiments, cleverly modulated noise elements and repetition. This period is very well suited to the early industrial period. Over time, the sounds morphed into more melodic leanings with pop elements and more prominent synth leads and backbone. Since the Accident was released in 1983 on the UK-based Ink records. The LP exemplifies the transition point between experimental structure and loops into the catchy pop hooks that would later define such releases as Rotund for Success. Difficult to classify, it is a masterpiece of electronic music. The opening track 'Relic of the Empire' is a slow sequenced magnificent piece with time-stretched samples overlaid with multiple tracks to create a symphony quite unlike anything heard before. The hit 'Dead Eyes Opened' (charted in 1985 as a single) is a dance floor friendly track with crafted synth hooks fused with bursts of noise intertwining with interesting vocal samples. 'Gashing the Old Mae West' is a perfect example of how the record can take a dark turn into the style of the earlier Sev Heads with jagged industrial crunched out tape loops and folding in and out samples. Though signed to '80s industrial label icon Nettwerk in North America and often classified in the same vein, these records are not easily definable and actually have a life of their own. Though commonly misclassified with a lot of the late '80s industrial/goth scene (as well as touring with Skinny Puppy at one point), Severed Heads would be more accurately in good company with acts such as Cabaret Voltaire, early Coil, Chris & Cosey (and CTI), and the like. Long out of print and a rarity on the collector's market, it is presented with original repro jacket. Remastered by Tom Ellard from the original source masters. Presented on high-quality 180 gram heavyweight black and white vinyl."
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MEDICAL 029LP
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"Medical Records presents a reissue of one of Germany's most interesting records. The German duo Aloa only made one album in 1982, but it is one of the most peculiar and innovative records of the Neue Deutsche Welle movement. Long out of print, somewhat obscure, and very expensive, this record is due for an official reissue. The duo consisting of Al Kanz and Matthias Brendel both grew up in Kassel, Germany. Though both had different tastes of music, they fused influences and injected them into their own unique blend when they purchased Roland 606 and 808 drum machines plus a Sequential Circuits Prophet 5. After much development and evolution, the Aloa project came to life. The album explores a whole spectrum of textures, moods, and atmospheres. Ranging from dark complex synthed-out tracks to diverse instrumentation-laced almost Krautrock motifs, this album is definitely one of a kind. From the commanding first track 'Weisser Wal' with it's almost Bryan Ferry style vocals to the atmospheric 'Banane Zitrone', the twists and turns are endless. This is a very sultry record as well evidenced by the band's constant obsession with sexy women who occupied their time. Definitely will appeal to fans of The Residents, Neue Deutsche Welle, and anything and everything that lives in the outer reaches of synth territory. Sadly the record was overlooked and misunderstood by the press and radio stations alike likely due to it's obvious unorthodox and experimental interpretation of synthpop. Restored and mastered from the original master tapes by Klearlight Studios in Dallas, TX. Presented on high-quality 180 gram heavyweight green vinyl. Features bonus LP insert with liner notes and interview by Dave Segal. Limited edition."
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MEDICAL 031LP
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"Medical Records presents its second contemporary artist release with Roladex. Imagine Kraftwerk playing Steven Merritt songs. Roladex was formed in Texas by Tyler Jacobsen and Elyssa Dianne. Producer/Member, Tyler Jacobsen holds an MFA in Electronic Art and this becomes apparent as they find lyrical and musical inspiration through the films of David Cronenberg and John Carpenter, the works of authors such as J.G Ballard as well as video artists such as Vito Acconci and Nam June Paik. Jacobsen has been on a hiatus from his work as college art professor since the formation of the group. Using an arsenal of analog instruments, Roladex nostalgically borrows ideas from music of the past to carefully craft a unique brand of futuristic-mechanized pop, with an emphasis on songwriting and layered production. Weaving sparse, sequenced arpeggios into fuzzy bass and bubbly melodies to create a bed of sound where they layout a somehow bright melancholia. Part minimal synth-wave, part dream pop, Roladex fits nicely with other non-traditional pop acts such as Ariel Pink as well as Synth contemporaries like Police Des Moeurs and Black Marble. Presented on high-quality 180gram heavyweight electric blue transparent vinyl and features a bonus LP insert with lyrics. All tracks and versions recorded exclusively for this Medical release. Mastered by Martin Bowes at the Cage, UK. Limited edition."
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MEDICAL 027LP
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"Medical Records presents the release of its first contemporary artist with the Paris-based Illustration Sonore (I/S). The duo, consisting of Dasz (also in Dolina and Ame De Boue) and Christina (aka Froe Char), expertly craft dark and atmospheric songs laced with unbridled passion in the context of synth-laden melodies, dominant percussion and pensive vocals. I/S started in 2010 and have played many concerts in Belgium, France, Germany, and Italy. I/S uses variations of electricity to control oscillators and frequency modulations. Best described as synth-gaze, dark-wave, or no-future pop, I/S recorded this full length LP in 2013. The opening track 'Ulysses,' sets the mood with uncompromising intensity and passion with serious low frequency tones and catchy synth drenched hooks. The dreamy and brooding 'Our Bodies' starts the B side and is a definite standout tracks. The wonderful and melancholy pop track 'Flying Lights' is also included on the LP and was previously featured on the lovely compilation Circuit D'Actes 3 on the French La Forme Lente imprint earlier this year. The relentlessly apocalyptic 'Cannibals' is yet another magnificent track worth mentioning here. For fans of EBM/synth-heavy industrial crossover, lovers of Cabaret Voltaire, Chris and Cosey, modern synth-wave and the like, these tracks will not disappoint. I/S has no fetishism for the old nor obsessions for the new, and they draw their inspiration in synth pop and surrealism. Presented on high-quality 180 gram ultra-clear heavyweight vinyl."
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MEDICAL 028LP
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"Medical Records is proud to release its first compilation LP. In association with Crispy Nuggets blog (http://crispynuggets.blogspot.com), we have carefully curated a collection of extremely rare and sought after singles and rare tracks. This compilation includes five complete A and B sides as well as two other tracks that only appeared on obscure compilations in the early '80s. The first two tracks are by UK's The Electronic Circus. Featuring Chris Payne (who also performed synth work on the iconic Pleasure Principle by none other than Gary Numan), the track 'Direct Lines' is pure synthpop perfection. The second featured artist is Boston's Psychic Youth who released one lone 7" in 1982. One of the members, Perry Geyer, was also a founding member of the industrial outfit Manufacture. "Step in Time" and "The Future Is Now" are both dense minimal synth hits that have been remastered by Mr. Geyer himself. Another excruciatingly rare 7" is the self-titled single by UK's Aaah...! 'Slip Away' and 'Duty Calls' further fit the bill for moody minimal synthpop greatness. Possibly even rarer is the Shazam single released in 1983 in the UK. Both tracks from the single are included here. The 2 wild card tracks if you will on the record are 'Panic in Your Mind' by N.A. Pop 2000 (UK) and 'Maske' by Berliner Strasse (Yugoslavia). Both tracks were plucked from rare wave compilations from the early '80s. The final single featured is the solo outing by Claude Arto from Mathematiques Modernes. Released in 1981 on Celluloid (France), the two tracks drip synthetic bloops and blips while being propelled by rhythmic electro sequences. A perfect closing of each side of the LP. This collection will certainly appeal to fans of the rare minimal synth culture, early stripped down synth pop, or anybody else who has wanted even one of these tracks on wax again as they are all quite rare. This reissue is presented on high-quality 180 gram splatter paint on transparent green vinyl."
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MEDICAL 024LP
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"Vortex was released in 1981 on Paul Nelson's own Optiman Systems Inc imprint. Nelson grew up around Portland and had a strong background in music and music theory. He built a PAIA synthesizer when he was in junior high and developed a keen intuition for analog synthesis. Eventually he purchased a MiniMoog and was very influenced by Alan Parsons, ELP, and ENO. Armed with more gear as time went on (Sequential Circuits 600 sequencer, Oberheim DS-2, etc), Paul was offered an opportunity to record his own album which led to the Recording Associates sessions during which Vortex was born. The LP was also half-speed mastered at JVC Studios in CA. 1000 copies were originally pressed and self-distributed by Paul. The opening track 'Automated Man,' which also happens to be the only track with vocals, is a slab of genuine electro greatness with its sharp synth hooks and vocoded vocals. The LP takes many twists and turns with many tracks of sequenced pulsations, electronic drums, and rhythms reminiscent of the sci-fi soundtracks mixed with a healthy dose of almost proggy space/cosmic disco crossed with later-age Tangerine Dream. 'Vortex 2' is a perfect example of the above description with imagery of a Blade Runner-esque chase scene meets Carpenter at his most upbeat. 'Labyrinth' takes more a more relaxed synth odyssey approach with slower percussion and a spacier vibe overall. The rest of side 2 'Vortex 3-4-5' is a magnificent build up of ambient soundscapes that morph into a slow cosmic burner and fades out again into the darkness to close the LP. All tracks have been restored and remastered by Paul Nelson for this release. For many years this LP could be found in the PNW in record bins but over the last decade, it has been become quite rare which has led to it fetching rather high prices on the collector's market. Medical Records is thrilled to introduce the world to this work of art again. For fans of library synth, sci-fi soundtracks, and other more sequenced electronic acts such as Tangerine Dream, Axxess, and minimal synth. This reissue is presented on high-quality 180 gram splatter paint on opaque white vinyl. Features exact reproduction of the front and infamous back covers."
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MEDICAL 023LP
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"Body 11 is/was the one-man project of Tim Stickelbrucks. Inspired by the late '70s/early '80s icons such as OMD, Human League, and Cabaret Voltaire, Tim wrote and recorded four songs in 1987 in his apartment and self-released the Mind 7" EP in 1988. Rather obscure at the time, the 7" gained cult status later in the 90s when collectors and word of mouth fans began seeking out copies of the record. Soon thereafter, the cost of obtaining an original skyrocketed on the collector's market. Medical Records is proud to reissue the Mind EP: four songs along with unreleased recordings created at the same time. The unreleased tracks were songs that were distributed only on cassette (to friends, etc) at the time. The tracks have been transferred from cassette and have been remastered by Jacob Jacobsen for this reissue. The LP embodies the essence of the EBM (electronic body music) subgenre that was prevalent in the late '80s. Though retaining a DIY/demo feel, the tracks have a warm synth/beat laced mood that will surprise and delight fans of this era who are not knowledgeable of Body 11. The opener 'Wasteland' definitely evokes a rougher/distorted vocal style over a sequenced Front 242 style rhythm with treated guitar highlights. 'Attack' is a dance floor cutter with industrial percussion and carefully accented synth leads and samples. The more hypnotic (but no less catchy) 'Hearts' is a slightly more emotional vocal style over popping synths and drum machine rhythms. The unreleased tracks seems to interface with the Mind EP songs seamlessly. Fans of early Nitzer Ebb, Front 242, late '80s industrial (Wax Trax, Nettwerk) and even early Skinny Puppy will find this collection essential. This is long overdue for reissue and presentation to the world. This reissue/collection is presented on high-quality 180 gram 'milky clear' vinyl. The jacket art was envisioned by Tim Stickelbrucks with inspiration from the original Mind EP front cover art. Features bonus insert with liner notes by Kurt B. Reighley. Limited edition."
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MEDICAL 022LP
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"Die Gesunden (translated to 'the healthy ones') was mostly the duo of Mabel Aschenneller and Eschi Rehm (who sadly passed away on November 12, 2008). They were also joined on drums by Thomas Wydler (who later became known for his membership in Nick Cave and the Bad Seeds). Taking influences from Kraftwerk, Roxy Music, and Eno/Bowie (who were coincidentally recording Low in Berlin at this time), Die Gesunden was one of the first Neue Deutsche Welle outfits. The self-titled LP was released in 1982 on Innovative Communication which was the independent record label formed by Klaus Schulze in 1978 after Klaus became very interested in the earliest Berlin Neue Deutsche Welle bands (such as Ideal, etc). Mabel was very involved in the Berlin scene such as promoting local gigs for the early Einstürzende Neubauten in 1981 and shows at the Exxcess club (with shows by the Cure amongst other bands in their infancy) which also inspired the birth of Die Gesunden. Die Gesunden did fairly well around Germany with one of the highlights being a tour in 1981 supporting DAF (Deutsche Amerikanische Freundschaft). The LP is a diverse collection of songs that display a jagged electronic quality showcased throughout with hints of power electronics mixed with synth pop. The opener 'Die Gesunden Kommen' is an upbeat track with bouncing synth leads atop treated percussion with whispered lyrics. The second track 'Leutnant Miller' displays some of the aforementioned power electronics harshness with pleasant electronic melodies and commanding vocals. 'Sometimes/Manchmal' is a slow and minimal track with emotional vocals and mutated synth parts with monotonous tones that are quite entrancing. Overall, the record is a very diverse listen and will surely appeal to fans of early Neue Deutsche Welle (early Der Plan) as well as proto-industrial and experimental new wave. At the same time, it is definitely one of a kind and has no record that it can be directly compared. Contains bonus track of cover of 'Waiting For My Man'. This reissue is presented on high-quality 180 gram opaque 'baby pink' vinyl. Features slight alteration and reinterpretation of the original front cover and redesigned back cover. Limited edition."
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MEDICAL 020LP
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"Medical Records presents a reissue of the very rare and sought after 1979 opus by Italy's I Signori Della Galassia. Iceman was released in 1979 and has been long out of print for over 30 years fetching very high prices on the collector's market. I Signori Della Galassia (translated as 'The Men of Galaxy') is best described as a sonic hybrid of space disco/cosmic meets Italian progressive pop/rock. They were founded in Savona in the late '70s. Played with analog gear such as a variety of synthesizers as well as traditional guitar and drums. It is a very rich and diverse LP with multiple interesting twists and turns. The opener 'Proxima Centauri' is a space disco odyssey with super-catchy synth melodies over driving disco beats mixed with hypnotic passages. The title track 'Iceman' is a fusion of Italian pop and space disco which makes for an interesting combination. Other tracks have a completely different feel with elements of prog and experimental rock overtones. 'Archeopterix' is another standout track with washing synths, warbling filters, and gentle backing vocals. The LP contains two bonus tracks (at the end of each side) which were released as singles at the time ('Luce' and 'Eliane'). The LP features preserved front cover artwork and slightly modified back cover original artwork (at the artist's request). This LP will surely appeal to lovers of Space, Rockets, Kraftwerk, Milkways, and Zodiac. Presented on 180 gram silver opaque, high-quality vinyl in a limited edition of 650 copies."
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MEDICAL 019LP
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"Medical Records in collaboration with Crispy Nuggets blog (http://crispynuggets.blogspot.com) is proud to present a compilation/reissue of the rare four song EP by Near Paris released in 1985 plus seven unreleased/unheard songs recorded during the same time. Near Paris hailed from Columbus, Ohio and was composed of Gerald F. Nelson and Dana Riashi. Gerald and Dana (in addition to Robert Crise) had previously made up the band Post Industrial Noise before they disbanded in 1983. By 1985, Near Paris was quite popular in the Columbus music scene and had opened for such bands as Section 25. They made a name for themselves as Columbus' only synth-driven pop duo and even won several local awards. They often played in art galleries as well as worked on original scores for local dance troupes and other art-related endeavors. They band released one long out of print 12" EP which is included on this LP. The EP contains excellent new wave tracks such as 'Visions' and 'Ceiling.' The seven unreleased tracks (hand-picked by Gerald and Dana) follow the same style of deep/moody club-based synthpop and were culled from cassettes which were restored and remastered specially for this vinyl release with outstanding end results. Other standout tracks from the unreleased numbers include 'Walk Like a Man' and 'Everything Will Change.' Sadly, just prior to completion of this project, Gerald passed away in October of 2012. This LP will appeal to fans of early/mid 80s synth/new wave. Presented on 180 gram oxblood, opaque, high-quality vinyl in a limited edition of 650 copies. Bonus insert included as well with bio/pics of Near Paris and memorial to late member Gerald F. Nelson."
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MEDICAL 017LP
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"Medical Records is proud to present the quintessential first album by Gina X Performance. Gina X Performance was composed of the charismatic Gina Kikoine (vocals/lyrics) along with famous German producer/musician Zeus B. Held and backing band. Released in 1978 on various labels including EMI, Nice Mover has been out of print on vinyl format since 1980. Zeus B. Held has previously worked with the band Birth Control and has recorded multiple solo albums as well. Nice Mover has been an internationally regarded electro/disco record with various tracks appearing on compilations throughout the years (e.g. Andrew Weatherall's Nine O'Clock Drop). The track 'No G.D.M.' (a tribute to famous gay actor/writer/personality) was a club hit on both sides of the Atlantic and remains a commonly heard track on better DJ sets to this very day. It is made up of an infectious slow driving disco-esque beat with perfectly aligned and arranged synth accompaniments. Gina's unmistakable and truly unique vocals and lyrics set this record apart from its contemporaries. Tackling controversial subject matter such as transgenderism, exhibitionism, and other fetishes, this record has left a deep mark on the history of new wave and electro/disco. The title track 'Nice Mover' is a cosmic sequenced synth hit and also has appeared on various compilations. The bouncing 'Be a Boy' is a high energy dancefloor cutter that illustrates the internal thought processes and daydreams of a female longing to become a male. 'Black Sheep' continues this theme and is a very catchy number with bonus sheep sounds to keep it interesting. The closing track 'Tropical Comic Strip' starts off with peaceful cricket samples and piano and builds into a bombastic production that is a fitting close to the record. Master recordings provided by Zeus B. Held and remastered by Lafayette Masters, Freiburg. Officially licensed from Mr. Held (KGBeat Productions) directly. This is a seminal work of electro/disco/wave and is essential for fans of late '70s wave-synth-disco crossover and the like. Original reproduction artwork is preserved on the front (one of the best record covers of the entire scene) and back. Presented on high quality 180 gram 'bone' colored vinyl in a limited edition pressing of 1000 hand-numbered copies. Includes bonus insert with liner notes and interview by Kurt B. Reighley."
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MEDICAL 018LP
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"Medical Records is very proud to present the much anticipated reissue of the seminal French synthpop classic Les Visiteurs Du Soir by Mathématiques Modernes. Released in 1981 on the famous Celluloid imprint, this masterpiece has been out of print since its initial pressing. Mathématiques Modernes was the project of keyboardist Claude Arto and vocalist/lyricist Edwige Braun-Belmore. Arto has also worked with French bands Artefact and Spions. Also, to note, the late French producer Jacno also worked on the Mathématiques Modernes record. This gem needs no introduction to the fans who have enjoyed the classics from this era. The record is a very diverse blend of new wave, almost progressive arrangement, baroque melodies, complex rhythmic structures, and plenty of so called 'cold wave' sprinkled in. The addition of horns was not a common finding during these times and is also represented on this eclectic record. Probably the most well known track, 'Disco Rough,' was a single as well as was later included on the popular comp, So Young But So Cold, Underground French Music 1977-1983 released in 2004 on Tigersushi Records. It is a staple in many DJ sets with its sassy lyrics and jagged synth hooks. The album features string arrangements which were somewhat unique to the new wave scene. Most notably, the track 'Jungle Hurt' displays the wonderful arrangements that interface well with the synth textures and percussion. The track 'A + B = C' has also been featured on various 'flexi-pop' comps and has a quirky melody accented by xylophone. The final track on the LP is an interesting medley of various tracks on the LP with interesting transitions. This LP has become very collectable for original copies and (when rarely found) is quite expensive. The original tape masters have been restored and remastered by Gilbert Castro of Celluloid Records. The sound quality is unparalleled. This project has been the collaboration between Mathématiques Modernes, Gilbert Castro, and Medical Records. The jacket features original reproduction artwork on the front and back. This record will surely need to make a mandatory arrival in the collections of fans of French new wave, early synthpop, and lovers of all things late '70s/early '80s. Presented on 180 gram grey opaque high-quality vinyl in a limited edition of 1000 hand-numbered copies. Bonus insert included as well with interview of Claude Arto by Dave Segal plus other interesting tidbits."
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2LP
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MEDICAL 016LP
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"Tony Carey needs no introduction, but for the uninitiated, he is a keyboard whiz originally from California. He is clearly most famous for his work as keyboardist in the 1970s band Rainbow (alongside Ritchie Blackmore and Ronnie James Dio) up to 1977. He then embarked on a solo career with multiple charting records under his own name. In the mid-late 1970's, he took up residence in Germany and began working in Peter Hauke's studio. Carey embarked on a period of intense experimentation and mastery of various studio equipment, songwriting, and the like. Influenced by what Tony referred to as 'euro-electronica,' the product of these enlightening sessions became Explorer, No Human, TCP, Heaven, and Yellow Power. Though both LPs have similar tracks, the overall mixes and feel of the two LPs are vastly different. Instrumental and very catchy, Explorer is more stripped down almost proto-techno meets synthed out Italo disco while Yellow Power has a more polished, well-rounded and produced sound with a different array of instrumentation and alteration in mood. Released in a sturdy gatefold jacket with 'montaged' new artwork on the front and back but preserved original covers in the inside of the gatefold, this is a gorgeous reissue. Released on double colored 160 gram vinyl (LP1 is green and LP2 is baby blue) in limited edition of 1000 hand-numbered copies. Release also includes a special bonus insert with a retrospective and interview by Dave Segal. Fans of proto-techno, early synth-based disco, and left-field wave/electronica will need this gem in their collection."
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7"
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MEDICAL 015EP
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"For the first 7" record released by Medical Records, we are proud to reissue the long lost and out of print 7" by Disco Volante. Disco Volante was essentially Terry Clarke (aka Terry Tanx) and formed in London in 1982. Inspired by the early Bond films and their soundtracks (Disco Volante was a yacht in Thunderball), Tanx played live in a number or small clubs between 1982-1986. Using a small number of Roland instruments (TB 303, TR 606, MC-202, and SH-09), Disco Volante self-released a cassette entitled Traction in Rehash, which is sadly lost. In 1984, the 7" single No Motion was released on Catalyst Box Records, with the title track as the A-side and 'Click' and 'Punishment Tank (Live)' as the B-sides. The track 'No Motion' is a very catchy, layered synthpop hit that is quite unique yet capturing the essence of the early 80s new wave sound very nicely. 'Click' on the b-side is a march-like track with propulsive synthetic bass textures and monotonous analog drum beats. The final track 'Punishment Tank (Live)' was recorded live at the Red Box, London with a punk feel and with intense, delayed vocals, guitar and overlayed synth hooks. Beyond out of print and sure to appeal to lovers of the DIY coldwave and synth 7" revival and resurrection. Limited edition of 500 hand-numbered copies."
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