|
|
|
|
viewing 1 To 25 of 81 items
Next >>
|
|
|
|
|
|
|
|
|
|
|
|
LP
|
|
OPT4 045LP
|
$28.00
PREORDER
RELEASE DATE: 8/19/2022
14 track vinyl version of the 2012 CD compilation. First time on vinyl. A swish compilation LP featuring fourteen of the most memorable songs in the career of the top-notch indie band The Hit Parade. Entitled Pick Of The Pops (Vol. 1), the LP collects together the most poignant moments in the career of The Hit Parade and includes their thoughtful recording for Sarah Records, In Gunnersbury Park (1991), their tubthumping single for Minty Fresh USA, Hitomi (1993), as well as other cuts, both cheerful and desolate in style, that feature Cath Carroll (Factory Records), Amelia Fletcher (Heavenly, Talulah Gosh), and Harvey Williams (Another Sunny Day, The Field Mice). The Hit Parade was formed by Julian Henry with his school friends Matt Moffatt and Raymond Watts in 1984 when they released their first single "Forever" on JSH Records. Since then, they've clung to the sensibilities of pure pop and have become a curiosity item with their retro attitudes and songs about dead writers, disused swimming pools, and failed love affairs. Their early vinyl singles were lauded by John Peel, the NME, and Melody Maker, the now defunct weekly paper that published Julian Henry's writing. In the 1990s, the band toured alongside Edwyn Collins, The Milkshakes, and Sarah Records notables, and signed to Japanese and US labels, releasing a sequence of albums that have since become collectible. Pale blue vinyl; includes printed lyric inner sleeve, poster, and postcard.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OPT4 051LP
|
$35.00
PREORDER
RELEASE DATE: 8/12/2022
Originally released in 1983, this rewarding record acted as a round-up of the Monochrome Set's career to date and was of immeasurable value to fans. It's aged well, too. Comprising of A and B sides from their Rough Trade released singles plus extracts from sessions for Radio 1, Capital Radio, and EMI Records, this LP contains unique versions of such classic tracks as "The Jet Set Junta" and "He's Frank (Slight Return)". Oddities and jocular moments run through the album, including John Peel introducing " Fat Fun" and thinking aloud that those Monochrome boys might be having a pop at him. The fact that it includes a wish list of the band's best songs to this point in their career is another reason to recommend it. Previously they may have made a handful of slightly-off-target albums, but this 1983 compilation is a front-to-back joy, fast, restless and perfectly sequenced. It plays like a cohesive album. Includes two bonus tracks from the February 1979 Peel Session: "Love Goes Down The Drain" and "Noise (Eine Kleine Symphonie)". Clear vinyl with black, blue, and white splatter; comes in embossed gloss laminated gatefold sleeve with lyrics and printed inner sleeve.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
OPT4 048LP
|
$43.50
PREORDER
RELEASE DATE: 8/12/2022
Deluxe reissue of their 1989 sophomore album. Completely remastered. In 1989, while the musical world was fêting serial-killer worshipping noise bands, white boys with dreadlocks and the first glimmers of techno, one band -- The Wolfhounds -- was describing the times and the country exactly as they were. Or at least as they saw it. Well, not exactly. Formed as a frantic noisy fusion of sixties garage and independent post-punk in Romford in 1984, by 1986 it was the band's misfortunate to be corralled with the jangly and quirky bands of the era-defining C86 tape, given away free with the NME that year. The frustration of being lumped with the lumpen was already spilling over into a heightened creativity that would see the band release three LPs in 18 months, the first and perhaps most fully realized of which was Bright & Guilty. The band's sense of melody saw three singles taken off it, and all received plentiful radio play that resulted in enthusiastic audience responses when the band toured with My Bloody Valentine and the House of Love shortly after the LP came out. This renewed attention also saw them being threatened with legal action by the food company satirically targeted by one of the singles -- "Happy Shopper". The band's magpie listening habits also saw the first glimmers of an interest in sampling with the track "Cottonmouth", hip-hop in the drum rhythms of "Invisible People" and "Son of Nothing", discordant post-hardcore in non-specific song and even percussive hints of Tom Waits's Rain Dogs in Charterhouse. The album's lyrical themes have sustained the relevance of these 30-something year-old songs. The dictatorship of the class system over the economy is touched on in "Charterhouse", the unfairness of housing policy in "Rent Act" and "Red Tape Red Light", the desperation of not having enough money to even seek employment in "Useless Second Cousin". But there is contemplation and mystery, too: "Ropeswing"'s nostalgia for pre-teen childhood, "Invisible People"'s detailing of intangible weaknesses. Of all their peers, The Wolfhounds post-C86 output stands up straight and proud, and you'll find echoes of their sound in Fontaines DC, Idles, and many others -- but not performed with the brashness, vigor and uniqueness of the originals. Original LP with bonus disc with all the A and B sides, some compilation tracks and an outtake. Gatefold sleeve; pale blue vinyl; includes 12-page booklet containing previously unpublished lyrics and tons of contemporary reviews and photos.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 309EP
|
$14.50
PREORDER
RELEASE DATE: 7/29/2022
Part of the Optic Sevens 3.0 Reissue Series. Originally released on the Sub Aqua label in 1988. It appears here on 7" for the first time. This is a previously unreleased version of "Back Between Places". The band were never really happy with the original single release and having discovered the master tape of a superior version, it is to be mixed and released here for the very first time. Both tracks were recorded at Greenhouse Studios at the same one-day session in August '88 and are technically unreleased. "Back Between Places" is an alternate mix made at the time and better than the one we chose to release. "Violin" is a completely unreleased recording. It was planned as the original B-side but ended up being replaced by two early recordings "Her Fathers Son" and "Precious Diamond Tears" on the actual 12" release. "Violin" was recorded a few months later at Scruttocks along with "Freeze Out", "Vibrato", and a couple of others that have appeared on the Hotrod Hotel LP. Limited 7" white vinyl. Includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 404EP
|
Part of The Optic Sevens 4.0 reissue series. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars), and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, "Event To Come", was produced by Postcard Records' Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell's Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, The Only Fun In Town, after which Article 58 recorded tracks for an as-yet unreleased album. One track, "Reflection", did surface on a cassette/zine product (Irrational) released by Rational Records. However, the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. "Event To Come" was to be the only single released by Article 58. The B side, "Icon", is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label. Red vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 412EP
|
$14.50
PREORDER
RELEASE DATE: 7/8/2022
Part of the Optic Sevens 4.0 Reissue series. Written by a 15-year-old Etta Saunders and released in 1981 on Choo Choo Train Records as a one off by members of The 49 Americans and included Oisin Little of The Weather Prophets. There were no gigs, no sessions and there are no other recordings. These two tracks represent the full discography. The original is sought after by collectors. If you can find a copy expect to pay around the £70 mark. Green vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 411EP
|
$14.50
PREORDER
RELEASE DATE: 7/8/2022
Part of the Optic Sevens 4.0 Reissue series. Before the term "indie pop" had even been invented, The Chefs had already nailed it. Formed by Carl Evans and Helen McCookerybook, they first appeared on the Vaultage 79 compilation before releasing two singles for the Brighton based Attrix Records. They recorded two sessions for the John Peel Show and one for Richard Skinner briefly changing their name to Skat and then disbanding. Helen went onto success and a major label deal with Helen And The Horns. Yellow vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 409EP
|
$14.50
PREORDER
RELEASE DATE: 7/8/2022
Part of the Optic Sevens 4.0 Reissue series. Edward Ball was a member of cult band The Television Personalities alongside his school friend Dan Treacy before leaving to concentrate on The Times. "I Helped Patrick McGoohan Escape" (inspired by cult TV series The Prisoner) is probably the best-known track from them, originally released on the Artpop! label in 1982. The second single from The Times reissued here with an extra track from the 12" (released a year later in 1983). Optic Nerve have also decided to use the same sleeve that was used for the original 12". White vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 410EP
|
$14.50
PREORDER
RELEASE DATE: 7/1/2022
Part of the Optic Sevens 4.0 Reissue series. Dolly Mixture were as instrumental in the founding of indie-pop as Orange Juice and The Pastels. The Cambridge three-piece, comprising bassist/vocalist Debsey Wykes, guitarist Rachel Bor, and drummer Hester Smith released just four singles, an EP and an album in their six-year life span; but they revealed a remarkable gift for songwriting and a keen sense of adventure and set the template for every female indie band since. The third single from Dolly Mixture is a perfect mod-pop affair. Co- produced by Captain Sensible and originally released on Paul Weller's Respond label. Magenta vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 407EP
|
$14.50
PREORDER
RELEASE DATE: 6/10/2022
Part of The Optic Sevens 4.0 reissue series. Colin Vearncombe may be forever associated with the worldwide hit "Wonderful Life" but six years earlier Black released this incredible single. Evocative of The Smiths (although this was released years earlier) it contains all the elements of a classic indie single. White vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 408EP
|
$14.50
PREORDER
RELEASE DATE: 6/10/2022
Part of The Optic Sevens 4.0 reissue series. The Wake formed in Glasgow (Scotland) in April 1981, after singer/guitarist Caesar teamed up with drummer Steven Allen and a bassist, Joe Donnelly. Previously Caesar had played guitar in Altered Images, writing first single Dead Pop Stars and appearing on the first two John Peel sessions, but left the group shortly before they crashed into the mainstream pop charts with "Happy Birthday". With few opportunities to play large live shows the new group financed a single on their own Scan 45 label, coupling upbeat indie pop number "On Our Honeymoon" with "Give Up", a darker song featuring a keyboard line picked out by band friend Robert "Bobby" Gillespie. White vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 403EP
|
Part of The Optic Sevens 4.0 reissue series. Two brief years at the dawn of the 1980s Josef K provided iconic Scots indie label Postcard Records with its sharpest cutting edge. Although outlived -- and outsold -- by labelmates Orange Juice and Aztec Camera, Josef K perfected a prescient blend of skinny funk and leftfield pop, an artful combination of style and substance that continues to exert an influence out of all proportion to the brevity of their career. When Les Disque Du Crépuscule issued "Sorry For Laughing" on single in April 1981 it was widely hailed as the group's best offering to date, and established the definitive Jokay style of looping rhythms paired with incisive, angular guitar. Like Postcard itself, the best band in Edinburgh might have had the lifespan of a mayfly, yet they remain a revered icon of an indie golden age. Yellow vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 401EP
|
Part of The Optic Sevens 4.0 reissue series. The Bluebells have dug deep into their archive to give Optic Nerve the earliest recordings of these tracks, which have never been released before and are exclusive to this 7" "Everybody's Somebody's Fool" is longer and more vibrant containing an extra verse and guitar solo which are not on previous versions. This is the closest recording to the one that was originally intended to be released on Postcard in 1981. The sleeve, designed by Bobby Bluebell features two of the earliest photos of the band. The Bluebells were formed by songwriter/guitarist Robert Hodgens, aka Bobby Bluebell, in 1980. When deciding to form a group to start performing his songs, Hodgens remembered two punk musicians from Bothwell (brothers Ken and David McCluskey) he had interviewed for his fanzine, 10 Commandments. David (drums/backing vocals) and Ken (vocals/harmonica) joined Robert and The Bluebells started performing live in and around Glasgow. The Bluebells were soon involved in the burgeoning scene coalescing around Postcard Records in Glasgow, and it wasn't long before The Bluebells were sharing stages throughout the UK with some of the Postcard groups. A single ("Everybody's Somebody's Fool") was scheduled for release on Postcard, however after appearing on the front page on Melody Maker and in NME/Sounds etc., major record companies started making serious offers to sign the group. The Bluebells appeared on BBC music program The Old Grey Whistle Test, the first unsigned group to do so, and it wasn't long after this television appearance that the group signed a major record contract with London Records. The Bluebells were soon in the studio working on songs for their debut album, with Elvis Costello producing. Their fourth single "I'm Falling" resulted in commercial success, chart success, and appearances on Top of the Pops. The Bluebells released their debut album, Sisters, in 1984 to further commercial chart success, which was continued when their next single, "Young At Heart", gave the group their second big hit single. However, when "Young At Heart" was reissued in 1993, it reached number 1 in the chart for a month, making The Bluebells regular fixtures on Top Of The Pops. Blue vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 402EP
|
Part of The Optic Sevens 4.0 reissue series. Formed in post-Postcard Glasgow as Popgun, Kevin McDermott (vocals/guitar), Davie McCormick (drums), and Ross Drummond (bass/vocals) were joined by Roddy Johnson (guitar/vocals). In 1983, they changed their name to The Suede Crocodiles and released "Stop The Rain" on the NoStrings Records label. "Single of the Week" in both NME and Melody Maker, this jagged-edged, spiky pop-punk single caught the ear of many. The Suede Crocodiles went on to tour the UK with Nick Heyward. The band split before releasing their second single, "Paint Yourself A Rainbow" with songwriter and lead vocalist Kevin McDermott going on to form the Kevin McDermott Orchestra and having a successful solo career. Blue vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 406EP
|
$14.50
PREORDER
RELEASE DATE: 5/27/2022
Part of The Optic Sevens 4.0 reissue series. The Monochrome Set were something of the unsung heroes of the post-punk world; they fitted into absolutely no category whatsoever and their puckish take on spaghetti western soundtracks meets lounge jazz via the twisted lyrical imagery of vocalist Bid was as singular as it was unique. Comprising a couple of ex-Ants in Andy Warren and Lester Square, with singer/guitarist Bid and drummer JD Haney, their filmic, playful material found favor with many, including John Peel although they failed to match this with commercial success. "The Jet Set Junta" was originally released on Cherry Red in 1983 with its urgent, ringing guitars surrounding Bid's lyrics telling of dodgy arms dealings and armored limos as Lester Square's Ennio Morricone twang bends and reverb as a counterpoint. Red vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 405EP
|
$14.50
PREORDER
RELEASE DATE: 5/27/2022
Part of The Optic Sevens 4.0 reissue series. This version is a brand new band approved stereo mix of the only single by Liverpool cult legends The Wild Swans. Due to studio inexperience, the single originally ended up being perhaps the only 12" in history with the A-side recorded in mono and the B-side, "God Forbid", in stereo. Despite this, the 12" received rave reviews, becoming single of the week in numerous music papers. John Peel played it to death and it quickly gained cult status by ending up as the last record ever released on Bill Drummond's cult label Zoo Records (Drummond himself went on to proclaim it "the best single we put out on Zoo"). Blue vinyl; includes postcard and poster.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
CD
|
|
OPT4 044CD
|
Live radio broadcast recording of their 1991 concert from the legendary Quartier Latin Club during The Berlin Independence Days. This broadcast captures BOB at the peak of their powers. Includes tracks from their Indie Top 10 album Leave The Straight Life Behind, singles, and the previously unreleased "You Can Stop That For A Start". When BOB hit the stage at the legendary Quartier Latin club during the Berlin Independence Days on October 21, 1991, they were talking loud and saying something. BOB had been touring relentlessly for five years, all over the UK and Europe. Headlining their own shows and supporting some of the biggest names in indie rock, this gig was something else. It couldn't have happened in any other place, or, at any other time. In Berlin, the wall had come down two years previous. Things were changing. There was a freedom of movement, unknown for many decades. You could grasp the spirit of creativity. In London, the underground indie scene of the mid to late '80s was being replaced by the corporate music marketing machine they called Britpop. With this recording, a milestone moment of this time is captured.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OPT4 044LP
|
Live radio broadcast recording of their 1991 concert from the legendary Quartier Latin Club during The Berlin Independence Days. Includes tracks from their indie top 10 album Leave The Straight Life Behind, singles, and the previously unreleased "You Can Stop That For A Start". When BOB hit the stage at the legendary Quartier Latin club during the Berlin Independence Days on October 21 1991, they were talking loud and saying something. BOB had been touring relentlessly for five years. All over the UK and Europe. Headlining their own shows and supporting some of the biggest names in indie rock, but this gig was something else. It couldn't have happened in any other place, or, at any other time. In Berlin, the wall had come down two years previous. Things were changing. There was a freedom of movement, unknown for many decades. You could grasp the spirit of creativity. In London, the underground indie scene of the mid to late '80s was being replaced by the corporate music marketing machine they called Britpop. On this recording we capture a milestone moment of this time. Includes double-sided A3 poster; edition of 300.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2LP
|
|
OPT4 029LP
|
Double LP version. Color vinyl; Disc one is purple, disc 2 is gold. Optic Nerve present Sorted! including first time reissues of Party Day's critically acclaimed and highly sought-after debut album Glasshouse from 1985 and the 1986 follow-up Simplicity. Including all tracks from the singles and EP's, plus unreleased recordings. Party Day, with their bass led rhythms and sharp powerful drums gigged extensively and released their debut single "Row The Boat Ashore" in 1983. Their brand of post-punk indie rock with Gothic overtones soon got the attention of DJ John Peel and sold out almost immediately. The follow up single "Spider" from 1984 again received extensive airplay from John Peel and received rave reviews from the national music press. Their self-released debut album Glasshouse was released in 1985 to glowing reviews and has gained popularity over the years. Now very collectable, it exchanges hands for big money on the second-hand market. The Glasshouse EP followed later in '85 heralding a more commercial approach and widening appeal. Their second album Simplicity was released in 1986.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
LP
|
|
OPT4 043LP
|
The legendary session from members of The Outsiders, The Sound, and Honolulu Mountain Daffodils. Released for the very first time. Overseen by Adrian Janes and remastered by Nick Robbins. In December 1978 Pete Williams, later to achieve cult infamy as Lord Sulaco of the Honolulu Mountain Daffodils, decided to realize a notion which he'd long kicked around with some of his musician friends. This was to record some original songs for which he -- who had never been in a studio in his life -- would provide the lyrics and sing. These friends were the Outsiders, at that time consisting of Adrian Borland (guitar, vocals), Graham Bailey (bass), and Adrian Janes (drums), plus an increasingly regular guest player in Bi Marshall (clarinet). A year later, Janes having left, the Outsiders became the Sound. With no prior preparation other than Williams writing a set of lyrics (reputedly all based on newspaper stories), he then hired Elephant Studio in London for a day's session. This was engineered by Nick Robbins, later to produce the Sound among others, but at that point at the very start of his career. This was no bad thing, since he was as open to the bizarre working methods of the Crazies (named after the George Romero sci-fi horror film) as they were innocent of their strangeness: improvise a song during one run-through, record it, and then move on to the next one, each to be created in the same way. This extremely efficient method left enough studio time after recording six songs for the rest to head off for something to eat, while Williams scribbled lyrics for a final composition, "When We're Dead", which was recorded upon their return. The surviving members (Bailey, Marshall, and Janes) all recall this as one of the most enjoyable and relaxed sessions they were ever part of. The same experimental freedom and warped humor can also be heard in the albums Williams and Borland made as the Honolulu Mountain Daffodils a decade later. Cassette copies of the resulting album were produced for all concerned, and it seems that there was an idea of making it more widely available in this format, but this was never to occur. It is only now that, with the original tape rediscovered, that the Crazies' "A Simple Vision", mastered by Nick Robbins, can at last be perceived by the wider world. Color vinyl.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2CD
|
|
OPT4 029CD
|
Optic Nerve present Sorted! including first time reissues of Party Day's critically acclaimed and highly sought-after debut album Glasshouse from 1985 and the 1986 follow-up Simplicity. Including all tracks from the singles and EP's, plus unreleased recordings. Party Day, with their bass led rhythms and sharp powerful drums gigged extensively and released their debut single "Row The Boat Ashore" in 1983. Their brand of post-punk indie rock with Gothic overtones soon got the attention of DJ John Peel and sold out almost immediately. The follow up single "Spider" from 1984 again received extensive airplay from John Peel and received rave reviews from the national music press. Their self-released debut album Glasshouse was released in 1985 to glowing reviews and has gained popularity over the years. Now very collectable, it exchanges hands for big money on the second-hand market. The Glasshouse EP followed later in '85 heralding a more commercial approach and widening appeal. Their second album Simplicity was released in 1986.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 312EP
|
Three-track 7" strictly limited half blue/half yellow vinyl; includes postcard and poster. Part of the Optic Sevens 3.0 reissue series. Chin-Chin, an all-female group consisting of Karin (guitar/vocals), Esther (bass/vocals) and Marie-Anne (drums/vocals) was formed in 1982 in Biel, Switzerland. Originally released in 1986 on 53rd & 3rd, these three tracks make their first appearance on 7".
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 311EP
|
Two-track 7" strictly limited translucent lime color vinyl; includes postcard and poster. Part of the Optic Sevens 3.0 reissue series. In 1980 post punk pop indie band Girls At Our Best came out of nowhere (Well, Leeds actually) with "Getting Nowhere Fast" and was the NME's Single Of The Week reaching the Top 10 of the indie chart. The band, fronted by Judy Evans, released four further singles plus the album Pleasure which reached the UK album charts in 1981, before splitting up two years after this debut.
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
7"
|
|
ON 307EP
|
Four-track 7" strictly limited white vinyl with red splatter; includes postcard and poster. Part of the Optic Sevens 3.0 reissue series. Appearing for the first time on an officially released 7" the John Parish produced Sunshine Thuggery EP (1988), caught the ear of John Peel who invited the band to record a session for his program. Peel commented "the woman who's in charge of the band has a terrific way with words in almost the manner of Morrissey. There are lines in here which make me laugh out loud."
|
|
|
Artist |
Title |
Format |
Label |
Catalog # |
|
|
2X7"
|
|
ON 306EP
|
Formed in Olympia, Washington in 1982 by Calvin Johnson, Heather Lewis, and Bret Lunsford. This four-track single was originally released in 1987 on 53rd & 3rd Records and appears here for the first time on 7". Limited four-track double 7" in gatefold sleeve; yellow vinyl; includes postcard and poster.
|
viewing 1 To 25 of 81 items
Next >>
|
|